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            <title>Sketches in Prose and Poetry : electronic version.</title>
            <author>Head, Catherine.</author>
            <respStmt TEIform="respStmt">
               <resp>Electronic text encoded by</resp>
               <name reg="Rios, Leigh">Leigh Rios</name>
            </respStmt>
         </titleStmt>
         <editionStmt TEIform="editionStmt">
            <edition>Electronic edition</edition>
         </editionStmt>
         <extent>450Kb</extent>
         <publicationStmt TEIform="publicationStmt">
            <publisher>University of California, Davis, General Library, Digital Initiatives Program</publisher>
            <pubPlace TEIform="pubPlace">Davis, Calif.</pubPlace>
            <date value="2007">2007</date>
            <idno type="ARK"/>
            <idno type="LOCAL">headcsketc</idno>
            <availability>
               <p>Copyright ©2007, University of California</p>
               <p>This edition is the property of the editors.  It may be copied freely by individuals for personal use, research, and teaching (including distribution to classes) as long as this statement of availability is included in the text.  It may be linked to by internet editions of all kinds.</p>
               <p>Scholars interested in changing or adding to these texts by, for example, creating a new edition of the text (electronically or in print) with substantive editorial changes, may do so with the permission of the publisher.  This is the case whether the new publication will be made available at a cost or free of charge.</p>
               <p>
                  <hi rend="italic">This text may not be not be reproduced as a commercial or non-profit product, in print or from an information server.</hi>
               </p>
            </availability>
         </publicationStmt>
         <seriesStmt TEIform="seriesStmt">
            <title>Davis British Women Romantic Poets Series</title>
            <idno type="LOCAL">152</idno>
            <respStmt TEIform="respStmt">
               <resp>Managing Editor</resp>
               <name reg="Payne, Charlotte">Charlotte Payne</name>
               <resp>Founding Editor</resp>
               <name reg="Kushigian, Nancy">Nancy Kushigian</name>
            </respStmt>
         </seriesStmt>
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            <biblFull TEIform="biblFull">
               <titleStmt TEIform="titleStmt">
                  <title>Sketches in prose and poetry.</title>
                  <author>Head, Catherine.</author>
                  <respStmt TEIform="respStmt">
                     <resp>by</resp>
                     <name>K. H.</name>
                  </respStmt>
               </titleStmt>
               <publicationStmt TEIform="publicationStmt">
                  <publisher>Smith, Elder and Co.</publisher>
                  <pubPlace TEIform="pubPlace">London</pubPlace>
                  <date value="1837">1837</date>
               </publicationStmt>
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         <projectDesc TEIform="projectDesc">
            <p>This text was scanned from its original in the Shields Library Kohler Collection, University of California, Davis, Kohler I Suppl:431.  Another copy available on microfilm as Kohler I Suppl:431mf.</p>
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         <editorialDecl TEIform="editorialDecl">
            <p>All poems, line groups, and lines are represented. All material originally typeset has been preserved with the exception of original prose line breaks and line-end hyphens (except in headings and title pages), running heads, signature markings, smallcaps, and decorative typographical elements.  Page numbers and page breaks have been preserved.  The long "s" is displayed as a standard "s". Pencilled annotations and other damage to the text have not been preserved.</p>
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            <language id="fre">French</language>
            <language id="ita">Italian</language>
            <language id="lat">Latin</language>
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         <change>
            <date value="2007-10-19">October 19, 2007</date>
            <respStmt TEIform="respStmt">
               <name reg="Payne, Charlotte">Charlotte Payne</name>
               <resp>ed.</resp>
            </respStmt>
            <item>Proofed and entered final corrections.</item>
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   <text id="d0e98">
      <front>
         <titlePage TEIform="titlePage">
            <pb id="pi" n="[i]"/>
            <docTitle TEIform="docTitle">
               <titlePart type="main" TEIform="titlePart">
                  <figure id="headcsketc1" rend="block">
                     <p>[Title Page]</p>
                  </figure>SKETCHES<lb/>IN<lb/>PROSE AND POETRY;</titlePart>
            </docTitle>
            <byline>BY<lb/>
               <docAuthor TEIform="docAuthor">K. H.</docAuthor>
            </byline>
            <epigraph>
               <q direct="unspecified">
                  <lg type="fragment">
                     <l rend="indent4">THUS VARIED IS LIFE'S CHANGING SCENE,</l>
                     <l rend="indent4">JOY, GRIEF AND PAIN, ALTERNATE SWAY;</l>
                     <l rend="indent4">THEN MAY THESE TRIFLES INTERVENE</l>
                     <l rend="indent4">TO CHASE ONE CLOUD OF CARE AWAY.</l>
                  </lg>
               </q>
            </epigraph>
            <docImprint TEIform="docImprint">
               <pubPlace TEIform="pubPlace">LONDON:</pubPlace>
               <lb/>
               <publisher>SMITH, ELDER AND CO. CORNHILL.</publisher>
               <lb/>
               <docDate value="1837" TEIform="docDate">MDCCCXXXVII.</docDate>
               <pb id="pii" n="[ii]"/>PRINTED BY GEORGE SMITH, LIVERPOOL.</docImprint>
         </titlePage>
         <div1 type="dedication" id="d0e139">
            <pb id="piii" n="[iii]"/>
            <head type="main">TO<lb/>MRS. MUSPRATT,<lb/>THIS LITTLE VOLUME IS DEDICATED,<lb/>AS A<lb/>TRIFLING MARK OF<lb/>RESPECT AND AFFECTION,<lb/>BY HER<lb/>OBLIGED AND ATTACHED FRIEND,</head>
            <p/>
            <closer>
               <signed>KATHARINE HEAD.</signed>
               <lb/>
               <dateline>KIRKDALE, LIVERPOOL, <date value="1837">1837.</date>
               </dateline>
            </closer>
            <pb id="piv" n="[iv]"/>
         </div1>
         <div1 type="preface" id="d0e167">
            <pb id="pv" n="[v]"/>
            <head type="main">PREFACE.</head>
            <p>IN launching her little bark on the tide of public
opinion, the Author naturally, as a Sailor's Wife,
feels anxious for its protection and prosperity,
hoping it may not be exposed too severely to the
gales of disapprobation, the whirlwind of criticism.
or the wreck of oblivion, but proceed calmly on its
voyage, wafted by the breeze of public favour.</p>
            <p>In one of many resources to divert the mind in
hours of loneliness, these Sketches were composed,
from memory and observation, on the impulse of
the moment, grave or gay, as whim, caprice, or
reflection dictated, without any idea of their ever
assuming the present form; therefore, for all inaccuracies or imperfections, the Author solicits the
indulgence of her readers. Disclaiming all pretension
to literature, there is a satisfaction in knowing,
that the time expended on this Little Work has not<pb id="pvi" n="vi"/>
interfered with any domestic comfort, the occupations
of home, or the respective observances of friendship;
nor will that time be considered misapplied, if these
pages convey in reading, only half the pleasure there
has been in the writing.</p>
            <p>The present opportunity must not be omitted of
returning thanks to the distinguished nobility, gentry,
and numerous literary friends who have, by the
honour of their names, given such very liberal encouragement to the Author, in this endeavour to contribute to their amusement, and should not these
sketches of Prose and Poetry find favour with
strangers, there is still reserved the gratifying assurance, that they will be retained as a memento of affection and respect by those who induced their
publication, when the hand which traced them may
be no more.</p>
            <closer>
               <dateline>KIRKDALE, LIVERPOOL, <date value="1837">1837.</date>
               </dateline>
            </closer>
         </div1>
         <div1 type="contents" id="d0e184">
            <pb id="pvii" n="[vii]"/>
            <head type="main">CONTENTS.</head>
            <list type="simple">
               <item>SEAMEN'S WIVES <ref rend="align right" type="pageref" target="p1">1</ref>
               </item>
               <item>TO THE SEA <ref rend="align right" type="pageref" target="p8">8</ref>
               </item>
               <item>THE MYSTERIOUS VOCALIST <ref rend="align right" type="pageref" target="p9">9</ref>
               </item>
               <item>TO IANTHE <ref rend="align right" type="pageref" target="p17">17</ref>
               </item>
               <item>ON HEARING A FAVOURITE AIR <ref rend="align right" type="pageref" target="p18">18</ref>
               </item>
               <item>TOWN AND COUNTRY—ARMY AND NAVY <ref rend="align right" type="pageref" target="p20">20</ref>
               </item>
               <item>MY ENGLISH HOME <ref rend="align right" type="pageref" target="p23">23</ref>
               </item>
               <item>BRITISH MERCHANTS <ref rend="align right" type="pageref" target="p25">25</ref>
               </item>
               <item>PIC-NIC PARTIES ON THE SOD <ref rend="align right" type="pageref" target="p32">32</ref>
               </item>
               <item>HOME EVERY WHERE <ref rend="align right" type="pageref" target="p38">38</ref>
               </item>
               <item>THE GREENWICH PENSIONERS <ref rend="align right" type="pageref" target="p39">39</ref>
               </item>
               <item>TIME'S CHANGES <ref rend="align right" type="pageref" target="p54">54</ref>
               </item>
               <item>THE IRISH EMIGRANTS <ref rend="align right" type="pageref" target="p55">55</ref>
               </item>
               <item>ADIEU <ref rend="align right" type="pageref" target="p59">59</ref>
               </item>
               <item>THE IRISH ABSENTEE <ref rend="align right" type="pageref" target="p60">60</ref>
               </item>
               <item>THE LOST KEEPSAKE <ref rend="align right" type="pageref" target="p61">61</ref>
               </item>
               <item>ON A PRESENT OF A RING <ref rend="align right" type="pageref" target="p68">68</ref>
               </item>
               <item>TO THE WIND <ref rend="align right" type="pageref" target="p69">69</ref>
               </item>
               <item>THE ANNIVERSARY <ref rend="align right" type="pageref" target="p70">70</ref>
               </item>
               <item>THE NARROW ESCAPE <ref rend="align right" type="pageref" target="p71">71</ref>
               </item>
               <item>SPRING <ref rend="align right" type="pageref" target="p76">76</ref>
               </item>
               <item>THE RIVER MERSEY  <ref rend="align right" type="pageref" target="p77">77</ref>
               </item>
               <item>TO THE MOON <ref rend="align right" type="pageref" target="p79">79</ref>
               </item>
               <pb id="pviii" n="viii"/>
               <item>IRISH HOSPITALITY <ref rend="align right" type="pageref" target="p80">80</ref>
               </item>
               <item>SONG OF THE BLIND HARPER <ref rend="align right" type="pageref" target="p91">91</ref>
               </item>
               <item>THE SEQUEL TO IRISH HOSPITALITY <ref rend="align right" type="pageref" target="p92">92</ref>
               </item>
               <item>THE THREE CHARMS <ref rend="align right" type="pageref" target="p100">100</ref>
               </item>
               <item>TO——, <ref rend="align right" type="pageref" target="p101">101</ref>
               </item>
               <item>THE ROSE OF ROSTREVOR <ref rend="align right" type="pageref" target="p102">102</ref>
               </item>
               <item>THE MOTHER'S HOPE <ref rend="align right" type="pageref" target="p103">103</ref>
               </item>
               <item>ON THE DEATH MRS. HEMANS <ref rend="align right" type="pageref" target="p105">105</ref>
               </item>
               <item>ABSENCE <ref rend="align right" type="pageref" target="p106">106</ref>
               </item>
               <item>WILL BLOUNT'S ACCOUNT OF THE CHINESE <ref rend="align right" type="pageref" target="p107">107</ref>
               </item>
               <item>MY OWN FIRESIDE <ref rend="align right" type="pageref" target="p115">115</ref>
               </item>
               <item>IRISH CABINS AND THEIR COMFORTS <ref rend="align right" type="pageref" target="p115">115</ref>
               </item>
               <item>ON FINDING A WORM IN A DULL BOOK <ref rend="align right" type="pageref" target="p122">122</ref>
               </item>
               <item>FAREWELL TO ERIN <sic corr="123">
                     <ref rend="align right" type="pageref" target="p123">122</ref>
                  </sic>
               </item>
               <item>TO ——,  <sic corr="125">
                   <ref rend="align right" type="pageref" target="p125">123</ref>
                   </sic>
               </item>
               <item>WOMAN'S LOVE <ref rend="align right" type="pageref" target="p126">126</ref>
               </item>
               <item>HOME <ref rend="align right" type="pageref" target="p130">130</ref>
               </item>
               <item>THE IRISH ADVENTURE <ref rend="align right" type="pageref" target="p131">131</ref>
               </item>
               <item>TO THE MEMBERS OF THE BRITISH ASSOCIATION <ref rend="align right" type="pageref" target="p138">138</ref>
               </item>
               <item>AUTOGRAPHS <ref rend="align right" type="pageref" target="p139">139</ref>
               </item>
               <item>TO A FRIEND <ref rend="align right" type="pageref" target="p143">143</ref>
               </item>
               <item>THE SABBATH DAY AT SEA  <ref rend="align right" type="pageref" target="p144">144</ref>
               </item>
               <item>PROSPERITY AND ADVERSITY <ref rend="align right" type="pageref" target="p145">145</ref>
               </item>
               <item>MIDNIGHT MUSINGS <ref rend="align right" type="pageref" target="p151">151</ref>
               </item>
               <item>DREAMS <ref rend="align right" type="pageref" target="p152">152</ref>
               </item>
               <item>IRISH BEGGARS <ref rend="align right" type="pageref" target="p153">153</ref>
               </item>
               <item>BALLAD  <ref rend="align right" type="pageref" target="p165">165</ref>
               </item>
               <item>HARVEST HOME <ref rend="align right" type="pageref" target="p166">166</ref>
               </item>
               <item>THE QUESTIONER <ref rend="align right" type="pageref" target="p172">172</ref>
               </item>
               <item>AN IRISH WEDDING <ref rend="align right" type="pageref" target="p174">174</ref>
               </item>
               <pb id="pix" n="ix"/>
               <item>MONODY <ref rend="align right" type="pageref" target="p180">180</ref>
               </item>
               <item>FLOWERS <ref rend="align right" type="pageref" target="p181">181</ref>
               </item>
               <item>WELCOME <ref rend="align right" type="pageref" target="p183">183</ref>
               </item>
               <item>WOMAN'S LOVE <ref rend="align right" type="pageref" target="p184">184</ref>
               </item>
               <item>DOMESTICS <ref rend="align right" type="pageref" target="p185">185</ref>
               </item>
               <item>THE VACANT CHAIR <ref rend="align right" type="pageref" target="p191">191</ref>
               </item>
               <item>NEVER FEAR <ref rend="align right" type="pageref" target="p192">192</ref>
               </item>
               <item>THE MAIDEN AUNT <ref rend="align right" type="pageref" target="p195">195</ref>
               </item>
               <item>SPEKE-HALL <ref rend="align right" type="pageref" target="p202">202</ref>
               </item>
               <item>AN IRISH WAKE <ref rend="align right" type="pageref" target="p204">204</ref>
               </item>
               <item>THE LAST REQUEST <ref rend="align right" type="pageref" target="p211">211</ref>
               </item>
               <item>IRISH GUIDES <ref rend="align right" type="pageref" target="p212">212</ref>
               </item>
               <item>A PICTURE <ref rend="align right" type="pageref" target="p220">220</ref>
               </item>
               <item>THE WINTER CLOUDS <ref rend="align right" type="pageref" target="p221">221</ref>
               </item>
               <item>ON READING MOORE'S LIFE OF BYRON <ref rend="align right" type="pageref" target="p222">222</ref>
               </item>
               <item>GLENCREE <ref rend="align right" type="pageref" target="p223">223</ref>
               </item>
               <item>SIGHS AND TEARS <ref rend="align right" type="pageref" target="p224">224</ref>
               </item>
               <item>ACROSTICS <ref rend="align right" type="pageref" target="p225">225</ref>
               </item>
               <item>THE LATE COUNTESS D'AMELAND <ref rend="align right" type="pageref" target="p225">225</ref>
               </item>
               <item>ELEGIAC STANZAS <ref rend="align right" type="pageref" target="p229">229</ref>
               </item>
               <item>THE EVENING OF PARTING <ref rend="align right" type="pageref" target="p230">230</ref>
               </item>
               <item>TO AN INFANT SLEEPING <ref rend="align right" type="pageref" target="p231">231</ref>
               </item>
               <item>ON THE DEATH OF THE RIGHT HON. WILLIAM HUSKISSON, M. P. <ref rend="align right" type="pageref" target="p233">233</ref>
               </item>
               <item>TO J. SHERIDAN KNOWLES, ESQ. <ref rend="align right" type="pageref" target="p234">234</ref>
               </item>
               <item>NATIONAL EMBLEM <ref rend="align right" type="pageref" target="p237">237</ref>
               </item>
               <item>TO A FIRST-BORN <ref rend="align right" type="pageref" target="p237">237</ref>
               </item>
               <item>TO SCOTS FRIENDS <ref rend="align right" type="pageref" target="p239">239</ref>
               </item>
               <item>THE PHILOSOPHY OF FLOWERS <ref rend="align right" type="pageref" target="p241">241</ref>
               </item>
               <item>THE ROSE OF ENGLAND <ref rend="align right" type="pageref" target="p243">243</ref>
               </item>
               <pb id="px" n="x"/>
               <item>MUSIC <ref rend="align right" type="pageref" target="p244">244</ref>
               </item>
               <item>THE MOTHER OF THE GRACCHI  <ref rend="align right" type="pageref" target="p246">246</ref>
               </item>
               <item>NATURAL AFFECTIONS <ref rend="align right" type="pageref" target="p247">247</ref>
               </item>
               <item>ON THE MAST OF THE VICTORY <ref rend="align right" type="pageref" target="p249">249</ref>
               </item>
               <item>GRAND FIELD-DAY IN DUBLIN <ref rend="align right" type="pageref" target="p250">250</ref>
               </item>
               <item>A GOOD-NATURED OLD BACHELOR <ref rend="align right" type="pageref" target="p255">255</ref>
               </item>
               <item>THE GRECIAN MOTHER <ref rend="align right" type="pageref" target="p262">262</ref>
               </item>
               <item>THE STUDENTS <ref rend="align right" type="pageref" target="p264">264</ref>
               </item>
               <item>REMINISCENCES <ref rend="align right" type="pageref" target="p271">271</ref>
               </item>
               <item>THE RIVERS <ref rend="align right" type="pageref" target="p273">273</ref>
               </item>
               <item>HOMEWARD BOUND <ref rend="align right" type="pageref" target="p274">274</ref>
               </item>
               <item>THE SISTERS <ref rend="align right" type="pageref" target="p276">276</ref>
               </item>
               <item>STANZAS <ref rend="align right" type="pageref" target="p282">282</ref>
               </item>
               <item>THE TIDE <ref rend="align right" type="pageref" target="p284">284</ref>
               </item>
               <item>TO A FAIR COUSIN, A. R. <ref rend="align right" type="pageref" target="p286">286</ref>
               </item>
               <item>TO ——,  <ref rend="align right" type="pageref" target="p287">287</ref>
               </item>
               <item>THE HIGHLAND MOTHER'S FAREWELL  <ref rend="align right" type="pageref" target="p288">288</ref>
               </item>
               <item>A CHRISTMAS GREETING <ref rend="align right" type="pageref" target="p290">290</ref>
               </item>
               <item>THE LIEUTENANT'S FIRST LOVE <ref rend="align right" type="pageref" target="p292">292</ref>
               </item>
               <item>THE SAILOR'S ADIEU <ref rend="align right" type="pageref" target="p299">299</ref>
               </item>
               <item>THE UNKNOWN HAPPY LAND <ref rend="align right" type="pageref" target="p300">300</ref>
               </item>
               <item>FAREWELL TO VILLA MARINO <ref rend="align right" type="pageref" target="p302">302</ref>
               </item>
               <item>LINES TO MISS L. <ref rend="align right" type="pageref" target="p304">304</ref>
               </item>
               <item>THE WISE DECREE <ref rend="align right" type="pageref" target="p305">305</ref>
               </item>
            </list>
         </div1>
         <div1 type="subscribers" id="d0e617">
            <pb id="pxi" n="[xi]"/>
            <head type="main">LIST OF SUBSCRIBERS.</head>
            <list type="simple">
               <item>His Excellency Earl Mulgrave, Lord. Lieut. of Ireland, 3 copies</item>
               <item>The Right Honourable the Lord Skelmersdale, 5 copies</item>
               <item>The Right Honourable the Lady Skelmersdale, 2 copies</item>
               <item>The Right Honourable the Lord Stanley, M. P.</item>
               <item>The Right Honourable the Lord Brougham,</item>
               <item>The Right Honourable the Lord Palmerston, M. P. 3 copies</item>
               <item>The Right Honourable the Lord Morpeth, M. P.</item>
               <item>The Right Honourable Viscount Sandon, M. P. 2 copies</item>
               <item>The Honourable R. B. Wilbraham, M. P. 2 copies.</item>
               <item>The Countess of Blessington,</item>
               <item>Sir Herbert Taylor, Bart, 12 copies</item>
               <item>J. Ireland Blackburne, Esq. M. P.</item>
               <item>William Ewart, Esq. M. P. 2 copies</item>
               <item>Thomas Thorneley, Esq. M. P.</item>
               <item>Sharman Crawford, Esq. M. P. 2 copies</item>
               <item>Christopher Fitzsimon, Esq. M. P.</item>
               <item>Thomas Moore, Esq.</item>
               <item>J. Sheridan Knowles, Esq.</item>
            </list>
            <list type="simple">
               <item>Abbot, Mrs.</item>
               <item>Abercrombie, G. Esq. 2 copies</item>
               <item>Aberdeen, Captain</item>
               <item>Aiken, James, Esq.</item>
               <item>Allen, James, Esq. Dublin</item>
               <item>Anderton, Mrs. Woolton</item>
               <item>Angus, Robert, Esq. 2 copies</item>
               <item>Archer, C. Esq. Wexford</item>
               <item>Aspinall, James, Esq.</item>
               <item>Aspinall, Rev. James. A. M.</item>
               <item>Ashcroft, John, Esq.</item>
               <item>Avison, Thomas, Esq.</item>
               <item>Affleck, William, Esq.</item>
            </list>
            <list type="simple">
               <item>Ball, —, Esq.</item>
               <item>Banner, Harmood, Esq.</item>
               <item>Benson, Robert, Esq.</item>
               <item>Bean, Thomas, Esq. 5 copies</item>
               <item>Bell, James Esq.</item>
               <item>Baron, John, Esq.</item>
               <item>Barnsley, Godfrey, Esq.</item>
               <item>Barrowclough, T. Esq.</item>
               <item>Bateson, R. W. Esq.</item>
               <item>Bibby, J. J. Esq.</item>
               <item>Birch, Charles, Esq.</item>
               <item>Bigland, John, Esq.</item>
               <item>Bigland, J. jun. Esq.</item>
               <item>Bourne, W. H. Esq. Dublin</item>
               <item>Bourne, John, Esq. Greenock</item>
               <item>Bolton, Thomas, Esq.</item>
               <item>Burnett, E. H. Esq.</item>
               <item>Boyd, —, Esq. 2 copies</item>
               <pb id="pxii" n="xii"/>
               <item>Brown William, Esq. Chester</item>
               <item>Brown, Henry, Esq. do</item>
               <item>Bickersteth, R. M.D.</item>
               <item>Byrne, P. W. Esq.</item>
               <item>Beckles, J. Esq.</item>
               <item>Blake, Mrs.</item>
               <item>Blake, George, Esq. 2 copies</item>
               <item>Blower, —, Esq.</item>
               <item>Brancker, James, Esq.</item>
               <item>Bradley, Mrs.</item>
               <item>Bridge, J. O. Esq.</item>
               <item>Brooks, Captain</item>
               <item>Browne, Captain, R. N.</item>
               <item>Brown, James, Esq.</item>
               <item>Brown, John, Esq.</item>
               <item>Brown, Richard Rushton, M'chester</item>
               <item>Brown, Edward</item>
               <item>Brownrigg, H.</item>
               <item>Burke, Captain, Belfast, 3 copies</item>
               <item>Brittain, Mrs. S. Chester 3 copies</item>
               <item>Bell, E. Esq. Maryport</item>
               <item>Barned, Mrs. S.</item>
            </list>
            <list type="simple">
               <item>Campbell, Colin, Esq.</item>
               <item>Carson, James, Esq. M.D.</item>
               <item>Carey, —, Esq.</item>
               <item>Case, John Deane, Esq.</item>
               <item>Cearns, Mrs.</item>
               <item>Coates, —, Esq. Belfast</item>
               <item>Coke, —, Esq.</item>
               <item>Cook, Captain</item>
               <item>Cooke, A. C. Esq.</item>
               <item>Coglan, Thomas, Esq.</item>
               <item>Coglan, John, Esq.</item>
               <item>Coglan, Miss</item>
               <item>Cooper, Mrs. Glasgow</item>
               <item>Cooper, Miss, Ditto</item>
               <item>Cowan, Dr.</item>
               <item>Currie, William Wallace, Esq.</item>
               <item>Curry, P. F. Esq.</item>
               <item>Cummins, Gilbert, Esq.</item>
               <item>Chamberlaine, Geo. John, Chester</item>
               <item>Charley, Hill, Esq. Belfast</item>
               <item>Chegwin, Thomas, Esq. 4 copies</item>
               <item>Clay, Robert, Esq.</item>
               <item>Claypole, Henry R. Esq. 2 copies</item>
               <item>Clow, Rev. James, Glasgow</item>
               <item>Clow, John, Esq. 5 copies</item>
               <item>Crawford, James, Esq.</item>
               <item>Cresswell, Cresswell, Esq.</item>
               <item>Crump, Mrs.</item>
               <item>Cookson, J. W. Esq.</item>
               <item>Curry, William, Esq.</item>
               <item>Cram, George, Esq.</item>
               <item>Claxton, William, Esq.</item>
            </list>
            <list type="simple">
               <item>Daly, D. Esq.</item>
               <item>Darwell, G. Esq.</item>
               <item>Darling, C. G. Esq. Dublin</item>
               <item>Danson, Miss, 2 copies</item>
               <item>Danson, William , Esq. 3 copies</item>
               <item>Davies, Captain, R. N. Holyhead, 3 do</item>
               <item>Davies, Pryce, Esq.</item>
               <item>Davies, D. H. Esq.</item>
               <item>Davidson, —, Esq.</item>
               <item>Dawson, Mrs. James, 2 copies</item>
               <item>Dawson, Henry, Esq.</item>
               <item>Dawson, Richard, Esq.</item>
               <item>Denham, Miss, London</item>
               <item>Dixon, William, Esq. Everton</item>
               <item>Donnan, Captain</item>
               <item>Dobbin, John, Esq.</item>
               <item>Dunlop, Mrs. Glasgow, 2 copies</item>
               <item>Dunlievie, J. C. Esq.</item>
               <item>Dutton, Mrs.</item>
               <item>Dutton, William, Esq.</item>
               <item>Dutchman, Mrs.</item>
               <item>D'Roverie, —, Esq.</item>
               <item>Drury, William, Esq. 2 copies</item>
               <item>Dyke, Mrs. 2 copies</item>
            </list>
            <list type="simple">
               <item>Eddowes, Mrs. D. 3 copies</item>
               <item>Edwards, William, Esq. Manchester</item>
               <pb id="pxiii" n="xiii"/>
               <item>Ellames, Pattison, Esq.</item>
               <item>Emmerson, Captain, R. N.</item>
               <item>Emmerson, Mrs.</item>
               <item>Errington, —, Esq. Hooton, 2 cps.</item>
               <item>Errington, Captain, Chester</item>
               <item>Evans, John, Esq.</item>
               <item>Ercks, Miss</item>
               <item>Farrell, Mrs. 2 copies</item>
               <item>Fawcett, William, Esq.</item>
               <item>Ferguson, Dr.</item>
               <item>Finlow, R. Esq.</item>
               <item>Finlayson, Miss</item>
               <item>Fitzgerald, Miss</item>
               <item>Fitzsimons, Captain</item>
               <item>Fox, Mrs. 2 copies</item>
               <item>Fox, William, Esq. 2 copies</item>
            </list>
            <list type="simple">
               <item>Garrett, Mrs.</item>
               <item>Gaskell, Miss</item>
               <item>Galetti, A. Esq.</item>
               <item>Gething, Miss</item>
               <item>Gibb, Duncan, Esq.</item>
               <item>Gillow, Dr.</item>
               <item>Gilmer, Miss</item>
               <item>Goff,—, Esq. Wexford</item>
               <item>Gordon, John, Esq.</item>
               <item>Goore, Miss</item>
               <item>Gowan, Captain</item>
               <item>Gowan, James, Esq.</item>
               <item>Grainger, D. Esq. Belfast</item>
               <item>Green, Thomas, Esq.</item>
               <item>Gregory, T. Esq.</item>
               <item>Gladstone, Rev. John</item>
               <item>Gladstone, Robertson, Esq.</item>
            </list>
            <list type="simple">
               <item>Hardman, Edmund, Esq.</item>
               <item>Harrison, Richard, Esq.</item>
               <item>Harrison, William, Esq.</item>
               <item>Hartley, Jesse, Esq.</item>
               <item>Hatfield, Miss</item>
               <item>Hatton, Mrs.</item>
               <item>Haskayne, William, Esq.</item>
               <item>Harrison, Mrs. 2 copies</item>
               <item>Harvey, Robert E. Esq.</item>
               <item>Harvey, Enoch, Esq.</item>
               <item>Henderson, Robert, Esq.</item>
               <item>Henton, Thomas, Esq.</item>
               <item>Hepworth, J. Esq.</item>
               <item>Hewett, Miss</item>
               <item>Hillman,—, Esq. Manchester</item>
               <item>Head, Charles, Esq. Hexham</item>
               <item>Head. Rev. Oswald. Alnwick</item>
               <item>Holt, George, Esq.</item>
               <item>Holmes, John, Esq. Everton</item>
               <item>Hope, Samuel, Esq.</item>
               <item>Houghton, Richard, Esq.</item>
               <item>Hopley, Miss</item>
               <item>Hopley, C. Esq. Rio de Janeiro</item>
               <item>Howard, A. C. Esq.</item>
               <item>Hurry, William, Esq.</item>
               <item>Hughes, Dr.</item>
               <item>Hughes, Miss</item>
               <item>Hudson, Miss</item>
               <item>Hutcheson, Mrs.</item>
               <item>Hunt, Miss, Gateacre</item>
               <item>Huffington, William, Londonderry</item>
               <item>Head, Miss</item>
               <item>Head, Mrs. Cheshire</item>
               <item>Hess, Jos. Esq.</item>
               <item>Hicks, Charles, Esq. Chester</item>
               <item>Horne, Mrs.</item>
               <item>Horne, E. Esq.</item>
            </list>
            <list type="simple">
               <item>Irlam, Miss</item>
               <item>Irlam, Thomas, Esq.</item>
               <item>Imrie, Mrs. 3 copies</item>
               <item>Irving, Thomas, Esq.</item>
            </list>
            <list type="simple">
               <item>James, Rev. D.</item>
               <item>Jameison, J. Esq. Dublin</item>
               <item>Jeffreys, Thos. Esq.</item>
               <item>Jones, Mrs. Hugh, 2 copies</item>
               <item>Jones, Robert, Esq. 6 copies</item>
               <item>Jones Dr.</item>
               <item>Johnson, Mrs. Everton</item>
               <pb id="pxiv" n="xiv"/>
               <item>Johnson, James, Esq. 2 copies</item>
               <item>Jorie, Charles, Esq.</item>
            </list>
            <list type="simple">
               <item>Kenworthy, Mrs. 2 copies</item>
               <item>Killoh, —, Esq. 2 copies</item>
               <item>Kurtz, A. Esq. 3 copies</item>
            </list>
            <list type="simple">
               <item>Lane, Mrs. St. Edmonds</item>
               <item>Lace, Miss</item>
               <item>Lyon, Thomas, Esq. 2 copies</item>
               <item>Lyon, George, Esq.</item>
               <item>Lamb, John, Esq.</item>
               <item>Langdon, Lieut. John, Esq.</item>
               <item>Langton, Richard, Esq.</item>
               <item>Langtry, George, Esq.</item>
               <item>Laird, John. Esq.</item>
               <item>Lawrence, Mrs. Wavertree Hall</item>
               <item>Lawrence, Henry, Esq.</item>
               <item>Lawrence, Miss</item>
               <item>Lawrence, John, Esq.</item>
               <item>Lassell, Mrs.</item>
               <item>Lees, James Esq.</item>
               <item>Lees, William, Esq.</item>
               <item>Lewes, Mrs.</item>
               <item>Leared, John, Esq. Wexford</item>
               <item>Lightbody, John, Esq.</item>
               <item>Littledale, Thos. Esq. Highfield</item>
               <item>Lindsay, William, Esq.</item>
               <item>Linton, Wm. Esq. R. A. London</item>
               <item>Leonard, C. Esq. 2 copies</item>
               <item>Livingston, Mrs.</item>
               <item>Lowndes, M. D. Esq.</item>
               <item>Lonsdale, John, Esq. 2 copies</item>
               <item>Lonsdale, Richard, Esq.</item>
               <item>Lockerby, C. Esq.</item>
               <item>Lockett, John, Esq.</item>
               <item>Logan, Mrs.</item>
               <item>Logan, David, Esq.</item>
               <item>Lowes, Mrs.</item>
               <item>Leyland, John, Esq.</item>
               <item>Lee, Miss</item>
            </list>
            <list type="simple">
               <item>Malins, S. Esq. M. D.</item>
               <item>Martin, Henry, Esq. Dublin</item>
               <item>Martindale, Mrs.</item>
               <item>Mason, D. Esq.</item>
               <item>Marrow, P. Esq.</item>
               <item>Marrow. W. Esq.</item>
               <item>Magrath, —, Esq.</item>
               <item>Matthie, Mrs. Hugh </item>
               <item>Miller, Mrs.</item>
               <item>Moreland, Miss</item>
               <item>Morgan, Miss</item>
               <item>Mason, Joseph, Esq.</item>
               <item>Morecroft, Thomas, Esq.</item>
               <item>Modsley, Wm. Esq. 2 copies.</item>
               <item>Mayo, Miss</item>
               <item>Molleneux, James, Esq.</item>
               <item>Molleneux, John William, Esq.</item>
               <item>Murphy, Rev. P</item>
               <item>Murphy, Miss</item>
               <item>Murphy, Dr.</item>
               <item>Murphy, James, Esq. Woodside</item>
               <item>Murray, Thomas, Esq.</item>
               <item>Murray, Henry, Esq.</item>
               <item>Muspratt, Mrs. 6 copies</item>
               <item>Muspratt, James, Esq. 6 copies</item>
               <item>Muspratt, J. jun. Esq. 2 copies</item>
               <item>Muspratt, Richard, Esq.</item>
               <item>Muspratt, Frederic, Esq.</item>
               <item>M'Culloch, Dr.</item>
               <item>M'Bride, H. Esq. 2 copies</item>
               <item>M'Laine, A. Esq. Belfast, 2 copies</item>
               <item>M'Laurin, J. Esq.</item>
               <item>M'Lehose Rev. —, Esq.</item>
               <item>M'Murdo, Charles, Esq.</item>
               <item>M'Murdo, J. Esq.</item>
               <item>M'Neile, Rev. Hugh</item>
            </list>
            <list type="simple">
               <item>Neilson, D. Esq.</item>
               <item>Nottingham, —, Esq.</item>
            </list>
            <list type="simple">
               <item>Oughterson, A. Esq.</item>
               <item>Oglethorpe, Mrs.</item>
               <item>Oglethorpe, J. Esq.</item>
               <pb id="pxv" n="xv"/>
               <item>O'Donnell, Dr.</item>
               <item>O'Neill, Miss</item>
            </list>
            <list type="simple">
               <item>Park, Rev. John,</item>
               <item>Park, John, Esq.</item>
               <item>Paley, Isaac, Esq.</item>
               <item>Parsons, Mrs.</item>
               <item>Parsons, George —, Esq. R. N.</item>
               <item>Pearson, John A. Esq.</item>
               <item>Pickance, Mrs. Belfast</item>
               <item>Pilley, Mrs.</item>
               <item>Phillips, W. A. Esq.</item>
               <item>Price, Robert, Esq.</item>
               <item>Pringle, Kenneth, Esq.</item>
               <item>Perry, Samuel, Esq,</item>
               <item>Preston, William, Esq.</item>
               <item>Platt, John, Esq.</item>
               <item>Porter, Miss</item>
               <item>Powell, Miss, Wexford</item>
               <item>Pooley, F. Esq.</item>
               <item>Pownall, James, Esq.</item>
               <item>Potter, William Esq. 2 copies</item>
               <item>Plummer, R. Esq.</item>
               <item>Pearson, Ralph, Esq.</item>
            </list>
            <list type="simple">
               <item>Raffles, Rev. Thos, D.D., L.L.D.</item>
               <item>Ralph, Rev. Hugh, L.L.D.</item>
               <item>Radley, James, Esq.</item>
               <item>Ramsey, Mrs.</item>
               <item>Rathbone, William, Esq.</item>
               <item>Rathbone, Richard, Esq.</item>
               <item>Rawdon, Christopher, Esq.</item>
               <item>Rawson, T. Esq.</item>
               <item>Robinson, Mrs. Bootle, 6 copies</item>
               <item>Robinson, James, Esq.</item>
               <item>Robinson, J. jun, Esq.</item>
               <item>Robertson, A. Esq.</item>
               <item>Renaud, Peter, Esq. London</item>
               <item>Ross, A. Esq.</item>
               <item>Roscoe, W. S. Esq.</item>
               <item>Roscow, Miss, Warrington</item>
               <item>Rodick, Thos. Esq.</item>
               <item>Rutter, John, Esq. M. D.</item>
               <item>Rushton, Edward, Esq.</item>
               <item>Rounthwaite, J. K. Esq.</item>
               <item>Read, Doctor</item>
            </list>
            <list type="simple">
               <item>Sarsfield, Capt. R. N.</item>
               <item>Saunders, J. Esq.</item>
               <item>Sangster, W. B. Esq.</item>
               <item>Sawey, Thomas, Esq.</item>
               <item>Seaton, Mrs.</item>
               <item>Seddon, Miss</item>
               <item>Sedon, J. Esq. Woodside</item>
               <item>Seddon, James, Esq.</item>
               <item>Statham, J. Esq. Manchester</item>
               <item>Statham, H. H. Esq.</item>
               <item>Strachan, —, Esq.</item>
               <item>Staniforth, Samuel, Esq.</item>
               <item>Stewart, Mrs.</item>
               <item>Stewart, C. Esq.</item>
               <item>Steel, Edward, Esq.</item>
               <item>Steel, M. Esq.</item>
               <item>Stockdale, Mrs. J.</item>
               <item>Scott, Miss, Dublin</item>
               <item>Shepherd. Dr. Gateacre</item>
               <item>Shaw, J. Esq.</item>
               <item>Shaw, J. C. Esq.</item>
               <item>Sherlock, Thos. Esq.</item>
               <item>Sherlock, Randal, Esq.</item>
               <item>Sherlock, Harald, Esq.</item>
               <item>Smellie, Thomas, Esq.</item>
               <item>Spencer, Mrs.</item>
               <item>Smith, Mrs. J. H.</item>
               <item>Smith, Egerton, Esq.</item>
               <item>Smith, Thomas, Esq.</item>
               <item>Smith, B. Esq.</item>
               <item>Smith, Jerome, Woodside</item>
               <item>Smith, Miss</item>
               <item>Smithett, Capt.</item>
               <item>Scott, Henry</item>
               <item>Scott, William, Dublin</item>
               <item>Sweetlove, — Esq. Penketh Lodge</item>
            </list>
            <list type="simple">
               <item>Tannock. —. Esq. London</item>
               <item>Tanton, G. Esq.</item>
               <pb id="pxvi" n="xvi"/>
               <item>Tayleur, Charles, Esq. 2 copies</item>
               <item>Taylor, Mrs. Richard, 2 copies</item>
               <item>Taylor, Miss</item>
               <item>Tennant, J. Esq. Glasgow, 2 copies</item>
               <item>Tennant, Mrs. 2 copies</item>
               <item>Tennant, John, jun. Esq.</item>
               <item>Tennant, Charles, Esq.</item>
               <item>Tinley, Thomas, Esq.</item>
               <item>Thompson, E. Peel, Esq. M'chester, 3 copies</item>
               <item>Thompson, Miss</item>
               <item>Thomas, W. J. Esq.</item>
               <item>Towne, John, Esq.</item>
               <item>Towers, S. Esq.</item>
               <item>Theakstone, R. Esq.</item>
               <item>Tweedle, Mrs.</item>
               <item>Tweedle, William, Esq.</item>
               <item>Trotter, Miss</item>
               <item>Tunstall, D. Esq.</item>
            </list>
            <list type="simple">
               <item>Vandenhoff, J. G. Esq.</item>
               <item>Voelker, Charles, Esq.</item>
            </list>
            <list type="simple">
               <item>Wade, Mrs.</item>
               <item>Ward, Miss, Wavertree</item>
               <item>Ward, T. Esq. Belfast, 3 copies</item>
               <item>Ward, T. jun. Esq.</item>
               <item>Waddle, William, Esq.</item>
               <item>Walter, Miss, London</item>
               <item>Walton, J. Esq.</item>
               <item>Walton, Miss</item>
               <item>Walmsley, James, Esq.</item>
               <item>Walsh, John, Esq.</item>
               <item>Watson, Mrs.</item>
               <item>Weiss, W. G. Esq.</item>
               <item>Williams, Mrs. Charles Wye, 2 copies</item>
               <item>Williams, Captain John</item>
               <item>Williams, Doctor</item>
               <item>Williamson, Joseph, Edge Hill</item>
               <item>Willan, Miss, Wexford</item>
               <item>Willan, Edward, jun. Esq.</item>
               <item>Wilie, Miss</item>
               <item>Wild, Mrs.</item>
               <item>Wild, J. C. Esq.</item>
               <item>Wilson, Robert, Esq.</item>
               <item>Wilson, Thomas, Esq.</item>
               <item>Wilson, Mrs. William</item>
               <item>White, William, Esq. Wexford, 2 copies</item>
               <item>Whitty, M. J. Esq.</item>
               <item>Wyberg, John. Esq.</item>
               <item>Ward, Miss, Belfast</item>
               <item>Woods, Robert, Esq.</item>
               <item>Woodhouse, G. G. Esq.</item>
               <item>Woodward, Cholmley, Esq. 2 copies</item>
               <item>Welch, Henry, Esq.</item>
            </list>
         </div1>
      </front>
      <body>
         <pb id="p1" n="[1]"/>
         <head type="main">SKETCHES<lb/>IN<lb/>PROSE AND POETRY.</head>
         <div1 type="part" id="d0e1503">
            <head type="main">Seamen's Wives.</head>
            <epigraph>
               <cit>
                  <q direct="unspecified">
                     <lg type="fragment">
                        <l rend="indent4">"She looked, and saw the heaving of the main,</l>
                        <l rend="indent4">The white sail set—she dar'd not look again,</l>
                        <l rend="indent4">But turn'd, with sickening soul, within the gate.</l>
                        <l rend="indent4">It is no dream—and I am desolate."</l>
                     </lg>
                  </q>
                  <lb/>
                  <bibl>BYRON.</bibl>
               </cit>
            </epigraph>
            <p>FROM reading a beautiful little sketch, entitled
"Soldiers' Wives," I am induced to give some account of that class whose trials and forbearance have, hitherto, escaped observation,—the pale, pensive, anxious, and desponding <hi rend="italic">Seaman's Wife,—</hi>
 whose desolate situation alone, in comparison with
any other, must be one of more intense interest.
From the commencement of her marriage her life
is a tissue of grief, doubt, suspense, and uncertainty:
the very hope that buoys up her existence in absence<pb id="p2" n="2"/>
is counterbalanced by the dread of hurricane and
shipwreck, by the ever-changing and terrific elements. <q direct="unspecified">
                  <lg type="fragment">
                     <l rend="indent3">"Her dreaming fears with storms hath winged wind,</l>
                     <l rend="indent3">And deemed the breath that faintly fann'd his sail,</l>
                     <l rend="indent3">The murmuring prelude of the ruder gale:</l>
                     <l rend="indent3">Though soft, it seemed the low, prophetic dirge</l>
                     <l rend="indent3">That mourned him floating on the savage surge."</l>
                  </lg>
               </q>The roar of the ocean is echoed in her sigh, and
every blast of wind withers the bloom on her cheek.
In the subsiding storm, though to her, by its fury,
"thick coming events cast their shadows before,"
is heard her prayer; it is breathed in the existing
calm, to the Great Disposer of all, for the health,
welfare, and protection of him, who is all the world
to her, through the tempest's rage, the adverse gale,
and the billow's war. The quick perception of a
woman's mind calls up a thousand dangers. She
prays for his safety in poisonous clime, o'er desert
sands, beneath the tropic sun, from treacherous
rocks, from fierce tornados, piracy and murder on
the high seas, and the inhuman plunder of the shipwreck on the boundary of his own native shore; these, and a host of chimerical conjectures, are ever
the fixed occupants in the sensitive mind of the seaman's wife. When she even smiles, if ever, it is in fear, lest she may have cause to weep; and her
mirth, if excited, leaves her but the more melancholy. Alone and unprotected, the lynx-eye of the cold and cruel world is ever on the alert to remind<pb id="p3" n="3"/>her, by its frowns, of the singleness of her situation.
For this, some "kind good natured friend" bids
her check the natural vivacity of disposition, the
animation of her youthful spirit, probably the only
charm which formed her attachment. She is
schooled to repress all hilarity, curb every vein of
humour, and become, as now befits her situation
in society, the silent, reserved, and sedate matron.
Her manner is subdued, and her dress is changed to
the same sober gravity. She must not breathe aloud
her sorrow, lest it tire her hearers. The cold and
calculating say,  "It was her own choice, and we do
not feel for her." She has no one to sympathise or
participate in her joy or sorrow. She pines in secret,
she mourns with the nightingale; her spirits sink,
she becomes nervous, and, finally, her health is
undermined. She is a changed creature, and no
more the cheerful, blooming wife left by the wandering sailor. When the advent of his arrival approaches, she finds she cannot recall the animation that once delighted him: her energy is subdued, her spirits are broken; and thus, too
often, she sinks into a premature grave.</p>
            <p>No selfish woman ever married a sailor, for, if she
considered <hi rend="italic">self</hi> at all, she would not sacrifice her
whole life to her affections, by building her perspective happiness on those gleams of sunshine, those
"happy returns," which, like angels' visits, "are
few and far between." But Cupid is a blind, little,
mischevious midshipman, in these cases; and, in<pb id="p4" n="4"/>pointing out the sincerity of affection, benevolence,
and generosity which ever characterizes and ennobles
these lords of the deep, and of our affections, he
binds the fillet over our eyes to the heart-rending
separations and suspense we are doomed to endure.</p>
            <q direct="unspecified">
               <lg type="fragment">
                  <l rend="indent6">"Existence may be borne:</l>
                  <l rend="indent2">The camel labours, with the heaviest load:</l>
                  <l rend="indent2">And the wolf dies in silence. Not bestowed</l>
                  <l rend="indent2">In vain should such examples be: if they,</l>
                  <l rend="indent2">Things of ignoble or of savage mood,</l>
                  <l rend="indent2">Endure and shrink not; we of nobler clay</l>
                  <l rend="indent2">May temper it to bear,—it is but for a day."</l>
               </lg>
            </q>
            <p>The only <hi rend="italic">ignoble</hi> comparison, and which is,
decidedly, the best to the life of a seaman's wife, is
that state of endurance felt by the eels, during the
unseemly operation of skinning. Like them, we become, as the operator said, <hi rend="italic">"used to it,"</hi> though we die in the torture of trying to endure, and the
wife and the eels bear the same state of unflinching
existence, writhing in untold agony.</p>
            <p>"None but the brave" go to sea, and, according to
Dryden, "none but the brave deserve the fair,"—for
instance, Hero and Leander. The greater the risk, the
greater the love. It is often the very relating of those
most "disastrous chances of moving accidents by
flood and field," Othello used, by which the sons of
Neptune make proselytes to Cupid's cause; which
hint may be taken, as a more successful way of
wooing than the common currency of adulation and
fulsome compliment.</p>
            <pb id="p5" n="5"/>
            <p>l have frequently seen a very particular friend of
mine, a sailor's wife, who considers herself, occasionally, the happiest woman in the world, watching the wind, from "sou' sou' east—nor' nor' east—east and by no'th," and, with a pair of compasses, leaning over
a large chart, endeavouring to trace her husband, by
counting the days, and allotting so many degrees of
longitude and latitude to each day, to the extent of
the voyage; and have whispered to her, in her calculations, "wind and weather permitting." I have seen this <hi rend="italic">very happy woman</hi> pace the room at midnight,
if the wind ever attempted to blow from an adverse
quarter, and have reasoned with her about <q direct="unspecified">
                  <lg type="fragment">
                     <l rend="indent2">"The sweet little cherub that sits up aloft,</l>
                     <l rend="indent2">To keep watch for the life of poor Jack"</l>
                  </lg>
               </q>I have even seen her turn <hi rend="italic">tide-waiter,</hi> and count the
poles on Bidston Hill, on which a flag on the top
announced from the Lighthouse that the expected
vessel was in the offing. In another state of her happiness, I have heard her heart beat, when, in looking
through the telescope, she dreaded lest, among a
sickly and reduced crew, <hi rend="italic">he</hi> should not be there; and
have been present in another felicitous moment,
when the report came, that <hi rend="italic">all was lost,</hi> yet was she,
occasionally, <hi rend="italic">very happy!</hi>
            </p>
            <p>The romance of real life is often passed over and
unheeded, yet are there instances of courage in
extreme danger, fortitude in adversity, suffering with<pb id="p6" n="6"/>humility, forbearance under afflictions, and affection
through all, to be recorded of the wives of British
seaman, bearing cold and hunger—"the oppressors'
wrong, and the proud world's contumely"—nay, recently, and in Liverpool, of their having disguised their
sex, making this sacrifice purposely to share the toil,
occupation, and danger of the being they loved, when
"hope deferred hath made the heart sick," in weary
watching for those upon the sea.</p>
            <p>A soldier's wife, in barracks, is at home, and an
encampment is, to her, a holiday of pleasure: if
sent to other countries, she is with her husband, to
share his protection and affection,—this is her advantage; but the sailor's wife has the double disadvantage of being without her husband, estranged
from his affection, and deprived of his protection.
Thanks to the march of science, steam navigation
has, by uniting kingdoms, also lessened the suspense
of seamen's wives; yet has the soldier's wife another
advantage, in knowing that, come what may, she is,
by a pension, always provided for. Far, very far
different is the fate of the chief mates of the poor
blue-jackets! The monthly allowance paid by the
merchant is, if the vessel is supposed to be past her
time, immediately stopped, and the poor wife is left
in the horrible suspense of life and death, starving!
and if she have no strength of mind to bear up
against the conflicting trial, and no means of obtaining a livelihood,—if the appalling news come in<pb id="p7" n="7"/>the deplorable form of sad reality, that ocean has
received its own, the ship gone down, and all hands
perished,<q direct="unspecified">
                  <lg type="fragment">
                     <l rend="indent2">"Where, for a moment, like a drop of rain,</l>
                     <l rend="indent2">He sinks into thy depths, with bubbling groan,</l>
                     <l rend="indent2">Without a grave, unknell'd, uncoffin'd, and unknown;"</l>
                  </lg>
               </q>then is she left, by this overwhelming affliction, a
destitute widow on the world, bereft of all, and,
worse than all, bankrupt in what only, to her, made
life desirable,—the treasure of her heart's affection.</p>
         </div1>
         <div1 type="poem" id="d0e1617">
            <pb id="p8" n="8"/>
            <head type="main">To the Sea.</head>
            <lg type="stanza">
               <l>TELL me, thou dark, unfathomable sea!</l>
               <l rend="indent2">Art thou to be my enemy?</l>
               <l>Art thou selecting ocean, cave, and cell</l>
               <l>For those now breathing, there to coldly dwell?</l>
               <l>Art thou preparing floods of grief to flow</l>
               <l>From these poor eyes, where hope is beaming now?</l>
               <l>Thy storms terrific dwell upon mine ear:</l>
               <l>I question thee, in doubt and anxious fear,—</l>
               <l rend="indent8">Art thou my enemy?</l>
            </lg>
            <lg type="stanza">
               <l>Tell me, thou dread, imperishable sea!</l>
               <l rend="indent2">Art thou to be my enemy?</l>
               <l>Are those prophetic sounds—thy moaning wave—</l>
               <l>A warning voice from an untimely grave—</l>
               <l>From one just taken to his long, last sleep,</l>
               <l>Beneath thy currents' bound, thou tideless deep?</l>
               <l>Speak! 'ere my bursting heart with anguish break</l>
               <l>With sad foreboding—I implore thee, speak!</l>
               <l rend="indent8">Art thou my enemy?</l>
            </lg>
            <lg type="stanza">
               <l>Tell me, mysterious and overwhelming sea!</l>
               <l rend="indent2">Art thou to be my enemy?</l>
               <l>Among the brave thy billows long have borne</l>
               <l>From home, ties, kindred, fond affections torn,</l>
               <l>Wilt thou flow o'er that fair and manly brow,</l>
               <l>Whose fate and fortune guide him o'er thee now?</l>
               <l>Wilt thou engulph the heart that beats for me?</l>
               <l>I question thee again, thou stormy sea!</l>
               <l rend="indent8">Art thou my enemy?</l>
            </lg>
         </div1>
         <div1 type="part" id="d0e1678">
            <pb id="p9" n="9"/>
            <head type="main">The Mysterious Vocalist.</head>
            <epigraph>
               <q direct="unspecified">
                  <lg type="fragment">
                     <l rend="indent3">"When I remember all</l>
                     <l rend="indent4">The friends so link'd together</l>
                     <l rend="indent3">I've seen around me fall,</l>
                     <l rend="indent4">Like leaves in wintry weather."</l>
                  </lg>
               </q>
            </epigraph>
            <p>MUSIC has an indescribable charm when heard in
the open air and in the still hour of night. The
fatigue of daily occupation being over, the mind
sinks, in the domestic quiet of our own fire-side, into
a dead calm. It is the hour of musing and reflection.
How few there are conscious of the comforts they
enjoy! and how many are oppressed with trifling
grievances not worth the repetition, while the
blessings, the happiness that shine around them
are comparatively forgotten!</p>
            <p>Indulging in one of these reveries, with one of
Swift's luxuries—"a new book, with the leaves uncut," and preparing for the "feast of reason" within its pages,—the sofa drawn to the fire,—the candles nearer,—the curtains closed,—and all the "appliances and means to boot, which constitute the words
<hi rend="italic">snug</hi> and <hi rend="italic">comfortable,</hi> being settled, I was just commencing to read aloud one of Sir Walter's last beautiful works, when a female voice broke on my
ear in the well-known melody of <hi rend="italic">"Oft, in the still
night."</hi> It was not the Scottish air, though beautiful in itself, nor the admirably adapted words of the Irish bard, which then made so great an impression.
It was the similitude which awakened the remem-<pb id="p10" n="10"/>brance of a voice which, to have heard once, could
never have been forgotten;—one who, from report,
and the ever-varying changes of this world, I had
long numbered with the dead; yet here it was again,
only mellowed by time. I could not be mistaken,
and so perfectly convinced was I in the recollection
of that voice, which awakened the memory of bygone days, that, while my heart thrilled at the idea
of a female enduring the cold night air for a paltry
pittance, I arose and went to the door. There were
two females; one had the appearance of a servant
woman, on whose arm leaned a tall, thin figure,
enveloped in a dark cloak, black bonnet, and veil.
The latter evidently shunned observation, by avoiding the light from the door.</p>
            <p>There is a delicacy to be observed in the distribution of charity even to the lowest mendicant, and the
retreating manner of conscious poverty, while it
excites our pity, still has a claim on our respect,
which an obtrusive petitioner never could exact.</p>
            <p>An intuitive feeling of commiseration,—one of
those sudden impulses which frequently govern our
actions, we know not why or wherefore,—induced me
to pass the attendant, who was prepared to receive
the donation and give it into the hand of the poor
vocalist, who drew her veil closely about her face,
and turned her head aside from me; but, in receiving
the money, she pressed my hand with the affection
of former friendship. "Is it, indeed?" I said, and
her name was upon my lips, when the wind extin-<pb id="p11" n="11"/>guished the light. She rushed by me, and in a
moment they were both lost in the darkness of night.
Good heavens! I thought, what can be the meaning
of this unaccountable conduct; to excite compassion
and yet shun every hope of relief! How strange are
the vicissitudes of this life! The circumstance
would admit of none other conclusion. It must be
a school companion—the playmate of childhood, and
the friend of later years—once living in affluence, the
only and cherished treasure of the most indulgent
parents, who lavished on her all the blessings wealth
can bring,—now an outcast, a poor, wandering mendicant. Wealth, the <hi rend="italic">antidote</hi> to many, had been her
<hi rend="italic">bane.</hi> She became the wife of a needy speculator,
and on her marriage, which had not been the most
fortunate in the world, (mercenary marriages seldom
are,) had gone out to India, and with her departure
all further intelligence ceased, save the report above
mentioned of her death.</p>
            <p>A desire to confirm my suspicions as to her identity, and a wish to relieve her distress, impelled me,
as there was no time to be lost, to send a boy immediately after her, to overtake and trace her to her
present residence. How anxiously I awaited his
return it is unnecessary to say. It was near midnight ere he came home, and reported that she did
not, as we surmised she would, stay to sing at
some other door. She did stay, but not to sing. It
appeared she had made an attempt to sing " The
last Rose of Summer," but could not finish it; and,<pb id="p12" n="12"/>when he overtook her, she was leaning over some
rails, while her companion begged a draught of
water to revive her, as she appeared fainting. She
walked slowly on, and now and then rested herself
by sitting down on some steps. He followed them
a long way beyond the town, to the environs of
Kirkdale village. They had called at a shop. He
observed she waited outside while the servant purchased a small loaf. They entered a little street,
and up a narrow court he lost them, concluding it to
be their residence, as they did not return. Making
a memorandum of this, I resolved to go the next
morning and immediately propose some means for
bettering her situation, and relieve my mind of doubt
and uncertainty.</p>
            <p>Tears would flow when I saw myself in possession
of every comfort, and surrounded by those endearing
ties which alone make life desirable. I threw aside
my book,—there was no more reading that night. I
tried the instrument, but could not finish the air she
had so sweetly sung, and which, in happier days,
had been her favourite. So, drawing a miserable
comparison between us, I looked forward with restless uneasiness to the morrow.</p>
            <p>The day broke in dark and heavy clouds, it
rained in torrents, and to take a carriage would have
looked like ostentation, foreign to my feelings at all
times. I, however, hoped the next day would be
favourable. As usual, it still rained. Domestic
affairs demanded my attention at home this day in
particular. Sunday came in all its gloom of fog and<pb id="p13" n="13"/>smoke. I set out in the afternoon, and, after a long
walk, found myself, in the dusk of the evening, at
the entrance of the court, where there was, as there
usually is in such places, a group of women discussing every body's business but their own. I did not
like to ask for my friend by name, but merely if they
had a stranger residing there. They directed me to
the house at the upper end of the court, where a
stranger lodged. I knocked at the door, which was
partly open. No answer. I knocked louder. No
reply. I opened the door, and upon a chair beside
a table was a small India straw box open, apparently
containing a few clothes and books; one lay on the
table, elegantly bound, and well I knew that little
book. It was her prayer-book. I had received a
similar present, and at the same time, from her
father. I ascended the narrow stairs: there was no
one in either room. I proceeded higher, and, seated
on a chair, asleep, with her head on her arms on a
small table, was the attendant of the being I was in
search of. My entering disturbed her. She held up
her head, and I saw she had been weeping. She
arose and pointed to a mattress in a corner on the
floor, on which lay a figure, covered with a sheet.—
"How is she, nurse?" I said: "Is she asleep?"
and, drawing the covering off her face, what was
my horror on beholding the lifeless form of my once
beautiful friend in the cold sleep of death!</p>
            <p>Every spring of my heart was paralyzed by the
shock: I was even deprived of the relief of tears. I
know not what passed. Some time elapsed ere I was<pb id="p14" n="14"/>composed enough to look on her; but, when l did,
beyond all doubt it was she indeed; for here was
the palpable and mortal proof; but so changed!—
The hand of Time had swept away every trace of
beauty, save the outline of the most expressive
features.</p>
            <p>The lines of care depicted on that pale countenance
told her complaint in few words,—a broken heart.
All efforts now were futile; all schemes of promised
good were now destroyed by the blank record before
me. These are not every-day scenes, and, thank
Heaven, neither age or misfortune had steeled my
heart to the sufferings of humanity. The spirit had
fled from the communings of renewed friendship—
from the tear of sympathy. Therefore, it was useless lingering in the chamber of death. It was
farther desirable to escape the contact of the living
<hi rend="italic">earth-worms</hi> with which penury had made her
acquainted. A coach was procured, and, to make
arrangements for the interment of her late mistress,
I withdrew the solitary attendant from this scene of
misery, and besought her, on my arrival at home, to
explain the melancholy mystery.</p>
            <p>Her husband, it appeared, had dissipated her fortune, and, after an unhappy course of life, had died in
Calcutta. Being much involved, she had only sufficient to pay the passage of her servant, self and
child to London. The child died on the voyage, and
temporary insanity had affected her on seeing the
body of her infant girl committed to the deep. She<pb id="p15" n="15"/>arrived in London pennyless. Her relatives were
dead, or scattered about the country. She had
begged her way, she said, with her mistress down to
Liverpool, in the hope of finding some remaining
friends. Marrying against their consent, and the
pitiful plight she was in, prevented her making herself known to them, until, by her needle in the day,
and her singing in the evening, she had recruited her
wardrobe, and regained her strength.</p>
            <p>The tears ran down the cheeks of the faithful girl,
as she recounted the particulars of my friend's first
adventure beneath my window. "I cannot sing,"
she said, "my heart fails me; and, perhaps I am
forgotten, with all our favourite songs; yet I will
try;—some one is coming:—she must not know me;
—I wish much to see her." "She did see, and
knew you," continued the girl. "With difficulty I
got her home; she complained of a palpitation of
the heart, and refused all food; she had sobbed herself; when I laid myself down beside her. In the
morning I felt her hand very chilly, and, turning to
ask her if she was better, what was my astonishment
to find my poor mistress a corpse by my side!"
The affection and fidelity of the narrator proved her
attachment and sincerity in copious floods of grief
for one whose trials and afflictions she had shared in
the extreme of adversity, in unheard-of woes, and a
thousand nameless mortifications.</p>
            <p>The woman of the house had consented, for the
contents of the box, to get her buried by the parish.<pb id="p16" n="16"/>It will be useless to observe, the relics were removed,
and the remains of the once lovely Adela were respectably interred in the Necropolis, at Everton.</p>
            <p>Such is the melancholy conclusion of the life of an
unfortunate friend;—such the termination of a marriage of interest and ambition on one side, and
misplaced confidence on the other, the usual result
of an union which has not <hi rend="italic">mutual love and respect for
its basis.</hi> And, while I blame myself for not insisting on our mutual recognition in the first instance,
ere the universal leveller had prevented my sharing
the comforts I now enjoy with one who deserved
a better fate,—ere the "eyes that shone" were
"dimmed and gone," and her "cheerful heart was
broken," the tear of friendship drops a silent tribute
to her memory, while</p>
            <q direct="unspecified">
               <lg type="fragment">
                  <l rend="indent4">"Oft in the stilly night,</l>
                  <l rend="indent4">Ere slumber's chain has bound me,</l>
                  <l rend="indent4">Fond memory brings the light</l>
                  <l rend="indent4">Of other days around me."</l>
               </lg>
            </q>
         </div1>
         <div1 type="part" id="d0e1764">
            <pb id="p17" n="17"/>
            <head type="main">To Ianthe.</head>
            <lg type="stanza">
               <l>NAY, have I drawn sad tears from thee,</l>
               <l rend="indent1">By this one plaintive strain?</l>
               <l>Thy look entreating asks of me</l>
               <l rend="indent1">"Repeat it o'er again."</l>
            </lg>
            <lg type="stanza">
               <l>And shall a pensive song of love,</l>
               <l rend="indent1">To wile a passing hour,</l>
               <l>Thy young heart with emotion move,</l>
               <l rend="indent1">Subdued by music's power?</l>
            </lg>
            <lg type="stanza">
               <l>In listening to the mournful air,</l>
               <l rend="indent1">Is there a joy in grief?</l>
               <l>Or does thy heart find solace there,</l>
               <l rend="indent1">And tears bring sweet relief?</l>
            </lg>
            <lg type="stanza">
               <l>Have I recalled the silent dead,</l>
               <l rend="indent1">In some remembered tone?</l>
               <l>Or have I truant memory led</l>
               <l rend="indent1">To happier spirits flown?</l>
            </lg>
            <lg type="stanza">
               <l>Or has it brought thee from afar</l>
               <l rend="indent1">Some long-lost being near,</l>
               <l>Whose music, 'neath the evening star,</l>
               <l rend="indent1">Once charm'd thy list'ning ear?</l>
            </lg>
            <lg type="stanza">
               <l>Forgive me if I've touch'd a string</l>
               <l rend="indent1">That vibrates in thy breast,</l>
               <l>In sighs that from remembrance spring</l>
               <l rend="indent1">Of woes but ill repressed.</l>
            </lg>
            <pb id="p18" n="18"/>
            <lg type="stanza">
               <l>l would not for the world awake</l>
               <l rend="indent1">The anguish of thy mind,</l>
               <l>For one who could thy worth forsake,</l>
               <l rend="indent1">Whom honour could not bind.</l>
            </lg>
            <lg type="stanza">
               <l>With woman's pride on Lethe's stream,</l>
               <l rend="indent1">Let dark oblivion cast</l>
               <l>The brightest flowers of Love's sunbeam,</l>
               <l rend="indent1">Sad records of the past.</l>
            </lg>
            <lg type="stanza">
               <l>From sorrow's cup there is a store</l>
               <l rend="indent1">For mortals here below;</l>
               <l>We need not MUSIC'S aid implore</l>
               <l rend="indent1">So taste it ere it flow.</l>
            </lg>
            <lg type="stanza">
               <l>Reproach me not in tears that fall,</l>
               <l rend="indent1">Give me thy smiles again,</l>
               <l>While I some brighter hours recall</l>
               <l rend="indent1">By one more cheerful strain.</l>
            </lg>
         </div1>
         <div1 type="poem" id="d0e1859">
            <head type="main">On hearing a Favourite Air.</head>
            <lg type="stanza">
               <l>OH! tell me not I should be glad</l>
               <l rend="indent1">When harps are sounding, voices singing;</l>
               <l>Alas! I cannot but be sad,</l>
               <l rend="indent1">When every note despair is bringing.</l>
            </lg>
            <pb id="p19" n="19"/>
            <lg type="stanza">
               <l>I knew that song in childhood's day:</l>
               <l rend="indent1">And stay'd my playmates oft to listen;</l>
               <l>I felt the music's magic sway,</l>
               <l rend="indent1">And tears would on my eyelids glisten.</l>
            </lg>
            <lg type="stanza">
               <l>I heard it, too, when first love's power</l>
               <l rend="indent1">With Hope's bright hues my youth adorning;</l>
               <l>'Tis sacred—blessed from that hour,—</l>
               <l rend="indent1">The day-dream of my life's young morning.</l>
            </lg>
            <lg type="stanza">
               <l>'Tis blended with the dearest name,</l>
               <l rend="indent1">With accents that have falt'ring trembled;</l>
               <l>From lips those sounds more sweetly came,</l>
               <l rend="indent1">Lips that have lov'd and ne'er dissembled.</l>
            </lg>
            <lg type="stanza">
               <l>That song is link'd, and can recall</l>
               <l rend="indent1">The by-gone days of youthful pleasure;</l>
               <l>Each cadence on my ear must fall</l>
               <l rend="indent1">In deep regrets to mournful measure.</l>
            </lg>
            <lg type="stanza">
               <l>I hear it now, though older grown.—</l>
               <l rend="indent1">But where's that voice, once sweetly speaking?</l>
               <l>Go, ask the awful realms unknown,</l>
               <l rend="indent1">Then question why my heart is breaking!</l>
            </lg>
            <lg type="stanza">
               <l>Then tell me not I should be glad</l>
               <l rend="indent1">While harps are sounding, voices singing;</l>
               <l>Mine own—I cannot but be sad,</l>
               <l rend="indent1">When memory all the past is bringing.</l>
            </lg>
         </div1>
         <div1 type="part" id="d0e1926">
            <pb id="p20" n="20"/>
            <head type="main">Town and Country—Army and Navy.</head>
            <epigraph>
               <cit>
                  <q direct="unspecified">
                     <lg type="fragment">
                        <l rend="indent2">Give me a cottage on some Cambrian wild,</l>
                        <l rend="indent3">Where, far from cities, I may spend my days,</l>
                        <l rend="indent2">And by the beauties of the scene beguiled,</l>
                        <l rend="indent3">May pity man's pursuits, and shun his ways.</l>
                     </lg>
                  </q>
                  <lb/>
                  <bibl>HENRY KIRKE WHITE.</bibl>
               </cit>
            </epigraph>
            <p>"THERE'S nothing like rural felicity, <hi rend="italic">When I was on the Continent,</hi> the extent of my ambition was
this,—Give me English comforts, English fare,
English friends, and an English cottage home," observed a general of the last century, (for in these
enlightened days, no one is permitted to be called
old,) composing his gouty foot and taking up the <hi rend="italic">New Monthly.</hi> "You may rely upon my word, sir, there
is more happiness in a country than a town life."
"Yes, yes, all very well in its way," answered his
friend and neighbour, the admiral, another gentleman
of the last century, "So I thought, when a youngster, on board the <hi rend="italic">Endymion, before we were draughted into the La Hogue;</hi> but I tell you what, general,
when a man has been tossed about like a cork upon
the ocean all his life, and thinks he will settle, for
the remainder of his days, in an obscure village, of
about a cable's length, and sees the same half-dozen
faces daily, such as the parson, the doctor, the attorney, and the squire, why, it will not do; there is a
monotony; it becomes irksome, a wearying similitude of the same routine, over and over again, like
a ship in a dead calm—provokingly calm! enough<pb id="p21" n="21"/>to create the horrors, and bring death by the dismals."
"I never thought so when <hi rend="italic">I was on the Continent:</hi>
but it all depends upon the mind, and the resources
each individual possesses within himself; and although I am prevented from partaking of all the
amusements the country affords, by this provoking
foe at my feet, yet, give me my wife, my cottage, my
books, violin, pure air, the sight of green fields, and
the sound of singing birds, and I desire no more."
"For you disabled soldiers, who have brought peace
to all—why, you should endeavour to keep it—this
may do; but as for me, I like to fight my battles o'er
and o'er again; and, <hi rend="italic">when I was in the Endymion,
before we were draughted into the La Hogue,</hi> I had so many skirmishes with the French enemy, that I
could give a history as long as the Life of Napoleon;
but who is there in this nutshell of a place to listen
to me? Not one, even with common patience. None
of them ever were at sea. If I begin my story to the
parson, and talk to him of firing a broadside into the
enemy, he shakes his head, and, with a dead-calm
visage, observes, 'We should live together in peace
and unanimity,' and concludes with the commandment, 'Thou shalt do no murder.' If I turn to the doctor, and tell him of two-and-thirty pounders
whizzing over our heads, he puts on a sagacious
look, raises his gold-headed cane to his mouth, stares
me full in the face, and asks me if I have ever killed
a man, or attended a dissection or resurrection! I
flatter myself I have some hope left in the attorney,<pb id="p22" n="22"/>concluding naturally that he must, from his profession, know more of the ways of the world. I begin
to speak of boarding the enemy, privateering, and
Spanish dollars. He twirls his thumbs, and, with
a look of suspicion, asks me if I was ever <hi rend="italic">sued</hi> for
having <hi rend="italic">pursued,</hi> taken up for robbery, or prosecuted
for obtaining money under false pretences, all being
actionable. But what can you expect from those
who have never been at sea?" These, my good
admiral, are but the circumscribed ideas of country
residents. Living amicably in peace and quietness,
they know nothing of war, its justice or its benefits."
"Then I'll tell you what it is, general,—a man that
has not served in the army or navy had better have
been brought up in a book-case. Away with theory!
Practice for me! No, no! give me my better half
and something more than half-pay; the society of a
sea-port, sea breezes, old messmates, old wine, and
old Dibden, and all in Old England. You are the
only companionable messmate I can find here, and
I half suspect you serve me <hi rend="italic">when I got on board the
Endymion, before I was draughted into the La Hogue,</hi>
as I do you when you are beginning to marshal your
troops, forming solid squares, when <hi rend="italic">you were on the Continent."</hi> "I believe you are right, admiral, and
we have heard each others battles so often over and
over again, that now they have lost all interest for
each other. We had better, therefore, both seek
amusements congenial to our different tastes,—you,
Liverpool sea breezes, society, and what you call<pb id="p23" n="23"/>long yarns: I, the peaceful retirement of the village
of Lyndhurst, my wife, cottage, books, and Hampshire home-brewed, and that calm, domestic quiet
which is requisite in the downhill of life, after a
youthful campaign of war, riot, and bloodshed,
when, like the trees in the grand system of vegetation, we have had our spring and summer bloom,
so like them we may fall into the 'sear and yellow
leaf' of autumn, and, in the universal decay of
nature, see the last emblematical signal to all
mortality."</p>
         </div1>
         <div1 type="poem" id="d0e1980">
            <head type="main">My English Home.</head>
            <epigraph>
               <cit>
                  <q direct="unspecified">
                     <lg type="fragment">
                        <l rend="indent3">Breathes there a man with soul so dead,</l>
                        <l rend="indent3">Who never to himself hath said</l>
                        <l rend="indent3">"This is my own—my native land?"</l>
                     </lg>
                  </q>
                  <lb/>
                  <bibl>SCOTT.</bibl>
               </cit>
            </epigraph>
            <lg type="stanza">
               <l>ERIN! thy verdant fields are green,</l>
               <l rend="indent1">And sweet thy daughters smile;</l>
               <l>No "land of promise" brighter seen</l>
               <l rend="indent1">Than thine, dear Emerald Isle:</l>
               <l>Thy air is mild, thy skies are clear,</l>
               <l rend="indent1">Yet wheresoe'er I roam</l>
               <l>One spot to me is still more dear—</l>
               <l rend="indent1">My happy ENGLISH HOME!</l>
            </lg>
            <pb id="p24" n="24"/>
            <lg type="stanza">
               <l>Scotia! the fam'd Athenian land</l>
               <l rend="indent1">Of mountain, flood and fell;</l>
               <l>Where genius, with her chosen band,</l>
               <l rend="indent1">Delighted, loves to dwell;</l>
               <l>Your heath-clad hills my fear awakes,</l>
               <l rend="indent1">Yet dear your white waves' foam,</l>
               <l>That bear me from the "Land of Cakes"</l>
               <l rend="indent1">To my own ENGLISH HOME!</l>
            </lg>
            <lg type="stanza">
               <l>Ye vine-clad plains of happy France,</l>
               <l rend="indent1">Luxuriant, wild and sweet;</l>
               <l>The land of mirth, of song and dance,</l>
               <l rend="indent1">Of health the blest retreat;</l>
               <l>Your brightest eyes, your sparkling wines,</l>
               <l rend="indent1">Are clear to those who roam;</l>
               <l>But blessed is the light that shines</l>
               <l rend="indent1">On thee, my ENGLISH HOME!</l>
            </lg>
            <lg type="stanza">
               <l>My English Home! my English Home!</l>
               <l rend="indent1">I hail with extacy;</l>
               <l>Ah! when from foreign lands I come</l>
               <l rend="indent1">Thou'rt doubly dear to me:</l>
               <l>Contentment, comfort, blessed peace</l>
               <l rend="indent1">Now gild my humble dome;</l>
               <l>United, may they never cease</l>
               <l rend="indent1">To bless my ENGLISH HOME!</l>
            </lg>
         </div1>
         <div1 type="part" id="d0e2065">
            <pb id="p25" n="25"/>
            <head type="main">British Merchants.</head>
            <p>IF an Englishman wishes to give a stranger an
idea of the wealth and industry of his country, he
could not do better than take him along the banks
of the river Mersey, or a tour along both sides of
the river Thames. Every inch of ground is occupied in docks, dock-yards, wharfs, warehouses, and
manufactories, teeming with an immense population, all eagerly intent on business, in exporting
their own produce and manufactures, or importing
those of other countries. Like bees in a hive, or
ants on a hill, men have their own particular objects, and do not interfere with each other. The perseverance, the downright application of mind
and body devoted exclusively to their different occupations, show the indefatigable zeal and activity of the people; while, above the bridges, or from the
Tower of Richmond, a foreigner may see the reward
of industry, its purposes and effect, in the tradesmen's neat villas,—the cottage ornee,—and the
splendid mansions of taste and elegance of the opulent. Men of England! well may ye be proud of your shores, when your "ships, colonies, and commerce" are the pride and glory of the world!</p>
            <p>There can be no doubt that, at this very moment,
there are, leaning over their desks, in the confines of
an office, many highly-gifted, noble-minded, aspiring
young men, whose intellectual endowments and<pb id="p26" n="26"/>course of reading, exciting their prowess, may induce them to regret that the days of chivalry are fled,
and that the "tilt and tournament" no longer afford
an opportunity for displaying deeds of valour,
strength, and courage in "field or foray;"—many
who are indulging in day-dreams above <hi rend="italic">day-books,</hi>
thoughts about <hi rend="italic">ledgers,</hi> and, in their youthful ardour,
would rather "follow to the field some warlike lord"
than make out a <hi rend="italic">bill of lading</hi> for a ship outwardbound;—many who would rather share the daring
exploits of the borderers, in exacting <hi rend="italic">"black mail,"</hi>
or revive the pranks of Robin Hood and Little John,
in the "merry greenwood," than make out a <hi rend="italic">bill of entry,</hi> or calculate pounds, shillings, and pence in the
honest and profitable speculation arising from sugar,
coffee, and cotton;—who would prefer <hi rend="italic">rising</hi> by their own good sword and <hi rend="italic">felling a foe;</hi>—who have neither heart nor interest in mercantile transactions,
and consider themselves but the means of other men's
gain. Ignoble as they may deem the pursuit of useful traffic,—compound slavery, as they may unjustly
term it,—no one, possessing the accomplishments
this age affords, and who has read the deeds of the
<hi rend="italic">fiefs and chiefs</hi> of the feudal times, <q direct="unspecified">
                  <lg type="fragment">
                     <l rend="indent4">"When this, the robber's simple plan, </l>
                     <l rend="indent4">That they should take who have the will</l>
                     <l rend="indent4">And they should keep—who can,"</l>
                  </lg>
               </q>would, if he compared the ages, and reflected seriously, for all the fame of the crusaders, red-cross<pb id="p27" n="27"/>knights, or the <hi rend="italic">arch</hi> doings of the <hi rend="italic">archers</hi> "'ith the
olden time," sacrifice the attainments he is now
acquiring for the life of a marauding brigand or lawless bandit, or forego the knowledge he is gaining,
comprising and forming the character which attention and time might ensure him, in the most
desirable and honourable of all titles—that of an
<hi rend="italic">independent British merchant.</hi> The very name itself combines honour, probity, enterprise, and information: it is a passport through every nation,
and none more respected.</p>
            <p>An English merchant can now command the produce of every country,—can exchange the superfluous
fruits of one kingdom for those of another,—can
export the superabundance of the land of plenty to
the land of famine,—import the luxuries of the East
for the gratification of those whose wealth can command or industry merit them. The Eastern gem, the gold of Afric, the tea of China, furs of Russia,
and woods of America are all at his disposal, for the
comfort and convenience of the Europeans. He is
the useful distributor and mediator between the
necessities and luxuries of the whole human race;—
he gives employment to men of every grade and of
every trade; and, in his enthusiasm to do the best
for all, such is his undaunted spirit that he will even
risk his last sovereign in the cause of an eventful
speculation, and, after dispersing his fleet through
every clime, (the present facilities giving him unbounded power,) he can, in the bosom of his family<pb id="p28" n="28"/>enjoy his <foreign lang="lat">
                  <hi rend="italic">otium cum dignitate,</hi>
               </foreign> surrounded with a
portion of the very luxuries he has, by his own
means, brought about him. Hospitable and liberal,
without ostentation, his "house is his castle," and
where distress never applied in vain, for he has a
heart to lend and the means to give.</p>
            <p>A British merchant (revered be the name!) is also
a scholar and a gentleman. His intercourse and
communication with other countries give him the
advantage of acquiring information on every subject,
while his domestic associations award him all the
courtesies and blessings of refined life. He is not
only a tactician, a politician, but a metaphysician;
—he is an economist, a physiologist, and a philosopher;—he is an able dispenser of charity, a merciful
arbiter of justice; and a firm and equitable legislator.
Let no one suppose it is a <hi rend="italic">tame</hi> existence—a passive
post of honour, when it is known that, as authors,
merchants have enriched the world with volumes
on agricultural produce, colonial treasures, and just
and correct views on maritime laws and interest.</p>
            <p>It is vain for me to enumerate all the distinguishing
features and importance attached to the numerous
body who compose this high and intelligent community in a town where they are so well-known and appreciated, and where, like the radiant beams of the
sun, dispensing good and good-will to all, they shine
in refulgent glory round the Exchange of London
and Town-hall of Liverpool, enlightening the
whole world.</p>
            <pb id="p29" n="29"/>
            <p>I should not have been led to make these remarks,
but for the circumstance of having two young friends,
the delight of their mother's eyes, and the hope of
their father's heart,—high-spirited, handsome and
well-educated,—who were articled to a merchant,
indulging the romantic idea that they ought to inherit the warlike propensities of their forefathers and determining that, in their own persons, the days of
chivalry <hi rend="italic">ought</hi> and <hi rend="italic">should</hi> come again. They resolved
to rebel, in these days of civil and religious liberty,
against all restraint or domestic controul. Long
had they, according to the custom of the cavaliers of
the last century, serenaded their lady-loves, one on
a brazen bugle, the other on an old cracked flute;
but, like all Quixotic efforts of this description,
their Dulcinas still remained inexorable to the inharmonious sound, and, being tired of the still life of
"penning sonnets to their mistress' eyebrows," they
came to the desperate resolution of spurning "ships,
colonies, and commerce," and, rushing on the world
as heroes, pant for battle, bivouac, and bloodshed. <q direct="unspecified">
                  <lg type="fragment">
                     <l rend="indent2">"Their souls in arms and eager for the fray;"</l>
                  </lg>
               </q>nor could the whole army of martyrs persuade them
from their purpose,—on life and death intent. So,
in the vain hope of winning laurels for their "victorious brows," and rivalling Agamemnon, Alexander, 
or Wellington, they insisted, as there was no other
channel of warfare open, upon going to "join Don<pb id="p30" n="30"/>Pedro." "They would rush, sword in hand, upon
Miguel!" "They would assert their rights, and
cut their way to fame and fortune!" "To conquer
or die!" "Death or victory!"</p>
            <p>Without expatiating upon parental anxiety, the
regret of their employers, or the fool-hardiness of
these would-be heroes, I shall simply relate, that
they <hi rend="italic">did</hi> go to join Don Pedro, and they <hi rend="italic">returned</hi>
from joining Don Pedro, not with triumphal cars,
"laurel wreaths," or "blushing honours," but in
the first ship they could get, most heartily sick of
the expedition, where, after having expended their
all amidst the dirt, treachery, and bigotry of the
country, they came home crest-fallen, pennyless,
and almost in a state of starvation. Their flame
of valour was quenched,—their occupation, like
Othello's, gone, and most sincerely did they bid
farewell to <q direct="unspecified">
                  <lg type="fragment">
                     <l rend="indent2">———"the plumed troop, and the big wars,</l>
                     <l rend="indent2">That make ambition virtue! O, farewell!</l>
                     <l rend="indent2">Farewell the neighing steed, mid the shrill trump,</l>
                     <l rend="indent2">The spirit-stirring drum, the ear piercing fife,</l>
                     <l rend="indent2">The royal banner; and all quality,</l>
                     <l rend="indent2">Pride, pomps, and circumstance of glorious war!"</l>
                  </lg>
               </q>Wellington himself would have pitied their lamentable condition, had he seen the pitiful plight of these heroes of his inspiring when they landed at
Plymouth,—their meagre faces, shrunk persons, and
clothes "a world too wide," gave evidence in favour<pb id="p31" n="31"/>of their being restored to the land of the living.
But they had a long journey by land before them
ere they could regain their homes, or be restored to
their former employment. They sought forgiveness
at home, and were again reinstated at their desk,
with many a vow and resolution never to leave it
again. Dreadful as the hardships were they had
endured abroad, they admitted that it was still worse
to be laughed at at home. They banished chivalry
to the dark ages, execrated it in every shape, and
tilts and tournaments were no more thought of.
They left off serenading, and wooed and won in a
respectable way; so, as "experience makes folk
wise," let us hope that, having seen the folly of
their "vain glory," they are becoming useful members of society, and will meet a better reward for the
dangers they have past, in a flourishing commercial
prosperity, and, as husbands, sons, and brothers,
add to their fame the most honourable of all appellations—that of an  <hi rend="italic">independent British merchant.</hi>
            </p>
         </div1>
         <div1 type="part" id="d0e2177">
            <pb id="p32" n="32"/>
            <head type="main">Pic-Nic Parties on the Sod.</head>
            <p>It is now the delightful season when every true
lover of Nature endeavours, if he can, to see her in
the greatest perfection; and for this purpose, the
citizens form pleasant and rational parties, to enjoy
the luxuriance of vegetation, flowers in full bloom,
trees in full foliage, and valleys in full verdure, to
the suburban districts of Dublin and the beautiful
districts around. For woodland scenery there is
the Dargle, on the Powerscourt domain, the Waterfall, Leixlep, and a Lucan, through which runs a fine
trout stream; and for marine prospects there are
Howth, Bray, Killiney-hill, and the vale of Shanganah.</p>
            <p>After a long confinement from sickness, care,
business, or sorrow, there is something irresistibly
cheering when once you get out of the noise, bustle,
and turmoil of a city, out of sight of bricks and
mortar, stones, palings and railings; when you are
fairly in the country, and where nothing is visible
but the "blue above and the green below;" where
the very weeds by the way side are luxuriant, and
there is nothing to denote the handicraft of man
but the highroad you are upon; it is then you are
tempted to exclaim, "God made the country, and
man made the town!"</p>
            <p>The jaunting cars used in these excursions are
too well known to require description; but to those<pb id="p33" n="33"/>who do not know, a pair of panniers, holding six
persons, going like a crab, sideways, may give some
idea of the vehicle. An Englishman is always
known on one of these anti-sociables by holding
firmly on, lest he should fall off, and calling out for
others to keep off in passing. The centre, or well,
is the depôt for provisions, and is usually well
stored with them: chicken, biscuits, and sherry,
in baskets—cloaks, umbrellas, &amp;c. ought to make
up the stowage; as forethought respecting the weather is advisable in these precarious climates.</p>
            <p>It is possible you may forget a Liverpool coachman, a London cabman, or the driver of a French
diligence, but you never can forget an Irish carman;
no, no, poor Paddy is not so easily forgotten—by
the same rule we do not forget our most pleasant
acquaintances: his wit, humour, and general information are always claims on your memory; and he
will take good care, if ever he has had the honour
of "driving your honour," that he will remind your
honour the very next time he meets "your honour"
his elevated situation as leader and chairman, as
well as carman, gives him the privilege of embodying
himself with his company; he is the first to reply
or laugh at a joke, and the last to be disrespectful.
A character of this description, with his vehicle in
the best order, was engaged for a trip to the Dargle;
and, while the provisions were packing, one of the
company held a survey on the turnout.</p>
            <pb id="p34" n="34"/>
            <p>"I fear your horse is not in very good condition,
Paddy," said he.</p>
            <p>"Ah, no matter for that, sir," replied Paddy;
"I can tell you there's a great rogue in his coat, for
sometimes I can hardly hould him; he bears a good
name on him, any way."</p>
            <p>"What's that?"</p>
            <p>"Lively, sir."</p>
            <p>This poor, spare-ribbed animal might have leaped
a five-barred gate in his time; nay, it might have
won the St. Leger, or a gold cup; but certainly its
present outward and visible sign was anything but
lively. It had a sort of wire-drawn look which indicated much endurance, much use and abuse; on
nearer examination he was found minus an eye, on
which his owner remarked, "What matter? I'll
engage he'll see his way out and home entirely for
all that." Now Lively, with all its faults, was a
horse after my own heart; for being no admirer of
the neck-or-nothing club, and an enemy to spirited
horses and furious driving, having suffered thereby
more than once, his jog-trot pace accorded well
with my enjoyment of the country; for it gave us
time to examine minutely every tree and shrub we
passed; and, as there were no sweepstakes or cup
to be won, and we in no particular hurry, I saw no
use in making a toil of a pleasure.</p>
            <p>A nice observer might have found fault with the
habiliments, the livery of our driver; for my own<pb id="p35" n="35"/>part I care little on these occasions for the decoration
of the outward man, or whether the clothing be
good, provided there is good-humour and a good
heart underneath it. I have heard many an Englishman grumble at his coat not being cut to his
liking, or having discovered a hole in his stocking,
which is enough to put him out of humour the whole
day; but give Paddy his two grey frieze coats, the
one with three large capes, which he wears over
the other, even in the hottest weather; give him
these, his brogues, his <hi rend="italic">caubeen,</hi> his <hi rend="italic">dhudeen,</hi> and his
<hi rend="italic">cruiskeen</hi> of <hi rend="italic">scaltheen</hi> or <hi rend="italic">potheen,</hi> and there is not a
happier being in existence; and if you could only
listen to him in the evening when he gives his <hi rend="italic">colleen</hi> a <hi rend="italic">vourneen</hi> on account "of the quality he took out that day," you would find that it would require
the pencil of a Hogarth, much less a Cruickshank,
to do it justice, replete with wit, humour, sarcastic
sallies, and importance.</p>
            <p>About half way a shower of rain came on—and
no umbrellas! In consequence, the white hats,
gauze ribbons, and gigôt sleeves made a rather lamentable appearance. Paddy, unasked, stripped
off his <hi rend="italic">pair</hi> of surtouts for the ladies, one of which
was accepted; the other he was requested to keep
on, for the variety of vacuums in the apparent
tender state of his body-linen told it was as great a
stranger in <hi rend="italic">Threadneedle</hi>-street as it was in the
wash-tub; he was indifferent to all this, so that
the "darling craturs did not get wet." The shower<pb id="p36" n="36"/>over, we had proceeded within two miles of our
destination, when, as usual, we had a break-down.
This is such a general occurrence that is has ceased
to alarm, or be a novelty with me. On commencing
a journey, I make up my mind to it; but those who
did not, were performing the Flying Dutchman's
leap, and other extraordinary feats, terminating in
the hedges and ditches. The horses are so safe in
these drawbacks, that ladies, generally, are more
frightened than hurt.</p>
            <p>The gentlemen, whom hunger and <hi rend="italic">slow speed</hi> had
made impatient, were angry at the detention, and
wondered how the damage was to be repaired, or
the broken traces joined. Now, if Lively had been
extravagant enough to have taken fright, and ran
away with us, or had taken flight from that <hi rend="italic">Ailsa
Craig of a break-neck place</hi> called the "Lover's
Leap," at the Dargle, there might have been some
excuse for their vexation; but as no one was hurt,
not a bone broke, and the poor beast standing stockstill, musing, no doubt, with all the philosophy of
a quadruped, on the useless folly of the bipeds about
him, I thought good humour might have passed it
off as a slight harmless adventure—a break-down
to break the monotony of a quiet journey. I proposed to poor Paddy, who was enduring more than his full complement of blame about his horse and
gear, by way of comforting him under his misfortune,
that we should walk the remainder of the distance,—
"'Deed ma'am, and you'll not walk one step of it,"<pb id="p37" n="37"/>said he; "shure its only a small mishap—except the
bottle that's broke in the basket, "I'll soon settle the
rest asy enough." A leather thong out of one of
his brogues, the rope that tied his bag of oats, and
a bit of whipcord out of his pocket, soon set all to
rights again in his own fashion, and which really
deserved a patent, as well as Varty's patent axletrees,
for its ingenuity. I cheered him by praising his invention, to which he replied, "Oh, faith ma'am, there's nothing so ingenious as man, <hi rend="italic">barring the
bees!</hi> the rock of Gibralta' itself was never firmer
than that is now. Sit up if you please." We got
safely to the entrance of the Powerscourt domain,
and dismounted. Paddy now took a cushion under
each arm, and ran before, as he said, "to make an
ilegant sky parlour fornent the strame, where you
<hi rend="italic">see</hi> the trout crying—come, ate me." The tablecloth spread, and viands liberated, gave to our view
one ham, four chickens, which, with six tarts, were
all deluged in sherry by the breakage, a tongue, two
full bottles, a gentleman's flute, three corkscrews,
and a fishing rod, which was put into play while the
potatoes were boiling at the lodge at the gate. The
ladies busied themselves in the arrangement, and,
beneath the shade of a large oak tree, embosomed,
as it were, in this beautiful and fertile spot, with
the songsters of heaven about us, breaking nature's
still solitude, we enjoyed the exquisite and delicious
treat—a dinner on the sod.</p>
         </div1>
         <div1 type="poem" id="d0e2253">
            <pb id="p38" n="38"/>
            <head type="main">Home every where.</head>
            <opener>To ———,</opener>
            <lg type="stanza">
               <l>
                  <emph rend="italic">This</emph> is not the home of my childhood,</l>
               <l>
                  <emph rend="italic">This</emph> is not the land of my birth;</l>
               <l>I know not the trees of the wild wood,</l>
               <l>
                  <emph rend="italic">This</emph> is not my own verdant earth:</l>
               <l>Yet I cling to them all as I view them,</l>
               <l>Though an alien, an exile I roam:</l>
               <l>I love them as though I long knew them,</l>
               <l>For wherever thou art—is my home.</l>
            </lg>
            <lg type="stanza">
               <l>Through the storm, on the tempest's high wave,</l>
               <l>To the limits of Ocean's dark bound;</l>
               <l>Through the tropics with thee I will brave,</l>
               <l>Where enterprise never yet found:</l>
               <l>Though danger and peril there be,</l>
               <l>Overwhelmed by the hurricane's foam,</l>
               <l>I fear not—undaunted with thee,</l>
               <l>While thy bark on the sea—is my home.</l>
            </lg>
            <lg type="stanza">
               <l>My country! for ever my pride;</l>
               <l>My home! ever sacred thy name;</l>
               <l>Proud England—the world has defied,</l>
               <l>And is first in the annals of fame,</l>
               <l>Though never again I may see,</l>
               <l>In darkness, I'll think, like the gnome,</l>
               <l>Of localities now lost to me,</l>
               <l>For, with thee, the wide world is—my home!</l>
            </lg>
         </div1>
         <div1 type="part" id="d0e2316">
            <pb id="p39" n="39"/>
            <head type="main">The Greenwich Pensioners.</head>
            <epigraph>
               <cit>
                  <q direct="unspecified">
                     <lg type="fragment">
                        <l rend="indent3">Much to these fearless souls you owe.</l>
                        <l rend="indent3">In peace would you neglect them?</l>
                        <l rend="indent3">What say you patriot souls? Oh no,</l>
                        <l rend="indent3">Admire, preserve, protect them.</l>
                     </lg>
                  </q>
                  <lb/>
                  <bibl>RUSHTON.</bibl>
               </cit>
            </epigraph>
            <p>OF all the sights about London worth seeing,
there are few excel Greenwich Hospital. The 
building itself is a magnificent pile, its structure
almost rivalling in grandeur the great St. Paul's.
This edifice brings to our memory the historical
records of the glorious days of Good Queen Bess,
and the gallantry of Sir Walter Raleigh. Its
situation is picturesque and beautiful; but the
blessings of locomotion will soon supersede any
description I can give to those who have not already
seen it, and who choose to patronize modern improvements. It is gratifying to see the old veterans, and the remains of veterans (for there are few who
are not minus a leg, arm, or an eye,) who have
fought with Howe and Jervis, <hi rend="italic">"and sailed the world
around,"</hi> seeking this quiet retreat for the sunset of
their glory, and in their remnant of existence, "fighting their battles o'er again," in the companionship of their old messmates. To those connected any
way with the deep blue sea, or the dear blue jackets,
this sight is particularly interesting: and so it was
to me. Poor old fellows, with all their apparent
ease and contentment, when I thought of our foes<pb id="p40" n="40"/>in arms, I turned to look upon their <hi rend="italic">armless</hi> bodies,
and, in "England's wooden walls," I thought of the
many <hi rend="italic">wooden legs</hi> before me, although they had
fought and conquered. I looked with compassion on
the <hi rend="italic">left</hi> eye of the seaman whose <hi rend="italic">right</hi> had been lost
in gazing on Victory's flag, and regretted the necessity of war, or that it should ever spread desolation on the earth, and such mutilations among brave
men.</p>
            <p>From among the groups of pensioners, whose
single-breasted blue coat and cocked hat suited, in
regard to costume, the age of the wearer, was one
who had seated himself on a bench overlooking the
river Thames, his hands crossed upon his stick, and
his chin resting upon them: his flowing silver
locks and furrowed cheek told he was long past the
age allotted to man. His juvenile days had been
passed in the last century. I took my seat quietly
beside him, and could not help remarking the contemptuous look with which he viewed the succession
of <hi rend="italic">steamers,</hi> of all sizes, which were plying up and
down the river. In order to elicit a reply, I ventured an observation on the wonderful power of steam and machinery. "Teapots and teakettles,"
said he, <hi rend="italic">"blacksmiths</hi> and <hi rend="italic">blazemakers."</hi>
            </p>
            <p>"You must perceive a grand improvement in
navigation here, since your services were in request,"
said I, speaking rather loudly in his ear.  "Improvement, do you call it? Did you ever see a first-rate of 120 guns under sail?" I replied I had<pb id="p41" n="41"/>
               <hi rend="italic">steamed</hi> through the whole fleet, at the rate of ten
knots an hour, while they were tackling and beating
about in the English Channel, not gaining ten miles
in twenty-four hours.</p>
            <p>
               <hi rend="italic">"We</hi> had no trouble in tacking. No, no!" said
he; "but if the Caledonia had fired a two-and-forty
pounder among the smoking machinery, who would
be beating about then? A pretty kettle of fish
she would make of you, all your troubles would
have been at rest; and to look at <hi rend="italic">you,"</hi> he added,
"I do not think you have many troubles." "Ah,"
said another quaint-looking old square-toes, who
had seated himself on the other side of me, and who
had gather'd up his <hi rend="italic">left</hi> leg to rest on his <hi rend="italic">right</hi> knee,
"Ah," said he, "when I was on board the Sceptre,
there were none of them 'ere things afloat: I would
as soon expect to see Mount <hi rend="italic">Vesuvus,</hi> from the land
of fire and brimstone, smoking up, as them 'ere
crazy craft." Both of my neighbours appeared to
think these smoking innovations a degradation instead of an improvement in navigation. "As for
beauty in appearance," I added, "a ship in full-sail
still bears the palm, and, in case of war, his Majesty
will find in them most efficient aid." "His Majesty,"
said he late of the Sceptre, flourishing his stick,
shall never want help while I live." A grave-looking pensioner, with a pipe in his mouth, now
joined the group. Getting to windward of him,
"Here is one," said I, "from the smoke he makes,
who ought to admit the supremacy of steam;" but,<pb id="p42" n="42"/>"Phoo, phoo!" and another puff from the pipe was
all to be obtained from him,—<hi rend="italic">hatred</hi> it was, but
whether from envy or jealousy of the present age of
invention, it was difficult to say; one conclusion
was certain,—no time can eradicate old prejudices
grafted upon ignorance. I question whether it was
wise to presume to remove the veneration these old
warriors entertained for the "olden time," when
their <hi rend="italic">"three-decker"</hi> would be six weeks beating
about the channel; their "seventy-four" on a lee
shore; and their "first-rate ship of war" riding out
the gale "all in the Downs," which ought (and
might have been by steam) storming the enemy's
garrison a month before; and where was the use
now of disturbing prejudices formed in their early
days,—days of their prowess and chivalry—days of
their youth, honour, and glory, never more to return?
A tap on the shoulder, a bow and a scrape, such as
none other than a <hi rend="italic">real Tar</hi> can give, was followed
by this message, from one of the <hi rend="italic">rough knots</hi> of the
navy: "I ax pardon, ma'an, the gemmen and ladies
abaft sent me to say as how they waits for you to go
through the wards." I followed this marine Mercury, who had been wounded, like Achilles, in the heel, at the battle of Navarino.</p>
            <p>There are a privileged few who take it in turns to
show visitors the hospital. It fell to our lot to have
Tom Pearson as our guide, which was rather fortunate, for he knew the history, good and bad, of
almost all the pensioners, and was rather a wit in<pb id="p43" n="43"/>his way: he had a profusion of black hair, which
was plaited, and hung down his back like a bell-rope;
he wore a cork shoe, and was, in his own opinion,
an important person; yet Tom was a cunning
rogue, for he took every opportunity to extol his
own valour, "in as how he lost his heel, and was
forced to limp upon cork ever since;" he also wished
it to be understood that there were <hi rend="italic">other heroes</hi>
 living who had fought at Navarino besides the gallant Sir Edward Codrington, and why should we dispute the truth? or even doubt him as being one?</p>
            <p>The berths in the wards are all separate, containing each pensioner's bed, table, chair, drawers,
and shelf on which are arranged his cups,
saucers, glass, (we will not say anything about
<hi rend="italic">plate;)</hi> but there are plates, dishes, and all that
is requisite for the comfort and convenience of
one person. There is great rivalship in adorning
their places, which are usually decorated with ballads, prints, drawings, and flaming paintings of their
own <hi rend="italic">"ships all in full sail, on the main ocean,"</hi>
generally those in which they have served; sometimes a carved and well-rigged little model bangs
o'er their head; but nothing can exceed their cleanliness and order. Money is not allowed to be
given, so we had provided ourselves with what was
quite as acceptable, <hi rend="italic">Oronooko,</hi> in all its disguises,
from Prince's Mixture to Lundy Foot, High Toast
to humble knots of Pigtail. Wishing to know, for
the sake of a very particular friend, who had been in<pb id="p44" n="44"/>the La Hogue, 74, during the war, if there were any
of the seamen belonging to that vessel in the Hospital, I asked Tom Pearson; if there were to point them out. "O yes," said he, "there's a lot on
'em here. Jackson, tell Ned Nimble to come down
and be smart." In a short time, the nimble gentleman made his appearance, in the tall, robust form of as heavy a piece of humanity as ever encumbered
the earth; his two legs were wrapped up in flannel,
and he moved as though he had a ton weight to
each. Tom took him aside, and one of our party
heard him say, "Say you were on board the La
Hague, and you will get a yard or two of Pigtail."
Knowing this, I was prepared for my conversation
with master Ned. "You were on board the La
Hogue?" "I was, ma'am, and a finer craft never
swam on salt water." "Did the Hon. Captain
Capel command her then?" "He did, and a
better captain never trod quarter deck." "Do you
remember any of the junior officers? "Every one
of them." "Do you recollect Mr. H——?" "Aye,
I do; and a merrier little fellow never sat at mess."
"This is a mistake, for he was neither <hi rend="italic">little</hi> nor
particularly <hi rend="italic">merry."</hi> " Lord bless you, ma'am,
that's what we say, when a man is tall and steady,"
observed Ned, with a look of wickedness to his
friend Tom, with whom, it appeared, he was in
partnership, as regards <hi rend="italic">visiting fees,</hi> Tom doing
Ned's duty, when incapable from rheumatism, or
inebriation, which sometimes does occur. "I can<pb id="p45" n="45"/>show you a drawing I made of the La Hogue, if you
would step up to the ward." said Ned. We followed him, and he brought out a most desperate
attempt at marine painting. To the eye of a sailor,
as regards masts, sails, or rigging, all was correct,
from the end of the jibboom to the tafrail, every rope
in its berth, every sail set, as it should be; but to
the eye of taste, never was there a more glaring
combination of Prussian blue, gamboge, and vermillion! Ned knew naught of shades; these and perspective were unknown in the "olden time."—
He never dreamt of lights and shades, and scorned
them most methodically, It looked, as though it
would have done quite as well for any other of his
Majesty's vessels, so caricatured; but, on his <hi rend="italic">veracity, this</hi> was a fair representation of the La Hogue. I must own my idea of its magnitude was
sinking below par, had not my brother observed,
<hi rend="italic">"that this was a portrait of a fifty gun ship,</hi> instead of 74."</p>
            <p>Upon this discovery, Nimble Ned seemed "taken
aback," as the sailors say, and excused himself, by
saying his memory was not so good as it had been.
Being quite certain, from his answers and equivocations, that he knew nothing at all about and never had been in the vessel, we left him, after replenishing his snuff-box, to visit the adjoining berth,
whose tenant was called "the Bachelor." This
was a pensive looking little old man, remarkably
neat and  clean: he was seated at his table at work;<pb id="p46" n="46"/>but what <hi rend="italic">sort</hi> of work will my readers guess? "I
have brought some ladies to see you, Mr. Fleming,"
said Tom. "The ladies always likes to see the
bachelors," added Tom. "Heaven bless them, I
am always happy to see <hi rend="italic">them,"</hi> answered the Bachelor, rising, laying down his work, and taking off his glasses. A sabre gash was visible on his forehead; he had lost one leg, and the two fingers of his
left hand; here was a man who had been in numerous engagements, endured shipwreck, slavery, and
imprisonment, who had braved the <hi rend="italic">"battle and the
breeze,"</hi> and "sought the bubble reputation, even at
the cannon's mouth," now filling up the fragment
of his life, in the simple and novel employment of
<hi rend="italic">hemming a blue cotton pocket handkerchief!—</hi>
 "What," asked my brother, "are there none of the
fair daughters of Eve who would take this trouble
off your hands?" "No, sir," said he, "I have
neither kith nor kin!" "Then tell me how you
were left without," said I, "and I will finish your
work for you." I took up the work, and he commenced by saying, "I once loved! we were plighted to each other, were both poor; I went to sea, was
impressed, and when I returned home she had died!
I am now sixty years of age, and could never bring
my mind to put in comparison any one with <hi rend="italic">her</hi> who
was the idol of my youth. My parents died, and I
was an only son, I never heard I had any relative.
This! this!" said he, and his poor hand trembled
as he unclapsed a black pocket-book, "I have kept<pb id="p47" n="47"/>about me: it is the only relic of the only being that
ever loved me." It was a long ringlet of hair, tied
with a blue ribbon. "There," said my brother.
"what think you of that man's affection?" "Why,
that it passeth all human understanding."</p>
            <q direct="unspecified">
               <lg type="fragment">
                  <l rend="indent3">"Then, oh! protect the hardy tar,</l>
                  <l rend="indent3">Be mindful of his merit,</l>
                  <l rend="indent3">And when again you're plunged in war,</l>
                  <l rend="indent3">He'll shew his daring spirit."</l>
               </lg>
            </q>
            <p>Among so many brave men who fell in the ever-
memorable battles of the Nile and the Baltic, it was
a hundred chances to one that inquiries were fruitless
after any old shipmates in the maimed multitude at
Greenwich. The general answers to our questions
were, "Dead!" "Gone!" "Killed!" "Wrecked!"
"Drowned!" or "Unknown!" Egypt, Copenhagen, Algiers, and Navarino had swept away all the youth of the navy,—few had been permitted to
attain the climax of human nature, many, at an early
age, had met the fate of war,—some in their prime,
lingered for awhile of gunshot wounds,—others had
been swallowed up in the vortex of the turbulent and
overwhelming element they had chosen—in the 
"deep, deep sea."</p>
            <q direct="unspecified">
               <lg type="fragment">
                  <l rend="indent3">"Few, few shall part where many meet!</l>
                  <l rend="indent3">The <emph rend="italic">foamy wave</emph> their winding sheet,</l>
                  <l rend="indent3">And every cave beneath their feet</l>
                  <l rend="indent4">Was there—a <emph rend="italic">sailor's</emph> sepulchre!"</l>
               </lg>
            </q>
            <pb id="p48" n="48"/>
            <p>Having given up all idea of finding any seamen
who had been in the La Hogue, 74, it occurred to me
that, among some of the remaining <hi rend="italic">ancients</hi> present,
laden with honour, glory, <hi rend="italic">wounds,</hi> and <hi rend="italic">pension,</hi> in
this retreat, we might find some who had been with
the Hon. Captain Capell, in the Endymion frigate,
<hi rend="italic">before</hi> they were draughted into the La Hogue, so we
began questioning the little man, late of the Sceptre, who had now joined us.
"Endymion,—Endymion, did you say, ma'am? Why, let me see," said he,
commencing, as usual, <hi rend="italic">"When I was on board the Sceptre,</hi> I remember that 'ere frigate cruising about
the Sound,—we were in convoy with her. There is
one of her men here who lost his arm in the peppering from Elsineur Castle, in the war with the Danes." The <hi rend="italic">armless</hi> man was now brought up to answer
further questions as to his recollection of any of the
junior officers. "There was first Lieut. Thompson,
he was a worthy, and so was Lieut. Power; but
there was another Luff <hi rend="italic">as</hi> stammered." "You're
right, there was," said I, mentioning his name;
"what is your name?" "My name is William
Bowman; but all I get here is Bill Bo." "Whatever they call you, my good man, it appears you are the only <hi rend="italic">true Bill</hi> we have found," for the officers he
named were in the frigate, and the stammering Luff,
as he called Lieut. Price, used to excite the mirth of
the mess, for Captain Capell, in endeavouring to
correct this failing, always asked him at table for
whatever was next him, saying, "Mr. Price, what<pb id="p49" n="49"/>sauce have you there?" to which Price replied,
"P-p-p-parsley and b-butter, sir." "Will thank
you for the castor next you." "The p-p-pepper
castor, sir?" "Yes: thank you. Wine with you."
"With p-p-pleasure, sir."</p>
            <p>Bill Bo. now told us of a man in the Nelson ward
who was older than he, who might know something
more about the young gentleman,—"Old Peter
Blewett,—Blue Peter we call him,—he has been here
many years, and has, many a time and oft, told us
of the youngsters playing their tricks upon him,
more nor <sic corr="any">anv</sic> other of the ship's company." "Let
us see him,—a second Peter Simple I suppose."
"Well, you may say that, ma'am, for he has been
but a half-witted fellow all his life." And so it appeared on seeing this aged veteran, now in almost
second childhood, for he gave one of those idiotic
laughs on our approach which fall on the ear with a
certainty that reason either has left, or is about to
leave her throne. His head was bleached, and body
bowed with the burden of eighty summers. We
found him wrapped up in an arm-chair, amusing
himself with the delightful harmony arising from the
collision of a pewter spoon in a tin can. "Taking
your soft tack, Mr. Blewett," said our escort: "you
see he does not forget the <hi rend="italic">Sound."</hi> "No; but let
us try his sense." "Hope we are not intruding at
meal-time;"—another vacant laugh showed that he
did not understand what was said to him. In turning round to request Mr. Bill Bo. to question him,<pb id="p50" n="50"/>we saw written under the full-length portrait of a
large vessel "The Emdymion," and, as we were
given to understand, by our guide, another full-length portrait of the aforesaid " Blue Peter" on the bowsprit; for, with the usual contempt of these
amateurs of the fine arts, there was a total want of
proportion and foreshortening:—the representative
of Peter shone out here about half as tall as the
foremast, while the <hi rend="italic">old original</hi> before us might be
about four feet ten in attitude. When I remarked
the <sic corr="difference">differance</sic>, "Aye, but," said our first escort,
"when I was on board the Sceptre, and his present
Majesty went on board the La Hogue,  then lying in
Hoseley Bay, when Duke of Clarence, I've <hi rend="italic">heard</hi>
Blewett's messmates say, that he was a smart man,
and the Blue Peter <hi rend="italic">as is</hi> is nothing to the Blue Peter
<hi rend="italic">as was."</hi> With another laugh and imbecile manner
Peter put down his play-things, and, taking up the
crooked handle of his stick, reached across the table
in endeavouring to hook a feather in the bonnet of
a lady of our party. He was particularly taken either
with the feather or the lady, we did not know which.
When Bill Bo. interrupted him by saying, "Come,
don't be hauling the feather out of the lady's bonnet,
but tell the visitors the names of your old shipmates?" "Don't know,—can't tell,—quite forgot," was all he said, and some incoherent expressions
excited the look of pity in all about him.</p>
            <p>A few years back, and this man might have
afforded us all the information we required, in relating<pb id="p51" n="51"/>early and pleasant reminiscences, and in remembering
the junior officer, Mr. H——. But now, with the
exception of the passing day, the whole events of his long life could only be expressed in <foreign lang="ita">
                  <hi rend="italic">"non mi recordo."</hi>
               </foreign>
Sans teeth, sans eyes, sans memory, all gone! Why
should we linger to witness the infirmities of age,
the warnings of time wisely given to temper down
the pride, vain-glory, and ambition of this world?
It was fitting we <hi rend="italic">should</hi> linger, reflect, and compare
ourselves to the wreck of human nature before us, to
prepare for those warnings and infirmities from
which none are exempt. It was advisable, too, that
we should indulge in reciprocal feelings, and with
gratitude remember that these men, existing under
their many wounds, who had fought for their
country, and protected us from the horrors of war,
were now in peace, requiring our protection for a
bare maintenance, for succour, health, and comfort.
It was a lesson to show, that, in every state and
station, comparisons and conclusions may be drawn,
for "to this complexion we may come at last." It
served to show the great charm there is in reflection
at all times, and they who do not possess this calm
source of happiness have our pity, if they can go
from "Dan to Beersheba " in vain.</p>
            <p>In passing through the wards, we were not a little
pleased to find <hi rend="italic">"Tom Cringle's Log"</hi> in the hands
of one of the pensioners. One who could <hi rend="italic">not read</hi>
was mending his stocking on a bottle! We saw the
<hi rend="italic">"Naval Sketch Book,"</hi> and other amusing nautical<pb id="p52" n="52"/>works lying about, the modern and clever productions
of various naval officers. One old man, whom we
excused rising on our entrance, having just <hi rend="italic">unshipped</hi> his <hi rend="italic">two</hi> wooden legs, was grumbling most bitterly
over <hi rend="italic">"James's History of the Naval and Military Wars,"</hi>—for reasons why, the very many inaccuracies, but principally for omitting to name the ship
he was in, in a severe engagement, and which left
him but <hi rend="italic">half the man he was.</hi> This omission was a
sore place to him. I consoled him by observing, it
might not have been a wilful one; but, whether or
not, and although he had not a leg to stand upon,
his two <hi rend="italic">wooden supporters</hi> held him up to the world
as an example of undaunted courage and bravery,
and, in spite of the half-and-half praise of historians,
every one would admit that he <hi rend="italic">half</hi> proved his claim
to their notice, and well deserved what he never
got—their honourable mention of him.</p>
            <p>We now paid off, in pig-tail, our two escorts,
Mr. Bill Bo. and he late of the Sceptre whose
prosings amounted in meaning to something like the
reflections above,—on the mutability of human affairs,—only with this difference, that he had a particular dictionary and grammar of his own, out
of which he composed a language of his own,—it
might be one of the dead ones,—but he, as a living
man, certainly was the founder, the inventor, the
"fecit" of some of the strangest and most out-of-
the-way words that ever were coined in the human
brain. In prosody he was completely out of his<pb id="p53" n="53"/>latitude. What he meant we knew very well; but
how he expressed himself would puzzle a Chaldee
to report. In pocketing our donation of the
obnoxious weed, he said, "It was the most
foolishest thing as is, in their laws and <hi rend="italic">statuary</hi> of
the Hospital—the most ridiculousest <hi rend="italic">high deer</hi> as
hever was, not to allow them to take money instead
of pigtail."</p>
            <p>A new guide took us through the splendid Painted
Hall, and was most anxious, first, to show us
the particular picture which represented the ship in
which <hi rend="italic">he</hi> fought, conquered, and lost an eye. We
saw his drift, and gave him due praise, for his
bravery and suffering well excused the vanity. "Are
you a married man?" "Why, yes, ma'am and was
then." "Your wife must have been in great
suspense about you." "One would think so," said
he. "I was among the wounded, and reported dead;
but when I came home she had—married again!"
He now led us to the glass-case containing the coat
Nelson wore when killed. Amidst all the spirited
paintings of engagements, and portraits of the weather-beaten admirals, (the withered flowers of the British navy,) or even the beautifully painted ceiling,
this old tattered garment was to me the most interesting. The sleeve was fastened to the breast: it was threadbare and rusty-looking, from the smoke
of the Victory; but the very anchor on the button
awakened feelings of veneration which the heart of a<pb id="p54" n="54"/>sailor's wife could best understand, although unable
to express, in seeing this last relic of the glory of the
immortal Nelson.</p>
            <q direct="unspecified">
               <lg type="fragment">
                  <l rend="indent3">"Brave hearts! to Britain's pride,</l>
                  <l rend="indent3">Once be faithful and so true,</l>
                  <l rend="indent3">On the deck of fame that died</l>
                  <l rend="indent3">With the gallant good Riou.</l>
                  <l rend="indent3">Soft sigh the winds of heaven o'er their grave,</l>
                  <l rend="indent3">While the billow mournful rolls,</l>
                  <l rend="indent3">And the mermaid's song condoles,</l>
                  <l rend="indent3">Singing glory to the souls</l>
                  <l rend="indent3">Of the brave!"</l>
               </lg>
            </q>
         </div1>
         <div1 type="part" id="d0e2619">
            <head type="main">Time's Changes.</head>
            <epigraph>
               <cit>
                  <q direct="unspecified">
                     <lg type="fragment">
                        <l rend="indent3">But where, oh! where's the spirit's glow</l>
                        <l rend="indent3">That shone through all ten years ago?</l>
                     </lg>
                  </q>
                  <lb/>
                  <bibl>A. WATTS.</bibl>
               </cit>
            </epigraph>
            <lg type="stanza">
               <l>To some legend of old Miranda flew,</l>
               <l>Impressed with grief which to her was new;</l>
               <l>Like the dew on flowers in the woodland vale.</l>
               <l>She wept when she read an old fairy tale.</l>
            </lg>
            <lg type="stanza">
               <l>And often she pondered on Fiction's art,</l>
               <l>Until Love's true passion had touched her heart.</l>
               <l>Realities o'er romance prevail—</l>
               <l>She smiled when she read an old fairy tale.</l>
            </lg>
            <lg type="stanza">
               <l>When her youth declined, and her lot was cast,</l>
               <l>She took up the book, but its charm had past;</l>
               <l>She wondered how youth could in tears bewail,</l>
               <l>Or how she e'er read the old fairy tale.</l>
            </lg>
         </div1>
         <div1 type="part" id="d0e2660">
            <pb id="p55" n="55"/>
            <head type="main">The Irish Emigrants.</head>
            <epigraph>
               <cit>
                  <q direct="unspecified">
                     <lg type="stanza">
                        <l rend="indent3">Oh, land of my fathers and mine!</l>
                        <l rend="indent4">The noblest, the best, and the bravest;</l>
                        <l rend="indent3">Heart-broken, an 'lorn I resign</l>
                        <l rend="indent4">The joys and the hopes which thou gavest.</l>
                     </lg>
                  </q>
                  <lb/>
                  <bibl>BYRON.</bibl>
               </cit>
            </epigraph>
            <p>THERE cannot be a more melancholy acknowledgment of the poverty of a country than to see the daily
increase of the spirit of emigration, in its redundant
and depressed population. The Irish shores are
lined in every direction with whole families about to
seek refuge from starvation in the uncultivated wilds
of North America. Hundreds are pouring into the
city of Dublin, lining her quays, and making every
possible preparation for their departure. Clusters
of men in gray frieze coats, and groups of unbonneted and barefooted women and children, were collecting round a vessel bound to Quebec, some
carrying their small stock,—small enough, no doubt,
—others purchasing tin cans and provisions for their
voyage. In watching these apparently happy, but
really miserable, creatures embark, our attention was
particularly attracted to one person, a young woman
about five-and-twenty, who seemed so truly affected
at the separation from her native land, that she withdrew from the crowd up an adjoining street, followed by three little children almost in a state of nudity,
to give relief to her feelings in one of those <hi rend="italic">howls</hi> so<pb id="p56" n="56"/>peculiar in the Irish lamentation. She was tall and
handsome, and had an expression of more reflection
than is general with the lower order of the peasantry
from the interior. Sitting down on a stone, she
drew the hood of her gray cloak over her face, and,
covering her children, who are cowering beneath it,
appeared overwhelmed in grief. "Are you parting
from your friends?" asked a bystander. "Werastru!
werastru!" was all her reply, with some other words
which seemed to have a musical expression, though
perfectly unintelligible to those about her.</p>
            <p>"Is it <hi rend="italic">spaking</hi> to Norah you ar, my leedy?" asked
a broad-faced lad, about sixteen, with a mouth from
ear to ear, and a babe, about two months old, rolled
up in a lump, like a bundle, under his arm. "What
would you have her say to ye'es; for she's no call to
the English <hi rend="italic">spaach</hi> at all, at all?" continued he.
"I would know the cause of her sorrow," replied
the questioner, who afterwards seemed surprised at
the beautiful simplicity of the poor woman's answers,
when interpreted by her brother, whom the open
countenanced youth proved to be.</p>
            <p>To the question of "Why are you so distressed?"
she replied, while the tears ran down her cheeks,
"I am leaving the home of my childhood!" "And
why do you leave it?" "To go to the father of my
children. He is gone to gather bread for them in the
new country; and I follow with them to share it
with him. He is tilling the foreign ground of the
stranger, and has no interest in the soil of his own<pb id="p57" n="57"/>land, for his exertions were unavailing; and we are
leaving the home of our forefathers for ever!"
Here she bowed her head over her crossed arms in
excessive emotion, which was interrupted by her
brother in the following manner:—"Hould your
sisther, the <hi rend="italic">beeby</hi> sur," said he, "while I shake the
sorrow out of your mother, and git her out of this,"
dropping the small lump of infancy into the naked
arms of a little urchin of three years old. "I must
git her out of that intirely, or the ship will be
laving us," said the lad, lifting up the heart-broken
mother. "Werastiu, Barney, Barney!" she cried.
A few shillings collected from the bystanders, and
put into her hand, excited Master Barney's gratitude
in a most extravagant manner. "Och, may the
witches wave troublesome nightcaps for those who
would frown on yer lord and ladyships' beautiful
faces!" cried he. "No blarney, Barney," said
one of the donors. "It's no blarney, sur," said he.
"Whist till I <hi rend="italic">incinse</hi> you of what Norah's bidding
me tell you. 'Thanks for your timely assistance;
and may the cloud of sorrow never shade the smile of
benevolence,'" "And are you going too, Barney,?"
asked the gentleman. "Faith I am that same, sur,"
said he, with a shrug of his round shoulder; "for
if I lived here I'd <hi rend="italic">die</hi> or be <hi rend="italic">kilt</hi> intirely, and I'm
better out the way, at all ivints, than wait for the
likes o 'that, anyhow," answered he, leading his
sister and children to the vessel. He then accosted
one of the seamen at the gangway with the following<pb id="p58" n="58"/>words:—"Plase to show your humanity, sur, by
taking care of that small trifle of mortality, while I
git thim other craters into the vessel," pitching the
little screaming bundle into the arms of the sailor,
while he assisted the weeping mother and children
on board. Upwards of two hundred persons now
crowded the deck, and their farewell howlings were
echoed by the remaining relations and friends on
the shore. So various are the opinions and the disputations on the <hi rend="italic">causes</hi> which thus induce them to desert their native land, that it would be impossible,
without infringing on the political state of the
country, or calling in question the want of local
system, to give the true reason; and, whether it be
famine, faction, ignorance, or industry which impels
them, there is one feeling the heart of every emigrant
<hi rend="italic">must</hi> inherit,—the <hi rend="italic">heart-yearning to the scenes of
their childhood!</hi> and wherever we may roam, we
find there is no place like the land of our birth.
"There is no place like home," in <hi rend="italic">leaving</hi> which
I will conclude in the words of the noble bard's
<hi rend="italic">Farewell to England:</hi>
            </p>
            <q direct="unspecified">
               <lg type="fragment">
                  <l rend="indent3">"I seek what no tribes can bestow,</l>
                  <l rend="indent3">I ask what no clime can impart;</l>
                  <l rend="indent3">A charm which can neutralize woe</l>
                  <l rend="indent3">And dry up the tears of the heart."</l>
               </lg>
            </q>
         </div1>
         <div1 type="poem" id="d0e2736">
            <pb id="p59" n="59"/>
            <head type="main">Adieu.</head>
            <lg type="stanza">
               <l>I am leaving thee, old England,</l>
               <l rend="indent1">My dear, my native home,</l>
               <l>To other shores, and newer friends,</l>
               <l rend="indent1">A stranger now I roam.</l>
               <l>New scenes, new pleasures, wait on me.</l>
               <l rend="indent1">And may be friends sincere;</l>
               <l>But my heart, firm as it e'er will be,</l>
               <l rend="indent1">With you will linger here.</l>
            </lg>
            <lg type="stanza">
               <l>The old familiar voices loved,</l>
               <l rend="indent1">I may not hear no more,</l>
               <l>Their kindest words and happy smiles</l>
               <l rend="indent1">In absence I'll deplore.</l>
               <l>The air shall waft my saddest sigh,</l>
               <l rend="indent1">The ocean wave, my tear;</l>
               <l>But my heart, firm as it e'er will be,</l>
               <l rend="indent1">It still will linger here.</l>
            </lg>
            <lg type="stanza">
               <l>Farewell to thee, my native home,</l>
               <l rend="indent1">My fireside friends, farewell;</l>
               <l>Though far away, o'er days to come,</l>
               <l rend="indent1">You hold a magic spell.</l>
               <l>Linked with my blessings and my prayers</l>
               <l rend="indent1">Your names I will revere,</l>
               <l>While my heart, firm as it e'er will be,</l>
               <l rend="indent1">With you is lingering here.</l>
            </lg>
         </div1>
         <div1 type="poem" id="d0e2791">
            <pb id="p60" n="60"/>
            <head type="main">To  the Irish Absentee.</head>
            <lg type="stanza">
               <l>THERE is a fair and fertile Isle,</l>
               <l rend="indent1">By Nature's hand 'tis bless'd,</l>
               <l>Where forests grow and rivers flow,</l>
               <l rend="indent1">Where warm hearts are oppress'd,</l>
               <l>Erin! thou gem upon the sea,</l>
               <l>Thy ruin is the absentee.</l>
            </lg>
            <lg type="stanza">
               <l>There is a castle on the hill;</l>
               <l rend="indent1">Its lordly owner reigns</l>
               <l>'Neath other towers, 'mid stranger bowers,</l>
               <l rend="indent1">On distant hills and plains.</l>
               <l>Untenanted that castle see,</l>
               <l>Deserted by the absentee.</l>
            </lg>
            <lg type="stanza">
               <l>There was a forest, waving high,</l>
               <l rend="indent1">Which summer suns repell'd;</l>
               <l>Now, fallen low, the sun may glow—</l>
               <l rend="indent1">The forest oaks are fell'd:</l>
               <l>The wealth drawn from each stately tree</l>
               <l>Is treasured by the absentee.</l>
            </lg>
            <lg type="stanza">
               <l>There is a cottage in the vale</l>
               <l rend="indent1">Where little children smil'd;</l>
               <l>But from this home the children roam,</l>
               <l rend="indent1">And weeds grow rude and wild.</l>
               <l>To foreign lands the exiles flee,</l>
               <l>Deploring low the absentee.</l>
            </lg>
            <pb id="p61" n="61"/>
            <lg type="stanza">
               <l>There is a mountain mine of wealth,</l>
               <l rend="indent1">And crystals on the shore:</l>
               <l>The pearl's unsought, the gold unwrought;</l>
               <l rend="indent1">The miner's task is o'er.</l>
               <l>Hands that would set the rich ore free</l>
               <l>Are fetter'd by the absentee.</l>
            </lg>
            <lg type="stanza">
               <l>Oh! Faction, Faction, still thy voice!</l>
               <l rend="indent1">Thy foul contention cease!</l>
               <l>That men may live and kindly give</l>
               <l rend="indent1">Their souls to love and peace;</l>
               <l>In concord so may hearts agree,</l>
               <l>And thus recall the absentee.</l>
            </lg>
            <lg type="stanza">
               <l>Return, return, Hibernia's sons!</l>
               <l rend="indent1">Look on your homes as men;</l>
               <l>Your suffering Isle entreats your smile.</l>
               <l rend="indent1">That she may rise again.</l>
               <l>Return, while each the ruin sees,</l>
               <l>Nor live in vain as absentees.</l>
            </lg>
         </div1>
         <div1 type="part" id="d0e2887">
            <head type="main">The lost Keepsake.</head>
            <epigraph>
               <lg type="fragment">
                  <l rend="indent3">I never looked a last adieu</l>
                  <l rend="indent3">To things familiar, but my heart</l>
                  <l rend="indent3">Shrank with a feeling almost pain,</l>
                  <l rend="indent3">Even from their lifelessness to part.</l>
               </lg>
            </epigraph>
            <p>PHILOSOPHERS say, "it is great folly to attach
much importance to trifles," to invest baubles with<pb id="p62" n="62"/>worth not intrinsically their own, and in our
imagination, to make treasures of little gifts of
remembrance, which, though they feed the fancy in
absence by cherishing the phantom hope, are too
often the means of recalling more painful than pleasurable recollections. Therefore it is unwise to make our own misery, which is the case by hoarding such treasures, when they are either lost, broken, or destroyed. And yet how many there
are who have in their possession trifles which wealth
could not purchase, the intrinsic value of which is
inconsiderable, but enhanced beyond all calculation
by the hand which presented them! A lock of hair,
a ring, locket, book, or even a faded flower have
cemented and united friendships which the world
could not destroy; and so it was with my keepsake.</p>
            <p>It was the commencement of a happy year that
Cupid, Hymen, and the Rev. W. B—— assisted,
at the altar of St. Anne's Church, in forming<q direct="unspecified">
                  <lg type="fragment">
                     <l rend="indent4">"The silver link, the silver tie,</l>
                     <l rend="indent4">Which bound me to my destiny."</l>
                  </lg>
               </q>As is usual on such occasions, there was a happy
confusion of smiles and tears; and, however indifferent persons may pretend to appear in tying the "Gordian knot," it is an eventful period in their
lives, an important step in their career, and must
be to all an awful moment. After the ceremony,
while thus reflecting, I found my grief of longer
duration than that of the group around me,—but<pb id="p63" n="63"/>from what cause? Not from any disparity, or the
interference of friends, for they were aware that <hi rend="italic">we</hi>
were the best judges of our own happiness, and for
once, "the course of true love <hi rend="italic">did</hi> run smooth;"
but from one cause, which was inevitable, our separation on the following day, and, perhaps, for ever!</p>
            <p>It so happens, with the less fortunate part of
mankind, that they are doomed to toil for a subsistence; and he who then held my hand, and called me his, was obliged to brave the bounding billows,
to seek a disturbed and distant part of the globe,
and for many months to be taken from me, from
my sight; and, from just being made the most
happy of women, I was, in four and twenty hours,
to become the most miserable and desponding.
I portionless, he not worth a ducat. He was bound
to endure the toil in the amphibious profession he
had chosen, as commander in the merchant service,
for the future and mutual support of us both, and
for this he was obliged to leave me;<q direct="unspecified">
                  <lg type="fragment">
                     <l rend="indent2">"For lips though blooming, must still be fed,</l>
                     <l rend="indent2">And not e'en love can live on flowers."</l>
                  </lg>
               </q>My wish to accompany was overruled by many
objections, for I had not then endured the horrors
of sea, sea-sickness, and all its attendant anxieties,
as I have done since; yet we hoped the wind might
not prove favourable; but here the Fates were against
me, for the wind was provokingly fair and the sea
invitingly calm. The vessel cleared out, passengers<pb id="p64" n="64"/>on board, and all ready for sea; the coach waited at
the door, trunks, clothes, books, writing-desk, all
packed within, when the dreaded hour of separation
arrived. "Mine own" clasped me to his heart in an
agony of grief, and, endeavouring to look collected
in the face of his mourning bride, said, "Be comforted; let hope cheer you in my absence, and wear this," he added, placing a ribbon round my neck.
"in remembrance of me." Attached to the ribbon
was a small gold locket, in the form of a heart,
which he unclasped, and placed therein one of the
many curls which clustered on his handsome head.
I kissed the little treasure, and, when able to speak,
vowed to wear it for his sake, and for ever: and every
pearl which encircled the keepsake, had they been
above all price, were not one-hundredth part of the
value to me of one single hair which it contained,
and which, too soon, was to become my last remembrance. I cannot now dwell on the delirium of the parting moment; I heard the blessing of my husband, the coach drive away, and no more.</p>
            <p>The meridian sun was shining full on my face the
day following, when I was awaken'd by the voice of
my mother. It was my own home, and all as it had
been for years; my books, my clothes, all in their
respective places; and, as usual, my mother, in attempting to take my hand, found it grasped his last gift. I looked on it, pressed it to my lips, and fell
weeping on her neck; and in those tears and her
consolation, I found a temporary relief.</p>
            <pb id="p65" n="65"/>
            <p>Time, the soother of grief, and a firm reliance on
the great Disposer of all for the protection of my
beloved husband, composed me. But few can
imagine the consolation, the comfort, and the pleasure I had in gazing for hours on that little keepsake. I held it to my heart in my clasped hands, and wept
and prayed over it alternately. Upon the happy
return of the bridegroom, eight months after, it was
where he first had placed it; and for near fourteen
years afterwards had been my constant companion,
always wearing it about me, and, through all the
vicissitudes which must have taken place in that
time, was always a source of happiness even to
look upon.</p>
            <p>We had been united many years when our
fortunes led us to exchange happy England for the
disturbed sister kingdom; and Dublin became, in his
occasional absence, my strange and solitary home.
Upon one eventful morning I took my departure
from the city for Kingstown, a distance of eight
miles, in order to await the expected arrival of the
vessel my husband then commanded. The voyage
from London had been prolonged two days beyond
the usual time by the late equinoctial gales. I
walked on a few miles further, up a hill, to obtain a
better view of the Irish Channel, but in what frame
of mind I leave to my readers who have ever had a
valued life in jeopardy. It was a cold, raw day,
when, drawing my cloak around me, I took my station on the rocks overhanging the sea. I had ap-<pb id="p66" n="66"/>pended my keepsake to my watch. I looked at it—the hour, and found the day rapidly declining, and
no trace of any distant sail. I had sat there about
four hours, when, to my relief, in the horizon there
appeared smoke; how my heart beat! then sails
and masts, and finally the hull became visible. I
drew out my little telescope, and found it was, from
the letters on the side, the long-looked-for vessel.
"Thank Heaven!" I exclaimed, "there it is; but
is he safe?" I took another peep, and, invoking a
blessing on the head of the inventor of telescopes, I
saw the well known form. No time was lost in
returning to Kingstown harbour, where I knew
they must anchor to await the evening tide. I took
a boat, and was the first alongside. She anchored,
and, after the look of recognition which proclaimed
"all's well," the ladder was let down by the vessel's
side. In making my ascent, so many were eager in
assistance, that, before I had gained the deck, I
found my watch had escaped; it hung safely by the
black ribbon, but the clasp, seals, and my keepsake
were gone! The clasp, in the hurry, had become
unfastened, and the gift, I had treasured for near
fourteen years, the value of which was enhanced by
the circumstance on which it was given, was at that
moment gone down to the deep, deep sea, without
any hope of its recovery.</p>
            <p>My joy to see the donor arrived safe, after the
tremendous gale, was too great to permit me to
grieve <hi rend="italic">then</hi> and <hi rend="italic">there</hi> for my loss. He was well and<pb id="p67" n="67"/>out of danger, and my heart was too grateful to be
disturbed by any minor consideration of sorrow;
but afterwards, when I apprised him, and expressed
my regret, although it was mutual, he endeavoured
to divert my mind from dwelling on the subject,
by saying "I still possessed the original; and the
only consolation there was," he added, "was what
Paddy had when his tea kettle went overboard, which
could not be said to be lost when he knew where
it was."</p>
            <p>I forgot to mention, that I had lately enriched
the contents of the locket by the <hi rend="italic">first gray hair</hi> it
was only a stray one, one of those which intrude
untimely on the head of the most youthful; but it
was the first, and I had a veneration for it, as I
hoped to have for the many which were to follow it,
should years be permitted us to see them, so that
this could easily be replaced, when the words at
Burns would apply:<q direct="unspecified">
                  <lg type="fragment">
                     <l rend="indent3">"But now you're growing auld, John,</l>
                     <l rend="indent4">Your locks are like the snow;</l>
                     <l rend="indent3">But blessings on your frosty pow,</l>
                     <l rend="indent4">John Anderson my jo."</l>
                  </lg>
               </q>
            </p>
            <p>All this may appear very trifling to those who do
not set any value on trifles, or estimate the gifts of
friends properly, but it is, nevertheless, true; and
like many others persons, I have suffered from petty
larcenies and have had my losses; but, with the
exception of death's deprivations, I do not remember<pb id="p68" n="68"/>any which have given me a greater pang than this;
and now again, in the absence of all that is dear to
me, once more alone, in suspense and anxiety,
which the wife of a sailor must ever endure, I feel
deeply and sincerely the loss of my silent companion,
my long-cherished bridal gift, my little, lost keepsake.</p>
         </div1>
         <div1 type="poem" id="d0e2970">
            <head type="main">On a Present of a Ring.</head>
            <lg type="stanza">
               <l>YES! I will keep the golden ring</l>
               <l rend="indent1">Respect and friendship sends;</l>
               <l>While in remembrance it will bring</l>
               <l rend="indent1">Before me—absent friends.</l>
            </lg>
            <lg type="stanza">
               <l>Each ray that from the emerald gem</l>
               <l rend="indent1">Sparkles while on my hand,</l>
               <l>Shall shine a beam of love from them,</l>
               <l rend="indent1">Though in a distant land.</l>
            </lg>
            <lg type="stanza">
               <l>Oft shall the spring of memory's green</l>
               <l rend="indent1">Their absent worth deplore,</l>
               <l>Who gave a charm to life's dull scene,—</l>
               <l rend="indent1">Friends—I may see no more.</l>
            </lg>
            <lg type="stanza">
               <l>The talisman I'll look upon,</l>
               <l rend="indent1">While life this hand retains,</l>
               <l>With joy to think, though they are gone,</l>
               <l rend="indent1">Their friendship still remains.</l>
            </lg>
         </div1>
         <div1 type="poem" id="d0e3009">
            <pb id="p69" n="69"/>
            <head type="main">To the Wind.</head>
            <lg type="stanza">
               <l rend="indent2">O, dread and mighty wind!</l>
               <l rend="indent2">Why art thou so unkind?</l>
               <l>Why, in the silent midnight hour,</l>
               <l>Use thy terrific awful power,</l>
               <l rend="indent2">O'er the fond, anxious mind?</l>
            </lg>
            <lg type="stanza">
               <l rend="indent2">Why o'er the billows roam,</l>
               <l rend="indent2">And rouse the blue wave's foam.</l>
               <l>Which bears the bark and valued life</l>
               <l>Of one contending with the strife,</l>
               <l rend="indent2">Once more to gain his home?</l>
            </lg>
            <lg type="stanza">
               <l rend="indent2">Why, with thine adverse gale,</l>
               <l rend="indent2">Dismay and doubts prevail,</l>
               <l>Fearing thine howl and treacherous breath</l>
               <l>May steal o'er them in moans of death</l>
               <l rend="indent2">Beneath the riven sail?</l>
            </lg>
            <lg type="stanza">
               <l rend="indent2">On me thy bitter blast</l>
               <l rend="indent2">Has sad forebodings cast,</l>
               <l>Of cherished love enthralled by thee,</l>
               <l>Bound in thy magic mystery,</l>
               <l rend="indent2">The dangers of the past.</l>
            </lg>
            <lg type="stanza">
               <l rend="indent2">Away! thou fearless foe!</l>
               <l rend="indent2">And onward as ye blow,</l>
               <l>Waft o'er the casket on the deep,</l>
               <l>When waves mine earthly treasure keep,</l>
               <l rend="indent2">On them breathe soft and low.</l>
            </lg>
            <pb id="p70" n="70"/>
            <lg type="stanza">
               <l rend="indent2">Thy storms in pity spare,</l>
               <l rend="indent2">For them responds my prayer;</l>
               <l>Protect with thine own sovereign sway,</l>
               <l>Guide in the dark and cheerless way,</l>
               <l rend="indent2">Nor breathe on me despair.</l>
            </lg>
         </div1>
         <div1 type="poem" id="d0e3080">
            <head type="main">The Anniversary.</head>
            <lg type="stanza">
               <l>TWICE seven years their course have run</l>
               <l rend="indent1">Their ceaseless round; of time behind us,</l>
               <l>Behold the present morning's sun</l>
               <l rend="indent1">Of this day rises to remind us.</l>
            </lg>
            <lg type="stanza">
               <l>And fourteen years together tied</l>
               <l rend="indent1">An age in Cupid's day-book seemeth;</l>
               <l>We've shared the "good the gods provide,"</l>
               <l rend="indent1">Their frowns and cares how well few dreameth.</l>
            </lg>
            <lg type="stanza">
               <l>And thus, possessing youth and health,</l>
               <l rend="indent1">Each year affection, still unceasing;</l>
               <l>With these we will not covet wealth,—</l>
               <l rend="indent1">Too often worldly woes increasing.</l>
            </lg>
            <lg type="stanza">
               <l>Then let us welcome fourteen more,</l>
               <l rend="indent1">And let their changes all assemble;</l>
               <l>They shall be loved for evermore,</l>
               <l rend="indent1">If like the past they aught resemble.</l>
            </lg>
            <pb id="p71" n="71"/>
            <lg type="stanza">
               <l>Thus, hand in hand, we'll journey on,</l>
               <l rend="indent1">With firmness meet the fate before us,</l>
               <l>Ere youth, and health, and love are gone,—</l>
               <l rend="indent1">We bow to Him whose will is o'er us.</l>
            </lg>
            <lg type="stanza">
               <l>And, guided on "to that great bourne,"</l>
               <l rend="indent1">The light of Hymen's torch still beaming,</l>
               <l>Together rest no more to mourn,</l>
               <l rend="indent1">To worldly cares no more returning!</l>
            </lg>
         </div1>
         <div1 type="part" id="d0e3138">
            <head type="main">The Narrow Escape.</head>
            <p>TERRENCE was a stout, broad-faced, good humoured <hi rend="italic">boy</hi> about fifty, who would rather talk than work, and rather sing than do either. He was a sort of agricultural dependant upon Father Mullins: he
was his hedger, his ditcher, reaper, mower, gardener, and <hi rend="italic">factotum;</hi> and the farmer, won by his humour and good-nature, kept him as a hanger-on about the farm, more than for any particular
industry, of which he was seldom found guilty.</p>
            <p>An elderly gentleman, who lodged in the farm
house, had been repeatedly amused with the vocal
powers of Terrence, particularly at day-break, when
he had much rather "his morning's winged dreams"
had not been broken, as he heard him pass to the
stable, where he was to perform the augean process. 
Terrence had just rested himself on his pitchfork,<pb id="p72" n="72"/>to give more effect to the last cadence of <hi rend="italic">"Sheala na Guira,"</hi> when the gentleman complimented him by
saying, "You've a fine voice of your own Terrence."</p>
            <p>"Faith, sir," replied he, "you may say that, and
thank God for it; although it had like to have been
the ruin of me, so it had."</p>
            <p>"The ruin of you, my good fellow, how so?"</p>
            <p>"I can soon <hi rend="italic">incense</hi> you how, sir," said he; "but
you should hear the songs first, and by them you
will see what they had nearly done for me."</p>
            <p>"Well, Terrence," said the gentleman, "if you
will come in, in the evening, and sing me the songs,
I'll hear your story, and give you half-a-crown."</p>
            <p>"Oh, by dad, that I'll do! and thank your
honour," said Terrence. So accordingly, he brushed
his brogues, washed his shining face, put on his
long-tailed grey frieze, and made himself "clean
and decent," to go into the presence, and made his
bow among the family party, and commenced "The
Groves of Blarney," "The Cruiskeen," "The Boys
of Kilkenny," "Donnybrook Fair," and many others,
when he came to a full stop.</p>
            <p>"Now, sir, says he, "I'll give you the one that
was near the ruin of me." This was none other
than "The Wake of Teddy Roe," a song as well
known as the writer, S. W. Ryley, the author of the
"Itinerant," which, when Terrence had finished, he
said, "There, sir, that's the one; and I never sing
it, but I think of the <hi rend="italic">narrow escape</hi> I had. And now I'll tell you how that was. I was loading the<pb id="p73" n="73"/>cart with manure, God help me! one morning and
singing that song, when a gentleman came by, and
stood to listen to me. 'You've an excellent voice,'
says he, 'my man, and that's a good song you're
singing.' 'Faith, I have sir,' for I have been told it
often before; 'and for the song, shure it bates
<hi rend="italic">Bannagher,</hi> and that <hi rend="italic">bates</hi> all the world entirely.'
'Well,' says he, 'have you any more of them
songs?' Shure I have, sir,' says I; 'one for every
day in the week.' 'Well, then, come up to my
house in Dublin, and sing all you know, and I will
see what I can do for you: but would you be afraid
to sing them before a large company?' 'Not in the
least, sir; the larger the better, and then they'll all
hear at once."</p>
            <p>"He tould me where he lived; and accordingly
I wint, and was shown up to a most beautiful drawing-room, where sat one beautiful crater at the
<hi rend="italic">piania,</hi> and another at the harp. 'Terrence
O'Farrell,' says I to myself, 'hould yourself up,
you're among <hi rend="italic">quality</hi> intirely;' and sure enough
there was a great company. One of the beautiful
craters handed me, with her own hands, a glass
of wine, saying, 'Take this, Mr. O'Farrell, before
you begin.' 'Och,' thought I, <hi rend="italic">'Mister O'Farrell!—</hi>
 but I wish my mother heard <hi rend="italic">that.'</hi> So I plucked
up a spirit, and says I, 'I'm obleeged to you ma'am,
for the compliment, but barrin its all the same to
you, I'll sing better afther the smallest taste in life
of whisky.' So wid that, the gentleman got up<pb id="p74" n="74"/>and filled a cruiskeen for me, and that made all the
differ wid me. 'Will I sit down, or stand up, sur?'
says I. 'As you please,' said the gentleman.—Well, then, as you're all sated, shure I'd be but
one like yourselves, so I'll stand up, then I can give
ye the thrue maning.' Well, to be sure, I sang to
their intire satisfaction, and grate divarsion they
had wid me.</p>
            <p>"When I finished, 'Now,' says the gentleman,
'Terrence, I'll give you thirty shillings a week to
sing me three of them songs three times a week.'
I soon agreed to the bargain; and, putting the
card he gave me with a trifle of writing on into my
pocket, which I did not stop to make out, I made
the best of my way home, to tell my mother how
my fortune was made all at once.</p>
            <p>"Well, as luck would have it, who should be
sitting wid my mother but Tim Dooley. Now Tim
had been brought up at the Sunday School, and
had the gift, more nor any other man, and mighty
proud he was—for there was no speaking to him
since he larned to read and write—but he'd no
notion of <hi rend="italic">singing.</hi> Well, 'May be,' thought I,
Mister Tim, you won't be so consequence, when
you see who the rich man is before you.' So I up
and tould them all I'd done, and sung, and said.
May be my mother's eyes did not shine, the ould
cratur! and may be she did not bless her son
Terry.—Faiks she did; but it was left for Tim
Dooley to spoil all.</p>
            <pb id="p75" n="75"/>
            <p>"'Where is this you are to go to?' says he.
'Och! wait awhile till I show you,' says I. 'Show
me the ticket,' says he; and taking it out of my
pocket, he set up such a howl! 'What's come over
you, sir?' says I. 'Och hone! och hone! is it
come to this you are?—is it going to disgrace your
family you are?—and the mother that's sitting
before you? Shure I thought there was some ill
wind in the mighty good fortune all of a suddint.
But for you to bring your ould mother with sorrow
to the grave, by goings on of the like, is what she
neither desarves from you, or the likes of you.' 'Let's
be knowing my sin,' says I, 'and I'll thank you.'
'Faith here's your sin and your shame before you;
and if you go to the place of this present writing,'
says Tim, 'why, you're a lost man, that's all!'
'Will you please to give us the benefit of your
larning now, and no more words from you,' says I,
not very well pleased at the sarmon he was beginning, 'and let's see the way I am going to my ruin?'
'Shure it's straightforward forenint you here.'
And he read the direction—'Mr. Ryder, manager
of the Theatre Royal, Crow-street, Dublin! ! !'
'Och, save my poor boy!' says my mother. 'And
has your mighty fine pipe brought you to this disgrace?' says Tim. 'Och, the spalpeen!' says I, 'to go to make a <hi rend="italic">tayatrical</hi> of a dacent woman's child! Och, is that the game you're after, Mr.
Ryder? And if I'd known that, may be but I
would have seen you, and all your iligant friends,<pb id="p76" n="76"/>hanging by the fifth wheel of Pharo's chariot in
the Red Sea, before I'd call up my lungs for your
divarsion?'</p>
            <p>"Well, I burned the card before their faces, and
blessed the star that lit Tim to the cabin that
night, to save me from the <hi rend="italic">narrow escape</hi> I had
of being a ruined man by my beautiful voice, bad
luck to it! and from becoming a divarting vagabond
by Act of Parliament."</p>
         </div1>
         <div1 type="poem" id="d0e3218">
            <head type="main">Spring.</head>
            <lg type="stanza">
               <l>WHERE is the spring, the verdant Spring?</l>
               <l rend="indent1">Why these retarding hours?</l>
               <l>The gales which blow no promise bring</l>
               <l rend="indent1">To gem the vale with meadow flowers.</l>
            </lg>
            <lg type="stanza">
               <l>Where the laburnum's drooping gold?</l>
               <l rend="indent1">The lilac's spiral bloom?</l>
               <l>Why ling'ring to its buds unfold</l>
               <l rend="indent1">The purple violet's perfume?</l>
            </lg>
            <lg type="stanza">
               <l>Auriculas and heart's-ease too,</l>
               <l rend="indent1">The sycamore's broad leaf;</l>
               <l>Why still imprisoned from our view</l>
               <l rend="indent1">The hedge-row's fragrant, green relief?</l>
            </lg>
            <pb id="p77" n="77"/>
            <lg type="stanza">
               <l>The mountain daisy opened forth</l>
               <l rend="indent1">Its beauties to the sky,—</l>
               <l>Chilled by the wind, the blighting north,</l>
               <l rend="indent1">Just reared its head to droop and die.</l>
            </lg>
            <lg type="stanza">
               <l>But shall presumptuous man arraign</l>
               <l rend="indent1">Or question Spring's delay?</l>
               <l>Some latent good he may obtain,</l>
               <l rend="indent1">Short-sighted mortal of to-day.</l>
            </lg>
            <lg type="stanza">
               <l>Some bitter, bleak November blast</l>
               <l rend="indent1">Had withered flower and tree;</l>
               <l>Averted by the gale now pass'd,</l>
               <l rend="indent1">Or chang'd might be man's destiny.</l>
            </lg>
         </div1>
         <div1 type="poem" id="d0e3276">
            <head type="main">The River Mersey.</head>
            <lg type="stanza">
               <l>THE Rhine inspir'd a Byron's muse,</l>
               <l rend="indent1">The Avon Shakspeare's sweetest lays;</l>
               <l>Nor did the Twickenham bard refuse</l>
               <l rend="indent1">The winding Thames his meed of praise.</l>
            </lg>
            <lg type="stanza">
               <l>Though nobler bards, whose suns are set,</l>
               <l rend="indent1">Have grac'd each ancient varied theme,</l>
               <l>Though lost to us, shall we forget</l>
               <l rend="indent1">In them thy praise—Old Mersey's stream?</l>
            </lg>
            <pb id="p78" n="78"/>
            <lg type="stanza">
               <l>No!—Dear shall be thy white wave's foam,</l>
               <l rend="indent1">And lov'd the beach o'er which it flows:</l>
               <l>Thy billows break before my home,—</l>
               <l rend="indent1">From childhood hallowed thy repose,</l>
            </lg>
            <lg type="stanza">
               <l>I love to see, at early morn,</l>
               <l rend="indent1">Thy rippling surface gaily speck'd,</l>
               <l>With laden barks so proudly borne,</l>
               <l rend="indent1">In colours, sails, and pendants deck'd.</l>
            </lg>
            <lg type="stanza">
               <l>I love thy cheering first salute—</l>
               <l rend="indent1">Thy spring-tide—to the moonlight true;</l>
               <l>I love, when human tongues are mute,</l>
               <l rend="indent1">To hear thy murmuring adieu.</l>
            </lg>
            <lg type="stanza">
               <l>For on thy banks and on thy tide</l>
               <l rend="indent1">Are all that Fate to me hath left;</l>
               <l>And when from earth and thee they glide,</l>
               <l rend="indent1">I am alone, of all bereft.</l>
            </lg>
            <lg type="stanza">
               <l>But, if thy dark and treach'rous wave</l>
               <l rend="indent1">Should steal one absent friend from me,</l>
               <l>One tie which Nature kindly gave,</l>
               <l rend="indent1">I never more could smile on thee.</l>
            </lg>
            <lg type="stanza">
               <l>Or, if beneath thy dread abyss</l>
               <l rend="indent1">The one belov'd thou should'st betray,</l>
               <l>Then bear me to the realms of bliss,</l>
               <l rend="indent1">From Mersey's stream, from life away.</l>
            </lg>
            <pb id="p79" n="79"/>
            <lg type="stanza">
               <l>No more mine eyes could gaze upon</l>
               <l rend="indent1">Thy rolling surge, or glassy calm;</l>
               <l>Should'st thou engulph the only one</l>
               <l rend="indent1">Who gave to life and love a charm.</l>
            </lg>
            <lg type="stanza">
               <l>Roll on!—while hopes my heart elate,</l>
               <l rend="indent1">While storms may blow and tempests lower,</l>
               <l>The will Supreme we must await,</l>
               <l rend="indent1">And hope for mercy from His power.</l>
            </lg>
         </div1>
         <div1 type="poem" id="d0e3371">
            <head type="main">To the Moon.</head>
            <lg type="stanza">
               <l>SHINE on, shine on! thou beautiful Moon!</l>
               <l rend="indent1">With an undiminished ray,</l>
               <l>As a beacon light, through the stormy night,</l>
               <l rend="indent1">For the mariner on his way!</l>
            </lg>
            <lg type="stanza">
               <l>Shine on, shine on! in thy midnight course</l>
               <l rend="indent1">Thy beams on the waters play,</l>
               <l>Hear a whispering prayer, "O, tarry there!"</l>
               <l rend="indent1">For the mariner on his way!</l>
            </lg>
            <lg type="stanza">
               <l>Shine on, shine on! thou majestic orb,</l>
               <l rend="indent1">Lest gathering clouds betray,</l>
               <l>With the light God gave illumine the wave</l>
               <l rend="indent1">For the mariner on his way!</l>
            </lg>
            <pb id="p80" n="80"/>
            <lg type="stanza">
               <l>Shine on, shine on! till the morning breaks</l>
               <l rend="indent1">In the golden light of day,</l>
               <l>As a heavenly guide, o'er the ocean wide,</l>
               <l rend="indent1">For the mariner on his way!</l>
            </lg>
            <lg type="stanza">
               <l>Shine on, shine on! for he looks on thee</l>
               <l rend="indent1">Wherever his bark may stray;</l>
               <l>For those afar, who are watching each star,</l>
               <l rend="indent1">For the mariner on his way!</l>
            </lg>
            <lg type="stanza">
               <l>Shine on, shine on! in careering high,</l>
               <l rend="indent1">While lonely I trace thy way,</l>
               <l>With a beating heart, lest thy light depart</l>
               <l rend="indent1">From the mariner on his way!</l>
            </lg>
         </div1>
         <div1 type="part" id="d0e3429">
            <head type="main">Irish Hospitality.</head>
            <p>As a stranger and a sojourner, it would be an
ungenerous omission, a poor and unkind requital
in these hasty sketches, not to prove, by some few
anecdotes, the true and proverbial spirit of Irish
hospitality. England, celebrated as it was "i'th'
olden time" for its hearty welcome and good cheer,<q direct="unspecified">
                  <lg type="fragment">
                     <l rend="indent3">"When they killed the fatted calf,</l>
                     <l rend="indent4">And chased the fallow deer,</l>
                     <l rend="indent3">For the stranger that was coming</l>
                     <l rend="indent4">With the merrie new year;"</l>
                  </lg>
               </q>however renowned by historians in those days, when
the salt at table made the only distinction between<pb id="p81" n="81"/>the baron and his retainers; however liberal the
distribution might be in the Rhenish flask, the
knighted loin, the "beeves and beer" of better
day's, yet have the descendants of the past a great
example in the present unbounded kindness of Irish
hospitality.</p>
            <p>With the citizens of Dublin, "welcome" is the
pass-word. They do not call a domestic council to
take into consideration what day week they shall
invite you to "take tea," or what day fortnight they
shall invite you to dinner. There is no debating
upon the subject; no consultation on their ultimate
views of what they may gain by sending you an
invitation; no insincere, ceremonious form in <hi rend="italic">their</hi>
solicitations; they have no motive to calculate upon
more than they really do expect, and that is, most
veritably, "the pleasure of your company," which,
in the solidity and reserve of the English, I fear,
very frequently disappoints them; for the sole
delight of the Hibernians is mirth, music, vivacity,
and good fellowship. They are less studious, but
more musical than the Scottish people,—more lively
than the English,—less volatile than the French,—a
happy combination of all. I allude to the educated
portion of society, which must exclude the "fine
pisantry," until the blessings of education shall
have dawned upon their reasoning faculties, and
awakened their ideas from a state of blind superstition and brutal ferocity to one of more enlightened comfort and civilization.</p>
            <pb id="p82" n="82"/>
            <p>Such is the attention of the Irish to the English
stranger that we found the results of only two
letters of introduction, delivered out of twenty,
almost too much to attend to, for they served, like
match-paper, to ignite a whole army of acquaintance,
who came to us in batallions with invitations, which
we found it would neither be prudent in circumstances to return, considerate in health to keep up, nor agreeable to our domestic pursuits to accept;
and, although all this is politely and confidentially
explained to them, yet these warm-hearted people
will not listen to reason or a refusal, and the first
greeting usually is, "You'll dine with us to-day?"
"Sorry I cannot." "Well, to-morrow?" "Engaged." "Then, 'pon my honour, you must the day after, and stay a week with us?" And, though
your residences may be six miles apart, yet go you
must, no matter how inconvenient. Turning night
into day is nothing in this country;—the sunrising
is only seen on returning home. They dine at
seven, assemble in the drawing-room at ten, and
commence the evening about twelve o'clock, to the
total destruction of health, youth, and beauty.</p>
            <p>What little mercantile business is done here
commences at ten, and is concluded by five o'clock;
after which the inhabitants generally devote themselves to amusements, or revel in all the joys of home and hospitality.</p>
            <p>Some few friends and many pleasant acquaintance
are formed as fellow-travellers in a week's voyage,<pb id="p83" n="83"/>
by steam, to and from London, where living together
as one family, you have an opportunity of studying
the manners of each other, (wind and weather
permitting,) and making your own selections in
companionship, which depends upon yourself to
cultivate or discontinue. Shipboard is the best
place for seeing the disposition and taste,—whether
congenial in mind or pursuits,—better than any
letters of introduction, which too frequently mislead
by kindness and partiality operating to the disappointment of the referred and the referree, from a direct dissimilarity in every respect, all not seeing,
fortunately, with the same eyes, or judging with
the same feelings.</p>
            <p>Having concluded all engagements, I was rejoicing
at the idea of having a day to myself to devote to
absent friends, and had just commenced inditing
one of those luminous epistles which, I fear, I
have inflicted too frequently on my numerous fair
correspondents, when I was interrupted in the
description of some "splendid, umbrageous scenery,"
by my hand-maiden opening the door and asking,
"Are you at home to-day, ma'am?" Why, if I
am not, where am I?" answered I. "Becase there's
a power of gintry coming up stairs,—one Mrs.
M'Mahon and the young Leedies?" "M'Mahon,"
said I, "there are so many M'Mahons. I am a
stranger here,—it is not to me." "'Pon my honour
it is," said a charming woman, entering the room,
introducing her two daughters. "Hearing you<pb id="p84" n="84"/>were alone, and must, of course, be very dull, I was
determined to come and take you prisoner to
Briansfield during the absence of your husband on
his voyage." I was, as a sailor's wife ought to say,
"taken aback" most completely. I recollected
meeting this lady only once before, and sitting
next to her at dinner. I remembered her most
particularly from a question she asked me, rather a
strange one, "Was I a Protestant?" I answered,
"Yes." "Then," added she, "I shall have the
pleasure of calling upon you:" mere words, of
course, as I then thought, nor expected the promise
so soon, if ever performed. I thanked her for her
politeness and consideration, and begged to be
excused, assuring her that, while I had my books,
music, writing, and work-table, I never was dull.
It was in vain I said, "No." She overruled every
argument by saying, her family were literary,
musical, and all botanists. It was useless contending
against so much kindness, and, as novelties in
books, music, and flowers were too much for my
philosophy to withstand, and not wishing to offend
a stranger, a lady who could have no possible motive
or interest in showing me more than mere respect
for an English stranger and alone, I consented to
go, after putting up a few requisites in apparel, to
Briansfield, so called from that immortal "hero,"
as the "pisantry" term Brian Borome, having once
bivouacked on the spot previous to his defeating the
Danes, at the memorable battle of Clontarf.</p>
            <pb id="p85" n="85"/>
            <p>It was a large and ancient mansion, shaded at
the back by a most noisy and rebellious rookery,
and a lawn sloping gradually in front down to the
edge of the beautiful bay of Dublin, and, as the
handsome equipage rolled up the avenue, the noble
and patriarchal trees, which met over our heads,
seemed bending in age and reverence to exclude the
noon-day sun.</p>
            <p>The owner of Briansfield mansion was a tall, fine
looking man, in the prime of life,—a true Milesian,
and a lineal descendant of one of the provincial
kings of Ireland. Our reception was graced with
that urbanity and politeness which so eminently
distinguishes the true Irish gentleman: no reserve,
no coldness or arrogant pride, or any indication
that he <hi rend="italic">was</hi> the Lord of the Manor—the "monarch
of all he surveyed." He possessed an ample fortune,
had ten children, a long retinue of servants, and
the usual complement of "hangers on" and idlers,
which, like the tail of a kite, are attached to all
Irish establishments; nor was it surprising such
should gather round a mansion whose owner was
idolized by his family, loved by his tenantry, and
respected by every one who knew him.</p>
            <p>To his question of "How I liked the country and
people?" I answered, "It is a favoured isle: fertile
without cultivation, the second 'flower of the earth,
and an emerald gem of the sea.' "You are right,"
said he, "England, in the scale of nations, from
its position, refinement, and education, ranks as<pb id="p86" n="86"/>the first flower." His candour in admitting this,
obliged me to say, in regard to the people, that, "if
all showed the attention I now received from his
family, I could not but admire them." "Do not
be too sanguine. We Irish are very pleasant
acquaintances, but you English are more sincere
friends when we can enlist you, which, from a
natural reserve, is sometimes a difficulty."</p>
            <p>Fortunately happy in those circumstances which
wealth could not purchase, not overburthened with
age, and naturally lively in disposition, I resolved
to do my utmost to remove any existing prejudice
to the disadvantage of my beloved countrywomen,
whose reserve is not more than becoming the high
claim they possess to the admiration, respect, and
imitation of every other country.</p>
            <p>Before dinner we explored the greenhouse and
garden. The arbutus, acacia, and gumcistus were
in high perfection, and the pendant flower of the
scarlet <sic corr="fuchsia">fuchia</sic> seemed drooping in luxuriant beauty
beside the fair wax plant and the orange blossom;
for this nursery of nature was the storehouse of all
that was sweet in perfume, rich in colour, or rare
in botany, and the young ladies seemed to vie with
each other in the cultivation of all.</p>
            <p>The library promised a thousand treats, not
only in its numberless volumes, but its paintings,
busts, casts, and other works of art, which ought to
comprise the treasures of every gentleman of wealth
and taste.</p>
            <pb id="p87" n="87"/>
            <p>The delight of exploring further was prevented by
the dinner-bell, which assembled the juniors from
the play-ground and the seniors from the drawing-room. With one or two neighbouring friends, the
clergyman of the village, the English tutor and
governess, about twenty in number, in health,
spirits, and good humour, we sat down to all that
a substantial farm, a well-stored cellar, and a prolific garden, could produce, as one happy and united family, without formality, or more than consistent
ceremony.</p>
            <p>One of the most interesting persons attached to
the establishment, was, a rarity in these days, an
old woman! Fourscore years had bowed her
drooping form, in the duties of a foster-mother
in the family. She was supported by a gold-headed
cane in one hand, and leaned on the arm of the
eldest son, who led her to her accustomed seat at
dinner, on the right hand of the host. Her silver
hairs were turned back under a close cap, and her
black dress, mittens, and embroidered muslin apron
gave her the respectable appearance of one of the
old school in the last century. I was admiring her
natural cheerfulness amidst the furrowed lines of
age, when "her son," as she termed the worthy
host, informed me, that in circumstances she was
independent, having an annuity left her by his
father, but, such was her attachment, that she
would never leave his family; and, continued he,
"While she lives, as she has nursed me and my ten<pb id="p88" n="88"/>children, she shall 'eat of my bread and drink of my
cup.'" It was gratifying to see this respect, and
must have been particularly so to her; for no
company, however high, were permitted to usurp
her chair or exclude her from table. The last dying
spark of allowed vanity emitted its rays after dinner.
With much dignity she drew from her pocket a
massive gold snuff box, bearing the family arms and
this inscription:—"To Mable M'Donagh, this gift
is presented as a proof of the respect of a foster-son,
Gerald M'Mahon." It seemed generally understood,
that every one was to take a pinch, or smell at the
box, as it went round the table, on pain of offending
the ancient dame, who watched its circuitous route.</p>
            <p>On adjourning to the drawing-room, the young
ladies displayed great taste in playing some of their
own national airs and melodies; and in the blended
harmony of voice, flute, and piano, in songs, duets,
and glees, did this delightful family wile away three
happy hours. The concert was interrupted by a hue
and cry from the younger boys, that "Rowan was
come!" "Now you will hear the harp of Erin to
perfection," said Mrs. M'Mahon, "for Rowan is
the oldest and only musician in this part of the
country, and regularly visits the resident gentry. I
am glad for your sake: it is our turn to have his
visit to-night."</p>
            <p>An old blind man was led in by the children, his
harp carried by a young son of the sod, about ten
years of age, a grandson of the minstrel's, who<pb id="p89" n="89"/>uncovered the instrument while Rowan was answering the questions of the young ladies respecting his late tour. "Pay de wind dat bows the barley,"
said the youngest boy. "Play the Donnybrook jig,"
cried a second. "Now, ma, must I not have Geary
Owen and Patrick's Day?" said a third. "Do not
tease Rowan," answered ma'ma, endeavouring to
still their noisy demands. "If you are not all
quiet, I will send you to bed immediately." This
threat had the desired effect, and they became mute
as mice. The privilege of asking being given to me,
I requested some ancient minstrelsy, exclusively
Irish,—"Some of your oldest and wildest strains,"
said I. "Faith, my darlint, an ye shall have a
hunthered of them, any how, an' God's blessing on
the tongue of the Sassenach!" For this benediction
I was indebted to an incident in the life of the
harper, he having charmed with his music an
English domestic in the family. They were married,
and she died, leaving her daughter, the mother of
the boy who accompanied him.</p>
            <p>There is a peculiarity about Irish music more
than any other; the allegro is energetic and soul-stirring, while the penseroso is plaintive and pathetic
in the extreme. The age, situation, and deprivation
of sight called forth deep compassion for the venerable man. He was a picture to look at, and a legend to listen to. The touching simplicity of some airs
he played lingered on the ear, penetrating the deep
recesses of the heart, until the eyes overflowed with<pb id="p90" n="90"/>that pathos and feeling which true music alone is
capable of exciting: it was "the soul of music
shed;" and, unfashionable as it may be to admit,
yet nevertheless true, in these strains of other days
I felt more pleasure than in listening to all the
bravuras from the constellations at the opera-house,
either in England or France.</p>
            <p>"Refresh yourself with a cruiskeen, Rowan," said
the hospitable host, handing it to him, " and then
strike up some of those airs you won Nannie with,
and wiled her away from us. You know that you
have some that would have charmed Granaville
herself." Rowan quaffed off the contents of the
cruiskeen, and, sitting erect, proudly shook his long
gray locks, which hung over his shoulders, and
commenced some exquisite ancient minstrelsy,
which seemed to revive in him old and dear recollections. In the silence that prevailed, as his
shrivelled hand trembled on the strings, unobserved,
as he thought, I perceived a tear stealing down his
withered cheek, while his sightless eyeballs were
cast up to Heaven, as if seeking the sympathy of
the departed being who had preceded him. He
ceased for a time, and then concluded happily with
the Evening Hymn, in which all joined, gave his
blessing, and departed. Thus terminated the
domestic concert. At a late hour I paid my respects
to these new kind friends in wishing them good
night, and left the room with the young ladies for a
visit to the nursery, to take a quiet peep at that<pb id="p91" n="91"/>ever-pleasing picture of still life, sleeping innocence;
but, as a strange incident occurred of some moment
ere we retired to rest, I will relate the particulars,
as they materially affected the probability of my
ever participating in the evening's entertainments
again at Brainsfield, or of partaking of its respected
inmates' disinterested, kind, and generous Irish hospitalities.</p>
         </div1>
         <div1 type="poem" id="d0e3507">
            <head type="main">Song of the Blind Harper.</head>
            <lg type="stanza">
               <l>There was a time—there was a name—</l>
               <l rend="indent1">That cheered my humble strain;</l>
               <l>Although she lives no more for me,</l>
               <l rend="indent1">I breathe it not in vain.</l>
            </lg>
            <lg type="stanza">
               <l>I could not see the rose that bloomed</l>
               <l rend="indent1">Upon her youthful cheek,</l>
               <l>Yet heard the accents of her tongue</l>
               <l rend="indent1">Whene'er she deigned to speak.</l>
            </lg>
            <lg type="stanza">
               <l>I heard her footstep trip along</l>
               <l rend="indent1">To listen to my lay,</l>
               <l>And paused to hear her softly sigh</l>
               <l rend="indent1">When she was called away.</l>
            </lg>
            <lg type="stanza">
               <l>I sang to her the battle song</l>
               <l rend="indent1">That deluged Clontarf's plains,</l>
               <l>When the invaders sought our shores,</l>
               <l rend="indent1">And Brian slew the Danes.</l>
            </lg>
            <pb id="p92" n="92"/>
            <lg type="stanza">
               <l>I sang to her the wife's lament</l>
               <l rend="indent1">When mothers mourned their chief;</l>
               <l>For those who in the combat fell,</l>
               <l rend="indent1">The maidens' early grief.</l>
            </lg>
            <lg type="stanza">
               <l>I sang the vows of ardent youth,</l>
               <l rend="indent1">The loneliness of life;</l>
               <l>I breathed devotion in my lay,</l>
               <l rend="indent1">And she became my wife.</l>
            </lg>
            <lg type="stanza">
               <l>It was His will who made her mine</l>
               <l rend="indent1">That here she must not stay;</l>
               <l>She left me for a better world,</l>
               <l rend="indent1">There to prepare my way.</l>
            </lg>
            <lg type="stanza">
               <l>And I am left to earn my bread,</l>
               <l rend="indent1">In darkness sad I moan;</l>
               <l>No home has the poor minstrel now—</l>
               <l rend="indent1">A wanderer and alone.</l>
            </lg>
         </div1>
         <div1 type="part" id="d0e3583">
            <head type="main">The Sequel to Irish Hospitality.</head>
            <p>THE simple story and song of the poor, blind harper
still lingered on my ear in ascending to the nursery
at Briansfield, which, like most Irish nurseries,
seemed akin to a rabbit-warren. It was well furnished with the pretty pictures of young humanity, of all ages and sizes, all fast asleep,—animation of
rest,—rudy health in repose. If there be any truth<pb id="p93" n="93"/>in the legend, that "when children smile in sleep
the angels are whispering to them," one little urchin
about three years old must have had a very merry
communication, for he was laughing very heartily.
His brother, a year older, beside him, clasped in
his arms the decapitated head of a rocking horse;
and, when I stooped to kiss the little rosy-cheeked
rogue, and tie on his nightcap, which had come off,
and displayed his clustering curls, he grasped closer
the mane of his wooden prize. "Ah, lady jewel,
don't waken the bochaleen," cried the nurse; "for
if you do we'll have no pace, for that boy was born
to keep the world awake." She then, with a rich
brogue, stated that a "ruction" had taken place
in the nursery that evening about the wooden
quadruped. The two elder boys wishing to unhorse
the younger, might gained over right, and this boy
in the struggle broke off the head of Pegasus, and,
after a glorious battle with the pillows, retained it
as the only proof of his victory. Two little girls
reposed on a couch by themselves, next the cot of
the infant,—the living pictures of Chantrey's
admirable monument. After taking a silent farewell
of the lovely group, the young ladies conducted me
into a large chamber, the one appropriated for
visitors, and, wishing me good night, retired to
their own apartment.</p>
            <p>There were some very formal portraits of respectable antiquity hung about the room, the floor and wainscoting of which were of dark, polished oak;<pb id="p94" n="94"/>the bed and hangings deep crimson; and the rest
of the furniture of the fashion of the feudal times.
I saw nothing modern but a large watchman's
rattle on the chimney-piece, a taper, a lucifer-box,
and a few books. I took up one of these, and
became so interested in the mysterious production,
"Vathek " that I had forgotten the hour, when the
stable-clock tolled one, which roused me from the
magnificent description of the Hall of Eblis to think
of "tired nature's sweet restorer." The small
portmanteau I had brought with me was on the
chair, but the key which opened it was in a black
silk reticule which I had forgotten in the amusements of the evening, and had left on the back of a chair in the drawing room, and without which
I could not get to my dressing-box, or what was
requisite. Fearful of disturbing the family, as it
was past midnight, I took the candle, and, stepping
as cautiously as possible, descended to the drawing
room. On opening the door I found a chair placed
against it: gently raising this, I observed other
chairs and tables piled up against a large Indian
cabinet, and on the chair next the door found my
reticule.</p>
            <p>On returning, as the light gleamed on the table in
the centre of the room, to my surprise I saw it was
covered with fire-arms, guns, blunderbusses, swords,
and a case of double-barrelled pistols. I flew like
lightning up the stairs, and on my way heard footsteps cross the kitchen. Frantic with fear, thinking<pb id="p95" n="95"/>the house was in possession of some of those
turbulent tribes who drive the better order of people
out of the country, and use little ceremony in their
midnight visitations, with uncommon speed I
regained my room, just as my candle went out, and
heard another footstep—and a shot fired! Groping
my way to the chimney-piece, I seized the rattle,
sprung it, and screamed vociferously "Robbers!
thieves! murder!" certain in my own mind that
the "Whitefeet," "Peep-o'-day boys," or "Terryalts," savage barbarians who infest this country, had gained possession, and that we should all have our throats cut to a "dead certainty" in less than
half an hour!</p>
            <p>Courage is sometimes natural, and often acquired:
I have no pretensions to it in either case; and, if I
had, mine must, like fighting 'Bob Acres', have
oozed out at my fingers' ends. "Further this
deponent sayeth not;" only I suppose that, after so
magnanimously giving the alarm and raising the
house, I must have fallen senseless on the landing;
for, on coming to myself, I found six little seraphs,
in white nightcaps, surrounding me, with their
honoured parents and sisters, in dressing-gowns
and other hasty varied costume, with the venerable
nurse Mable M'Donagh at their head, in a pyramidical flannel nightcap, pale, breathless, like Hecate and the weird sisters. They took up the
wooden vociferator which I had so bravely called
into action; and "What was the matter?" became<pb id="p96" n="96"/>the general question. When they had seated me in
the easy chair, my lips still quivering with fright, I
looked round at them as though they were so many
Banquo's ghosts, with "blood upon their faces,"
"Oh! who is murdered?" said I. "Murdered!"
answered all.—"Oh! who is shot?" "Shot!"
echoed they again.—"Yes, yes, tell me all; and are
they caught?" "Caught! shot! murdered!" and
the ladies exchanged looks with an expression as if
they thought I must be under the influence of
Madame Luna; for I positively saw them shake
their heads in pity at my supposed aberration of
intellect. "Compose yourself, my dear Mrs. H."
said they; "there is no one caught, shot, or murdered." "The more the pity," said I; "I would punish them without mercy for such daring outrage." With uplifted hands they concluded I was far gone as a <hi rend="italic">mad</hi> person, and that reason had
abdicated its throne. "You must have been
dreaming; do you often walk in your sleep?" asked
Mrs. M'Mahon. "I am no somnambulist," said I
"and, so far from dreaming and sleeping, I have not
even undressed, as you see, but have been reading."
I then related fetching my reticule—the drawing-room being converted into an armoury—the footsteps in the kitchen—the shot fired—and the means I had taken to arouse the family to a sense of their
danger.</p>
            <p>One loud and universal burst of laughter followed
the termination of my woful adventure, which was<pb id="p97" n="97"/>repeated and echoed even down to the tiny cherub
in arms, I now began to question their sanity, and
requested an explanation. They then assured me
it was the custom, although that part of the country
was peaceable, to muster all the fire-arms, in case
of intruders, who, if they did come, only wanted
fire-arms, and then they were ready without giving
them extra trouble in shedding blood to obtain
them; not that there was the least cause for alarm.
but if it so happened that there was time to arm the
household, they knew where to find each a weapon
for their defence. "But the shot?" said I. Then
another laugh was raised against me; for it was
<hi rend="italic">another</hi> custom for the men-servants to sit up alternately, and fire off a pistol in the haggard, and reload, to scare depredators: not that there were
any among <hi rend="italic">their</hi> honest peasantry; O no! such
were hundreds of miles off. Having, as they
thought, reconciled me to the <hi rend="italic">custom of country,</hi>
they were preparing to leave me, when I requested
one of the young ladies to remain with me; for,
although I never yet found myself deficient in fortitude in cases of extreme danger by land or sea, yet, in this instance, and in this disturbed country, I am
ashamed to confess I excelled a hare in timidity.
The leaven of old English prejudice would not
leave me,—that an Irishman's house was not his
castle, but that of any turbulent marauder who
chose to come and take by dividing the lawful
owner's jugular vein! The expectation and sight of<pb id="p98" n="98"/>preparation for <hi rend="italic">civil</hi> war had "murdered sleep."
I watched for the dawn of day anxiously, and sallied
forth into the delightful grounds as the first ray of
the sun was tinging the trees with gold. How
sincerely did I lament that this must be the first
and last time of my enjoying the morning air, the
sunrise, and awakened nature at Briansfield; and
how bitterly did I regret that a few perturbed, bad
spirits should keep this perfect paradise and its
amiable inmates in constant terror, and thought of
Moore's own words on the subject: <q direct="unspecified">
                  <lg type="fragment">
                     <l rend="indent3">"Then if, while scenes so grand,</l>
                     <l rend="indent4">So beautiful shine before thee,</l>
                     <l rend="indent3">Pride for thy own dear land</l>
                     <l rend="indent4">Should haply be stealing o'er thee,</l>
                     <l rend="indent3">Oh! let grief come first,</l>
                     <l rend="indent4">O'er pride itself victorious,</l>
                     <l rend="indent3">To think how man hath curst</l>
                     <l rend="indent4">What Heaven hath made so glorious."</l>
                  </lg>
               </q>If ever the mind is filled with true devotion and
ideas of the omnipresence of the great Creator, it is
in seeing the sun rise in the open field of redundant
nature, glowing in heat, gorgeous in light, and
beautiful in divinity.</p>
            <p>I packed up my portmanteau, and bade adieu to
the prim portraits and old oak chamber. My ridiculous fears were the subject of much mirth at breakfast, but no entreaties of the worthy host, or
persuasions of the kind hostess, or any inducements<pb id="p99" n="99"/>the young people could offer could prevail upon me
to pass another such a night for all Briansfield and
Manor. Firm as a rock to my purpose, I was
resolute in taking my departure that very morning,
being well aware, in my state of health, that sleep
was essential to vitality.</p>
            <p>The dismay my resolution spread could not have
been greater had I been a relative, or a friend known
for years. The affectionate manner of all can never
be erased; and, while I am proud still to retain the
friendship of this delightful family, and preserve it:
by paying my due respects in the open day, no
power on earth shall ever induce me to submit again
to their midnight hospitality.</p>
         </div1>
         <div1 type="poem" id="d0e3648">
            <pb id="p100" n="100"/>
            <head type="main">The Three Charms.</head>
            <lg type="stanza">
               <l>BOOKS! Music! Flowers ye charms of life,</l>
               <l>Of taste and feeling, sense and sound!</l>
               <l>Oh, what a waste of words and strife</l>
               <l>Is there where ye do not abound!</l>
               <l>Books!—learned teachers of content—</l>
               <l>Through ye fair science we discern:</l>
               <l>To raise the soul—instructors sent—</l>
               <l>To bid us proudly live and learn!</l>
            </lg>
            <lg type="stanza">
               <l>Flowers! newly gathered, fresh and fair!</l>
               <l>Like new raised hopes, ye gaily smile,</l>
               <l>And perfume sweet the ambient air—</l>
               <l>In varied hues delight the while.</l>
               <l>Flowers! ye the love of nature bring</l>
               <l>Each season, as your beauties vie,</l>
               <l>And from the Autumn to the Spring</l>
               <l>Ye tell us we were born to die!</l>
            </lg>
            <lg type="stanza">
               <l>Music! thou soul-subduing power!</l>
               <l>Sweet soother of our ills and woes,</l>
               <l>Composer in the troubled hour,</l>
               <l>Calming the mind in soft repose.</l>
               <l>Music imparts a sacred glow—</l>
               <l>Harmonious sounds by angels given</l>
               <l>To smooth our rugged path below,</l>
               <l>And waft the earth-bound soul to heaven!</l>
            </lg>
         </div1>
         <div1 type="poem" id="d0e3703">
            <pb id="p101" n="101"/>
            <head type="main">To ——</head>
            <lg type="stanza">
               <l>THOUGH pain or grief may blanch thy cheek,</l>
               <l>Its cares and disappointments speak;</l>
               <l>Yet naught could change thy placid smile,</l>
               <l>Which, like a meteor, beamed the while,</l>
               <l>With mild forbearance still the same,</l>
               <l>Adversity! seemed but a name.</l>
            </lg>
            <lg type="stanza">
               <l>Let fortune frown upon our home,</l>
               <l>Let deprivations thickly come,—</l>
               <l>There is an undiminished ray</l>
               <l>That shines throughout the darkest day,</l>
               <l>More bright the truth of time can prove:</l>
               <l>It is the bond of mutual love.</l>
            </lg>
            <lg type="stanza">
               <l>Although the bloom of youth is gone,</l>
               <l>This cheering light is shining on:</l>
               <l>Though fate is changed, and friends removed,</l>
               <l>All could not change the being loved.</l>
               <l>O! 'tis a joy for kings to know</l>
               <l>When love remains through weal or woe.</l>
            </lg>
            <lg type="stanza">
               <l>Without thy voice to cheer my path,</l>
               <l>Without thy smile, unknown to wrath,</l>
               <l>Without the look of love from thee,</l>
               <l>This earth in desert gloom would be;</l>
               <l>Nor could its brightest promise give,</l>
               <l>Without thee, hope, or wish to live.</l>
            </lg>
         </div1>
         <div1 type="poem" id="d0e3759">
            <pb id="p102" n="102"/>
            <head type="main">The Rose of Rostrevor.</head>
            <lg type="stanza">
               <l>O, WHO is the maid, with the dark laughing eye,</l>
               <l>Whose bloom might the rose and the lily outvie,</l>
               <l>With the sunny bright smiles and long silken hair,</l>
               <l>Say, who is the maid,—the divinity fair?</l>
               <l>She is the young beauty, the pride of the land,</l>
               <l>Though Erin's fair daughter, no wealth can command,</l>
               <l>The cynosure here, in the maze of delight,</l>
               <l>'Tis the Rose of Rostrevor—the star of the night!</l>
            </lg>
            <lg type="stanza">
               <l>How lovely her form, and how gentle her air!</l>
               <l>The warriors in crowds about her repair:</l>
               <l>See, the noblest of all there proudly advance</l>
               <l>And prevails on the maid to join in the dance.</l>
               <l>How graceful her movements in gliding along,</l>
               <l>Unconscious of love, in the glittering throng!</l>
               <l>She listens, smiles, blushes, and heeds the soft tone,</l>
               <l>And ere morning, the Rose of Rostrevor was gone!</l>
            </lg>
            <lg type="stanza">
               <l>Say, who is the gay, gaudy, fluttering thing,</l>
               <l>By folly and fashion pursued on the wing;</l>
               <l>Her cheek boldly flushed, ever restless her eye,</l>
               <l>Rude, flaunting in manner, suppressing a sigh?</l>
               <l>Attractive her air,—to the world hath portrayed</l>
               <l>The look of one fallen, discarded, betrayed!</l>
               <l>Like a weed on the whirlwind, withered and tossed,</l>
               <l>'Tis the Rose of Rostrevor, degraded and lost!</l>
            </lg>
            <pb id="p103" n="103"/>
            <lg type="stanza">
               <l>Who art thou, wretched woman, pale, wan and poor,</l>
               <l>In poverty begging a crust from each door,</l>
               <l>To banish gaunt famine, and hunger appease?</l>
               <l>Thy skeleton form, with a heart ill at ease,</l>
               <l>To rest from the night-storm thine uncovered head,</l>
               <l>Seeking shelter and refuge beneath the cold shed.</l>
               <l>She sunk on the ground, with a faint hollow moan,</l>
               <l>And the Rose of Rostrevor's sad spirit had flown!</l>
            </lg>
         </div1>
         <div1 type="poem" id="d0e3832">
            <head type="main">The Mother's Hope.</head>
            <lg type="stanza">
               <l>"HAST thou reflected well, my boy,</l>
               <l>On the dangers of the sea?</l>
               <l rend="indent1">For thou should'st be told</l>
               <l rend="indent1">That the waves so bold—</l>
               <l>They abound in treachery."</l>
            </lg>
            <lg type="stanza">
               <l>"I have reflected, mother, dear,</l>
               <l>On the perils of the sea.</l>
               <l rend="indent1">Though the storms are cold,</l>
               <l rend="indent1">And the waves are bold,</l>
               <l>I will brave my destiny."</l>
            </lg>
            <lg type="stanza">
               <l>"Hast thou considered well, my child,</l>
               <l>On the hardships there endured?</l>
               <l rend="indent1">Where unceasing toil</l>
               <l rend="indent1">For the wrecker's spoil,</l>
               <l>And for days and months immured?"</l>
            </lg>
            <pb id="p104" n="104"/>
            <lg type="stanza">
               <l>"I have pondered well, my mother, dear,</l>
               <l>On what seamen have endured,</l>
               <l rend="indent1">And will share their toil</l>
               <l rend="indent1">To preserve the spoil,</l>
               <l>Though for days and months immured."</l>
            </lg>
            <lg type="stanza">
               <l>"I would not check thy ardent mind</l>
               <l>With an anguished thought for me;</l>
               <l rend="indent1">Though thy kindness mild,</l>
               <l rend="indent1">As my only child,</l>
               <l>Is a blessing left in thee."</l>
            </lg>
            <lg type="stanza">
               <l>"Affection's spring hath nerved my mind</l>
               <l>With a manly energy</l>
               <l rend="indent1">Thus to brave the blast,</l>
               <l rend="indent1">'Neath the bending mast,</l>
               <l>And to gather wealth to thee."</l>
            </lg>
            <lg type="stanza">
               <l>"Remember, oh! my generous boy!</l>
               <l>That the ocean it may be</l>
               <l rend="indent1">Thy unknown deep grave,</l>
               <l rend="indent1">Where no hand to save—</l>
               <l>Think not, my son, of the sea."</l>
            </lg>
            <lg type="stanza">
               <l>"Where is thy faith, my mother, dear,</l>
               <l>Thou so long has taught to me?</l>
               <l rend="indent1">For the God that gave</l>
               <l rend="indent1">He will shield and save,</l>
               <l>And protect me on the sea."</l>
            </lg>
         </div1>
         <div1 type="poem" id="d0e3924">
            <pb id="p105" n="105"/>
            <head type="main">On the Death of Mrs. Hemans.</head>
            <epigraph>
               <cit>
                  <q direct="unspecified">
                     <lg type="fragment">
                        <l rend="indent2">"Bring flowers, fresh flowers, o'er the bier to shed</l>
                        <l rend="indent2">A crown for the brow of the early dead."</l>
                     </lg>
                  </q>
                  <lb/>
                  <bibl>F. HEMANS.</bibl>
               </cit>
            </epigraph>
            <lg type="stanza">
               <l>GATHER flowers, and bring the fairest,</l>
               <l rend="indent1">Let them, early, drooping wave;</l>
               <l>Hither group the sweetest, rarest,</l>
               <l rend="indent1">To wither round the poet's grave!</l>
               <l>Let their dying perfume faintly</l>
               <l rend="indent1">Here, like dew drops, fall with tears,—</l>
               <l>Sigh, in aspirations saintly,</l>
               <l rend="indent1">O'er the home of hopes and fears.</l>
            </lg>
            <lg type="stanza">
               <l>Mourn the Muse, whose strains once breathing</l>
               <l rend="indent1">All the soul of woman's love;</l>
               <l>Joyous chords, with gems enwreathing,</l>
               <l rend="indent1">Garlands her own hand had wove:</l>
               <l>Songs that waked the chiefs, to glory,</l>
               <l rend="indent1">Ere the battle's din was o'er;</l>
               <l>Songs of sweet, domestic story,</l>
               <l rend="indent1">Ye, alas! are heard no more.</l>
            </lg>
            <lg type="stanza">
               <l>Hearts, in apathetic slumbers,</l>
               <l rend="indent1">By her gentle, matchless mind</l>
               <l>She awakened with her numbers,</l>
               <l rend="indent1">And the soul of sense refined.</l>
               <pb id="p106" n="106"/>
               <l>Fame has spread her songs of gladness,</l>
               <l rend="indent1">Echoed from the princely dome,</l>
               <l>While her simple lays of sadness</l>
               <l rend="indent1">Bless the lowly cottage home.</l>
            </lg>
            <lg type="stanza">
               <l>Once her trembling chords revealing</l>
               <l rend="indent1">Deepest thoughts, in mournful shade,</l>
               <l>Vain a breaking heart concealing</l>
               <l rend="indent1">Hopes that promised, here betrayed;</l>
               <l>Hopes she had in spring time cherished—</l>
               <l rend="indent1">The bruised reed—the flower crush'd—</l>
               <l>A delusive wreck—had perished,</l>
               <l rend="indent1">Ere her lyre and voice were hush'd.</l>
            </lg>
            <lg type="stanza">
               <l>Mourn her loved and honoured name,</l>
               <l rend="indent1">Which Genius to the world hath given:</l>
               <l>Her soul, beyond the breath of fame,</l>
               <l rend="indent1">Shall find felicity in heaven.</l>
               <l>Her song of sorrow now hath ceased,—</l>
               <l rend="indent1">Mute her lyre, and cold the hand;</l>
               <l>Her broken spirit God appeased,</l>
               <l rend="indent1">And called her to the <emph rend="italic">better land.</emph>
               </l>
            </lg>
         </div1>
         <div1 type="poem" id="d0e4027">
            <head type="main">Absence.</head>
            <lg type="stanza">
               <l>YES, yes, there are friends who are nearest,</l>
               <l rend="indent1">With hearts ever kindest and free,</l>
               <l>Whose friendship hath proved them the dearest,</l>
               <l rend="indent1">Yet vain to compare them with thee.</l>
            </lg>
            <pb id="p107" n="107"/>
            <lg type="stanza">
               <l>They would fly first to shield me from harm,</l>
               <l rend="indent1">To justice, in right or wrong, see;</l>
               <l>But, alas! they possess not the charm,</l>
               <l rend="indent1">Which ever hath lingered with thee.</l>
            </lg>
            <lg type="stanza">
               <l>When my mind to divert they have sought,</l>
               <l rend="indent1">In amusements of innocent glee,</l>
               <l>Though their object with kindness was fraught,</l>
               <l rend="indent1">They could not restore thee to me.</l>
            </lg>
            <lg type="stanza">
               <l>Thus, unheeded the gay gilded throng,</l>
               <l rend="indent1">And trifling as all seems to be,</l>
               <l>Even books, music, flowers, or the song</l>
               <l rend="indent1">Seem worthless in absence from thee.</l>
            </lg>
            <lg type="stanza">
               <l>Though the vulgar to sneer may incline,</l>
               <l rend="indent1">The heartless may with them agree,</l>
               <l>Not a being on earth can define</l>
               <l rend="indent1">The pangs of an absence from thee.</l>
            </lg>
         </div1>
         <div1 type="part" id="d0e4076">
            <head type="main">Will Blount's Account of the Chinese.</head>
            <p>HAVING often heard it said, that there was "no
gratitude in the world,—nothing but disappointment,
mortification, and vexation," I began to ruminate
one morning, that the world was not quite so bad
as it is depicted. A stranger as yet to ingratitude,
surrounded with many remembrances of affection,
and reflecting on many disinterested acts of kindness
I had known, I could not help thinking that, if this<pb id="p108" n="108"/>sweeping clause of the above assertion were well
traced, it would end in the dereliction of some few
narrow-minded individuals only, and not <hi rend="italic">all</hi> the world.</p>
            <p>My soliloquy was interrupted by my servant
announcing, that a sailor wanted the captain, who,
not being within, wished to see me. "Who is he?"
said I. "Faith, that's more nor I can tell, ma'am;
but he's mightly uncivil, whoever he is." "Ask his
name." "Sure I did." "Well?" "What's that
to you?' said he." "Show him up."  "'Deed an'
that's more nor he desarves.—The misthress desires
you to walk up, sir." "Dont <hi rend="italic">sir</hi> me, woman," said
a rough voice; keep that for your master." "So I
will, for it is not lost upon him," quickly answered
the girl, who was troubled with what Matthews
calls a little of the <hi rend="italic">last-word-ish-ness.</hi> "I ax pardon, ma'am," said an old sailor, entering the room,
dressed in a shining new suit, with two gross of
buttons on his jacket, a yard and a half of ribbon in
each shoe-tie of his long-quartered shoes, and twirling a shining leather hat on his thumbs; "I just
called to ax ater you and the captain." "What!
is it Will Blount? Why, where in the name of
Neptune, have you been these three years;" "In
<hi rend="italic">Cheney,</hi> ma'am." "China! that is a long voyage.
I am very glad to see you alive and well, for we
thought you were either dead or drowned." "No
such luck yet, thank God," replied Will, " although
I've been very near both: but I never forgets the
captain's kindness to me when I had the jungle fever<pb id="p109" n="109"/>in Calcutta, vhen I sailed with him in the old <hi rend="italic">True Briton,</hi> the second ship as sailed from Liverpool in
the Hingee trade." "It is grateful of you, Blount,
not to forget these things; and, as it will gratify
the captain to know that you are alive and well, sit
down until he comes, I expect him in every moment.
and I am sure he will be glad to see you."</p>
            <p>Will Blount was born within the sound of Bow
bell, and was one of those <hi rend="italic">rough knots</hi> of the navy who left it, with many others, to come down to
Liverpool, when there was a difficulty in obtaining
men to go out to India, when first the trade was
opened, and was, like many others, disappointed in
not making his fortune by exchanging his Majesty's
for the merchant's service. He was a true-born
<hi rend="italic">true-blue,—</hi>generous, honest, hardy, abrupt in his
manner, and not over nice in his expressions: an
English man-o'war's-man, and true to the letter.
So attached was he to my commander, that he never
returned from any voyage without calling to see him,
and bringing me presents of shells, birds, monkeys,
parrots, or some other foreign curiosity. On making
inquiries after him in London, we found "they
mourned him dead in his father's halls," and had
given up all hope of his being in existence: so my
surprise at seeing him here was not a little, and,
added to the gratitude of the poor fellow for kindness
shown him many years past, it gave me great pleasure to see him, as he said, "he always turned up at last, for nothing was never in danger."</p>
            <pb id="p110" n="110"/>
            <p>"Help yourself, Blount," said I, placing the <hi rend="italic">materials</hi>
before him, "to a little of the <hi rend="italic">mountain dew,</hi> and then tell me what sort of a voyage you had." Will seated
himself and began:—"Vell, I'll tell you vhat a 'tis,
ma'am, with a vest wind I never had vorse veather in
going down Channel, O, it was wery bad veather.
It blew a gale in old Biscay's Bay, as usual; but
vhen ve veathered the Cape all vent on smack smooth
enough, and ve had a wery good woyage after, all
the way to Maceo. Coming home, ve vere becalmed
in the Hingine Ocean; and, before ve made the Land's
End, fell short o' provisions. Stopping a man's
grog aboard is bad enough, but vhen it comes to
stopping o' wittals, it's wery hard. Vell," said he,
taking up his glass, holding it up, looking in it,
and then at me, "here's the captain's good health,
and God bless him; and here's towards your wery
good health, ma'am. That's wery good vhisky," said
he, with a "hough." Not being aware of its strength,
he drew the sleeve of his shining jacket across his
lips, and regained his breath. "And now tell me
how you like the Chinese?" "Don't like 'em at all,
—never knowed one of 'em as was good for any
thing yet. They are all a set of chop-sticking, tea-drinking, thieving rascals." "Indeed! I understood they were a quiet, honest, sober people."
"They be-whipped," said he, remembering where
he was. "They be's a harrogant, himpudent race
to call us barbarians! and, 'slestials as they call
themselves, I 'spose they vere kicked out of the sun<pb id="p111" n="111"/>and the moon for robbery—an' I'll not fail to tell
their lunancies so, if ever I comes vithin hail of the
souchong scaramouches again." Something had
vexed poor Will, it was evident from this abuse;
and, as he was filling up tumbler the second, I
thought that I should hear the truth by-and-bye,
"Well, but you have not told me what sort of
looking people they are?" "Looking! why they
can't look at all,—how should they? They have
eyes no bigger than button-holes, and don't know
how to open them yet, like a parcel of blinking, blind
pups, vith long tails like monkeys. They have neither the life of a flea, the soul of a spider, nor the spirit of a grasshopper; and as for the vomen? Lord
love you, ma'am! they are as poor a set of tawdry,
toddling tawnies as ever I seed in all my life—I
vould not give my Bess of Battersea for the vhole
boilin' o' them, and she's no beauty. Put a smartrigged Hinglishvoman along side 'em, and see how they'll strike. Niggers is niggers all the vorld over,
and you know vhat to do with them, but these teamaking chaps, you don't know vhat they are. But I'll tell you, ma'am, how they sarved me." Now we
are coming to the grievance, thought I. "I hope
they did not behave ill to you, Blount." "Hold on
awhile, and I'll tell you, and if you can windicate
'em, it's more than ere a voman in Hingland vould. 
Our captain vent ashore von day, vhen he vos at
Canton, and brings off with him two of the Gong
Marchants, in petticoats and pigtails,—a Mister
Loo Chee, and a Mister Yang Fou, his aide-de-<pb id="p112" n="112"/>camp, or <hi rend="italic">walley-de-sham.</hi> Mister Loo Chee vos a visen-faced wenerable looking old feller, the wery
moral of a little old chap as used to be sitting
cross-legged a top of my grandmother's tea-pot
lid. His chief mate, Mister Yang Fou, vos the
himage of the nodding mandarin in the tea-shop
on Ludgate-hill. They came to inspect the ship,
and were pleased, as far as I could judge by their
squeaking voices, like pea-hens, and vell they might,
for they did'nt go away empty handed. As soon
as they were gone, I missed a pair of silver <hi rend="italic">sleeve-buttons,</hi> my mother gave me, and my <hi rend="italic">bacco-box,</hi>
the last gift of my vife, poor Bess. I little thought,
vhen them ere chaps came on hoard, I vas never
to see them no more. I left them on the companion,
and never seed them ater. The ship's company vere
all honest men, every man jack of 'em, and knew
no more of my traps than the man in the moon.
'Vell then,' sis I, ' I'll tell you vhat it is, that ere
mandarin man as come out of the moon, has got
'em; and I'll tell his lunacyship so if ever I comes
vithin hail of him again.' As luck would have it,
the captain sent me ashore with a note to Mister
Loo Chee, at the factory, with orders to behave
myself properly. Vell, I goes, and the very first
person as I seed vos the chief mate of the concarn,
Mister Yang Fou; 'So,' sis I, 'now I've done the
captain's orders in delivering the note, I have a little
business of my own with you. So, Mr. Chopsticks,
I'll thank you to deliver up them ere sleeve-buttons
and bacco-box you stole out of the ship this morning.</p>
            <pb id="p113" n="113"/>
            <p>He looked rather afeered of me, and said something
about 'Whong kein pow chow.' 'None of your
chow chow,' 'sis I; 'I'm not going to be <hi rend="italic">choused</hi>
out of my sleeve-buttons.' 'Hang aree bare,' sis
he. 'I know vhat you means,' sis I; 'but, although
I have been twice on the coast of Barbary, that
dos'nt follow that I'm a <hi rend="italic">barbarous</hi> man. I have
axed you civily, and expect civilitude from you; but
if you calls me a <hi rend="italic">hungry bear</hi> again, I'll just take you by that long tail of yours, and drag you all
down the river from Canton to Maceo.' 'Contong
Maceo,' sis he, vith the woice of a peewit. 'Come,
none of your nonsense, mocking me,' sis I; 'hand
out my sleeve-buttons.' 'Boo tong,' sis he. "Yes,
buttons, you booby.' He pointed to pen and ink,
for me to write; but as I writes a queer fist of my
own, as nobody else can read, I was'nt agoing to
write and read to please this son of a slop-bowl.
Howsomdever, he kept jabberawhanging there vithout minding vhat I said to him. The wessel was to sail in the morning—there vas no time to be
lost; and, as there was no wisible sign of them
ere things forthcoming, and I vas getting wery
wexed, I vas detemined to bring young Hyson to
his bearings. 'So,' sis I, for the third and last time,
'hand out my bacco-box and sleeve-buttons, or by
the moon that made you, I'll have a reglar sarch for
'em. Vill you, Mr. Yang, if you please.?' "Pang
Pekin fou,' said he. 'O, ho,' sis I; 'call me a fool,
do you? I'll let you see that; so here goes.'<pb id="p114" n="114"/>Vith that I laid wiolent hands on his silk petticoat
surtout, and gave him a reglar mauling; but there vas
ne'er a pocket of no sort about him. 'Vell,' sis I to
myself, 'exchange is no robbery, and one good turn
desarves another.' So I out knife, and vhips off a
piece of his tail, vhich I brought home for you as a
curiosity, vith a Hindee handkerchief for the captain."
Saying which, he untied the handkerchief and produced about a foot and a-half of coarse, black human
hair, plaited, and tied up after the Chinese fashion.
"Here it is," holding it up, and shaking it out, " he
did not miss it then, but I 'spose he's found it out by
this time. There it is ma'am, at your sarvice, to
put among your gew-gaws on the table there." "It
is well you escaped, Blount," said I; "for, had you
been caught, you would have suffered from the
bastinado, and probably had your ears cut off." "I
knows that ma'am." "But, Will," said I, looking
as serious as I could, "don't you think this cutting
off a lock of the Hong merchant's hair was a proof
of your respect for the gentleman?" "Respect for
him!" echoed Will;—"wery like a vhale! No;
but the <hi rend="italic">head</hi> and the <hi rend="italic">tail</hi> of it is, it is a proof of my
respect for you, ma'am, for they voud rather lose
their grandfather than their pig-tail; and, as he
made me remember him, I thought he should not
forget Will Blount, for I vas determined to have the
walue of my bit o' property. You must allow,
ma'am, it vas a wery wexatious and prowoking
sarcumstance; and that's the reason vhy I wows
wengeance against all Chinese."</p>
         </div1>
         <div1 type="poem" id="d0e4152">
            <pb id="p115" n="115"/>
            <head type="main">My own Fireside.</head>
            <lg type="stanza">
               <l>DEAR, happy home!</l>
               <l>All other pleasures I deride,</l>
               <l>Nor wish, for change, from thee to roam,</l>
               <l rend="indent8">My own Fireside.</l>
            </lg>
            <lg type="stanza">
               <l>There, unreserved,</l>
               <l>Free as the wind on mountain side,</l>
               <l>Kind thoughts and feelings are preserved,</l>
               <l rend="indent8">My own Fireside.</l>
            </lg>
            <lg type="stanza">
               <l>There, unrestrained,</l>
               <l>Our words may flow and mirth preside,</l>
               <l>No effort there appears constrained,</l>
               <l rend="indent8">My own Fireside.</l>
            </lg>
            <lg type="stanza">
               <l>Encircling thee</l>
               <l>May friends and kindred ne'er divide;</l>
               <l>Thy light unite in harmony,</l>
               <l rend="indent8">My own Fireside.</l>
            </lg>
         </div1>
         <div1 type="part" id="d0e4192">
            <head type="main">Irish Cabins and their Comforts.</head>
            <epigraph>
               <cit>
                  <q direct="unspecified">
                     <lg type="fragment">
                        <l rend="indent2">In such a world, so thorny, and where none</l>
                        <l rend="indent2">Find happiness unblighted, or, if found,</l>
                        <l rend="indent2">Without some thistly sorrow at its side, </l>
                        <l rend="indent2">It seems the part of wisdom, and no sin</l>
                        <l rend="indent2">Against the law of love, to measure lots</l>
                        <l rend="indent2">With less distinguished than ourselves, that thus</l>
                        <l rend="indent2">We may with patience bear our moderate ills,</l>
                        <l rend="indent2">And sympathize with others suffering more.</l>
                     </lg>
                  </q>
                  <lb/>
                  <bibl>COWPER.</bibl>
               </cit>
            </epigraph>
            <p>CABINS and comforts generally are not synonymous; 
but, that there are comforts, I will endeavour to 
prove, comforts far above the petty wants and<pb id="p116" n="116"/>trifling inconveniences of the more civilized; more
solid and lasting in their duration, in linking the
great chain of humanity amicably together, in the
actual and enviable enjoyment of the poor Irish
peasantry, destitute and deplorable as they appear,—
some cheerful in robust health, peace of mind, and
possessing contentment in the extreme of poverty.</p>
            <p>A wish to see the <hi rend="italic">bye-ways,</hi> as well as high-ways,
led us on a short excursion across the country, out
of the direct line of road, much to the annoyance
of a fine spirited horse, who did not like to be put
<hi rend="italic">out of his way,</hi> being rather Quixotic, and given to
rear up at the shadows of windmills by the roadside and the holyday gay attire of the Dulcineas of the villages. He was attached to a light, fashionable
outside car, liable to much detriment and dislocation
from the positive want of a <hi rend="italic">highway</hi> among the <hi rend="italic">bye-ways.</hi> They were the property of two friends,
whom we accompanied, more to relieve the monotony
of home, on the part of the gentleman, who was a
naval officer, and had nothing to do but war with
time; but more especially in the case of his lady,
who wished to give an airing to two little pet
animals, surreptitiously assuming the name of
<hi rend="italic">dogs,</hi>—mongrels, curs of the lowest degree. I believe
there is something instinctive even in a cur, to know
friend from foe; for, when I entered a protest
against their company in the very face of the canine
pair, Fidele, who occupied the lap of the lady, gave
a faithful specimen of discordant notes, by barking<pb id="p117" n="117"/>and yelping with all her might and main, while Quiz,
a black-nosed pug, who was stationed as sentry
over a basket containing sherry and sandwiches,
"grinned horribly a ghastly smile;" and, by his low,
suppressed growl, hinted the flattering promise, that
if I gave him further annoyance or opposition, he
would, as I sat most invitingly with my back to him,
take a bite out of my shoulder.</p>
            <p>I do not pretend to condemn an affection for the
brute species, for the heart will love, and must have
an object, and particularly where their sagacity and
affection is proved to be disinterested; but, henceforth and for ever more, I vow against making them
principal companions, parlour guests, or allow them
a greater share in my affections than their sphere in
the stable, or their station in the kitchen entitle them
to; moreover, that they shall never become travelling
companions, for it is absurd, when four persons set
out with a rational view to enjoy the beauties of
nature, the season, scene, and each other's society, to
have their views intruded upon by two worthless,
useless, noisy things, unworthy of turning a spit,
and incapable of keeping a thief from the door;
especially, as my fair friend was a young and pretty
woman, had made an excellent choice in her companion for life, dressed well and fashionably, and
was very amiable in all other respects, I would rather
admit my want of feeling than question her's in this
particular: so, to make the best of a bad beginning,
I set out, looking as calm and collected as any person<pb id="p118" n="118"/>could, anticipating two chances of hydrophobia
from these pair of nuisances, and in terror of the
tympanum suffering from the perpetration of a
perpetual barking duet.</p>
            <p>Now, whether sailors steer by the wind on shore,
as at sea, or whether they are determined to find the
longitude as well as the latitude on the open road,
as on the ocean, is not yet quite clear, but certain
it is, that, after serpentining through sundry ruts
and holes, mounting mole-hills and macadamizing
stones, in descending a steep declivity we found the
centre of gravity by our horse coming down upon
his knees, thereby distributing the party in divers
directions, fortunately unhurt. When I heard one
<hi rend="italic">spring</hi> go, I thought it time to make another, and
found an easy landing near a brook of water-cresses,
adjacent to a group of bulrushes, and contiguous
to a bush of nettles. On regaining our feet, we
females were deputed, as being the best caterers
for comfort, to seek for rest and refuge in some of
the cabins hard by, as broken knees and broken
springs, required rest and repair; but no persuasions
could induce my fair Irish friend to leave Fidele
and Quiz. No,—go, they must. "They were thirsty,
and wanted milk;" so, one she carried in her cloak,
and Quiz trotted after. I was disappointed in my
only hope, that one might have been found under
each wheel, in the lamentable downfall, dead, and
sincerely <hi rend="italic">un</hi>regretted by me.</p>
            <p>Of all creatures, there are few more independent,<pb id="p119" n="119"/>free from thought, more reckless of past, present,
and to come, and who, living in luxurious indolence,
seem to give up in total abandonment the cares and
anxieties of this world, with that listless ease,
apathy, and indifference, than a fine, fat, well-fed,
full-grown pig! He neither fears nor thinks, and
cares for nobody. In England, a pig is kept within
proper limits to his sway. He is not a free agent
there; yet in his stye well constructed, and his food
warmly and regularly provided. But, in Ireland,
a pig has a gentleman's life of it. He is treated as
one of the family, and is "monarch of all he
surveys." He can roam not only through his own,
but every other cabin; and who has a better right,
when it is "himself that pays dhe rint?" Cabined
though he be, he is neither "cribbed nor confined,"
but allowed his free, full liberty; the consequence
of which is, the unlimited destruction of all floors,
doors, cabbages, and crockery. A creature of this
description was wallowing, in all his glory, in the
softest mud, at the base of one of those multifarious
pyramids which invariably <hi rend="italic">ornament</hi> the cottage
<hi rend="italic">ornees</hi> of the peasantry of this country. In approaching his dwelling, we found it tenanted by six or seven children. The decent mother thereof was
endeavouring to quell an obstreperous boy, of nine
years of age, with, "Billy, jewel, if you don't hoult
still, I'll bate you, so I will." He was kneeling on
the floor, with his head on her knee. There is no
necessity to particularize her occupation further than<pb id="p120" n="120"/>to say, it was highly commendable in trying to keep
the <hi rend="italic">heads of her household in order,</hi> and would have been more so had she chosen a more appropriate place
for the destruction of the objects of her research
than the <hi rend="italic">only</hi> deal table on which a fat lump of a
girl was pouring the <hi rend="italic">only</hi> meal, the everlasting
potatoes; but she was a stranger to nice distinctions, and cared little about the collision between the meal and the murdered, any more than that one
was indispensable, and the other better dispensed
with. "Welcome leedies!" said she, rising with
the inmate civility of her country. "Can we get
some milk here?" asked my friend. "Sure you
can, ma'am. Biddy, go to the farm for some."
The child put the penny in the can to divert
herself with the noise, and soon returned with
it brimming full. It was poured into a wooden
bowl; but, after beating about, and saucily, sipping, Fidele and Quiz, finding it not to their taste, turned up their noses at it, and walked
away, while the seven children looked eager to
devour it. "My poor pets, they wont take it
without sugar, and being warmed," said my friend.
"Both impossibilities here," said I, for I saw the
only pan was engaged with potatoes, and, as for
sugar, it was a thing sometimes heard of, but seldom
seen! So there was no syllabub to be had, and I
was wicked enough to rejoice in their starvation.
"Oh! the craturs," said the poor woman, "I believe
it is better to be a dog with dhe rich than a child<pb id="p121" n="121"/>wid dhe poor." I felt how just the reproach; to
which the lady replied, saying, "As the pets won't
take it, the children can have it." "Excuse me,"
said I, "the children shall have other milk, but not
that, which those brutes have touched, tasted, and
refused;" saying which, I despatched Biddy on a
second mission, and, taking up the bowl, I handed
it over the gutter to the "cratur that paid dhe rint."
He had eaten to repletion of the potatoes with the
children, nor would he exert himself to arise, until
I showed him the brimming bowl, which he exultingly drained, and then sank again into his own soft, but not sweet "Elysium on earth."</p>
            <p>Though destitute of every other comfort, yet there
was what compensated for all—health, peace, and
contentment. In this cabin the husband was a day
labourer, quiet, sober, and domestic; the children,
healthy, affectionate and obedient; the wife, cheerful, frugal and industrious. There was the smile of welcome, the wish to oblige, and the meal to partake.
The husband was no politician or a party in any
faction. His home, poor as it was, his wife, and
children were all his comforts; and to labour
honestly for their support was his sole delight.
And to what shall we attribute all this order? To
the blessings of female influence. The Lord of the
Manor was not an absentee, but employed his
cottiers on his estate. His lady had founded a
school, built a church and a small infirmary. By
her presents, rewards, and constant residence among<pb id="p122" n="122"/>them, she instigated them to habits of cleanliness,
order, and industry. She was looked up to as a
benefactor by the widow and the orphan. Then let
us hope, that the excellent, benevolent example of
such ladies may be followed, that the comforts may
be increased in the cabins of this warm-hearted,
hospitable people.</p>
         </div1>
         <div1 type="poem" id="d0e4280">
            <head type="main">On Finding a Worm in a Dull Book.</head>
            <lg type="stanza">
               <l>POOR atom! thou hast found a dreary home</l>
               <l>Within the dullest pages of this tome.</l>
               <l>Each perforated leaf here waded through,</l>
               <l>It shows thou hast done more than I could do.</l>
               <l>Thus we may learn from every thing we see,</l>
               <l>And lessons take, of patience, e'en from thee.</l>
            </lg>
            <lg type="stanza">
               <l>For, in this musty, old, black-letter print,</l>
               <l>I ne'er could find out much amusement in't,</l>
               <l>Where ancient spelling matter typify,</l>
               <l>And terms, long obsolete, to mistify.</l>
               <l>The style is prosing, and the subject dull,</l>
               <l>The empty nothings of a brainless skull!</l>
            </lg>
            <lg type="stanza">
               <l>But here, since thou hast found thy wisdom's feast,</l>
               <l>I'll show thee fair humanity, at least.</l>
               <l>Closing the volume, I will let thee live,</l>
               <l>Nor take away the life I cannot give.</l>
               <l>Thus, with thy feelings do I sympathize:</l>
               <l>I'm but a book-worm of a greater size!</l>
            </lg>
            <pb id="p123" n="123"/>
            <lg type="stanza">
               <l>Who knows, some brother-worm, in days to come,</l>
               <l>In duller page than this may find a home;</l>
               <l>In silence and obscurity, at rest,</l>
               <l>Rhyme, prose, and poetry may there digest,</l>
               <l>The only living thing who might incline</l>
               <l>To travel through some future page of mine!</l>
            </lg>
         </div1>
         <div1 type="poem" id="d0e4336">
            <head type="main">Farewell to Erin.</head>
            <lg type="stanza">
               <l>NAY, blame me not, though I have left</l>
               <l>One ceremonious form unkept,</l>
               <l>To colder hearts which cannot grieve</l>
               <l>I wave the pain of taking leave;</l>
               <l>For time can never yet dispel</l>
               <l>The gloom that hangs on sad "Farewell."</l>
               <l>Dark thoughts will flash, and doubts are cast.</l>
               <l>And eyes may then have looked their last,</l>
               <l>Then who could part from friends revered,</l>
               <l>By many kindnesses endeared,</l>
               <l>With smiles!—when there are starting tears</l>
               <l>With hope, amid a thousand fears.</l>
            </lg>
            <lg type="stanza">
               <l>Though doomed the sport of fortune, fate,</l>
               <l>This heart was never desolate.</l>
               <l>The wayward wheel may turn and change</l>
               <l>From those believed could not estrange,</l>
               <l>Nor varied scenes which fancy sought</l>
               <l>Could tear from them reflective thought:</l>
               <l>And so shall be the lengthening chain</l>
               <l>That binds us till we meet again.</l>
               <pb id="p124" n="124"/>
               <l>Though Britain's cliffs and blessed strand</l>
               <l>Now hold me in my native land,</l>
               <l>Yet, Erin, thou shalt ever be</l>
               <l>One happy thought in memory.</l>
            </lg>
            <lg type="stanza">
               <l>A happy thought! for thou hast been</l>
               <l>The source of many a pleasant scene:</l>
               <l>Light-hearted life, mirth-moving joy</l>
               <l>The leisure hours from care employ.</l>
               <l>I came a stranger to your door:</l>
               <l>That threshold crossed was strange no more.</l>
               <l>The board was spread, the meal prepared,</l>
               <l>The joyous welcome always shared:</l>
               <l>Eyes ever bright, hearts kind and warm</l>
               <l>Joined word and song in music's charm;</l>
               <l>Thus, Erin, thou hast shown to me</l>
               <l>Five years of hospitality.</l>
            </lg>
            <lg type="stanza">
               <l>And for those years which vanished seem</l>
               <l>But as a light and cheerful dream,</l>
               <l>They, with Hibernian friends, have proved.</l>
               <l>The longer known the better loved;</l>
               <l>A gleam of sunshine that has spread</l>
               <l>O'er prejudice, o'er doubt and dread,</l>
               <l>Now seas divide, I'll say, farewell!</l>
               <l>While memory lives, ye there shall dwell.</l>
               <l>Again my thanks while I repeat</l>
               <l>For many an intellectual treat,</l>
               <l>Accept, with feelings strong embued,</l>
               <l>An English woman's gratitude.</l>
            </lg>
         </div1>
         <div1 type="poem" id="d0e4440">
            <pb id="p125" n="125"/>
            <head type="main">To ——.</head>
            <lg type="stanza">
               <l>TO thee! to thee! when the day is gone,</l>
               <l rend="indent1">My unfettered heart it springs,</l>
               <l>Like an uncaged bird soaring alone</l>
               <l rend="indent1">On its glad and buoyant wings.</l>
               <l>And the garnered thought has liberty,</l>
               <l>While soul and spirit commune with thee.</l>
            </lg>
            <lg type="stanza">
               <l>Of thee I think when the night appears,</l>
               <l rend="indent1">Pursuing thy stormy way,</l>
               <l>While involved in anxious doubts and fears,</l>
               <l rend="indent1">I await the light of day;</l>
               <l>For the midnight tempest chases sleep,</l>
               <l>While thou art braving the boundless deep.</l>
            </lg>
            <lg type="stanza">
               <l>I think of thee in that lonely hour,</l>
               <l rend="indent1">When silent is each footfall.</l>
               <l>On thy dear name, and a blessing pour,</l>
               <l rend="indent1">With untrammelled voice I call.</l>
               <l>It echoes the murmurs of the sea</l>
               <l>In its fervent zeal, a prayer for thee.</l>
            </lg>
            <lg type="stanza">
               <l>I watch for thee, when the daylight breaks,</l>
               <l rend="indent1">And ushers the golden sun,</l>
               <l>Like a victor, when from sleep he wakes,</l>
               <l rend="indent1">And the battle's proudly won.</l>
               <l>So welcome thy life from peril free,</l>
               <l>For thou art the light of the world to me.</l>
            </lg>
         </div1>
         <div1 type="part" id="d0e4496">
            <pb id="p126" n="126"/>
            <head type="main">Woman's Love.</head>
            <epigraph>
               <cit>
                  <q direct="unspecified">
                     <lg type="fragment">
                        <l rend="indent2">I have the picture, where thine eyes hath gazed,</l>
                        <l rend="indent3">The book, of which thy fingers turned the leaf;</l>
                        <l rend="indent2">I love to sing the song thy lips hath praised,</l>
                        <l rend="indent3">And then renew the ditty brief,</l>
                        <l rend="indent2">Or, with my hands, clasped idly on my knee,</l>
                        <l rend="indent3">With absent eyes, to sit and think of thee.</l>
                     </lg>
                  </q>
                  <lb/>
                  <bibl>M. A. BROWNE.</bibl>
               </cit>
            </epigraph>
            <p>THE devoted love of woman has been the theme of
poets, painters, and sage philosophers, from time
immemorial; nor is it strange that it should be the
all-engrossing subject of their aspiring ideas, when
it is mingled more with the celestial than the terrestrial feelings of this earth. A celebrated French author observes, that "man has a cell more in his
brain than woman, and that woman has a fibre more
in her heart than man," and on this fibre we may
hang the devotion that exists, while there is life, for
the idol of her affection, and terminating but with
death. Like a lute, when harmoniously strung, so
responds the heart of woman to the one masterhand who wakes it in the concord of mutual affection, diffusing joy and happiness, the immortal gift
from heaven, to qualify the "ills that flesh is heir
to." So, on the other hand, where ideas do not
assimilate, tastes disagree, or disparities appear in
age, state, or station, like the untuned lute, it grates
upon the ear, and vibrates in discordance; yet there<pb id="p127" n="127"/>are strings which have been tuned to perfect
harmony, by one slight change, have snapped and
broken, so, in comparison, has this fine and delicate
fibre of woman's heart been wound up to a pitch
of extacy with hope, afterwards neglected, blighted,
and broken.</p>
            <p>I have selected the above quotation from the
delightful pages of a Liverpool lady's poesy, which
shows, that she has the "fibre in her heart," in the
convincing proofs she has given throughout her
elegant writings. It suits my purpose admirably to
illustrate a simple narrative that came within my
observation, a common occurrence as regards a disappointment, but an uncommon one in respect of persons.</p>
            <p>In the rebellion of 1798, in the south of Ireland,
Isabel and Annette were left orphans by the bloodshed which desolated the hearths and homes of men in that eventful period. An uncle, who was spared
by mere chance from sharing the fate of his relative,
took the infants, reared and educated them with his
only son, the mother of whom was a rigid Catholic,
and had stipulated for her care and attention to
bring them up in her own creed. When growing to
maturity, she could not but perceive the attachment
that subsisted between the lively Isabel and her son
Edgar, nor did either parent discourage it. To finish
the education of these lovely girls, they were sent to
a convent, in France, where Isabel, having greater
abilities and more application, completed her studies<pb id="p128" n="128"/>by two years sooner than her sister, and was recalled
home. The attachment to her cousin strengthened
into devotion; they became almost inseparable,—
they walked, read, sang, and studied together, and
appeared born for each other. For two years no
two were happier: his will was law, his word was
love. He was appointed to a secretaryship in one of
the colonies, and, in making preparations for his
departure, bound himself, by every tie of honour, to
an engagement with Isabel, which she faithfully
agreed to. A week before the appointed day of
sailing, Annette returned. She had neither the brilliancy of talent nor the beauty of her sister: she was a mild, quiet, innocent girl, whose apathetic
look betrayed that the fibre of feeling was wanting;
for she was never elated with joy or depressed by
sorrow. By some unaccountable cell in the brain
of man, changeable as the wind, without a cause,
reason, or even an explanation, Edgar's affections
veered from one sister to the other; so much so,
that it retarded his journey, nor would he proceed
until Annette promised to become his wife, and
immediately accompany him to the West Indies, to
which she tamely consented! and devolved the
painful task of bridesmaid on Isabel. Agonising as
this was, the pride and delicacy of woman rose
above it. With a blanched cheek and breaking
heart she heard him promise "to forsake all others,
to love, honour, and cherish" <hi rend="italic">her sister!</hi> One only
consolation arose from this severe mortification,—<pb id="p129" n="129"/>Annette was happy. The uncle and aunt dying
soon after the departure of the married pair, Isabel,
silently desponding in spirit, drooping in health,
retired from the world to a conventual life, and
became one of those amiable beings who devote their
lives to the visitation of the sick and the poor.</p>
            <p>It was in one of those visits I met with her. She
was the mere anatomy of a woman, pale, thin, yet
interesting, with all the melancholy remains of
beauty blighted in the bud. She carried a little
basket of condiments and wine for the sick, from
the convent, and appeared bowed down by grief
more than age, being little more than six and thirty.
Her history was told me by the invalid who was her
intimate friend and confidant, and wished, on her
death-bed, to leave some one who would take an
interest in the poor sister. We met again in the
same place. Sympathy begets confidence; and,
with calmness and resignation, she spoke of the
past. I could not conceal my indignation at the deceiver's name, when, like a woman, true to the last, she said, "Think not harshly of him. He was then
young, and has had many afflictions since." I
would not listen to his name, being neither
interested in him nor his fate, after such conduct,
yet I could not but remark, how retributive justice
pursues the unprincipled.</p>
            <p>When I visited this amiable martyr to devotion,
she showed me her own picture, which had been
taken for him, and which he returned to her. It<pb id="p130" n="130"/>was smiling in all the youth and beauty of eighteen.
She then drew forth a volume of poems, with marginal notes, pencilled by his hand; and the songs they had sang together she again wept over. How
deeply I felt the story of this wreck of loveliness;
and how sincerely I grieved to learn, a short time
after, that, in pursuance of her arduous duty, she
caught a malignant fever, which, preying upon her
shattered nerves and broken constitution, terminated
the existence of this once lovely and devoted woman,
in the refuge she had chosen, an estimable, beloved,
and regretted sister of charity.</p>
         </div1>
         <div1 type="poem" id="d0e4540">
            <head type="main">Home.</head>
            <lg type="stanza">
               <l>HOME! dear resting-place of earthly cares,</l>
               <l>Hived cell of sweet content and social love!</l>
               <l>Within thy sacred precincts untrammelled fancy soars,</l>
               <l>And breathes aloud the freedom of the soul.</l>
               <l>No effort there appears constrained</l>
               <l>To keep up giddy converse by the hour,</l>
               <l>Trifling and buoyant with the follies of the day.</l>
               <l>Calm and unruffled, as the moonlight beam</l>
               <l>Upon the river's brink, so dwells the mind</l>
               <l>In soft repose, in that domestic Paradise,</l>
               <l>Our humble, quiet, and delightful home:</l>
               <l>There rest all powers of vain display,</l>
               <l>Rhetoric diffuse, or eloquence profound,</l>
               <l>In simple, yet expressive language couched;</l>
               <pb id="p131" n="131"/>
               <l>Devoted terms, affection's words,</l>
               <l>And all the fond endearments of the heart,</l>
               <l>While looks of tenderness and glances kind</l>
               <l>Light up the mutual flame;</l>
               <l>The tongue, unfettered, tells,</l>
               <l>With joy unspeakable, how rich, how great</l>
               <l>The treasure, far beyond all price,</l>
               <l>Which gold can never purchace, to enhance</l>
               <l>The blessings and the comforts of sweet home.</l>
               <l>O, solitary, sad, and pitied must he be</l>
               <l>Who has not, from the world's unwearied toil,</l>
               <l>One spot of refuge, or one sheltered roof</l>
               <l>Which he may call his own,</l>
               <l>Where the body's rest finds welcome ease,</l>
               <l>And, communing with minds congenial, says,</l>
               <l>"This is my resting-place on earth, <emph rend="italic">this is my home!"</emph>
               </l>
            </lg>
         </div1>
         <div1 type="part" id="d0e4607">
            <head type="main">The Irish Adventure.</head>
            <p>NO country affords better scope for adventure than
Ireland; no people show more good humour, or
have more patience with the haughty, testy, or
conceited traveller. To give the best accommodation,
poor as it may be, with right good will, and to show
civility and attention to the whims and caprices of the
wayfarer, is a point on which their motive is seldom
justly appreciated, and very rarely, if ever, generously requited. Rags, misery, and starvation, with<pb id="p132" n="132"/>few exceptions, pervade the face of the country;
therefore any high-flown expectations of luxurious
comforts and cleanliness are as superfluous as they
are unreasonable; in fact, it seems but an unfeeling
mockery of poverty and destitution to ask for more
than the mere common necessaries of life, in the
by-way travelling of the interior.</p>
            <p>Every person should go from home some part of
their lives, abroad, if possible, in order the better to
estimate that home on their return, and the invaluable
comforts of an <hi rend="italic">English fire-side,</hi> where centres more
solid happiness than all the pomps and vanities this
world can give. There are inconveniences to be
endured in every transit from one place to another.
It is the best policy to bear all with patience and
cheerfulness, and according to the late Dr. Franklin,
<hi rend="italic">"to keep looking on the bright side of the picture,"</hi> to forbear with all the annoyances, and to make the
best of everything. No person ever entered the
country with <hi rend="italic">more</hi> prejudice, or left it with <hi rend="italic">less,</hi> than myself; for, previous to our leaving England, the
prophecy was, "that we should become familiarized
with battle and murder;" and so warped was my
mind with these false prophets that I fully expected,
as Paddy would say, to get up some morning with
my <hi rend="italic">throat cut!</hi> and dreamt of nothing more than
that we should live to be <hi rend="italic">"kilt entirely"</hi> in the <hi rend="italic">"land of ire,"</hi> as they were pleased to give the derivation
of its name. However, after a few years sojourn,
I am my own evidence to prove, that I am neither<pb id="p133" n="133"/>
               <hi rend="italic">"kilt"</hi> nor <hi rend="italic">"murdered,"</hi> but have returned safe
heart whole and <hi rend="italic">throat whole</hi> to Old England.</p>
            <p>One very wet, cold evening, in the month of
September, on our return from a visit to a friend
who resided in the very heart of the mountains, with
a view to a nearer cut to the next town, we turned
our horse's head in the direction of a dark vale which
lay between them. After driving some few miles,
found we had only made a circuitous route round the
mountain, and come within a short distance of the
place from whence we had deviated. We resolved to
keep to the road, by the side of a large bog, no trace
of either house, hut, or human being visible: the rain
was pouring in torrents, and darkness was coming
on, when the horse, completely fatigued, came to a
stand-still at a dilapidated gate, patched up with
furze bushes, which impeded our further progress.
What to do we did not know. Strangers in a wild
and desolate country, all appeared one dark, brown
plain before us. Surmising in this dreary region
that the suspicion of <hi rend="italic">fear</hi> might be attached to me,
by one who knows not what fear is, I endeavoured,
by affecting the best of good spirits, to <hi rend="italic">talk</hi> it away. But, verily, I <hi rend="italic">had</hi> qualms; and our prospect was
worse than the Babes in the Wood, for there was not
a robin to be seen, nor a leaf to cover us, for love or
money. Hope revived, by the smell of burning turf,
indicating that humanity was near, if we could only
find it out. In a few moments we heard very heavy
footsteps, and a tall dark figure of a man, which my<pb id="p134" n="134"/>terrified imagination had magnified into ten feet,
stood before us! Now, thought I, it is all over with
us! Our hour is come, the prophecy is about to be
fulfilled, and we shall see battle, murder, and sudden
death to a certainty! I screamed, as most silly persons do before they are hurt, in the firm belief that we were then and there to be—<hi rend="italic">"kilt entirely!"</hi>
How truly I was ashamed of my fears, when, with a
rich brogue, the man said, "There's no road acr<hi rend="italic">a</hi>ss 
dhe bog, your honour, you must turrun to dhe lift,
and dhe lane dhat l<hi rend="italic">a</hi>des to town is right forenent
yee's." He was a true son of the sod, a poor turfcutter; and to the question of where could we find lodgings for the night; he pointed with his spade to
a place about two miles off, where, he said, there
was "illigant entertainment for man and horse,"
and, with inherent kindness, he offered to lead the
horse and conduct us thither.</p>
            <p>Drenched with rain, we were glad when our guide
opened the door of a poor cabin, containing but two
apartments. The turf was blazing on the hearthstone; a black pot hung over it, filled with potatoes, fire-grates and coal being unknown in that
region. Three men and two women, the hostess and
her mother, surrounded the fire, while the bustle of
our entrance half-awakened a man who appeared
rather more than <hi rend="italic">"hearty,"</hi> a term used to denote the oblivion or madness which Bacchus imposes
upon his followers. From the state this man was
in, I was not a little pleased to hear him give sono-<pb id="p135" n="135"/>rous proof that sleep had overtaken him, and that
Somno had conquered Bacchus. To our request for
a night's shelter, "Welcome," said the younger woman cheerfully, "welcome to the <hi rend="italic">'shake-down,'</hi> and the best I have." She then led us into the inner
place, where the "shake-down" was—<q direct="unspecified">
                  <lg type="fragment">
                     <l rend="indent3">"It served a double debt to pay,</l>
                     <l rend="indent3">A bed at night, a chest of drawers by day."</l>
                  </lg>
               </q>
            </p>
            <p>Our honest guide had orders to benefit himself
and the caravansary from either the one barrel of
beer on one side, or the solitary keg of whiskey on
the other, the sole stock of the concern; and while
the men went out to put up the horse and gig, the
women busied themselves with taking off and hanging to dry our saturated garments. Calling for anything here would have been like calling <hi rend="italic">"Spirits from the vasty deep;"</hi> so we found a hot potato and
warm punch more excellent substitutes for better
cheer than ever we were aware of, and cold and
hunger taught us content. It is an indisputable
fact well known, that there have been for centuries,
and still do exist, human prejudices in favour of
goose down and featherbeds; and if people will persist in these admitted sensible, yet antiquated notions, for the body's comfort, all I can say is, that
they do not know the fragrance of a heather bed, or
the less refined luxury of <hi rend="italic">clean straw!</hi> Besides, when persons are sound asleep, they are very unconscious<pb id="p136" n="136"/>whether they are upon the bare earth, a down bed,
or a deal board; and, with this happy consolation of
"looking at the bright side," we turned into our
litter, soon to turn out again, for there was a sort of
open hay-loft above, where a colony of rats kept up
a running fire, and a visiting acquaintance with
some youthful rabbits, the various entrances to
whose burrow were under and about our "shake
down," boarded floors being wholly unknown: so,
what with the rats above, and the rabbits below, the
numberless and nameless animalculæ who had left
their brown rug of refuge which covered us, to
"fatten on better food," there was no rest for the
weary; and from wanting a meal ourselves, we
had now come to be made a meal of. A wooden
bowl, filled with water, and a coarse brown towel,
which appeared not only to have had the run of
the house, but of the kitchen too, and brown
soap, were laid for our morning's ablution. I
removed the bowl, and, mounting the stool, looked
through a chink in the door which admitted a light,
to know the cause, and there saw the whole family
seated, some with folded arms, and some reclining,
all fast asleep! having kindly resigned their only
bed and bed-room to two houseless strangers. This
was all done without any preface of their being
<hi rend="italic">obliged</hi> to sit up, or making it a <hi rend="italic">compliment,</hi> which it really was, to forestall an aged woman and deprive
her of her bed. The generosity of these persons
threw me again upon comparisons; and so it is,<pb id="p137" n="137"/>we only reconcile ourselves to trouble, with pity
for those who have greater. The rats, rabbits, rug
tenants and all, were better than the bog, bleak,
cold, and bare; so I turned in again, resolved to
rest, though devoured in the meantime. From
general appearances in the morning, so swoln were
our eyes that we could hardly see each other; but
that there <hi rend="italic">had</hi> been a <hi rend="italic">glorious feast</hi> might be a consolation to <hi rend="italic">some,</hi> though not to us, and the only bright view we could take here was the glorious sun
shining in broad day. Our smiling hostess had
prepared the best she could procure, which was the
blackest tea, sugar, and bread, within sixty miles of
Dublin; but her cheerfulness, and the excellence of
those desirables milk, butter, and eggs, made up
for all deficiencies. Her anxiety to make us comfortable, to see our clothes thoroughly dry; her manner, which was above the common order; and
her cabin, though destitute of every comfort, in a
dreary by-way on a desert bog, by her attention held
out inducements to visit it again, for it convinced
us that in the most secluded part of the country,
in the depth of a valley, on the summit of a mountain,
on the barren heath, or the moving bog, there was
that <hi rend="italic">innate Christian feeling</hi> for the stranger, in a
way which no metropolis, of more civilized countries,
could compete with. The consciousness of our own
worldly-mindedness, and the look of indignation she
gave, when asked for <hi rend="italic">her bill,</hi> cannot be expressed, nor would she receive any money but for the liquids<pb id="p138" n="138"/>consumed, the means by which she lived. Other
means were taken to requite her for the inconvenience which we had put her family to. We then left her, pleased with the opportunity she had given us
to record one, among numerous instances, of an
Irish peasant's <hi rend="italic">disinterested</hi> hospitality.</p>
         </div1>
         <div1 type="poem" id="d0e4723">
            <head type="main">To the Members of the British Association.</head>
            <lg type="stanza">
               <l>ASSOCIATES of Britain! be honoured the cause,</l>
               <l>Which, combining, elicits a nation's applause;</l>
               <l>Let the cynical smile, or the ignorant jeer,</l>
               <l>The young generation your tenets revere.</l>
            </lg>
            <lg type="stanza">
               <l>"It is good to be wise," saith the sages of old,</l>
               <l>By your efforts now wisdom is made manifold;</l>
               <l>Your simplified plans of instruction succeed,</l>
               <l>And the child who can run, with ease now may read.</l>
            </lg>
            <lg type="stanza">
               <l>Education! that blessing, that balm to the mind,</l>
               <l>By its first inculcation, exalted, refined,</l>
               <l>Ennobling with truth the young dawning of sense,</l>
               <l>How great are the honours its treasures dispense.</l>
            </lg>
            <lg type="stanza">
               <l>"A prophet's ne'er honoured at home;" it is true,</l>
               <l>That prophecy fails in allusion to you.</l>
               <l>For wherever your conclave in meeting appear,</l>
               <l>Industry and wealth have increased every year.</l>
            </lg>
            <pb id="p139" n="139"/>
            <lg type="stanza">
               <l>Go on, then, and prosper; while science gives light,</l>
               <l>Each art and experiment fearless unite:</l>
               <l>Long may your example and influence reign,</l>
               <l>With learning enlighten, while reason remain.</l>
            </lg>
            <lg type="stanza">
               <l>Go on, then, philosophers! lights of the age!</l>
               <l>Reveal to the multitude novelty's page;</l>
               <l>The result of your studies and genius shower,</l>
               <l>And prove to the world that all <emph rend="italic">knowledge is power.</emph>
               </l>
            </lg>
         </div1>
         <div1 type="part" id="d0e4783">
            <head type="main">Autographs.</head>
            <p>OF all modern manias, there are few more prevalent
than the rage for collecting autographs of eminent
and distinguished individuals. When the extravagant sums of forty, fifty, and sixty guineas have been given for an old letter, and ten, twenty, or thirty
for the mere signature of some celebrated hand
"of the olden time," it seems, with all reasonable
people, almost to amount to madness. So that a
severe attack of <hi rend="italic">autographobia,</hi> though otherwise harmless in its effects, is, nevertheless a very expensive affliction, which ought to be guarded against with caution.</p>
            <p>Some go so far as to say, that they can trace the
disposition and temper by the character of the
handwriting; but, though physiognomy and phrenology have borne out some startling truths, there<pb id="p140" n="140"/>have been no proofs yet to justify the assertion,—so
far from it, that the wisest men in general write
the worst hands. It is a fact now on record, that
some of the highest of the legislative body have been
called upon with their own documents for a verbal
explanation of their written judgments. So that,
if a flourishing hand is indicative of noble principles,
a bold hand of courage, and a fine hand the proof
of a fine mind only, then woe be unto us, we scribes!
if we are to be so judged,<q direct="unspecified">
                  <lg type="fragment">
                     <l rend="indent3">Who write as bad a hand</l>
                     <l rend="indent3">As any noble in the land.</l>
                  </lg>
               </q>
            </p>
            <p>The first collection of autographs a young gentleman makes is generally the most interesting one—where Cupid is the pleader and Hymen the leader.
These, with the hope of the fair hand of the writer
in perspective, are worth preserving; but when
heartless vanity, or vain-boasting effrontery induces
a collection of these delicate effusions from a <hi rend="italic">plurality of hands,</hi> for the sake of exposure, then, by his duplicity and ignorance of the laws of honour, the collector sinks himself in the estimation of every
well-regulated minded person who has been so
unfortunate as to witness his degradation.</p>
            <p>The first sentiments a young female receives on
paper, how carefully are they preserved—read and
re-read in secret—tied with a little pink ribbon—
and safely placed under lock and key until the first
hour she can spare from domestic occupations, when<pb id="p141" n="141"/>she can return to them to read and re-read again,
till they are perfect in her memory. Alas, alas!
"that the course of true love should not run
smooth;" for too true it is, that too many of these
affectionate records, which have gently fanned one
flame, have, by some of Cupid's vagaries, been
unfortunately doomed to expire in another.<q direct="unspecified">
                  <lg type="stanza">
                     <l rend="indent2">"But lo! the flames are curling swiftly round</l>
                     <l rend="indent2">Each fairer vestige of her youthful years;</l>
                     <l rend="indent2">Page after page that searching blaze has found</l>
                     <l rend="indent2">E'en while she tried to trace them through her tears."</l>
                  </lg>
               </q>
            </p>
            <p>Some persons think it exceedingly vulgar and
plebian-like to write well. There is a good deal of
affectation among the aristocracy in this respect,
which the scrawling unintelligible, hieroglyphical
signatures on some of their franks will confirm.
You may make out a consonant here and there, but
I defy you to decipher the vowels; so, unless you
are well acquainted with the hand, you are left in
doubt whether it be a Greek, a Hebrew, or a Welsh
name, composed entirely of consonants. Yet, there
are very worthy people who delight in spoiling very
respectable and well-bound books by inserting these
things therein, under the title of illustrious autographs. These things, trifling in general estimation, are like fuel to the flame of one afflicted with
autographobia.</p>
            <p>I knew an instance of a gentleman, far gone in
this malady, who promised his wife a handsome<pb id="p142" n="142"/>shawl if she could procure him an autograph daily
from some literary, scientific, or public character
connected with some government office, which she
agreed to. The first day he handed her a shawl for
a letter which she presented to him, and which, on
opening, ran as follows:—<q direct="unspecified">
                  <text id="d0e4827">
                     <body>
                        <div1 type="ss1" id="d0e4829">
                           <p>"This is to certify, your Government Taxes for the last year
remain still unpaid. If not paid before the 5th April, a writ
against you will be issued accordingly.—</p>
                           <closer>
                              <salute>Yours,</salute>
                              <lb/>
                              <signed>TIMOTHY TROUNCE."</signed>
                           </closer>
                        </div1>
                     </body>
                  </text>
               </q>
            </p>
            <p>It is interesting to possess the letters of literary
men, all scraps of talented individuals, where the
style of writing and composition can be admired,
and the mind, as it were, pourtrayed on paper.
Collecting treasures of this description is a very
pleasing occupation, and particularly for ladies, much
more so than petting poodles and parrots,—more
improving and interesting in every respect.</p>
            <p>There is one person whose <hi rend="italic">autographobia</hi> has been raging for the last five years. I have done all in my
power, by adding largely to his collection, to abate
the mania, which, I fear, is now hopeless; for,
although I have enriched his portfolio with all the
lights of the past and present age,—peers and poets,
lords and ladies, authors and antiquaries; yet
nothing can subdue the malady, or ever will, if he
live to the age of Methusalem, unless I can procure
him the autograph of <hi rend="italic">Noah himself,</hi> if it is to be got, and that may quell the autographobia. He shall
have it—if I can get it!</p>
         </div1>
         <div1 type="poem" id="d0e4848">
            <pb id="p143" n="143"/>
            <head type="main">To a Friend.</head>
            <lg type="stanza">
               <l>I KNOW those gentle eyes of thine</l>
               <l rend="indent1">Are glancing o'er <emph rend="italic">this</emph> page,</l>
               <l>In quest of word or thought of mine,</l>
               <l rend="indent1">For so thy words presage;</l>
               <l>I know with kindness they review,</l>
               <l rend="indent1">Too partial to condemn,</l>
               <l>The impulse, how can I subdue,</l>
               <l rend="indent1">When honoured so by them?</l>
            </lg>
            <lg type="stanza">
               <l>For their amusement thus I try,</l>
               <l rend="indent1">Though failing in my task:</l>
               <l>I build my hopes on memory,</l>
               <l rend="indent1">Remembrance all I ask;</l>
               <l>If one kind thought I can revive,</l>
               <l rend="indent1">In varied trifles here,</l>
               <l>From that idea I derive</l>
               <l rend="indent1">Reward I most revere.</l>
            </lg>
            <lg type="stanza">
               <l>Should critics frown—my verse indite</l>
               <l rend="indent1">Severe on errors fall,</l>
               <l>Though they may wound, for thee I write,</l>
               <l rend="indent1">And thy voice conquers all:</l>
               <l>For if my pen can pleasure give,</l>
               <l rend="indent1">Or e'en a smile can raise,</l>
               <l>I'll use it thus while I may live</l>
               <l rend="indent1">If I but earn <emph rend="italic">thy</emph> praise.</l>
            </lg>
            <pb id="p144" n="144"/>
            <lg type="stanza">
               <l>Unblessed by inspiration's beam:</l>
               <l rend="indent1">In poesy and song,</l>
               <l>Though but a minnow in the stream,</l>
               <l rend="indent1">Yet I will glide along.</l>
               <l>Convinced, whate'er opinions be,</l>
               <l rend="indent1">Thy smile it will commend,</l>
               <l>And, proving as thou hast to me,</l>
               <l rend="indent1">I have, at least, one friend.</l>
            </lg>
         </div1>
         <div1 type="poem" id="d0e4927">
            <head type="main">The Sabbath Day at Sea.</head>
            <lg type="stanza">
               <l>IT is the seventh day of rest,</l>
               <l rend="indent1">From toil and tumult free;</l>
               <l>I hail thee on the ocean's breast,</l>
               <l rend="indent1">The sabbath-day at sea.</l>
            </lg>
            <lg type="stanza">
               <l>Still are the wild waves darkly blue,</l>
               <l rend="indent1">The sea-bird's wing I see;</l>
               <l>While skies assume a softened hue—</l>
               <l rend="indent1">The sabbath-day at sea.</l>
            </lg>
            <lg type="stanza">
               <l>Now o'er the deep, unfathomed grave</l>
               <l rend="indent1">Ordained by fate's decree,</l>
               <l>Declining o'er each gentle wave—</l>
               <l rend="indent1">The sabbath-day at sea.</l>
            </lg>
            <lg type="stanza">
               <l>Calm be the voyage of our life,</l>
               <l rend="indent1">Its close bring peace to thee;</l>
               <l>Sacred beyond all worldly strife</l>
               <l rend="indent1">The sabbath-day at sea.</l>
            </lg>
         </div1>
         <div1 type="part" id="d0e4966">
            <pb id="p145" n="145"/>
            <head type="main">Prosperity and Adversity.</head>
            <epigraph>
               <cit>
                  <q direct="unspecified">
                     <lg type="fragment">
                        <l rend="indent2">In Fortune's love, the bold and coward,</l>
                        <l rend="indent2">The wise and fool, the artist and unread,</l>
                        <l rend="indent2">The hard and soft seem all allied and kin;</l>
                        <l rend="indent2">But, in the wind and tempest of her frown,</l>
                        <l rend="indent2">Distinction, with a broad and powerful fan,</l>
                        <l rend="indent2">Puffing at all, winnows the light away,</l>
                        <l rend="indent2">And what hath mass or matter by itself</l>
                        <l rend="indent2">Lies rich in virtue and unmingled.</l>
                     </lg>
                  </q>
                  <lb/>
                  <bibl>SHAKSPEARE.</bibl>
               </cit>
            </epigraph>
            <p>LAUDABLE ambition should be the grand purport of
all our lives,—to live, to learn, to acquire, to raise
ourselves in our own estimation and the world's
eye; but, when the exalted mind aspires to greatness and ambition beyond its strength, let its first
consideration be within the calm questioning
reason, and ask itself, "Will the <hi rend="italic">base</hi> bear the towering superstructure it would raise?" Though 
"sweet are the uses of adversity," affording lessons
of patience and fortitude, yet the <hi rend="italic">sours</hi> so overpower the sweets that it must be a noble mind which bears
the fiery ordeal with calmness and resignation, and,
with apparent cheerfulness, comes unalloyed through
the great trials which an ignoble mind, a weaker
intellect, or a poorer spirit would have sank under.</p>
            <p>From general observation it will be found, that
the majority bear adversity better than prosperity.
A sudden transition of fortune affects a noble mind
with generous impulses to dispense the blessings
he enjoys and feel compassion for others, while<pb id="p146" n="146"/>the same, acting on a weak mind, affects the
temper, eliciting arrogance, ostentation, and absolute
tyranny, which never before reigned; and how frequently has it occurred, that an unexpected acquisition of wealth has caused sudden death, or has
absolutely dethroned reason, when poverty, with all
its horrors, would have been preferable. Competence
and content are more to be coveted than riches,—
the dross ambition leaves in the cup of avarice.</p>
            <p>The common incidents of life furnish sufficient
proof of the freaks of fortune, without resorting to
fiction for our study, and daily example before our
eyes is better than precept. I remember, in one of
the fashionable promenades about the interesting
ruins of Tynemouth Priory and Castle, in Northumberland, during the bathing season, noticing particularly a little, old woman, about seventy years
of age, seated in a most conspicuous place where the
company passed, behind a small table covered with
pincushions. I should not have noticed her but
from observing an innate gentility of manner, and
the remnants of beauty which time could not steal
away, in a fine and noble expression of pride that ill
contrasted with her industrious but undignified
occupation. She wore a short red cloak, a black
bonnet of the fashion of the seventeenth century,
a white muslin apron, and black mittens, which
covered a small, withered, yet white hand. Her
silver hair was turned back under a neat mob cap, in
all the respectability of cleanliness and decency so<pb id="p147" n="147"/>becoming to old age; while the red tints and streaks
in her cheeks and very fair skin seemed as an
ancient chart to show it was once a colony of bloom,
blushes, and beauty. She was not unlike some of
the old women in Wilkie's pictures; in fact, he
might have made her his study for a picture in her
past and present life. Though toothless, a thorough
hatred or contempt of the world had retained her
upper lip in a perpetual curl. I saw her give a look
of ineffable scorn, and her eyes flash with indignation as the Earl of D.'s carriage drove by full of ladies, and, as though her feelings must have vent,
in no concealed tone, she exclaimed, <hi rend="italic">"Butterflies!"</hi>
Some recollections evidently ruffled the temper of the
old gentlewoman by this rude remark, given with so
much asperity. She drew up her little antiquated
form in all the dignity that four feet two could command, I saw she had been born to better days, and had a soul left above selling pincushions.</p>
            <p> "Did you hear that mad woman?" asked my
friend. "Yes: but is she mad?" "It is thought
so. She was once a woman of fortune, occupied ——
Hall, and had her equipage and retinue of servants.
Her husband gambled and dissipated her fortune in
profligate society. His duplicity, in some unfortunate instances, and his neglect of her induced her to withdraw herself from the world, mortified by its
disappointments, and endeavour, by the well-regulation of her own mind, to make up for his desertion, and prepare for the adversity that awaited her. I<pb id="p148" n="148"/>have seen her in her prosperity," continued my
friend, "in all her splendour and beauty, at the
fetes of D—— Castle." "You have," said I; "and
can you thus look upon her with indifference?"
"Yes," said my friend; "for when in the zenith
of her power she was so haughty, overbearing, and
failed to prepossess herself in the favour of those
who might have befriended her now, that few
regretted when the death of her husband reduced her
to want. But they say it has affected her reason,
and she is mad." "She is <hi rend="italic">not</hi> mad," said I, "I
am convinced of it from my own observation; but,
rather than be dependent upon former friends, she
has struggled industriously with her simple efforts
for the sustenance of life, in preference to exciting
the false pity or puling compassion of her former
fashionable associates."<q direct="unspecified">
                  <lg type="fragment">
                     <l rend="indent2">"A wretched soul, bruised with adversity,</l>
                     <l rend="indent2">We bid be quiet when we hear it cry:</l>
                     <l rend="indent2">But were we burdened with like weight of pain,</l>
                     <l rend="indent2">As much or more we should ourselves complain."</l>
                  </lg>
               </q>The sweet sympathy for suffering humanity the
Bard of Avon would here inculcate makes but little
way in worldly minds. My friend, feeling some
compunctions of conscience, liberally proposed that,
as the dowager was too proud to receive alms, and
too odd to except any favour, we should go and
purchase her whole stock (which would not amount
to more than five shillings) the next day. The day<pb id="p149" n="149"/>was cold and cloudy, and no old woman was visible,
—nor the day after. Some children who carried
her table for her, directed us to a small fisherman's
cottage, wherein she lodged, to find her. We found
a sturdy fishwoman, with a basket slung across
her shoulders, coming out of the cottage, and to our
inquiries she replied, "My certie, leddes, but ye're
too late. Ye suld a come before the canny body
was ta'en to her last hame. I'se grit like a wee
bairn if I stan' clishmaclaverin aboot her noo; but
an ye tell me wore ye abide I'll bring ye letters she
left will tell ye all aboot her."</p>
            <p>The gude wife of the Northumbrian fisherman was
as good as her word, and brought a packet which
the old gentlewoman had left, addressed to "any
person who felt interested in the fate of a poor
old woman." And what a history they revealed!!
A woven web of sorrow!  A tissue of misery
brought on by fortune! Born to inheritance of
wealth, her first disappointment was the discovery,
that she bad been married for <hi rend="italic">money, not love;</hi> her second was the dissipation and desertion of her
husband,—a course of conduct which, with such
a grovelling mind, ultimately found its own level;
her third was the treachery and insincerity of
<hi rend="italic">summer</hi> friends, and her fourth, the reduction to extreme want and penury!</p>
            <p>In the envelope which contained these melancholy
revealings, she said, "She now ate the bread of
industry, to obtain which her consolation was, that<pb id="p150" n="150"/>her daily prayer was heard for health and the
retention of her faculties; and her chief pleasure
was, in being able to attend her weekly thanksgiving
and Sabbath duties; and with all I have indured,"
she added, "I feel more happy in my independence
in adversity than in the possession of wealth, for
had I known trials in my youth, I could have borne
prosperity better." What a pleasure it might
have been to have cheered the decline of this noble-minded woman! and what a lesson it affords not
to procrastinate our charities, though ever so small,
or even our sympathies, in cases of affliction. In
such instances a thought, a feeling, a word of
consolation has more value in it than all the lucre
this world could add. Then spare it not, my friends!
It is an easy exercise of the best qualities of human
nature; and when we reflect, that "in the midst of
life we are in death," why should we delay aught
that could smooth the pathway from this world to
a better?</p>
            <p>The preservation of health and reason, under all
changes of fortune and affliction, is the best blessing,
for there is "One who knows what is best fitting
us;" and I never witness the ignorances and arrogancies of those uplifted by fortune, without the condensing power of <hi rend="italic">good sense</hi> as the ballast to their light inflation, but I wish they could have seen
the pride that had a fall in the unfortunate example
of the noble mind struggling with adversity in the
excellent and interesting little old woman who sold
pincushions.</p>
         </div1>
         <div1 type="poem" id="d0e5049">
            <pb id="p151" n="151"/>
            <head type="main">Midnight Musings.</head>
            <lg type="stanza">
               <l>WHO can smile 'mid winter's storm,</l>
               <l rend="indent1">Oppressed with doubt and fear,</l>
               <l>When danger hovers o'er the form</l>
               <l rend="indent1">Of all the soul holds dear?</l>
               <l>Who can breathe a cheerful thought,</l>
               <l rend="indent1">Or feel a glimpse of joy,</l>
               <l>When every wind, with terror fraught,</l>
               <l rend="indent1">The peace of mind destroy?</l>
            </lg>
            <lg type="stanza">
               <l>Who can touch the harp or lute</l>
               <l rend="indent1">In music's soothing tone</l>
               <l>When lips are sealed in anguish mute</l>
               <l rend="indent1">With sorrows all their own?</l>
               <l>Who can lend a listening ear</l>
               <l rend="indent1">To even music's charm</l>
               <l>When boding tempests linger near,</l>
               <l rend="indent1">And fortitude disarm?</l>
            </lg>
            <lg type="stanza">
               <l>Yet think me happy, think me gay</l>
               <l rend="indent1">Ye who are free from care—</l>
               <l>When buoyant spirits most display</l>
               <l rend="indent1">They often hide despair.</l>
               <l>Then why should I reveal my grief</l>
               <l rend="indent1">But in this lonely hour?</l>
               <l>For respite and the heart's relief</l>
               <l rend="indent1">The muse asserts her power.</l>
            </lg>
         </div1>
         <div1 type="poem" id="d0e5104">
            <pb id="p152" n="152"/>
            <head type="main">Dreams.</head>
            <lg type="stanza">
               <l>MYSTERIOUS phantasies of our quiet sleep!</l>
               <l rend="indent1">The ever-waking mind, in seeming death-like spell,</l>
               <l>Asks, why do ye thus incongruous vigils keep?</l>
               <l rend="indent1">What is it ye denote? what would ye here foretell?</l>
            </lg>
            <lg type="stanza">
               <l>Recalling long-lost voices to our sleeping ears—</l>
               <l rend="indent1">Making a silent mausoleum of our bed—</l>
               <l>In filling the sealed eyes with gushing floods of tears,</l>
               <l rend="indent1">And holding conversation with the sacred dead!</l>
            </lg>
            <lg type="stanza">
               <l>Strange imageries of the never dormant soul!</l>
               <l rend="indent1">Erecting palaces, and, with a maniac's glee,</l>
               <l>Disporting in half laughter and half frantic howl,</l>
               <l rend="indent1">Or revelling in pride of borrowed majesty!</l>
            </lg>
            <lg type="stanza">
               <l>Showing rocks, promontories, precipices steep;</l>
               <l rend="indent1">Pourtraying ocean's caves, whence its dark sources flow,</l>
               <l>Grottos of coral, pearls, in countless fathoms deep,</l>
               <l rend="indent1">Mountains o'ertowering clouds, and valleys far below;</l>
            </lg>
            <lg type="stanza">
               <l>Gardens of summer flowers, the sun's first early dawn,</l>
               <l rend="indent1">Inviting to inhale the fresh and sweet perfume:</l>
               <l>Orange and myrtle groves, the verdant turf and lawn,</l>
               <l rend="indent1">The shining evergreen in rich and fragrant bloom;</l>
            </lg>
            <pb id="p153" n="153"/>
            <lg type="stanza">
               <l>Bringing the loved and absent present to our sight,</l>
               <l rend="indent1">With soothing words from lips in friendship's hallowed strain;</l>
               <l>Glances from eyes that spoke affection and delight,</l>
               <l rend="indent1">Reviving all that was, and cannot be again!</l>
            </lg>
            <lg type="stanza">
               <l>Visions of midnight, say, why should the light disperse?</l>
               <l rend="indent1">Why should not peaceful scenes in waking ever last?</l>
               <l>Ah! who can solve this problem in the universe,</l>
               <l rend="indent1">Or tell us more than dreams of days and years long past?</l>
            </lg>
         </div1>
         <div1 type="part" id="d0e5172">
            <head type="main">Irish Beggars.</head>
            <p>AMONG the lazzaroni of Italy, the mendicants of
France, the paupers of England, or of any other
nation, you will find none excel in wit, adroitness,
persuasion, entreaty and cunning, the Irish beggars,
who are tutored from infancy to the juvenile servitude of picking pockets, and the <hi rend="italic">profession</hi> of begging. Their modulation of tones and powers of
eloquence have "grown with their growth, and
strengthened with their strength;" their perseverance is unbounded, for they will not take a denial; and so great is their own faith in their art, and so
intuitive the faculty of knowing people by their cast<pb id="p154" n="154"/>of countenance or outward garb, that as a tradesman knows best what style of goods will suit his customers, so do the Hibernian beggars know best
in what style of language to address their customers.</p>
            <p>From the facility afforded by steam navigation, we
may say that one-half of England have been on the
quays of Dublin, and from the well-known liberality
of the English, it is no wonder that the gangs of idle
vagrants increase, and infest the packets on their
arrival. Who is there who has not seen the
nuisance? And who is there who does not regret
absenteeism, or the want of poor laws to prevent the
growing evil?</p>
            <p>A portly passenger in black had just landed, and,
while in conversation with a friend, paid no attention
to a poor <hi rend="italic">pitiable looking</hi> object who had been whining her woe into "his honour's" ear for half an
hour as she stood shrugging her shoulders under a
piece of old carpet. Her vagrant spouse, seeing her
entreaties fail, came up with the air of a stranger,
and pretended to drive her away, bidding her "git
out o' that," and not be after troubling <hi rend="italic">"his Worship,</hi> (for he thought he had a clerical look) after the mighty <hi rend="italic">say sickness</hi> he had had." Thus, pretending
to put away one nuisance he became a greater, for,
after whispering to his wife, "I'll get something
out of the ould gentleman, I'll engage," he began by
a comment on the weather, saying it's <hi rend="italic">"Mortal cowld.</hi> Will I fetch a cloak for your worship? It's
all I can do to keep thim beggars from the gintry.<pb id="p155" n="155"/>and I git nothing for it, but what your worship likes
to lave wid a poor hungry sowl like myself." Here
the expert beggar imposes an obligation, only to be
cancelled by a donation, which is usually given.</p>
            <p>Any thing original, from the prince to the beggar,
is not lost to an observing eye: it has been my lot
to be present at many scenes of the above description, and really the various means and subterfuges adopted to extort money are sometimes so ingenious
and ludicrous, and the titles they lavish so irresistibly
comic, with such a fund of wit and humour, that it
is impossible to turn a deaf ear to them. I could
fill a volume with the anecdotes which have come
within my own observation, and though sometimes
distressing and annoying, yet not the less amusing.</p>
            <p>How they find out the weakness of human nature
is astonishing. A lovely woman had just entered
her carriage, at a shop-door, and was waiting for her
purchases, when a bold beggar set his face almost in
at the window: from his flying costume she knew
his profession, though he made no demand. She
told him she had no pence. "Bless your Ladyship!"
said he, "I would rather look at your illigant self
nor all the pence you would give me if you had it!"
This compliment to her beauty cost her "simple
ladyship" a sixpence. But why should I condemn
when I have been caught by a similar speech,
though not to myself! I should first premise having
made a rule never to give indiscriminate charity, and
particularly in the street. Walking arm in arm one<pb id="p156" n="156"/>day, in Merrion-square, with a young lady, and my
most particular friend, a gentleman, his sea-beaten
and ruddy complexion attracted a decrepid old
woman, who thus addressed him, "Heaven bless
the beautiful <hi rend="italic">geranium</hi> between the two roses."
This elegant and poetical simile was quite new, for
truly we were the roses of York and Lancaster, for
the young lady was blooming in health, and I, from
indisposition, of the lily hue. I withdrew my arm
from our escort, saying. "I must break my rule
here, for that speech, so applicable, does deserve
something, and shall be rewarded for your sake:"
so I paid sixpence for the geranium compliment, and
got laughed at on my return for being so easily
duped. But this is not the only sixpence I have paid
in the honoured cause of the aforesaid gentleman;
for on his going to sea the vagrant tribe regularly
beset me, like the locusts of Egypt. "Ah, lady dear!
Mrs. Captain! if you plase ma'am! sure you won't
be after letting the captain take the coppers out of
<hi rend="italic">ould</hi> Ireland!" "Faith, he looks too good," adds
another, "to lave a poor miserable ould cripple
without a halfpenny this blessed morning. God speed
him! and keep the <hi rend="italic">stor-roms</hi> from after following him, and send him safe to us agin, and the cratur
that owns him, plase God, och hone!" Situated as I
was, and in the hour of parting, these appeals were
irresistible, and for twelve months and more I had
to pay this "miserable ould cripple," as she called
herself, for praying for his safety, and to get rid of<pb id="p157" n="157"/>her importunities, for no matter where, whenever I
met her, she began, "Didn't I pray for the masther
ma'am? And, sure, didn't he come safe home to
yees, agra? Well, God's good, and <hi rend="italic">He</hi> won't forget the poor no more nor yourself, Mrs. Captain,
dear!" Here the usual tax was levied, and I was
glad to make my escape from a thousand uproarious
blessings and benedictions.</p>
            <p>For those who will work there is a daily provision
afforded by the Mendicity Association, but the
majority who will not prefer this idle, wretched
state of existence, where they can indulge in reckless
depravity of every description when the misguided
liberality of strangers gives them the means to do
so. Comfort and cleanliness are unknown to them,
therefore the want of either is not felt. To go bareheaded and barefooted is no punishment to them, but to lose a <hi rend="italic">beard</hi> after a month's growth <hi rend="italic">is,</hi> and the same reluctance is shown to part with it, as a
decent person would be to lose a blanket in cold
weather: the cleanliness of a smooth visage, and the
comfort in the daily refreshment of soap and water,
are repugnant to their innate ideas of indolence, dirt,
and all the ideas of <hi rend="italic">lively</hi> horrors; and yet, with all
their sins and imperfections, there is not a merrier-hearted set of beings in the world when they think they are unobserved. Burns may write on the "Jolly
Beggars of Scotland," but had he the prize "Whistle
of the North" to bestow, and had seen these emblem's
of Erin's poverty, he could not but in common justice<pb id="p158" n="158"/>have awarded it to those whose extensive practice,
multitudinous numbers, and superiority in the experience of the <hi rend="italic">profession,</hi> give them the undoubted
right of claim for degradation. From frequent
imposition, the once compassionate persons are now
steeled to pity. The cunning rogues, knowing this,
now try the mirth-moving system, which they find
not only more pleasant but more profitable, and it is
more pleasant to be laughed out of our money.</p>
            <p>I shall conclude this hasty sketch with one, out
of the hundred instances I could relate of a similar
kind:—</p>
            <p>A young traveller in the ribbon line, who was more
vain of his <hi rend="italic">person</hi> than his <hi rend="italic">patterns,</hi> was accosted, on
his landing from the steamer, by a dirty vagrant,
with a beard long enough for a shoe-brush, and a
nose whose rubicundity insinuated that he was upon
<hi rend="italic">too cordial</hi> an intimacy with the produce of the house
of Findlater and Co. "Welcome, your honour! I
am glad to see you, sir." "Do you know me,
<hi rend="italic">feller!"</hi> asked the dandy. "Faith, indeed, and I
do." "Did you ever see me before?" "May be I
did, troth; I wish I could see a hundred of the likes 
of your lordship; we would not be after seeing the
ship loads of beautiful <hi rend="italic">bastes</hi> laving this, nor the Customs empty, standing looking at 'em, doing
nothing at all, at all." After a few more words, the
traveller, with a self-satisfied air, threw the man a
shilling, saying, as he drove away, "So much for
popularity." An unworthy coadjutor of the vagrant<pb id="p159" n="159"/>tribe now approached, with a shrug that must have
disturbed a numerous colony, to know how much
he had got? with a sly insinuation to go halves,
"A shilling, Tim." "Do you say a shilling? Be de
powers, how did you get it out of him?" "Quite
asy," answered the elated Tim, "quite asy; sure
didn't I see by his goold rings and chains, de power
of frogs he had on his coat, and the way he had of
tossing his head in the air, that he was <hi rend="italic">nobody,</hi> so I thought from the turn he had that I'd mightily plase
him if I made him <hi rend="italic">somebody,</hi> so I persuaded him he was one of the new repale members, and that I had
seen him in Parliament!"</p>
            <p>This prolific subject induces me to give a further
account of the plausibility, ingenuity, and incongruity
with which these questionable commissioners continue to extract mites from the public purse, levy contributions on the humanity of individuals, and
extort means from the liberal to pursue their indolent
course of life,—a life of evil dissipation and <sic corr="degradation">degragradation</sic> in preference to one of industry, propriety, and sobriety.</p>
            <p>The decline and fall of nations—the history of my
own and that of every other country, is, and ever
will be, interesting to me; the rise and progress
of events cannot but arrest attention. Yet politics
are out of my sphere; I leave them to the better
judgment and more solid understanding of the
"lords of the creation:" and, whatever province I
may reside in, I know it is not my province to<pb id="p160" n="160"/>interfere in party factions or religious feuds. It is
not for want of frequent repetition that we are
reminded we have no right to hazard an opinion on
the affairs of any government, except that of a house
or family. It is a subject unsuited to our powers
of reasoning; and I cannot but agree with our
gallant preceptors, that women generally would
do the state, themselves, and all connected with
them, more service by keeping to the <hi rend="italic">home department.</hi> Yet, if a female may be permitted to think of any change that may benefit suffering humanity, a four years' residence in Ireland should entitle
me to some attention on the subject; and, whatever
may be the result, it must be for the better, for no
human beings can be in a more deplorable state
than the vagrant population.</p>
            <p>Without interfering between man and his Maker,
which I have no right to do, or dictating in what
form he shall worship Him; or questioning the
various opinions of regal power in the presumption
of who shall or who shall not reign, I am well
assured that all the quiet, well-disposed, respectable,
and superior sort of the Irish people will agree with
me, that education, poor laws, and a heavy tax upon
the manufactured spirit that causes the disgusting
degradation, can alone change the country for the
better, and save it from degenerating again into its
pristine state of actual barbarism. Education will
dispel benighted ignorance and blind superstition;
poor laws will correct indolence and protect the<pb id="p161" n="161"/>infirm; while the additional tax will place the perfidious poison, which is now so easily obtained, out of their power, and prevent them sinking themselves
under its besotted influence to a level with the beasts
of the field.</p>
            <p>I have taken some pains to discover who are, from
who are not, real objects of charity, and, strange as
it may seem, there are many who are too proud to
work yet are not ashamed to beg! The late S.
R.——, Esq. who was grand almoner and distributor
of donations from the nobility, was very successful
in detecting many impositions. He was a man
respected by all classes,—generous, humane, and
compassionate, and was known throughout the city
of Dublin as the <hi rend="italic">Big Beggarman,</hi> from the cases of real distress, he earnestly sought relief for, from those
who had the will and power to do good. In passing
over Carlisle Bridge with a friend one day, he observed a woman begging, seated on the ground apparently in the greatest distress, with an infant
on her knee. To the astonishment of his friend,
Mr. R. looked at the woman, stooped down, seized
the child, and threw it into the river. The hue and
cry was great, the woman's cry louder than all of
course, Mr. R. held her. His friend, knowing he
had always borne an amiable character, thought
that this must be a temporary fit of insanity. Some
good-natured sailors seeing, as they thought, the
child floating, brought it on shore with a boat-hook,<pb id="p162" n="162"/>when lo! to the surprise of the bystanders, Mr. R.
unfolded a truss of straw enfolded in rags! "Go;"
said he, "take your child, and be thankful I do not
punish you for this repeated imposition." He then
related having found this same woman in apparent
grief over a small coffin, with a saucer on the lid
for the pence of the charitable, near the Four Courts.
He immediately ordered the interment of the child;
but, having some suspicion, by her reluctance to
part with it, that her grief was not sincere, he
ordered the lid to be opened, and discovered only a
large brick and a bundle of shavings!</p>
            <p>How the young urchins commence practice is
soon told. "Ah! isn't it a cruel case a pour little
orphan crater like me should be wanting a meal's
<hi rend="italic">mate</hi> this morn's morn?" "It is indeed, child,"
said I; "but, where is your mother?" "Just gone
to light her <hi rend="italic">dhudeen</hi> at the shebeen-shop forenint
the corner beyant," answered he, as sharp as a
needle. "And are you not a little rogue to tell me
you are an orphan?" "Not at all, ma'am, not at
all!" "Would you deny it too? Do you know
what an orphan is?" "Sure I do, ma'am. My
mammy said I was to beg till I get the price of the
lodgin; and, if I was hungry, to say I was an
orphan, and may be I'd get the price of a <hi rend="italic">pitayatee</hi>
more. So I am hungry, for I have not bit or sup,
wet or dry, yet, upon my credit, ma'am, orphan as
I am." Here was a fine lad, not seven years of
age, converted into a little sinner, taught by his<pb id="p163" n="163"/>mother to petition in falsehood and pick pockets,
ignorant of every thing but vice, misery, cold, and starvation.</p>
            <p>l will conclude this sketch with one more instance
of effrontery, to show the necessity of poor-laws
for protection, that theft may be suppressed, and
the able-bodied made to work, and that the higher
and middle classes may support those who are
incapable from age, bodily affliction, or deformity,
and spare their disgusting exhibitions from becoming
a greater nuisance in the eyes of all strangers, and
a stigma upon the humanity of their fellow-creatures
and fellow-countrymen.</p>
            <p>"So you will not take your answer, good man?"
said a lady at her door to a tall, lazy, bloated-looking
man, much intoxicated, rolling about in bacchanalian
glory in all the abominations of rags and wretchedness. "Deed I will not, ma'am," answered the beggar; "I will take nothing less nor what you
gave me before,—a smile, a kind word, and a good
old Irish harp half-penny!" "Don't I tell you I
have no copper—no small change," replied the lady.
"Shure, time is no object to me; I can wait here
till you get some; and God speed them who go for
it for you," said he, seating himself very composedly
on the sill of the door to the inconvenience and
disgust of those who had to pass him in entering.
"Really," added the lady in a provoked tone,
"really you are most <hi rend="italic">incorrigible."</hi> "Cor, cor, in what ma'am? What's that you said I was? I'd<pb id="p164" n="164"/>like to know. I'll be afther troubling you for the
<hi rend="italic">small change</hi> of that word, at all evints; for, though
I'm poor, I'm an honest man, and it does not
become the likes of your ladyship to <hi rend="italic">demane</hi> your illegant mouth with calling a poor man names that
don't belong to him any way, an' I'll soon show
you the differ, so I will." Fortunately, the gentleman of the house now came up. He roused him out from his berth, and made the impudent vagrant
decamp without his <hi rend="italic">small change</hi> in either words or money, and a threat, that, if ever caught there again,
or in that state, the police should try what effect
the <hi rend="italic">small change</hi> of a visit to the tread-mill would have upon him.</p>
            <p>As an English woman and a resident in Ireland, I
am bound, from the many kindnesses received, to
admire and respect the enlightened portion of its
hospitable people; but in drawing a strong line of
demarcation, and with the three instances out of a
thousand of imposition, ignorance, and effrontery, I
must regret, with the majority of their own countrywomen, the want of order, system, cleanliness, sobriety, and industry, which pervade the lower
classes, and which is attributed only to a great
demoralizing power and the <hi rend="italic">want of education.</hi>
            </p>
         </div1>
         <div1 type="poem" id="d0e5324">
            <pb id="p165" n="165"/>
            <head type="main">Ballad.</head>
            <lg type="stanza">
               <l>'TWAS beside a castle gate, on a summer's starry night,</l>
               <l>When the forest leaves and trees shared the silver moon's pale light;</l>
               <l>When a minstrel with guitar, lowly clad in vestments poor,</l>
               <l>Sang beneath a lady's balcony:—a young Troubadour,</l>
               <l>On his shoulder hung a scarf, in his cap a lady's glove;</l>
               <l>Of the tournaments he sang, of the wars, and ladies' love.</l>
               <l>And boldly he confessed, he came there a gallant wooer;</l>
               <l>And the strain again repeated,—the unknown Troubadour.</l>
            </lg>
            <lg type="stanza">
               <l>The casement gently opened, and the melody it brought</l>
               <l>A young and lovely maiden fair, who listened in deep thought:</l>
               <l>She wondered what could bring so bold a minstrel to her door,</l>
               <l>As she gazed upon the stranger,—the unknown Troubadour;</l>
               <l>And when he sang, in plaintive tones, how he was doomed to roam</l>
               <l>A wanderer in distant lands, an alien from his home,</l>
               <l>She lingered then, in pity, for she thought her heart secure,</l>
               <l>And again, delighted, listened to the young Troubadour.</l>
            </lg>
            <pb id="p166" n="166"/>
            <lg type="stanza">
               <l>Then proudly to the castle came a Prince of all the land</l>
               <l>In state, with retinue, to claim the lady's hand,</l>
               <l>And pensively she greeted him, her eyes cast on the floor,</l>
               <l>While she turned to sigh, nor could forget—the young Troubadour.</l>
               <l>The Prince, he gently clasp'd her hand, and spoke in whispers low,</l>
               <l>At every word her cheeks again with crimson blushes glow:</l>
               <l>She listened, with surprise and joy,—her happiness was sure,</l>
               <l>For she knew again that sweetest voice,—her own Troubadour.</l>
            </lg>
         </div1>
         <div1 type="part" id="d0e5380">
            <head type="main">Harvest Home.</head>
            <epigraph>
               <cit>
                  <q direct="unspecified">
                     <lg type="fragment">
                        <l rend="indent2">"Behind the master walks, builds up the shocks,</l>
                        <l rend="indent2">And, conscious glancing oft on every side</l>
                        <l rend="indent2">His sated eye, feels his heart heave with joy."</l>
                     </lg>
                  </q>
                  <lb/>
                  <bibl>THOMSON.</bibl>
               </cit>
            </epigraph>
            <p>THERE is no season where rejoicing is more appropriate than in the safe gathering in of a rich and abundant harvest,—no occasion where joyfulness is
more universal, and no thanksgiving more justly
due, than in that <sic corr="exhilarating">exhilirating</sic> scene of rural hilarity,
the celebration of <hi rend="italic">Harvest Home.</hi>
            </p>
            <pb id="p167" n="167"/>
            <p>To those who are doomed to the dreary location
of towns and cities, "cribb'd, cabined and confined,"
who seldom have an opportunity "to trace the
forest's shady scene," and to whom fields, trees,
and flowers are things only heard of in this dingy
atmosphere, where a gleam of sunshine or a glance
of the clear blue sky is but a weekly treat, a short
sketch of one of these rural fetes may not be unwelcome, while, at the same time, it may serve to refresh the memory of those whose minds are enveloped in
smoke, steam, bricks, mortar, and machinery, that
vegetation, although unseen, unknown, is still going
on, and that "God made the country, and man the town."</p>
            <p>Among the descendants of the old border chieftains
who inherit the domains of their ancestors, in that
most hospitable and beautiful of English counties,
Northumberland, the annual festivity of the corn
suppers is proverbial, "as gay as a corn-reaper,"
being a favourite simile; and what considerably
heightens the anticipation of harvest is, that, on
these occasions, the <hi rend="italic">gentry mingle with the peasantry,</hi>
not in the pride of humility, or for any absurd ostentatious display, but for a good old English feeling of obligation for the assistance of "a bold peasantry, a
country's pride," and for the still more laudable
motive of joining in the one common cause of gratitude to "Him who pours abundance on the flowing fields," and, in joyfulness of heart, thus publicly
evincing thankfulness for "our daily bread."</p>
            <pb id="p168" n="168"/>
            <p>Near the majestic Castle of Ravensworth, it is the
custom, on the last day of reaping, to compose a figure
of corn, dressed as a female, fantastically adorned
with flowers and ribbons, to represent <hi rend="italic">Ceres,</hi> the goddess of harvest. Madame Ceres is then elevated
upon a poll, and paraded round the last field of
standing-corn, headed by some itinerant piper, or
Paganini of the village, who tunes his pipe, or
cherishes some roundelay, to enliven the sunburnt
group of swains who follow the Damons and
Daphnes of the day. This is generally a short
day's work, concluding soon after noon-day. When
finished, they commence what is called "the
shouting of the corn," a general exclamation of joy,
equal to three cheers, or the more noisy innovation of <hi rend="italic">nine times nine.</hi> The sound of this cry, at a distance, has a very thrilling effect: it bursts on the ear like a hymn of gladness, a spontaneous effort of
the rude and uncultivated to express their truly
religious gratitude for the sustenance that is to
uphold them through the approaching inclement
season. Madame Ceres, or, rather, her <hi rend="italic">not too</hi> flattering effigy, heading her troop, is then conducted to the farm-house, where she reposes in state, while
her attendants absent themselves to "don their
holyday suits," for the festivity that is to follow;
and many a <hi rend="italic">skiel</hi> of water stands proxy that day for
a looking-glass to the "lads of the village," the
lasses, you are sure, taking full possession of all the
originals, whole or part, which will reflect their<pb id="p169" n="169"/>ruddy beauty. And many are the schemes of decoration; enlivening, sombre stuffs, with pink or blue ribbons, or making modern improvements in old
cotton dresses, neat, clean, and always becoming;
tying up their bonny brown hair with ribbons bought
at the fair, and liberating ringlets which have been a
fortnight confined in paper; but the most arduous
task of all is trying to squeeze very large feet
into very small shoes, which is done, and these
Amazonian heroines not only sit, stand, and walk,
but positively dance, and that laboriously too, in
this purgatory, with a fortitude unflinching, The
duties of the toilet is with them, the same as with
the sex in general, a commendable wish to improve
their natural beauty, to conceal the defects of age,
and to appear pleasing in the eyes of the world,
but more particularly studied for the eyes of those they love.</p>
            <p>Roasted oxen, sheep, and suet dumplings, of most
substantial fabric and dimensions, are then arranged,
on long tables, in the barn, for the extensive appetites and powerful digestion of the guests, with a liberal allowance of nut-brown home-brewed ale;
yet still keeping within the bounds of temperance
and discretion, as the partakers have to exhibit their
well-practised steps, not only before the gentry, but
those most dear to them, all undertaking of vast
importance for the diffident and bashful. In the
hall, or house-part, the females are regaled with tea
and sweet cake; and, while the gentlemen are<pb id="p170" n="170"/>carving the substantials and superintending the
refreshments, in the barn, their wives and daughters
are making tea, for limited numbers, in the hall, a
situation of some fatigue, as the ancient part of the
company are not restricted in their potations. I lost
count, after pouring out <hi rend="italic">nine cups</hi> to one garrulous
villager, who had not half finished.</p>
            <p>The tables cleared, and the musicians elevated,
forming a sort of orchestre, the youngest gentleman,
highest in rank, leads out the youngest reaper; the
youngest reaper then leads out an elderly lady, and
so on, until a long country dance is formed. Some
little awkwardness and bashfulness is usual, at first,
until they enter into the spirit of the dance; and
then, few can fancy a more animated and delightful
scene, for all seem happy. Reels and songs from
rustic youths vary the amusements of the evening
until midnight, and to those who are accustomed to
go to rest with the sun and arise with the lark, the
hour of twelve appears extreme dissipation; yet, on
this extraordinary occasion, the harvest moon,
"blinkin in the lift sae hie," passes on, and the
rosy morn appears before the sport is ended, or the
last draught taken of the "barley bree."</p>
            <p>To these feasts all are welcome, and all those who
can, make it a point to assemble. There are no
invidious or family distinctions, no <hi rend="italic">exclusiveness,</hi>
not even in the seats set apart for the gentry; all
for the time is equality, nor is there wanting due
respect on either side;—there is affability without<pb id="p171" n="171"/>the appearance of condescension, kindness without
pride, and mirth without familiarity. It is to this
contact yearly with their tenantry that I attribute so
much more respect to the nobility, bestowed with
veneration by the people in the north, than I have
observed in the south of England; the day of
departure from the north is a day of mourning,
while their return is hailed with true joy. I have
seen both, and the manifestations of feeling proved
they identified themselves with the interests of their
landlords zealously, and that they lived in the hearts
of their peasantry. With the exception of that
most exclusive of all scenes of folly and flirtation,
<hi rend="italic">Almacks,</hi> I have seen a little of every congregated
assembly for joyous celebration, from the balls of
England, the fête champetres of France, to the
public fair of old Ireland, and have been amused
with all; but, if I must give the preference in a
selection, after a quiet, social, friendly family party,
it should be the heart-warming, spirit-stirring festivities of the honest and hospitable <hi rend="italic">Lairds</hi> of Northumberland, in their celebration of the plentiful
season, when they may exclaim, with the poet Herrick,<q direct="unspecified">
                  <lg type="fragment">
                     <l rend="indent2">"Lord! 'tis thy plenty dropping hand</l>
                     <l rend="indent3">That soiles my land,</l>
                     <l rend="indent2">And giv'st me, for my bushel sowne,</l>
                     <l rend="indent3">Twice ten for one."</l>
                  </lg>
               </q>The season, then, has its charms; flowers in full
blow, trees in full foliage; and the golden corn<pb id="p172" n="172"/>seems as it were bending to the sickle of the reaper.
Among the industrious tribe who cut their way
through the country, I was recognised by some of
Erin's sons, in rather a ludicrous way; but that
account I will reserve for another opportunity, my
present object being to show the rustic rejoicing and
thanksgiving to the great Dispenser of all good for
an abundant supply of the staff of life, in the annual
joyous celebration of <hi rend="italic">Harvest Home.</hi>
            </p>
         </div1>
         <div1 type="poem" id="d0e5465">
            <head type="main">The Questioner.</head>
            <lg type="stanza">
               <l>"WHERE does my father stay so long,</l>
               <l rend="indent1">Mother, from you and I?</l>
               <l>Why does he not return again?</l>
               <l rend="indent1">Why do you weep and sigh?</l>
               <l>Three months, you said, he would remain,</l>
               <l rend="indent1">And leave us all alone,</l>
               <l>Yet, by the winter's storm and snow,</l>
               <l rend="indent1">Twelve months are past and gone!</l>
            </lg>
            <lg type="stanza">
               <l>"Where is his tall and gallant ship</l>
               <l rend="indent1">You took me once to see,</l>
               <l>In colours deck'd, its white sails specked</l>
               <l rend="indent1">The deep blue summer sea?</l>
               <l>Mother, I think I see him now,</l>
               <l rend="indent1">He waved his hat in hand,</l>
               <l>His last words were—'God bless you both!'</l>
               <l rend="indent1">When we stood on the strand.</l>
            </lg>
            <pb id="p173" n="173"/>
            <lg type="stanza">
               <l>"How well I now remember him,</l>
               <l rend="indent1">He held me on his knee,</l>
               <l>There is the bird, and fruit he brought</l>
               <l rend="indent1">From the far Indian tree.</l>
               <l>All other ships are coming in,</l>
               <l rend="indent1">Parting the white waves' foam,</l>
               <l>When will my father's ship return,</l>
               <l rend="indent1">Oh, when will he come home?"</l>
            </lg>
            <lg type="stanza">
               <l>"Thy father tarried long, my child,</l>
               <l rend="indent1">Upon the distant main,</l>
               <l>The hurricane the ocean swept—</l>
               <l rend="indent1">He'll ne'er return again!</l>
               <l>His gallant ship, my gentle boy,</l>
               <l rend="indent1">It rests beneath yon wave:</l>
               <l>That placid, calm, and shining sea,</l>
               <l rend="indent1">Flows o'er thy father's grave!"</l>
            </lg>
            <lg type="stanza">
               <l>"Again you weep, my mother dear,</l>
               <l rend="indent1">Shall we not see him more?"</l>
               <l>"Ask, if the deep and fathomless</l>
               <l rend="indent1">The dead again restore.</l>
               <l>My child, thou art the only tie</l>
               <l rend="indent1">This world hath left to me,</l>
               <l>There is a Heaven beyond the sky,</l>
               <l rend="indent1">A home for him and thee."</l>
            </lg>
         </div1>
         <div1 type="part" id="d0e5554">
            <pb id="p174" n="174"/>
            <head type="main">An Irish Wedding.</head>
            <epigraph>
               <q direct="unspecified">
                  <lg type="fragment">
                     <l rend="indent2">"Without our hope, without our fears,</l>
                     <l rend="indent2">Without the home that plighted love endears,</l>
                     <l rend="indent2">Without the smile from partial beauty won,</l>
                     <l rend="indent2">Oh! what were man? a world without a sun."</l>
                  </lg>
               </q>
            </epigraph>
            <p>AMONG the scenes and incidents of Irish life, how
few have depicted any above the peasantry, though
every person of any literary ability is well received
and welcomed, with that urbanity so peculiar to
the country; yet, with all the destitution and poverty
that meets the eye, and palls upon the sense of the
English visitor, unless some particular good ensued,
there is no necessity to repeat the <hi rend="italic">twice-told tale</hi> of the misery and mendicancy of that unfortunate
country, as if it were not equally rich in proportion
to its depression in themes, subjects, and incidents,
for the poet, humourist, and historian to exert their
genius and talent upon, in pathos, bathos, wit,
humour, courage, and bravery. The higher class
disclaim our pity, and, placing ourselves in their
situation, should we not do the same? Pitiable,
indeed, is that mind which seeks pity, for all above
the common level, and many beneath, wisely spurn
it, even in the very extreme of poverty. Let us
endeavour to forget for a time their sufferings, and,
taking a higher grade, let us step into the mansions
of the wealthy, by way of contrast, and change the
subject to one of a pleasanter cast, by attempting
to describe a wedding in high life.</p>
            <pb id="p175" n="175"/>
            <p>Without invading the rules of hospitality, or
encroaching on the sacred points of friendship, I
may venture to relate (being present) the particulars
of an event, ever interesting to my fair young friends,
a happy marriage! The unbecoming levity with
which the subject of matrimony is sometimes
treated, by those whose education and parental
example, ought to have led to a more respectful and
honourable way of thinking, induces me to represent
to such, by way of example, one, whose first onset
in life, with every fair advantage, was incomplete
until united to the fair being above all others loved.</p>
            <p>Crofton M'Dermott was young, handsome, and
rich, honourable in principle, noble in disposition,
and generous to a fault; in a word, which will
comprise all, he was an Irish gentleman, and further
eulogium is superfluous to enhance that character.
He resided on his estate, in the interior of Ireland;
a blessing to his tenantry, a support and an honour
to his country, He paid a visit to England every
year, to purchase books, paintings, agricultural
implements, instruments of industry, and every
work of improvement that could embellish the
paradise he inhabited, or increase the comforts of
the peasantry. All novelties in art and science
were eagerly sought for by this liberal-minded man;
so that, when he arrived, a baggage-waggon would
hardly contain all the patent, prime, portable new
inventions and discoveries he had gathered together
in his travels. But (and there always is a but in<pb id="p176" n="176"/>the way) he was not perfectly happy; there seemed
an air of restless inquietude about him, as though
there was other treasure wanting. Social, hospitable, domestic and studious, with a palace, grounds, horses, carriages, and a library a Dominie might
revel in; with an affectionate mother to preside over
all, what more was requisite for human happiness?
This question was soon solved, by the receipt, one
morning, of a pretty little note, sealed with a dove
bearing a letter in its bill, conjointly containing an
invitation to the house of a fair friend from whence
it was written, to appear precisely at the hour of
ten o'clock, in Mountjoy-square, and accompany
them to St. George's Church. "Do come," wrote
M'Dermott, "for I am anxious that you, with every
other friend, should witness my happiness, on that
felicitous occasion." This appeal was irresistible,
from one who thought so properly on an event
which so materially concerned his future welfare.
He was a good son, an affectionate brother, a kind
friend, and such usually makes the best of husbands.
On the appointed day a hackney-coach set me down,
at the rear of thirteen handsome private equipages,
all filled with some of the leading fashionables of
Dublin. The hall was lined with servants, each
wearing a large white rosette; even the statuary
which filled the niches on the stairs, were decorated
with white ribbons, and bound over the eyes of
Cupid. The folding-doors, which separate the front
and back drawing-rooms, were thrown open, and<pb id="p177" n="177"/>displayed all that modern elegance and taste could
combine in splendour; rich gilding, yellow satin,
damasks, marble slabs, mirrors, and chandeliers,
while the gay company which filled the rooms were
reflected in large plates of glass, which filled up
every recess, as they were smiling, complimenting,
and jesting with the pretty Ellen O'Brady, on
changing her real Irish name from the O to the Mc,
while the poor little soul, with the crowd and the
congratulations together, hardly knew whether to
laugh or cry. Extending her hands to me, "Crofton
will be glad to see you are come; he says, you
advised him to take this rash step," added she,
smiling, for he was peeping over her shoulder.
"Not rash, I hope," said I, "a wise step;"<q direct="unspecified">
                  <lg type="fragment">
                     <l rend="indent2">"The way was long, the garden was a wild,</l>
                     <l rend="indent2">And man, the hermit sighed, till woman smiled."</l>
                  </lg>
               </q>
            </p>
            <p>The company, after partaking of chocolate, &amp;c. re-seated themselves in their carriages, which were to form in procession after the bride and bridegroom's—a superb affair, London-built, new for the occasion,
patent axle-trees, patent springs, &amp;c. The coachman had been a "young tiger" in his day, but was now full grown and full blown, a London lion of his
tribe: two servants stood behind, in rich liveries,
white silk stockings, tags, tassels, and gold-headed
canes, powdered, puffed, curled, and rosetted; and,
as my vehicle was rather detrimental to the retinue,
I discharged it, and accepted the offer of a seat with<pb id="p178" n="178"/>the bride's parents. What a gay group assembled
round the altar! M'Dermot's eyes sparkled with
delight: "She is now mine own," said he, clasping
her hand, as though never to be separated, and he
owned he had found the treasure he had sought.</p>
            <p>Some silly fashionables, who affect singularity,
having persuaded the lovely Ellen that white dresses,
white roses, and white veils were vulgar and obsolete,
accordingly fashion, which bears sovereign sway,
from a wedding to a funeral, must be followed. The
countenance of the bride having for me more interest
than her attire, I hardly knew what it was, until a
lady of the old superstitious school whispered this
couplet:—<q direct="unspecified">
                  <lg type="fragment">
                     <l rend="indent3">"Who marry in white, be happy might;</l>
                     <l rend="indent3">Who marry in gray, may rue the day."</l>
                  </lg>
               </q>I looked on the silver-grey tabinet bridal dress, and,
for the moment, regretted fashion's innovation,
particularly as the comment had left a sad impression.
Like all foolish women, on solemn occasions, I could
not help tears filling my eyes; but why or wherefore,
like woman again, could not give a sensible reason,
and only wished the old lady had kept the couplet to
herself.</p>
            <p>On the return from church, an elegant collation
was prepared, and two large bride-cakes were
divided and distributed, with gloves, to the guests,
with some small portions which had passed through
the ring, and said to possess a particular charm, as<pb id="p179" n="179"/>regards pleasant dreams for the unmarried. I
reserved mine for my young friends, my fate being
most happily decided on this <hi rend="italic">head</hi> some years ago.</p>
            <p>The cavalcade accompanied the happy pair as far
as Kingstown, where they left them to make the
tour of the county of Wicklow, and from thence to
proceed to the estate of M'Dermot, where the tenantry
waited to receive them. With dispositions suited
to each other, tastes agreeing, and no great disparity
in age, rank, or fortune, could it be supposed they
were otherwise than happy. Their lives were a tissue
of domestic felicity seldom surpassed, and their mutual assistance to the poor one continued act of benevolence. It was delightful to read their joint letters,
breathing cheerfulness and devotion to each other,
and perpetual invitations to come to them and see
their Elysium on earth, their "Garden of Eden."
After a promise to do so in the ensuing summer,
there was a pause in the correspondence, an awful
pause. Alas! that perfect happiness is not permitted
to be of long duration in this sublunary world.
Mournful as it is, truth obliges me to give the melancholy rejoinder.</p>
            <p>The hour of expectation arrived most dear to the
hopes of a young husband, who calculates on an
accession to his happiness, in the pride of an heir to
the estates of his ancestors. That hour beheld him
the most miserable of mankind, a distracted widower,
by the death of his beloved wife. He clasped her
cold hands in an agony of despair. "Mine own!<pb id="p180" n="180"/>no more!" he exclaimed, as he leaned over the newborn heir, endeavouring to trace the lineaments of its departed mother. He heard one little fluttering
sigh, and again felt himself alone in the world, for it was buried with her.</p>
         </div1>
         <div1 type="poem" id="d0e5615">
            <head type="main">Monody.</head>
            <lg type="stanza">
               <l>I saw her in her bridal dress</l>
               <l rend="indent1">On to the altar move;</l>
               <l>I marked her look of tenderness,</l>
               <l rend="indent1">Of fond, confiding love.</l>
               <l>I heard her breathe her plighted vow</l>
               <l rend="indent1">Of truth, while kneeling there,</l>
               <l>In timid accents, soft and low,</l>
               <l rend="indent1">Responding to each prayer.</l>
            </lg>
            <lg type="stanza">
               <l>I saw her move along the aisle,</l>
               <l rend="indent1">Surrounded by the gay,—</l>
               <l>Her blushing cheek, her sweetest smile</l>
               <l rend="indent1">"I'm happy" seemed to say.</l>
               <l>And he was blest—her chosen one—</l>
               <l rend="indent1">For she was fair and young,</l>
               <l>And proudly there he led her on</l>
               <l rend="indent1">'Amid the admiring throng.</l>
            </lg>
            <pb id="p181" n="181"/>
            <lg type="stanza">
               <l>O transient bliss! too early flown!</l>
               <l rend="indent1">The blessing—mutual love—</l>
               <l>With every vow, word, look, and tone</l>
               <l rend="indent1">Are registered above.</l>
               <l>A mother's tender hopes were crush'd,</l>
               <l rend="indent1">Her breath of life is o'er;</l>
               <l>Her sweetest voice in death is hushed,</l>
               <l rend="indent1">Its tones can charm no more.</l>
            </lg>
            <lg type="stanza">
               <l>Her lovely form is free from pain,</l>
               <l rend="indent1">Cold is her placid brow;</l>
               <l>Regrets are idle—tears are vain—</l>
               <l rend="indent1">What was—is nothing now!</l>
               <l>Her gentle spirit, briefly given,</l>
               <l rend="indent1">Now sleeps among the blest;</l>
               <l>It seeks its kindred home in Heaven,</l>
               <l rend="indent1">Where Angels only rest!</l>
            </lg>
         </div1>
         <div1 type="poem" id="d0e5687">
            <head type="main">Flowers.</head>
            <epigraph>
               <cit>
                  <q direct="unspecified">
                     <lg type="fragment">
                        <l rend="indent2">"She is leaving the home of her childish mirth,</l>
                        <l rend="indent2">She has bade farewell to her father's hearth,</l>
                        <l rend="indent2">Her place is now by another's side:</l>
                        <l rend="indent2">Bring flowers for the locks of the fair young bride."</l>
                     </lg>
                  </q>
                  <lb/>
                  <bibl>MRS. HEMANS.</bibl>
               </cit>
            </epigraph>
            <lg type="stanza">
               <l>BRING lilies that grow by the valley's stream</l>
               <l>And bow their heads to the bright sunbeam,</l>
               <l>The jessamine fresh, from the trelliced bower,</l>
               <l>The hyacinth white, and the orange flower;</l>
               <l>And the snowy wreath shall yield its pride</l>
               <l>To the fair young brow of the blooming bride:</l>
            </lg>
            <pb id="p182" n="182"/>
            <lg type="stanza">
               <l>She has plighted her faith and vow of truth,</l>
               <l>Resigned herself in the bloom of youth,</l>
               <l>Uniting her faith, with her fervent love,</l>
               <l>In the promised hope, which may adverse prove,</l>
               <l>Through the storms of life with ONE to roam—</l>
               <l>For that ONE she leaves her parental home.</l>
            </lg>
            <lg type="stanza">
               <l>Bring roses full blown for a diadem,</l>
               <l>And daisies from off the parent stem,</l>
               <l>Sprigs of myrtle and violets blue,</l>
               <l>Carnations of every shade and hue,</l>
               <l>And twine them around her matron brow,</l>
               <l>For the bride that was, is a mother now.</l>
            </lg>
            <lg type="stanza">
               <l>Bring cypress and yew from the forest drear,</l>
               <l>And deadly night-shade to grace the bier;</l>
               <l>Bring the fading heart's ease and white rose leaf,</l>
               <l>As Nature's lesson to parents' grief;</l>
               <l>From the running brook bring dark flowers wild,—</l>
               <l>She is mourning her hope—her infant child.</l>
            </lg>
            <lg type="stanza">
               <l>Bring sculptured marble and graved stone,—</l>
               <l>Their tablets speak of the loved one gone,</l>
               <l>How the reckless hand of Time will sweep,</l>
               <l>And how vain the tears of friends who weep:</l>
               <l>On her lifeless form strew flowers o'er,</l>
               <l>For the bride and mother are now no more!</l>
            </lg>
         </div1>
         <div1 type="poem" id="d0e5771">
            <pb id="p183" n="183"/>
            <head type="main">Welcome.</head>
            <lg type="stanza">
               <l>THRICE welcome home, my worthy guest!</l>
               <l rend="indent1">Come, take thine old accustomed seat,</l>
               <l>And thou shalt share the first and best</l>
               <l rend="indent1">In this our quiet, calm retreat.</l>
            </lg>
            <lg type="stanza">
               <l>Join once again our kindred bands,</l>
               <l rend="indent1">While they shall welcome thee with smiles;</l>
               <l>Come, tell me of the foreign lands,—</l>
               <l rend="indent1">Thou'st traversed many weary miles.</l>
            </lg>
            <lg type="stanza">
               <l>Though years have blanched thine head with snow,</l>
               <l rend="indent1">And bowed thy drooping form with age,</l>
               <l>Yet, let thy toils of weal and wo</l>
               <l rend="indent1">Mine anxious thought, mine ear engage.</l>
            </lg>
            <lg type="stanza">
               <l>And though the young have now grown old,</l>
               <l rend="indent1">The old have waned in life's decline,</l>
               <l>Yet trust me, hearts are never cold</l>
               <l rend="indent1">Which hold respect for worth like thine.</l>
            </lg>
            <lg type="stanza">
               <l>Now, tell me of the time long past,</l>
               <l rend="indent1">Of battles lost and conquests won;</l>
               <l>As smiles or sighs thy story cast,</l>
               <l rend="indent1">I'll listen till the set of sun.</l>
            </lg>
            <lg type="stanza">
               <l>Thy children's children thou hast seen,</l>
               <l rend="indent1">And been their guide, my good old man!</l>
               <l>And many clouds have passed between,</l>
               <l rend="indent1">To chequer thy life's lengthened span.</l>
            </lg>
            <pb id="p184" n="184"/>
            <lg type="stanza">
               <l>But time has brought around thee now</l>
               <l rend="indent1">Young blossoms from the parent tree;</l>
               <l>Then let me cheer thy furrowed brow,</l>
               <l rend="indent1">And succour, help, and comfort thee.</l>
            </lg>
         </div1>
         <div1 type="poem" id="d0e5839">
            <head type="main">Woman's Love.</head>
            <lg type="stanza">
               <l>WOMAN'S love! if thou hast known it</l>
               <l rend="indent1">When or wheresoe'er it be,</l>
               <l>Or if mutual she hath shown it,</l>
               <l rend="indent1">Bless the stars that gave it thee.</l>
            </lg>
            <lg type="stanza">
               <l>Woman's love!—if thou has spurned it,</l>
               <l rend="indent1">Though her lot be as it may,</l>
               <l>Or have won and not returned it,</l>
               <l rend="indent1">Thou hast darkened her fair day.</l>
            </lg>
            <lg type="stanza">
               <l>Woman's love!—if thou hast slighted</l>
               <l rend="indent1">Light celestial sent from heaven,</l>
               <l>Sunshine of her heart, if blighted,</l>
               <l rend="indent1">Never hope to be forgiven.</l>
            </lg>
            <lg type="stanza">
               <l>Woman's love!—if thou hast traced it</l>
               <l rend="indent1">Through the clouds of grief and pain,</l>
               <l>Time nor absence hath erased it,</l>
               <l rend="indent1">There it will for ever reign.</l>
            </lg>
            <lg type="stanza">
               <l>Woman's love!—for ever guard it,</l>
               <l rend="indent1">'Tis a gem upon the earth;</l>
               <l>Kindly through thy life reward it,</l>
               <l rend="indent1">'Tis a pearl beyond all worth.</l>
            </lg>
            <pb id="p185" n="185"/>
            <lg type="stanza">
               <l>Woman's love!—then idolize it,</l>
               <l rend="indent1">Every hour this truth can prove</l>
               <l>Man ne'er yet enough could prize it,</l>
               <l rend="indent1">Treasure locked in woman's love.</l>
            </lg>
            <lg type="stanza">
               <l>Man ne'er knew, till time revealed it,</l>
               <l rend="indent1">All his loss death could remove,</l>
               <l>Owns, when 'tis too late to shield it,</l>
               <l rend="indent1">Boundless wealth in woman's love.</l>
            </lg>
         </div1>
         <div1 type="part" id="d0e5906">
            <head type="main">Domestics</head>
            <p>To any one who has been accustomed to the
<hi rend="italic">cleanliness</hi> and comforts of the household economy
of England, and considers these, as they are, a very
material part of a pleasant existence, there is not a
greater plague on the Irish earth than their domestic
servants; for, with more the appearance of drudgery,
they have less method, system, order, and industry
than their sisterhood on the other side of the water.
The change from one country to the other is more 
perceptible than any other; for these absolute evils,
indispensable tormentors, and provoking appendages
are ignorant of all those little <sic corr="niceties">nicities,</sic> anticipations,
and attendances which constitute so much domestic
comfort, and the diminution of which becomes a
grievance the most annoying.</p>
            <p>Irish servants are much better in England; the
force of example leads them to excel, and by lenience<pb id="p186" n="186"/>and kindness they become industrious, attached,
and grateful, and are invariably civil and good-humoured: but on their own ground, to attempt any thing like a reformation would be like "washing
a blackamoor white;" for as long as they are
engaged upon the terms they now are, nothing better
can be expected from them, and to this bad system
we may attribute all their failings. They are allowed
from four to six pounds a year only, and two and
sixpence for what is called <hi rend="italic">weekly money,</hi> out of which they have to find their own tea, sugar, bread, butter,
milk, &amp;c. Their dinner only is found them, usually
cut off at the table, from the joint, which is not
allowed to descend to the kitchen, but is safely
deposited under lock and key, in a press for the
purpose. Living in this uncomfortable manner, <hi rend="italic">in</hi>
a family, but not <hi rend="italic">with it,</hi> it is hardly to be supposed
they will not make the most of all they can get, and
sometimes more than they ought, where this want
of confidence in their honesty is so palpably shewn.
Accordingly, they seldom buy anything but bread,
which is not home-made here as in England, and
make out the cause by boiling up the refuse of the
table, allotting the money for something more potent
than tea, a temptation which undermines all their
resolutions of sobriety.</p>
            <p>The want of cleanliness is the general complaint.
There may be some exceptions, but I fear it would
require the lantern of Diogenes to find them. To
prove there <hi rend="italic">is</hi> cause of complaint, I will give an
instance from my own knowledge of them.</p>
            <pb id="p187" n="187"/>
            <p>The English servant I had brought over with me
pined, like her mistress, for her native country; and
after three months total disgust at the want of all
order and cleanliness in her fellow-domestics, returned home, leaving me to the disagreeable necessity
of supplying her place by a <hi rend="italic">native.</hi> Accordingly, out of the hundred advertisements in Saunders's
paper, of "just disengaged," I replied to one, which
promised all the perfections under the sun, in the
capacity of "thorough servant." Mrs. Judith
Mulrooney, as she announced herself, was a steady
widow of forty, "without incumbrances," of respectable appearance, with the everlasting grey cloak. She handed me numerous amiable <hi rend="italic">written characters,</hi> one of which assured me she was "onest,
sober, and sivil;" another, that she was "clane
and dacent in her demanur;" and a third, that she
was "a good plane kook." "That is just what I
want," said I, "a good plain cook. Where have
you lived last?" "Wid an alderman, ma'am, an' I'd
be livin' wid him yit, only he died last Aisther, rest
his sowl." It would be superfluous to question her
culinary qualifications after living with an alderman;
so I engaged her on my own terms, not her's. I
agreed to give her seven pounds per annum, and
live as I did. I knew by so doing she would have
proper food, at regular hours, and not have ready
money to squander improvidently; and, as her
<hi rend="italic">"carracturs"</hi> as she called them, bore written testimony that she was <hi rend="italic">"onest</hi> and <hi rend="italic">sober,"</hi> I intended<pb id="p188" n="188"/>to place confidence in her honesty and sobriety.
Mrs. Judith Mulrooney, making me a low curtesy,
said she agreed to my <hi rend="italic">terrms,</hi> and would be mighty
proud to <hi rend="italic">sarve</hi> me, adding, "An' I'll engage, ma'am,
I'll <hi rend="italic">shoot</hi> you illigantly.</p>
            <p>She was installed in office that evening, and, with
requisite instructions, she commenced her duty.
We anxiously waited the proof of her abilities in the
"taste of her quality," in the next day's dinner.
A slovenly style of laying the cloth, and an untidy
appearance now she had cast the grey envelope, gave
me some doubts as to suiting me as <hi rend="italic">illigantly</hi> as she expected. However, I did not find fault the first day.
Dinner was served. "Oh! Judith," said I, when
she took off the cover, "I forgot; I must teach you
how to boil potatoes." "Is id <hi rend="italic">tach</hi> me, ma'am?"
said she, with a witty expression, "Sure I boiled
<hi rend="italic">pratees</hi> long before you were born ma'am, begging
your pardon; an' dhe alderman, rest his <hi rend="italic">sowl,</hi> never
would have them dressed any other than the likes
o' thim forenint you." "Yes, but, <hi rend="italic">I</hi> must have
them <hi rend="italic">undressed without</hi> their jackets. It is all a
matter of taste, but we prefer them peeled, and I
will come down and show you to-morrow." "Saucy
English!" thought Judy. Perhaps she was right.</p>
            <p>I and mine now exchanged questionable looks
over a pair of boiled fowls, which, more than dingy,
had a very suspicious dark appearance. The melted
butter bore the complexion of train oil, and the fresh
young greens seemed to have "fallen into the sear
and yellow leaf" of old age. It being six o'clock,<pb id="p189" n="189"/>two hours beyond our usual time, and very hungry,
we made the most of the beggarly-looking potatoes,
and I endeavoured to pick the merry thought of a
fowl, with anything but a merry thought; so I
reserved a corner of my appetite for a black currant
tart I expected; and <hi rend="italic">black</hi> indeed it was, when
placed before me. I had seen bricks, made of clay,
baked and burned, and this, only in another form,
might have been one of them. The outside was
enough, and did not tempt me to pry within. I
concluded my repast with a biscuit and a glass of
wine, and began to ponder in my own mind what
I was to say to Mrs. Judith on the morrow.</p>
            <p>According to promise, I went down the next day,
and the first salutation I got was, "Och, misthress
dear, my back's <hi rend="italic">bruck</hi> wid palling dhe praytees, so
id is," "And well it may be in that way," said I;
for she was crouched over the steaming pan on the
floor, and with a knife in one hand and a boiled
potatoe on a fork in the other, was stripping the
skins off and throwing them on the floor. After a
week's training and teaching her, and starvation to
myself, I found it was all to no purpose. We were
dissimilar in habits and taste, and the sooner our
union was <hi rend="italic">repealed</hi> the better for my comfort; and,
as she was neither nice in her apparel or clean in
her person, and had inflicted on us dirty-hafted
knives, unclean forks, and sundry abominations in
her cooking, I was induced to tell her I could dispence with her services, particularly as she said "she would not wash the steps, or <hi rend="italic">clane</hi> the hall<pb id="p190" n="190"/>door for ere a misthress in the world;" and, as for
cleaning the windows, "Sure would I make a
glazier of her?" So I told her I wanted a better
cook,—"A better cook!" echoed Judy; "is id
afther me! that have dressed dinners for the alderman, rest his sowl! and all de corporation? Och, hone! but that was mighty good." "If you have
killed the alderman by giving him a peck of dirt
before his time," said I, "you shall not practice
upon us, so any further remarks from you are unnecessary. Take this plate, and bring me a clean one." "Sure Ive just <hi rend="italic">wiped</hi> id," said she. "I
prefer a washed one." "Will you look at that,
ma'am; sure that plate is as <hi rend="italic">clane</hi> as iver id was,"
said she, returning, and holding it up, after smearing
it over with her dirty apron. "What ails it?" "Do
as I bid you, Judith, if you please, and no more
words." "Well well," said she, shaking her head
and soliloquizing, "but thim English bates all!"
To avoid further contention with Mrs. Mulrooney,
"You must leave me Judith," I said, "for I cannot
endure this any longer." "Och! its well you spoke
first, ma'am," replied she, making a merit of necessity, "for I was going to say that same myself; sure my heart's <hi rend="italic">bruck</hi> wid the affront you put upon
my poor country in paling the praytees; for we
know how to boil <hi rend="italic">thim</hi> better nor you, for you spoil
thim, so you do, begging your pardon, ma'am, for
being so <hi rend="italic">bould.</hi> But there is no living wid the saucy
English, you are all too <hi rend="italic">particlar</hi> intirely."</p>
         </div1>
         <div1 type="poem" id="d0e6022">
            <pb id="p191" n="191"/>
            <head type="main">The Vacant Chair.</head>
            <lg type="stanza">
               <l>I DO not like to look upon</l>
               <l rend="indent1">The lone, deserted, vacant chair;</l>
               <l>Reminding me of lov'd ones gone,</l>
               <l rend="indent1">Of those who found a solace there.</l>
            </lg>
            <lg type="stanza">
               <l>From whence to welcome me there came</l>
               <l rend="indent1">The outstretch'd hand, the cheerful smile;</l>
               <l>The voice of gladness still the same,</l>
               <l rend="indent1">The flush of joy which beam'd the while;</l>
            </lg>
            <lg type="stanza">
               <l>The laugh of mirth, the song of glee,</l>
               <l rend="indent1">The thrice-told tale of early love;</l>
               <l>The flash of wit and repartee,</l>
               <l rend="indent1">As folly reign'd, or fancy rove.</l>
            </lg>
            <lg type="stanza">
               <l>Can I forget, that from that seat</l>
               <l rend="indent1">I've heard the plaintive notes of wo?</l>
               <l>Have known a heart with tumult beat,</l>
               <l rend="indent1">And seen the tear unbidden flow?</l>
            </lg>
            <lg type="stanza">
               <l>Where is she whom that seat should fill?</l>
               <l rend="indent1">'Tis vain the absent one I trace;</l>
               <l>I gaze upon the seat until</l>
               <l rend="indent1">My vision's lost in vacant space.</l>
            </lg>
            <lg type="stanza">
               <l>And while again mine eyes will stream</l>
               <l rend="indent1">With sorrow's sad but useless tears,</l>
               <l>While musing on the transient dream</l>
               <l rend="indent1">This visionary life appears.</l>
            </lg>
            <pb id="p192" n="192"/>
            <lg type="stanza">
               <l>Reflecting on each varied change,</l>
               <l rend="indent1">Let us the waste of hours repair;</l>
               <l>Ere long another's form may range,</l>
               <l rend="indent1">When we are gone, OUR VACANT CHAIR.</l>
            </lg>
         </div1>
         <div1 type="part" id="d0e6090">
            <head type="main">Never Fear.</head>
            <p>An Englishman is disposed, when travelling, to
be all <hi rend="italic">doubts</hi> and <hi rend="italic">fears:</hi> he <hi rend="italic">doubts</hi> if the vessel will
arrive at the expected time, and <hi rend="italic">fears</hi> he shall not
reach his destination at the appointed hour; he
<hi rend="italic">doubts</hi> a storm is coming, and <hi rend="italic">fears</hi> the roads are
heavy; but Paddy, happy Paddy! let it blow "great
guns," as the sailors say at sea, or be it knee deep
in mire on shore, he <hi rend="italic">never fears;</hi> sink or swim, there
is a joyousness of spirit, a buoyancy of thought
about him that keeps his head above water, and his
heart light on shore; he will talk, laugh, sing,
dance, and drink; while my more serious and
phlegmatic countryman is muffling himself up in
a corner, in an unsocial, misanthropical mood,
"nursing his wrath to keep it warm," gathering his
brows against some dreaded approaching difficulty,
some misery in perspective which he is so <hi rend="italic">pleased</hi>
to anticipate. "Take care how you carry that
portmanteau," said an English traveller, landing
from one of the steamers at Kingstown, to a porter,<pb id="p193" n="193"/>who had jumped on board and made a dead seizure
of his apparel so packed; "take care, or you will
lose it overboard." "Never fear, your honour,"
was the reply. After making the best choice he
could out of a ragged string of dirty outside cars,
and choosing the most fleet-looking Bucephalus,
he began to fear it would not go as quick as he
wished. "Never fear, your honour, Skylark bates
all on the road, if you give him the first start."
"But look, your traces are broken; have you no
leather to repair them?" "Not a haporth." "That
cord will never carry us to Dublin." "Never fear,
sir." "Yes, but I <hi rend="italic">do</hi> fear broken limbs and neck,
too." "Ah, never fear," again said the driver.
"Take your time going down these hills." "Hills,
sir? not a bit of it, only inclined planes, slight inclinations." "Whatever they are, I have no inclination to lose my life, which I fear I shall." "Oh, never
fear—no danger, sir." "And now," said the
traveller, "I have my doubts if we shall be in time
for the Waterford mail; and, if too late, I suppose
not a bed to be got." "Never fear," replied Paddy,
thumping away with the butt-end of his whip,
having tied up the traces with the lash thereof." "I
fear it will be dark before we get in." "Never fear,"
said persevering Paddy. "What do you mean?"
said the irritable traveller: "do you think you can
prolong daylight, or that the moon will rise to please
 you?" "Never fear, your honour." said Paddy,
laughing. In gay good humour did poor Paddy,<pb id="p194" n="194"/>flying away in rags, comprising the remains of what
once were <hi rend="italic">two</hi> drab <sic corr="frieze">freize</sic> great coats, with thirteen
capes, keep "never fearing" to all he was obliged
to endure from the half-dead traveller, whose sufferings from the voyage had not improved a naturally morose temper; and thus did the poor fellow, a
stranger to good cheer, cheer his fellow man, until
they arrived at that prince of hostels, Gresham's.
"Here we are at last," said our traveller; "I had
my doubts as to being in time for the mail."
"Didn't I tell your honour to never fear? Skylark
knows he'll not get a feed till he gets to Dublin
anyhow, nor another feed till he sees Kingstown
again." "Why, you don't mean to say that that
poor hack can go back to night?" "Oh, never fear
but he'll go <hi rend="italic">twicest,</hi> if wanted." Something over
the fare was given, for the English are always generous,—with "Get a glass of grog to warm you." "Never fear," said Paddy most heartily: "many
thanks, your honour; may you live till you die!"
"And that I shall," said the traveller, "'never fear.'"</p>
            <p>An Irishman never fears in battle, or why would
he fight? never fears poverty, or why would he drink?
never fears sorrow, or why should he be sad? never
fears sickness, for exercise keeps him in health;
never fears creditors, for he is too poor to be trusted;
never fears robbers for he has nothing to lose; never
fears disappointments, for he has nothing to expect;
never fears age, for he is always gay; never fears<pb id="p195" n="195"/>cold, for he takes care <hi rend="italic">spiritually</hi> to guard against it;
and, to use his own words, gentle reader, not mine,
"He fears not even Lucifer himself while God protects him;" and that he will do, if he live soberly, work industriously, and act honestly, <hi rend="italic">never fear!</hi>
            </p>
         </div1>
         <div1 type="part" id="d0e6144">
            <head type="main">The Maiden Aunt.</head>
            <epigraph>
               <q direct="unspecified">
                  <lg type="fragment">
                     <l rend="indent2">"It is not while beauty and youth are thine own,</l>
                     <l rend="indent3">And thy cheeks unprofaned by a tear,</l>
                     <l rend="indent2">That the fervour and faith of a soul can be known,</l>
                     <l rend="indent3">To which time will but make thee more dear."</l>
                  </lg>
               </q>
            </epigraph>
            <p>THERE is not a more valuable member of society
than a maiden aunt. Yet how frequently is she
considered an incumbrance on earth, an intruder in
society! To avoid the odium which the illiberal
part of the world has attached to female celibacy,—
as "antiquated, ill-tempered spinsters,"—how many
amiable women have sacrificed their happiness by
an unfortunate union, where affection was not
reciprocal! That old maids are a slandered race is
certain; but we hold in our recollections of respect
some dear and valued beings who, though their
charms are in the wane, "like fairy gifts fading
away," are yet most happy in single blessedness;
and to the numbered years of sixty and seventy<pb id="p196" n="196"/>have given no proofs of the mind's decay, in the
irritability of temper, or selfishness of disposition,—<q direct="unspecified">
                  <lg type="fragment">
                     <l rend="indent2">"Who will still be adored, as this moment they are,</l>
                     <l rend="indent2">Let their loveliness fade as it will."</l>
                  </lg>
               </q>
            </p>
            <p>In the city of Chester resided with a married
sister, who had a large family, a venerable, amiable,
and benevolent maiden lady. She was one whom to
see was to respect, and to know, to love. She did not
let "concealment, like a worm i' th' bud," prey
upon the curiosity of her visitors to know her age:
she plainly told them that she was past fifty; and,
even had she not divulged the important secret,
there was one unruly calendar in the house who
would,—her greatest torment, her unceasing plague,
her fondly-loved and indulged nephew, a full-fledged young midshipman, who, in the manliness of the naval uniform, could not forget the boyish
propensity to tease his good old aunt. Harry would
have provoked a saint, much less a spinster, yet not
ill-naturedly. His aunt was his mother's counterpart, and he loved her with the same affection. She had spoiled him from his birth, by palliating all
his faults. He was her pride and only hope, and
upon the uniform kindness of her disposition he
thus presumed to torment her. Many a laugh has
he raised at her expense, by some silly observation
on the never-failing subject of matrimony, which
has awakened the painful memory of former days,<pb id="p197" n="197"/>and fallen, withering, on her heart in silent and
subdued grief. He knew not the misery he inflicted,
and she could not tell him. It amused him; she,
therefore, permitted his folly to remain unchecked.</p>
            <p>She once was beautiful, had loved, and had been
disappointed,—a common occurrence, but under
most aggravating circumstances. It was her first
love and her last. A naval officer of merit, intellect,
and fortune, of elegant manners and handsome
person, honourable throughout in all his conduct,
save the most important—in <hi rend="italic">love,</hi> had gained her
affections, declared himself, and was accepted.
Their intimacy had continued from infancy to
maturity. Her introduction into society was graced
with every accomplishment that can adorn a woman
possessed of those qualities which would ensure the
greatest felicity on earth—<hi rend="italic">domestic happiness.</hi> In an evil hour a young, gay, volatile school companion
came on a visit to her. Shall I tell it? The affections of the intended bridegroom veered with the wind. He saw, and married her friend and visitor!
and, by that sudden and dishonourable action,
withered the bud and bloom of beautiful womanhood in his predestined bride. Not all the victories afterwards achieved in war ever again replaced him
in the world's estimation. The deadly nightshade
hung over his laurels in this one cloud of dishonour.
She never saw him after, but had "fallen into the
sear and yellow leaf" of age and melancholy. She
wept in secret and alone. Years rolled on, and, in<pb id="p198" n="198"/>the residence of her sister, with her rising family,
she found more deserving and grateful objects for
her love. "Yet she never blamed him," and she
tried to look the same. In accordance with her
wish, the eldest son was destined for the navy, and,
when he appeared in uniform, she looked on him
with eyes of admiration, yet filled with tears. With
commendable taste she was usually attired in the
dress most suitable and becoming her age,—in black,
and wore over her shoulders, which partly covered
the stoop of age, a black Barcelona shawl, which
her "dear boy," as she called him, brought her on
his first voyage from Spain, with others of gay
colours,—"gay enough to win her a husband," he
said. Not that he wanted to get rid of her: he
loved his aunt, but he thought he could love an
<hi rend="italic">uncle</hi> too. "And then, you know, old lady," he
continued, "you would look more <hi rend="italic">shipshape</hi> with an old commodore by your side." Then would he
draw down her snowy hair from underneath her cap,
and say, "Now, who would ever believe these silver
locks were once raven ringlets! Here's a fair-haired
spinster for you?" She would simply smile, and bid
him do what he never thought of doing,—"desist,"
while she quietly again took up her knitting.</p>
            <p>One morning he came in with great glee, saying,
"Aunt, I have news for you! First answer me: do
you despair of being married?" "Do not talk
nonsense, dear boy." "Answer me, or else——."
To prevent teazing, she answered, "I shall <hi rend="italic">never</hi>
               <pb id="p199" n="199"/>marry, Harry," "Do not make any rash vows,
aunt; you do not know what your fate may be. My
father tells me there is company coming to dinner,
so there is hopes for you yet, old lady; they are all
of the royal navy, all with the anchor on the button,
and you do not know what may happen, 'although
a man may not marry his grandmother.'" She
made her escape from this provoking youngster, and
did not see him again until he came to lead her into
dinner, a duty which he never neglected when at
home.</p>
            <p>The company consisted of a few old officers, high
on the list in the annals of merit—<hi rend="italic">to be rewarded.</hi>
Their conversation, as might be expected, was truly
nautical. Flag-ships, fire-ships, from twenty to
seventy-four and a hundred-and-ten guns, were
talked about; mainsail, foresail, squaresail, top-gallant-sail, and sky-sail, and all, were <hi rend="italic">set</hi> by turns, as each told <hi rend="italic">his version</hi> of some engagement.
Squadrons, fleets, and I do not know how many sail
of the line, came on the carpet; almost every one of
his Majesty's ships' names were mentioned, small
craft and all.</p>
            <p>The venerable gentlewoman listened attentively,
and now and then coughed to hide her emotion;<q direct="unspecified">
                  <lg type="fragment">
                     <l rend="indent2">"For around the dear ruin each wish of her heart</l>
                     <l rend="indent2">Entwined itself verdantly still."</l>
                  </lg>
               </q>
            </p>
            <p>A pause in the conversation gave master Henry
an opportunity of asking the following question:—<pb id="p200" n="200"/>"Is there any probability of promotion for <hi rend="italic">us,</hi>
Captain Hurricane?" "Why," replied the captain,
there were so many popped off lately, it may be the
means of bringing up a few of you youngsters,
perhaps." "Who has 'died for glory' among them,
do you know, in the last skirmish, Hurricane?"
asked an old lieutenant. "'The bullets and the
gout have so knocked my hull about,' that I shall
soon slip my cable after them; but let us know who
has gone before me." The list was enumerated of
those who had fallen at the battle of Navarino,
and among them <hi rend="italic">one name</hi> was mentioned, which
appeared visibly to affect the old lady. She arose,
and Harry at the same time got up to escort her;
but she waved her hand for him not to leave the
company, and withdrew to her chamber, to take her
accustomed nap after dinner.</p>
            <p>When tea was announced, she made no reply.
Harry went instantly to her room, "to carry her
down," as he said. He found her seated in an easy
chair by the bedside, with her handkerchief over her
face: it appeared wet with tears. When he withdrew it, he found her awake and weeping. "My dear aunt, —." She excused herself from going
down, saying she was not very well. Harry saw
she was ill. He left her to send up his mother, and,
taking his hat, went immediately for the family
physician. "Medicine can be of little avail in this
case," said the worthy man, when had seen her; it
is one of those bodily afflictions human nature is<pb id="p201" n="201"/>subject to,—a confirmed paralysis, and which, at
her age, frequently proves fatal." Harry felt as
though a thunderbolt had entered his heart. He
was unceasing in his attentions to her, and for three
days and nights never took off his clothes, nor left
her bedside.</p>
            <p>She never came down again. She became gradually worse, and towards the close of the third day, symptoms of approaching dissolution were
visible to all the family. She requested Harry to
give her a pocket-book from out of her desk, and,
taking out a miniature, and making an effort to
regain the firmness of her voice, said, "I bequeath
you this picture, my dear boy; and may the gallant
conduct of that man, of whom this is the representative, be your example, in every action of his life, <hi rend="italic">save one,</hi> and <hi rend="italic">that one</hi> your mother will explain
when I am no more." Harry sobbed in the fulness
of his heart's grief, as he looked on the picture of a
handsome naval officer, of whom he had heard by
good repute. "I have made ample provision for
you; and have to request you will place this small
parcel underneath my head; it is the hair of that
once respected and beloved—." She could utter
no more: the vital spark became gradually extinct;
and, as it were in a calm sleep, clasping the hand of
her nephew, she resigned her soul to Him in whom
she had ever trusted. This was the first scene of
death the affectionate youth had ever witnessed;
and, in tearing himself from her arm, how bitterly<pb id="p202" n="202"/>did he reproach himself for all his past folly to his
dear aunt! He had some idea now to what to
attribute her sudden dissolution. "Her morning's
winged dream was o'er;" and, from the infant on
the knee to the dawning man, tears of regret were
shed on her pale, cold cheek.</p>
            <p>Such is the blight that withers many a lovely
form, from causes which the true delicacy of female
feeling still keep unknown. And, as it is too often
the lot of <hi rend="italic">woman</hi> "to make idols and to find them
clay, and to bewail that worship, therefore pray,"
that, in all her affections henceforth, they may be
more happily confided and more gratefully requited
than in the unfortunate instance of the regretted,
amiable, and beloved MAIDEN AUNT.</p>
            <q direct="unspecified">
               <lg type="fragment">
                  <l rend="indent2">"For the heart that has truly loved never forgets,</l>
                  <l rend="indent3">But as truly loves on to the close;</l>
                  <l rend="indent2">As the sunflower turns on her god when he sets</l>
                  <l rend="indent3">The same look which she turned when he rose."</l>
               </lg>
            </q>
         </div1>
         <div1 type="poem" id="d0e6252">
            <head type="main">Speke-hall.</head>
            <lg type="stanza">
               <l>THE days of chivalry are gone,</l>
               <l rend="indent1">The tilt and tournament are o'er,</l>
               <l>The stirrup-cup no more is filled</l>
               <l rend="indent1">With sack or rhenish at the door.</l>
            </lg>
            <pb id="p203" n="203"/>
            <lg type="stanza">
               <l>No more the song of cavalier,</l>
               <l rend="indent1">Or harper, in the good old hall,</l>
               <l>Or lay of love, in serenade,</l>
               <l rend="indent1">Is heard beneath the ivied wall.</l>
            </lg>
            <lg type="stanza">
               <l>No more the flask or flaggon drain'd</l>
               <l rend="indent1">Around the "yule log's" cheerful light;</l>
               <l>"Righte merrye" tales no more divert</l>
               <l rend="indent1">The vassal yeomanry by night.</l>
            </lg>
            <lg type="stanza">
               <l>These legendary lays are hushed</l>
               <l rend="indent1">Of fairy gay of goblin grim;</l>
               <l>And list'ning ears and eyes of fear,</l>
               <l rend="indent1">Are silent, slumb'ring, dark, and dim.</l>
            </lg>
            <lg type="stanza">
               <l>When sylvan sports would once delight</l>
               <l rend="indent1">In rich awards from "ladye's" eyes;</l>
               <l>In silken scarf, or silver chain,</l>
               <l rend="indent1">From "ladye's" love the victor's prize.</l>
            </lg>
            <lg type="stanza">
               <l>The horn of chase in sounds renewed,</l>
               <l rend="indent1">While flowing streams the echoes drink,</l>
               <l>Where oft the hunted stag has viewed</l>
               <l rend="indent1">His branching antlers in the brink.</l>
            </lg>
            <lg type="stanza">
               <l>The drawbridge, which, in feudal times,</l>
               <l rend="indent1">Fell at the warder's bugle note,</l>
               <l>Is gone, and shrubs and flowers grow</l>
               <l rend="indent1">Where once had been the circling moat.</l>
            </lg>
            <pb id="p204" n="204"/>
            <lg type="stanza">
               <l>The hanging tapestry is there,</l>
               <l rend="indent1">There still the polished oaken floor;</l>
               <l>But footsteps, and the fingers fair</l>
               <l rend="indent1">Which wrought the picture, are no more.</l>
            </lg>
            <lg type="stanza">
               <l>The hawk and hound, the bow and spear,</l>
               <l rend="indent1">Have shared the pastimes of the scene:—</l>
               <l>Ancestral woods, through winters drear,</l>
               <l rend="indent1">Wave in the wind o'er what hath been.</l>
            </lg>
            <lg type="stanza">
               <l>The hand of time, which reckless strays</l>
               <l rend="indent1">O'er all, one beauty leaves for me,</l>
               <l>Which, drooping, mourns those bygone days,—</l>
               <l rend="indent1">The ancient, weeping willow tree.</l>
            </lg>
         </div1>
         <div1 type="part" id="d0e6347">
            <head type="main">An Irish Wake.</head>
            <epigraph>
               <cit>
                  <q direct="unspecified">
                     <lg type="fragment">
                        <l rend="indent3">"Mr. Blaney, Miss Delany,</l>
                        <l rend="indent3">Mr. Fagan, and Miss Daley,</l>
                        <l rend="indent3">Who in a coach all came</l>
                        <l rend="indent3">To wake with Teddy Roe."</l>
                     </lg>
                  </q>
                  <lb/>
                  <bibl>S. W. RYLEY.</bibl>
               </cit>
            </epigraph>
            <p>THERE is something very repulsive in the idea of a
carousal over the dead. To one who has been
accustomed only to the quiet respect paid to the
mortal remains when life is extinct, it appears to be
an invasion of the sacred sorrow and silence usually<pb id="p205" n="205"/>felt in these most awful of all separations. To a
stranger these customs, consonant with the creed of
the people, are at first beheld with a shudder
bordering upon pity, that the Irish are not yet <hi rend="italic">awake</hi>
to what seems a glaring impropriety on the despoiler's work.</p>
            <p>A few years ago, my companion and self were
located for a temporary sojourn in one of the lodging-houses adjoining an inn, a place much resorted to in
those days by birds of passage like ourselves.
Though one concern, the private was separated from
the public part of the establishment. The landlord
was then in the last stage of a consumption, surrounded by a wife and seven children. The lower apartments were occupied by the invalid, who had
been long confined to his bed, and was a man much
respected in his station. As we occupied the first
floor, and had a servant in attendance, who was a
shrewd, witty Irish girl, we saw little of either host
or hostess.</p>
            <p>One beautiful evening in July, I was endeavouring
to <hi rend="italic">extort</hi> music from the <sic corr="tintinnabulary">tintinabulary</sic> clatter of an
old spinnet which had reigned in the last century.
I had just extracted something like an Irish melody
from this piece of lumber to the <hi rend="italic">distraction</hi> of my own nerves and the ears of my companion, when the
servant, entering the room with a quick and lively
brogue, said, "Shure, ma'am, the masther's dead!"</p>
            <p>Although unknown, and never having seen Mr.
Cornelius O'Donoughue, yet there was something so<pb id="p206" n="206"/>
appalling in the grim visitant, that I withdrew from
my occupation to reflect on the transient dream of
life, how suddenly and unexpectedly we are called
upon, and to regret the loss to his disconsolate
widow and family. This brought on a train of
thought to ourselves, and how we should feel on
such an event. Retiring to rest with these melancholy reflections, we hoped that such calamities, although inevitable, were far distant from us.</p>
            <p>We naturally supposed that silence and solemn grief
were inseparable; but here "'twas no such thing."
About twelve o'clock, when all should have been
quiet, there arose an unusual noise and bustle;
chairs and tables moving; cups, saucers, glasses and
decanters seemed going the round of the house. I
got up to inquire the meaning of the noise, and heard
strange voices. I rang the bell and quietly called
the servant, but she either could not or would not
answer it, or was engaged in removing the furniture,
so I gave up the attempt to make myself heard.
Some other auxiliaries having arrived, there commenced a variety of sounds of the human voice pitched to its extreme altitude,—a confusion of
tones known only to those who have had the
felicity, like ourselves, of hearing the true <hi rend="italic">Irish howl.</hi> The melancholy and mournful concert
was diversified with the groanings and moaning
of both sexes and all ages, every now and then
varied by the key of A in alt, from some young
babe in the lap of its mother. Having our auricular<pb id="p207" n="207"/>faculties in the highest state of perfection, it was
vain, as the noise become louder, attempting to
sleep; so we got up and sat at the window. Concluding the widow must have died of grief, we again opened the door and heard the following sounds over
what is here called a <hi rend="italic">raking cup of tay:</hi>—"Ah! Cornalius, jewel, why did you die now and lave all
thim beautiful crathers beyant? Is it gone ye are?
Won't you be after spaken no more to your own
ould Biddy who nursed you? Och hone! Och
hone!" "Whist, Biddy dear, and don't take on so.
Sorrow one drop of the dew will this cowld hand deal
out to his poor servant Rooney,—d'ye hear me,
master dear?—Why did you die now?" The crying,
sobbing, screaming, and howling between these
ejaculations, with the effluvia arising from the
compounds they were drinking, were indescribably
revolting, and we felt surprised that the widowed
mourner would permit the dreadful disturbance.</p>
            <p>As is customary in England, on the morrow I
closed the drawing-room shutters, leaving only one
small part unclosed. When the girl entered with
the breakfast. "What's the maning of darkness,
ma'am?" said she. "Why, is it not the custom
here to close the shutters?" I asked. "Och
murther, but that bates Bannaher and Ballinasloe
entirely. Shure, if a man die, does it follow that the
light is to be kept from the living?" replied the girl,
putting back the shutters. I desired her to leave the
room, and inquire how her mistress was, but first to
tell me the cause of the disturbance last night.<pb id="p208" n="208"/>"Faith, ma'am, it was <hi rend="italic">waking</hi> the masther we were;
as for the mistress, she's <hi rend="italic">quite well." Quite well!</hi>
I thought, that is very improbable, for of all sorrows
this was the most heart-rending, and of all beings a
widow was ever to me the most interesting, and the
one which, above all others, excited our most tender
sympathies. But oh! <hi rend="italic">Erin ma vourneen!</hi> shall I tell the truth? Upon the servant's retreat, the
buxom widow walked into the room, with a quick and
firm step, saying, "Good morning to you, ma'am."
I had never seen her but once before; she was a
tall, robust woman; her eyes looked red, but not
with present grief, though I have no doubt she felt
keenly. I expressed my regret, and offered some
words of consolation. "Ah, well," she replied,
"God's will be done! and we cannot help it; he
was as good a man as ere broke the world's bread
and ate it, but had no call to life any how when
thim spasms tuk him." In saying which, with the
most perfect composure, and no outward and visible
signs of tears, she with a quick eye to the order of
my apartment, began to put aside some books, and
place the chairs in their proper places. At last she
turned round abruptly and said, "Shure now, you
will come down and see the corpse, its illegantly laid
out!" I felt my flesh creep at the request, and
begged to be excused, as it was a sight I would
rather avoid; not that I had any terror, but being
unknown to me, I did not see any necessity to be
reminded of our mortality. "Make it conv<hi rend="italic">a</hi>nient to
yourself, ma'am," said she, with a haughty toss of<pb id="p209" n="209"/>her head, "There was an English lady who lodged
here last summer, who would have gone down with
the <hi rend="italic">greatest pleasure!"</hi> Finding the woman had
neither soul, sentiment, or even common decency, I
arose to follow her, right glad to get rid of her.</p>
            <p>The body was laid out with the Catholic ceremonies. There were five large candles burning, and the hangings of the bed were festooned with flowers
and ribbons. Pionys, holyhocks, sunflowers, and
turncap lilies, were glaring all round the cold clay,
the perfumes of which were quite overpowering.
Five or six forms were arranged, and on the sidetable was a large punch-bowl well filled, "Is it
not illigant?" said the bereaved one; "they are all
fresh from Clontarf this blessed morning:" alluding
to the flowers.</p>
            <p>Visitors of all ranks came in,—asked the lifeless
corpse again, <hi rend="italic">Why he died?</hi> gave a howl, took off a bumper of spirit to the departed one, and walked
out again. "Och, Cornalius, dear! you'll niver
stip in shoe leather again, I'll engage," said a true
son of the sod. "Is it looking on the last of ye'es
I am now,—that was once a dacent man any how?
Ah, your sowl!—here's to ye.—And is it I, your
friend Billy Brady, that lives to see the likes of
this!—A pinch of blackguard, if you plase, mistress," said he, dipping his digits into the tin snuffbox of an old groaning woman who stood next him,
and whose other creature-comfort at that time was
Lundyfoot. She was just beginning to recount<pb id="p210" n="210"/>some youthful pranks of the poor deceased, when I
made my escape from the chamber of death to my
own room.</p>
            <p>The next day, about two and twenty <hi rend="italic">in</hi> and <hi rend="italic">outside</hi>
cars were ranged along the street for the funeral,
filled with all sorts and sizes of people, dressed
in every colour (except black) under the sun, all as
unlike mourners as possible.</p>
            <p>"Where do they bury your master?" I asked.
"Faith, only a stip or two from this, to that chapel
beyant to the right," answered the maid. "Why
the train appear to be moving in the opposite direction," said I. "So they do, ma'am," said she; "shure they are going all round the city; it is the
last walk he'll have on this earth any how, and we
give them enough of it;—not at all like you
English, begging your pardon, who take home your
friends and what's left of them the shortest way for
the nearest."</p>
            <p>Now, although they can and do give good reasons
and show no want of feeling in their vindication of
these forms and ceremonies, yet they failed to make
the same impression on the mind of my companion
and myself, we therefore hastened immediately out
of the house to avoid the return of the cavalcade,
and to prepare without delay for our expedition to
get the <hi rend="italic">shortest</hi> and <hi rend="italic">nearest</hi> possible way to our own
English home, putting up a most fervent prayer,
that we might, according to the Irish toast, soon
see, "The land we live in."</p>
         </div1>
         <div1 type="poem" id="d0e6447">
            <pb id="p211" n="211"/>
            <head type="main">The Last Request.</head>
            <epigraph>
               <cit>
                  <q direct="unspecified">
                     <lg type="fragment">
                        <l rend="indent2">"Ah? why did you die now?"</l>
                     </lg>
                  </q>
                  <bibl>—IRISH LAMENT.</bibl>
               </cit>
            </epigraph>
            <lg type="stanza">
               <l>YE friends in the Isle of green Erin,</l>
               <l rend="indent1">Among ye of late I sojourn!</l>
               <l>If the spark of my life disappearing,</l>
               <l rend="indent1">And ye should think proper to mourn,</l>
               <l>One favour I ask from each hand,</l>
               <l rend="indent1">A promise, I hope, you will make me,</l>
               <l>That, if I should die in your land,</l>
               <l rend="indent1">You will not attempt for to—<emph rend="italic">wake me!</emph>
               </l>
            </lg>
            <lg type="stanza">
               <l>For a native of Britain am I,</l>
               <l rend="indent1">And yet, an unprejudiced daughter;</l>
               <l>It matters not where we may die,—</l>
               <l rend="indent1">On that, or on this, side the water;</l>
               <l>All creeds I respect and commend,</l>
               <l rend="indent1">To church and to chapel they take me,</l>
               <l>In all, and in each, I've a friend,</l>
               <l rend="indent1">But, in friendship's name, pray do not—<emph rend="italic">wake me!</emph>
               </l>
            </lg>
            <lg type="stanza">
               <l>"When at Rome we should do as Rome do,"</l>
               <l rend="indent1">And customs should never be thwarted;</l>
               <l>I like not your howlings, 'tis true,</l>
               <l rend="indent1">About a poor body departed;</l>
               <l>The moanings and groanings of these</l>
               <l rend="indent1">With a feeling of horror o'ertake me:</l>
               <l>Then let me entreat, if you please,</l>
               <l rend="indent1">If I die, that you never will—<emph rend="italic">wake me!</emph>
               </l>
            </lg>
            <pb id="p212" n="212"/>
            <lg type="stanza">
               <l>The calm silence, the beauty of death,—</l>
               <l rend="indent1">O'er me let it ne'er be invaded,</l>
               <l>Or the words of the last dying breath</l>
               <l rend="indent1">By the mockings of grief be degraded;</l>
               <l>You may sigh, if you like, you may weep;</l>
               <l rend="indent1">But remember, if life should forsake me,</l>
               <l>In the stillness of death let me sleep,</l>
               <l rend="indent1">Then, for Heaven's sake, pray do not—<emph rend="italic">wake me!</emph>
               </l>
            </lg>
         </div1>
         <div1 type="part" id="d0e6536">
            <head type="main">Irish Guides.</head>
            <epigraph>
               <cit>
                  <q direct="unspecified">
                     <lg type="fragment">
                        <l rend="indent3">"By that lake whose gloomy shore</l>
                        <l rend="indent3">Skylark never warbles o'er."</l>
                     </lg>
                  </q>
                  <lb/>
                  <bibl>MOORE'S MELODIES.</bibl>
               </cit>
            </epigraph>
            <p>LET no one who travels in Ireland for amusement
refuse the services of a guide, even though he be
well acquainted with the place he is about to visit,
for three reasons. As Washington Irving observes,
"There is nothing like resolute good-humoured
credulity in these matters;" secondly, it is a hundred chances to one you hear the same account of the same place, even by the same person, so prolific
is the imagination of these men, who have none
other employment, in the winter, than sitting over a
turf fire, inventing stories of their own upon the
legends antecedent for the visitors in the summer,
<hi rend="italic">"becase,</hi> as they say, they don't like to be afther
hearing the same story sason after sason;" and,<pb id="p213" n="213"/>lastly, for the best of all reasons, by the very shilling
you give, you are the means of affording a week's
sustenance, such as it is, in the fruit of the earth, to
a family of sometimes eight, and seldom less than
seven, persons; for one shilling, in the remote
districts, where want is universal and comforts
unknown, will go as far towards support, as three
shillings would in England, or in the more civilized
parts of the country. Therefore, for your own
amusement, in hearing what the inventive faculty
can do, even of the most illiterate, for the interest
the romantic or ludicrous fable throws over the
scene, and for the relief extended to a fellow-creature in distress, <hi rend="italic">never refuse a guide.</hi>
            </p>
            <p>Mr. Lover, in his admirable legend of "King
O'Toole," mentions "having taken that celebrated
guide and bore, Joe Irwin, who traced his descent,
in a direct line, from one of the rale ould ancient
Irish kings." This person has been dead some time;
but that circumstance does not prevent a host of
other Joe Irwins reigning in his stead, and all
assuming the same appellation. Mr. Lover having
immortalized the original Joe, by introducing him
in his legend, has also rendered an important service
to this community; for almost every traveller to the
Seven Churches and Glendalough inquires for this
person. The guides, never deficient in wit, in order
to supply the demand for the deceased, all answer
to the same name; and, in fear of there being a
death in future, by the same rule they christen and<pb id="p214" n="214"/>baptize every male child born in the parish Joe
Irwin; so there is no fear of the title being extinct,
or a want of successors, in that prolific country, to
the distinguished situation of legendary guide to
Glendalough. Having, in repeated excursions with
English friends, seen the gloomy churches and
melancholy lake, gloomy as ruins always are and
melancholy as the lake ever is, from its waters being
nearly black, "where no skylark warbles o'er," and
having heard the origin of these horrors described
by the genii of the place, we were not anxious for
other variety when once more in the vicinity. The
gentlemen of our party wishing to kill some trout in
that beautiful stream which runs through the Vale
of Avoca, our car was drawn up to watch their skill
in fly-fishing, nearly at the head of the lane leading
to Glendalough, where the swarm of guides usually
commence the attack for customers; and here we
were in hopes not only to give rest to our horse, but
to take our luncheon in peace and quietness from
the well of the car, which, on these excursions, we
always took care to have well supplied.</p>
            <p>It was about the end of autumn, when the variegated tints of the sear and yellow leaf, in the well-wooded county of Wicklow, appear so beautiful in
shade to a true lover of nature, when, in the glowing sunshine of mid-day, the whole landscape looks as if it was tinged and fringed with burnished gold;
the very fish, <hi rend="italic">when caught</hi> in the stream, appear to
partake of the same golden hue, while the patient<pb id="p215" n="215"/>anglers, In the repose of this enchanting scenery,
seemed napping over their rods in easy, quiet, yet
eager hope, of some glorious nibble to come, possessing a bravery, almost heroic, in defying cold, gout, and rheumatism, as they stood ancle deep in
the stream, in this most absorbing, and most stupid
of all amusements.</p>
            <p>Our meditations were soon interrupted: the young
scouts, seeing our bonnets above the hedgerow, soon
passed the telegraphic signal of visitors in the
offing; and, like the Egyptian locusts, the tribe of
guides appeared in sight, their tattered garments
fluttering in the breeze, and soon surrounded us.
My fair English companion, who had some foolish
English antipathies as to "gangs of Irishmen," drew
out her purse, to bribe their departure. "No, no,"
said I, "they must not go until I have had some
conversation with them; make me your almoner, if
you like; I will ensure you the value in amusement,
and warrant your perfect security: we have not so
much wit in our own country, that we can afford to
pass it over in another."</p>
            <p>"Will you want a guide to the Siven Churches,
ma'am," said a stout lad, about eighteen, with a
fine open countenance, as regarded a Muster mouth,
a sun-burnt skin, and a fiery red head, <hi rend="italic">"I'm the rale Joe Irwin."</hi> "You must have been ground
young again," said I, "if you are he, for he was
seventy when I saw him last." "Sure, I'm his son,
and that's all the same." "Ah, go along wid you,<pb id="p216" n="216"/>Dennis," said an old man, about sixty, pushing the
lad on one side, "go along wid you, to be afther
mislading the quality wid your mulvatherin; sure,
ma'am, its <hi rend="italic">I</hi> that is the ould original Joe Irwin, born
agin; it was from my word o' mouth Misther Lover
tuk his book, so he did." "Well done, Darby,"
said Dennis, "who's mulvatherin now?" The last
comer wore a long grisly gray beard of a month's
growth; his long gray hairs were partly hid under
an old <hi rend="italic">caubeen,</hi> with half a rim round what, in days
of yore, might have passed for a hat of decent pretension; a remnant of a long tattered gray frieze coat, denuded of buttons, cuff, and collar, was
fastened over the left breast with a wooden skewer,
easily, and not too tight, to prevent the inward
man from luxuriating in that indescribable <hi rend="italic">shrug</hi> so peculiar to that class of his countrymen, a shrug
that indicates, whatever our apparel might gain by
a nearer association, the more respectful the distance
kept the better for our individual comfort; it was,
therefore, advisable, in this particular, that poor old
Darby's visit should be "like angels, few and far
between." "Stand out of the way, boys, till I help
the darlin craturs off a the car to see the lake, while
I tell them all about St. Kevin." "My good man,
spare yourself the trouble; we do not intend to get
off the car; but if you will disperse your friends,
we will engage you to tell us any news of the place:
the lake we have seen; and as for St. Kevin, I beg
you will not mention his name." "Why for now?"<pb id="p217" n="217"/>said the astonished guide. "Because he was a great
sinner, and ought to have been drowned." "Oh,
holy St. Kevin, hear the ban that's put upon your
beauteous name! What did he do to deserve the
likes?" "He drowned a namesake of mine in the
lake." "Is it Kathleen?"  "Yes," said I, " it was
very ungentlemanly conduct of the Saint. I am sure
he could not have been an Irishman." "Faith and
troth," answered Darby, "he was all that, out and
out entirely; but sure, ma'am, you know right
well, it is a saint he was, and was no marrying
man, and had no claim to the lady, by the same
token of his vows to live single; and, sure, what
right then had the woman to tase him to marry the
likes of her? Come, till I show you where he tuk his
last sleep, and where he pushed the cratur off a the
cliff for being so bould as to waken him whin he was
taking his comfortable nap afther dinner."</p>
            <p>"Not a word more about sinner Kevin, if you
please, Mr. Darby. Taste this," said I, handing
him a glass of wine, "and then tell us what you
know of the round towers." "Its mortal bitter,"
said he, smacking his lips; "may be a second glass
would not be so bad, I'd get used to the taste."
"Doubtless," said I, filling again. "Now, by your
lave, ma'am, I'll put away the bread and beef for my
dinner," said he, unskewering his coat and filling a
wallet underneath, "then the wife and childer will
get a taste." Darby drew his sleeve across his mouth,
and, giving himself a settling shrug, commenced<pb id="p218" n="218"/>"Well, you see as how, ma'am, once upon a time,
there was an ould ancient,—" but, out of kind compassion to my readers, I could not think of inflicting
Darby's tirade of the towers upon them; suffice
it to say, it would shame Major Longbow of recent
date, and put Baron Munchausen of former times
to the blush. No writer of fiction, past, present, or
to come, could have rivalled our ingenious guide in
invention. If he had one favourite aversion more
than another, it was telling truth, which he never
did, even by accident. The gaping wonder and
belief with which we appeared to listen, together
with the wine, seemed to inspire him with "ideas
beautiful and new." Never shall I forget his gestures, which were only impeded from a sense of decency, for a more exuberant action would have
betrayed his shirtless arms and hoseless limbs to
our sight; and while he was amusing us by his
humour and cheerfulness, our hearts were seared
by his looks, which indicated famine, his dress
beggary, and his age and appearance penury in
the extreme, how could we laugh? and yet we
did most heartily, for it was impossible to refrain
from some of his flights of fancy, ludicrous associations, and witty comparisons: poor fellow, he had exerted great humour and ingenuity to divert us, and
was most grateful for the trifle received; but as the
replenishment of wine on an empty stomach was
beginning to exhilarate him to a more noisy mirth
than was agreeable, it was advisable to dispense
with his company as delicately as possible.</p>
            <pb id="p219" n="219"/>
            <p>"Och, ma'am," said he, "I'll never be aisy in my
mind till I get you to come down to the lake, and
forgive St. Kevin." "Now, Darby," I replied, with
as grave a look as I could put on, "it strikes me,
that you want to drown me in the lake, as St. Kevin
did my namesake; and, now I look at you again,
I firmly believe I have seen your face before, and
that you are the <hi rend="italic">real St. Kevin!"</hi> "Is it me? Do you say so? Do you see any likeness?" said he,
apparently overjoyed. "To be sure, I do; the
greatest likeness about the beard." "Och, Gramachree ma cushla! my fortune's made entirely. Many thanks to darlin' of the world for saying so. Och,
I'll niver look behind me afther this; I'm no more
Joe Irwin, but the rale Saint himself!" Rejoiced at
the discovery, away he ran up to a carriage and four,
which then approached, calling out, "My Lords
and Gintlemen, will I be your guide to the Lake
and the Siren Churches? Sure thim's all only Joe
Irwin's," pointing to the tribe. "I am the rale ould
ancient original holy St. Kevin himself, for there's
the lady who knows me, and who will go bail for
me if I am not that same entirely!"</p>
         </div1>
         <div1 type="poem" id="d0e6600">
            <pb id="p220" n="220"/>
            <head type="main">A Picture.</head>
            <lg type="stanza">
               <l>THE peasant's home in England!</l>
               <l rend="indent1">How cheering is the sight.</l>
               <l>When labour o'er, how gratefully,</l>
               <l rend="indent1">Is shared the household light.</l>
               <l>The ticking clock behind the door,</l>
               <l rend="indent1">The chest of drawers by day,</l>
               <l>A couch at night, where infants rest,</l>
               <l rend="indent1">And by its side they pray.</l>
            </lg>
            <lg type="stanza">
               <l>The peasant's home in Ireland!</l>
               <l rend="indent1">How desolate the hearth!</l>
               <l>No labour there his mind employs,</l>
               <l rend="indent1">His bed the cold bare earth.</l>
               <l>A pan which boils his only meal,</l>
               <l rend="indent1">His seat a block of wood,</l>
               <l>A small turf fire watched carefully</l>
               <l rend="indent1">To warm his daily food.</l>
            </lg>
            <lg type="stanza">
               <l>The peasant's garb in England!</l>
               <l rend="indent1">What cleanliness is there.</l>
               <l>What industry and household thrift</l>
               <l rend="indent1">To keep all in repair.</l>
               <l>In decent serge or russet clad,</l>
               <l rend="indent1">And home-knit woollen hose,</l>
               <l>While wooden clogs secure from cold,</l>
               <l rend="indent1">Defying winter snows.</l>
            </lg>
            <pb id="p221" n="221"/>
            <lg type="stanza">
               <l>The peasant's garb in Ireland!</l>
               <l rend="indent1">How sinks the heart to see</l>
               <l>The tattered rags together hung</l>
               <l rend="indent1">In dirt and misery.</l>
               <l>One threadbare garment which has been</l>
               <l rend="indent1">A coat in better days,</l>
               <l>The squalid form attempts to hide,</l>
               <l rend="indent1">And naked feet displays.</l>
            </lg>
            <lg type="stanza">
               <l>Look on this picture, absentees!</l>
               <l rend="indent1">Look, and compare it well,</l>
               <l>Then ask yourselves, in other climes,</l>
               <l rend="indent1">In peace how can ye dwell?</l>
               <l>How can ye see your nation droop,</l>
               <l rend="indent1">Nor raise a helping hand</l>
               <l>Your fellow creatures to relieve</l>
               <l rend="indent1">And bless the fertile land?</l>
            </lg>
         </div1>
         <div1 type="poem" id="d0e6690">
            <head type="main">The Winter Clouds.</head>
            <lg type="stanza">
               <l>WITH wintry storm and tempest teeming,</l>
               <l rend="indent1">Away, ye dark and angry clouds!</l>
               <l>In fearful, sad, prophetic dreaming</l>
               <l rend="indent1">Your gloomy shade my mind enshrouds.</l>
               <l>Quench ye the earth's unceasing thirsting—</l>
               <l rend="indent1">Pour down your floods on moor and tree;</l>
               <l>Pour down your torrent rage, though bursting,</l>
               <l rend="indent1">But not upon the dark blue sea.</l>
            </lg>
            <pb id="p222" n="222"/>
            <lg type="stanza">
               <l>In varied shapes your vapour falling,</l>
               <l rend="indent1">Away, ye rolling heavy mass;</l>
               <l>O'er ocean's horrors, though appalling,</l>
               <l rend="indent1">There let your threat'ning terrors pass.</l>
               <l>Like lowering hill and fleecy mountain,</l>
               <l rend="indent1">In boundless heights extremity,</l>
               <l>Wash the high rocks, increase the fountain,</l>
               <l rend="indent1">But leave the lonely dark blue sea.</l>
            </lg>
            <lg type="stanza">
               <l>Sweeping the mountain and the valley,</l>
               <l rend="indent1">From whate'er mysterious source;</l>
               <l>Unite, divide, or gathering rally,</l>
               <l rend="indent1">Away, nor linger in your course;</l>
               <l>Glide o'er the billows, silent swelling,</l>
               <l rend="indent1">Awaken not their treachery;</l>
               <l>Pass on, where kindred storms are dwelling,</l>
               <l rend="indent1">Pass gently o'er the dark blue sea.</l>
            </lg>
         </div1>
         <div1 type="poem" id="d0e6745">
            <head type="main">On Reading Moore's Life of Byron.</head>
            <lg type="stanza">
               <l>GO forth to the world! as a lesson each page</l>
               <l rend="indent1">Mementos of high-minded genius and truth;</l>
               <l>A beacon, a light to the forthcoming age,</l>
               <l rend="indent1">And plead for the follies of passion and youth.</l>
            </lg>
            <lg type="stanza">
               <l>Go forth! with reproach to maternity's ear,</l>
               <l rend="indent1">And tell her, entreaties and tenderness mild</l>
               <l>Had calmed the rude whirlwind of discord and fear,</l>
               <l rend="indent1">And saved from despair the TOO sensitive CHILDE.</l>
            </lg>
            <pb id="p223" n="223"/>
            <lg type="stanza">
               <l>Go forth to the eyes! where affection should beam</l>
               <l rend="indent1">Still bright, (tho' untoward the truant may roam;)</l>
               <l>More kind thro' adversity's sorrowing stream</l>
               <l rend="indent1">The talisman light and the sunshine of home.</l>
            </lg>
            <lg type="stanza">
               <l>Go forth and be hallowed! the magic of mind</l>
               <l rend="indent1">Developed in comments, in treasures of lore;</l>
               <l>By the pure light of friendship and genius enshrined,</l>
               <l rend="indent1">While inscribed to a SCOTT and compiled by a MOORE.</l>
            </lg>
         </div1>
         <div1 type="poem" id="d0e6785">
            <head type="main">Glencree.</head>
            <lg type="stanza">
               <l>THERE'S tumult in the multitude,</l>
               <l rend="indent1">There's danger on the sea,</l>
               <l>Peace dwells within thy lovely glen,</l>
               <l rend="indent1">Sweet valley of Glencree!</l>
            </lg>
            <lg type="stanza">
               <l>The mountain heather scents the breeze,</l>
               <l rend="indent1">The wild bird's wing is free,</l>
               <l>In thee all nature seems at rest,</l>
               <l rend="indent1">Sweet valley of Glencree!</l>
            </lg>
            <lg type="stanza">
               <l>No worldly pomps and vanities,</l>
               <l rend="indent1">To which the heartless flee,</l>
               <l>Overshadow thy lone loneliness,</l>
               <l rend="indent1">Sweet valley of Glencree!</l>
            </lg>
            <pb id="p224" n="224"/>
            <lg type="stanza">
               <l>No broils or discord tarry here,</l>
               <l rend="indent1">Or foes to fate's decree;</l>
               <l>O'er thee contentment spreads her smile,</l>
               <l rend="indent1">Sweet valley of Glencree!</l>
            </lg>
            <lg type="stanza">
               <l>"Vale of my heart," surnamed so true,</l>
               <l rend="indent1">With competence give me</l>
               <l>Thy fertile and sequestered scene,</l>
               <l rend="indent1">Sweet valley of Glencree!</l>
            </lg>
         </div1>
         <div1 type="poem" id="d0e6834">
            <head type="main">Sighs and Tears.</head>
            <lg type="stanza">
               <l>Sigh on, although in vain,</l>
               <l rend="indent1">And weep, though what are tears?</l>
               <l>The crystal drops from sorrow's drain</l>
               <l rend="indent1">That wears our passing years.</l>
            </lg>
            <lg type="stanza">
               <l>Sigh on! sighs give relief,</l>
               <l rend="indent1">And weep, for 'tis the balm,</l>
               <l>The only source to pour our grief,</l>
               <l rend="indent1">An aching heart to calm.</l>
            </lg>
            <lg type="stanza">
               <l>Sigh on! the southern breeze</l>
               <l rend="indent1">Refreshes nature's flowers,</l>
               <l>So hearts revive, like forest trees,</l>
               <l rend="indent1">From dews of tears and showers.</l>
            </lg>
         </div1>
         <div1 type="poem" id="d0e6864">
            <pb id="p225" n="225"/>
            <head type="main">Acrostics.</head>
            <opener>WRITTEN IN THE ALBUMS OF TWO YOUNG GENTLEMEN GOING
TO SCHOOL, WITH THE DEVICE OF A HARP AND URN—EMBLEMATICAL OF LIFE AND DEATH.</opener>
            <lg type="stanza">
               <l>R EMEMBER! dear R—, when far, far away,</l>
               <l>I n the fair sunny climate of France as you stray,</l>
               <l>C ollecting wit, wisdom, and science refined,</l>
               <l>H ow many dear friends you are leaving behind.</l>
               <l>A ll those who will welcome, and wish your return,</l>
               <l>R evere—by the Harp—while in life they sojourn,</l>
               <l>D eparted—then think of K. H—by this Urn.</l>
            </lg>
            <lg type="stanza">
               <l>F arewell, my dear F—, the time it may come,</l>
               <l>R egret will o'ertake you in leaving your home;</l>
               <l>E ndeared as it is, by kindnesses past,</l>
               <l>D ear! far more dear! when apart you are cast.</l>
               <l>E ndeavour to write and reflect on this book,</l>
               <l>R ich treasures to gain, to reward each kind look;</l>
               <l>I n the Harp and the Urn, then living or dead,</l>
               <l>C herish one thought in friendship, for your's, K. H.—</l>
            </lg>
         </div1>
         <div1 type="part" id="d0e6902">
            <head type="main">The late Countess D'Ameland.</head>
            <epigraph>
               <q direct="unspecified">
                  <lg type="fragment">
                     <l rend="indent3">"All that's bright must fade."</l>
                  </lg>
               </q>
            </epigraph>
            <p>THIS amiable lady was a lineal descendant of the
once-reigning family of Scotland, and daughter of
the late Earl of Dunmore. When Lady Augusta
Murray, she was married to the present Duke of<pb id="p226" n="226"/>Sussex, at Rome, and afterwards at St. George's,
Hanover-square, London, which marriage was soon
after pronounced null and void. For the last three
years she had resided on the continent, for the education of her daughter, whom she superintended solely, and for the restoration of her own visibly
declining health.</p>
            <p>With mingled feelings of respect for her worth,
sorrow for her sufferings, and regret that so faultless
a being should have felt the anxieties and disappointments of this life so severely, I feel my humble pen, in this tribute of respect, inadequate to the task of
eulogizing her revered memory; and, although there
are none exempt from affliction, yet it is a painful
reflection on ambition to think, that she married too
highly, too nobly to be happy.</p>
            <p>Had the constitutional government of Great
Britain permitted our rulers to marry as happily
as their subjects; had they not bound them in the
golden chain of royalty, by imposing regal trammels
on their affections; had they suffered "their inclinations to remain in their power," this might have been the most happy of all unions; for her ladyship
was one whom to see was to respect, and to know,
to love;—generous without ostentation, exemplary
in conduct, and, in the manners and courtesies of refined life, elegant without affectation;—accomplished in every grace and ornament that could adorn the
mind of woman;—beautiful in person, and affable to all.</p>
            <pb id="p227" n="227"/>
            <p>For the sake of such excellence we must regret the
state policy which broke the solemn compact united
in youth, cemented by affection, and sealed in honour.</p>
            <p>The Countess D'Ameland has left one son, high
in the British army, handsome in person and rich in
mental acquirements, "the flower of English
nobility:" a daughter, unequalled in affectionate
solicitude and devotion to the best of mothers, who
is now the honourable and the lovely Augusta D'Este.</p>
            <p>In the decay of a beautiful woman there is something mournfully interesting: it is like contemplating a splendid ruin of Gothic magnificence by moonlight,
waning in melancholy grandeur, soon to be overshadowed in darkness and oblivion, "leaving not a wreck behind."</p>
            <p>With the numerous instances of her unexampled
benevolence in France and Italy her name will ever
be united with prayers and blessings; for "she did
good by stealth, and blushed to find it fame." With
these acts of kindness, I cannot but remember a
presentiment of eternal rest which seemed to breathe
over her amiable spirit like the calm of an approaching
sunset. These thoughts have frequently surprised
the most wise and sceptical, in the strange and awful
fulfilment of predictions of the future. On her
passage home, she said, "I am going to England to
die." I begged her ladyship would not allow such
desponding thoughts to banish hope. She said,<pb id="p228" n="228"/>"For you who have health, youth, and the world
before you, hope may be a fluttering meteor; but I,
who have neither health, youth, nor happiness,
except in my children, all hope is vain, save of the
world to come. Yet I am happy in the thought of
going home to England to die." After attempting
to cheer her drooping spirits by relating the changes
which had taken place since her absence, I arose to
retire. Laying her beautiful hand on my arm, she
said, "Pray do stay: you know not how grateful
to my ears is the voice of an Englishwoman, after
these noisy Italians and chattering French." "But
your ladyship must not forget, in this compliment at
the expense of other nations, that there are yet
some 'eagles in the dovecotes' of England who
can 'flutter their voices' with any women of Coriole."</p>
            <p>From Italy, France, and Ireland to Liverpool, I
had frequent opportunities of witnessing the calm
subsiding of all her future interest in this sublunary
world. During her sojourn in Liverpool, she felt
much pleasure in being carried in a sedan chair to
see the Necropolis at Everton and the <sic corr="Cemetery">Cemetry</sic> at
St. James's. These repositories of the dead were
peculiarly interesting to her.<q direct="unspecified">
                  <lg type="fragment">
                     <l rend="indent2">"What beckoning ghost, along the moonlight shade,</l>
                     <l rend="indent2">Invites my steps, and points to yonder glade?"</l>
                  </lg>
               </q>After a few days deliberate travelling she found
herself once more in England and at home: she had<pb id="p229" n="229"/>gained her haven of rest in this world, and then
resignedly and happily prepared for the approaching
hour which was to sever her from the only ties to
which she could cling for comfort and consolation,—
her children.</p>
            <p>Her eventful life is now closed; the fairest form
of earth's finest mould is now no more; but<q direct="unspecified">
                  <lg type="fragment">
                     <l rend="indent2">"The soul, secured in her existence,</l>
                     <l rend="indent2">———shall flourish in immortal youth,</l>
                     <l rend="indent2">Unhurt amidst the war of elements,</l>
                     <l rend="indent2">The wreck of matter, and the crush of worlds."</l>
                  </lg>
               </q>She has shared the sympathy of thousands, and well
deserved the love of all. To the poor, the friendless,
and the forsaken she was a kind friend; and, while
the tears of affection fall to the memory of this
inestimable lady, there are many far distant who will
participate in the grief for her loss, and few more
sincerely than the feeble author of this last poor but
faithful tribute of respect.</p>
         </div1>
         <div1 type="poem" id="d0e6956">
            <head type="main">Elegiac Stanzas.</head>
            <lg type="stanza">
               <l>DEATH claims his prize, the fairest flower</l>
               <l rend="indent1">That ever gemm'd its kindred earth,</l>
               <l>The beauteous blossom of an hour:</l>
               <l rend="indent1">An angel smiled upon her birth.</l>
            </lg>
            <pb id="p230" n="230"/>
            <lg type="stanza">
               <l>Closed is that blue and brilliant eye,</l>
               <l rend="indent1">Pale is the soft and blooming cheek:</l>
               <l>Hush'd is that voice whose latest sigh</l>
               <l rend="indent1">Breathed in its suffering calm and meek.</l>
            </lg>
            <lg type="stanza">
               <l>Ye sorrowing mourners, weep no more,</l>
               <l rend="indent1">Afflictions with her being cease;</l>
               <l>Weep not! she is but gone before,</l>
               <l rend="indent1">Preparing for your future peace.</l>
            </lg>
            <lg type="stanza">
               <l>Vain all regrets! in vain your tears!</l>
               <l rend="indent1">Nought can recall the lov'd one now;</l>
               <l>The Almighty closed her vale of years,</l>
               <l rend="indent1">And to His will, His power we bow.</l>
            </lg>
            <lg type="stanza">
               <l>Then weep no more! such fate is given</l>
               <l rend="indent1">To mortals, ere the bud is blown:</l>
               <l>A visitor she came from heaven,—</l>
               <l rend="indent1">Back to her home the angel's flown.</l>
            </lg>
         </div1>
         <div1 type="poem" id="d0e7005">
            <head type="main">The Evening of Parting.</head>
            <lg type="stanza">
               <l>'TIS the evening of parting:—O, bid me not sing,</l>
               <l rend="indent1">Or again join the train of the gay!</l>
               <l>For, believe me, to <emph rend="italic">this</emph> hour remembrance will cling</l>
               <l rend="indent1">When in absence I muse far away.</l>
               <l>That strain must be sad, though a meeting like this</l>
               <l rend="indent1">Doth repay some few pangs of the past,</l>
               <l>While a thought or a tear dims the bright cup of bliss,</l>
               <l rend="indent1">That this meeting, perchance, is our last.</l>
            </lg>
            <pb id="p231" n="231"/>
            <lg type="stanza">
               <l>I must brave the dark billows—the rage of the sea,</l>
               <l rend="indent1">And endure the caprice of the wind;</l>
               <l>Even there—even then will <emph rend="italic">this</emph> hour bring to me</l>
               <l rend="indent1">Sweet reflection on those left behind.</l>
               <l>Thus so near to our parting, O, bid me not sing</l>
               <l rend="indent1">While regret fills the tear in mine eye;</l>
               <l>Not so lightly again can the hand touch the string,</l>
               <l rend="indent1">When the heart is subdued by a sigh.</l>
            </lg>
            <lg type="stanza">
               <l>Then, farewell! but whenever you welcome <emph rend="italic">this</emph> hour,</l>
               <l rend="indent1">With the bard's sweetest minstrelsy bound,</l>
               <l>Oh! breathe but my name, and by sympathy's power</l>
               <l rend="indent1">Heart and lute shall both echo the sound.</l>
               <l>Then, farewell! though the sun on our parting has set,</l>
               <l rend="indent1">Yet remember me thus when afar;</l>
               <l>In your meetings of melody never forget</l>
               <l rend="indent1">The loved strains of sweet Erin go Bragh.</l>
            </lg>
         </div1>
         <div1 type="poem" id="d0e7069">
            <head type="main">To an Infant Sleeping.</head>
            <lg type="stanza">
               <l>INFANT! while thine eyes are closing,</l>
               <l>Sleep in innocence reposing,</l>
               <l>Tell me of thy gentle dreaming</l>
               <l>Ere the morning's light is beaming,</l>
               <l>Thy convulsive start in slumber,</l>
               <l>What new fears thy rest encumber,</l>
               <l>What strange visions overtake thee,</l>
               <l>What wild fancies now awake thee?</l>
               <l>Is thy varied life revealing,</l>
               <pb id="p232" n="232"/>
               <l>Checkered scenes in vain concealing?</l>
               <l>Are thine hopes to be defeated,</l>
               <l>Or thy future prospects cheated?</l>
               <l>Like the fluttering of a dove</l>
               <l>In happy smiles thy dimples move.</l>
               <l>Blest sweetly by some unknown thought</l>
               <l>What new impulse has it caught?</l>
               <l>Thy heart oppressed now heaves a sigh,</l>
               <l>The crystal tear fills in thine eye,</l>
               <l>Would that thy little tongue could speak,</l>
               <l>All thy young sorrows I would seek.</l>
               <l>While lightly thus my footfalls tread</l>
               <l>To guard thy quiet, peaceful bed,</l>
               <l>Sleep unconscious of caressing!</l>
               <l>Sleep beneath a holy blessing!</l>
               <l>Sleep—the dormant chain hath bound thee—</l>
               <l>While soft prayers are breathed around thee?</l>
               <l>Sleep on, and may no power destroy</l>
               <l>Thy dream of life, sweet baby boy!</l>
               <l>Although on earth 'tis but a span</l>
               <l>From infant—child—from boy to man.</l>
               <l>Morning dawns—thy rest is breaking.</l>
               <l>Thus upon the world awaking,</l>
               <l>Heaven, in its love, award thee</l>
               <l>Health and Peace, with Fame to guard thee!</l>
            </lg>
         </div1>
         <div1 type="poem" id="d0e7142">
            <pb id="p233" n="233"/>
            <head type="main">On the Death of the Right Hon. William<lb/>Huskisson, M. D.</head>
            <epigraph>
               <q direct="unspecified">
                  <lg type="fragment">
                     <l rend="indent3">"In the midst of life we are in death."</l>
                  </lg>
               </q>
            </epigraph>
            <lg type="stanza">
               <l>OH! build not your hopes on the dawn of to-morrow,</l>
               <l rend="indent1">Nor dwell on the phantom <emph rend="italic">to-day;</emph>
               </l>
               <l>The sun may go down in the dark hour of sorrow,</l>
               <l rend="indent1">And set on our deepest dismay.</l>
            </lg>
            <lg type="stanza">
               <l>Oh! dream not of visions of joy and delight,</l>
               <l rend="indent1">Anticipate pleasures no more;</l>
               <l>The keen arrow of death those feelings may blight,</l>
               <l rend="indent1">To mourn o'er the lost we deplore.</l>
            </lg>
            <lg type="stanza">
               <l>The book of futurity wisely is hidden:</l>
               <l rend="indent1">Vain mortals! how little we know</l>
               <l>How soon we may rush to the Presence unbidden,</l>
               <l rend="indent1">Or call'd by some unforeseen wo!</l>
            </lg>
            <lg type="stanza">
               <l>And, warmly as heaven's first beam of the morn,</l>
               <l rend="indent1">He greeted each friend of his heart;</l>
               <l>Nor thought, while among them his virtues adorn,</l>
               <l rend="indent1">So soon, and for ever, to part!</l>
            </lg>
            <lg type="stanza">
               <l>To celebrate national science and worth,</l>
               <l rend="indent1">Festivity crowning his will,</l>
               <l>Thus, fearless of danger, he kindly went forth,</l>
               <l rend="indent1">To patronize talent and skill.</l>
            </lg>
            <pb id="p234" n="234"/>
            <lg type="stanza">
               <l>The wave of the hand and the smile of the eye</l>
               <l rend="indent1">We ne'er shall encounter again;</l>
               <l>To the kind recognition, in passing us by,</l>
               <l rend="indent1">We turn in remembrance and pain.</l>
            </lg>
            <lg type="stanza">
               <l>The flower of the senate, the pride of the bar,</l>
               <l rend="indent1">The mind's emanation which shone</l>
               <l>A ray of true glory; of honour, the star</l>
               <l rend="indent1">On which we depended alone.</l>
            </lg>
            <lg type="stanza">
               <l>Though a national loss our sorrows reveal,</l>
               <l rend="indent1">For which time alone brings relief;</l>
               <l>Yet <emph rend="italic">her</emph> whom <emph rend="italic">he</emph> cherished, for <emph rend="italic">her</emph> we must feel,</l>
               <l rend="indent1">And commiserate <emph rend="italic">truly</emph> HER <emph rend="italic">grief.</emph>
               </l>
            </lg>
         </div1>
         <div1 type="poem" id="d0e7242">
            <head type="main">To J. Sheridan Knowles, Esq.<lb/>ON HIS DEPARTURE FOR AMERICA.</head>
            <head type="subtitle">A TRIBUTE OF RESPECT.</head>
            <lg type="stanza">
               <l>ON the cold earth if once the diamond shine</l>
               <l>In the pellucid stream or orient mine,</l>
               <l>If lapidarian skill or magic art</l>
               <l>Can more prismatic colours there impart,</l>
               <l>How treasured then becomes the brilliant gem,—</l>
               <l>Reserved to grace a monarch's diadem!</l>
               <l>Not so, where brightest rays of genius gleam,</l>
               <l>Shining mysterious through dark sorrow's stream,</l>
               <pb id="p235" n="235"/>
               <l>Lighting the steep and rugged path of fame</l>
               <l>Through which the care-worn bard earns but a name!</l>
               <l>And thus the modern Shakspeare of our time,</l>
               <l>Compelled by fate to seek a distant clime,</l>
               <l>Whose feelings, taste, and energy his own</l>
               <l>Would add new lustre to a British throne.</l>
               <l>Greatest of all, where all are bright and fair,</l>
               <l>His genius still would reign triumphant there.</l>
               <l>Stars, garters, ribbons, honours, "belted knights"</l>
               <l>A king invests as valour claims their rights:</l>
               <l>Beyond the regal power or wealth combined</l>
               <l>To give a poet's fire—a poet's mind.</l>
               <l>The little pebble, thrown into the lake,</l>
               <l>Though seen no more, increasing circles make;</l>
               <l>So let us hope, that, like the pebble cast,</l>
               <l>Unnumbered friends may yet exceed the past.</l>
               <l>In foreign lands, in strangers he may find</l>
               <l>The homage due to his ennobled mind.</l>
               <l>Long may their plaudits on his ear remain,</l>
               <l>While silver links concentrate friendship's chain.</l>
               <l>Columbia's joyous welcome waits him now,—</l>
               <l>The land where liberty adorns each brow.</l>
               <l>There with congenial fire shall bosoms swell</l>
               <l>To see <emph rend="italic">his</emph> portrait of the patriot Tell.</l>
               <l>Transport them from their independent strand—</l>
               <l>In his Virginius breathe the classic land,</l>
               <l>Or in the more domesticated scene</l>
               <l>Immortalized in he of Bethnal Green.</l>
               <l>Pre-eminent the Wife and Julia's love,—</l>
               <pb id="p236" n="236"/>
               <l>An emanation from the gods above,—</l>
               <l>Where woman's confidence and truth reveal</l>
               <l>The love and sorrow she would fain conceal;</l>
               <l>Depicting to the wondering eyes of men</l>
               <l>The great creations of his mind and pen.</l>
               <l>Thus, on your shores the gem among you cast,</l>
               <l>Reward him for the struggles he has past.</l>
               <l>Be it your boast and country's pride to say,</l>
               <l>
                  <emph rend="italic">"We</emph> gave new glories to the brightening ray."</l>
               <l>In records let your patronage be told,</l>
               <l>He wrote for bread, ye gave not stone—but gold.</l>
               <l>So shall Columbia live in fame's renown—</l>
               <l>To ages yet unknown be handed down,</l>
               <l>And firm united may each new-born state</l>
               <l>With liberal hand direct the poet's fate,</l>
               <l>Receive with honours the distinguished guest,</l>
               <l>While gratitude o'erwhelms his generous breast.</l>
               <l>On him and his, may health nor fortune spare</l>
               <l>The independence he may gather there,</l>
               <l>And for example thus to merit due</l>
               <l>Show the old country the surpassing new.</l>
               <l>And though our own—a nation's loss we mourn,</l>
               <l>Hope whispers still—again he may return.</l>
            </lg>
         </div1>
         <div1 type="poem" id="d0e7377">
            <pb id="p237" n="237"/>
            <head type="main">National Emblem.</head>
            <opener>TO J. SHERIDAN KNOWLES, ESQ.</opener>
            <lg type="stanza">
               <l>WHERE soars the eagle in the glorious west,—</l>
               <l>The Cap of Liberty a nation's crest,—</l>
               <l>In wandering near Columbia's forests wide</l>
               <l>A wayward thought of home, perchance, may glide.</l>
               <l>If Erin's <emph rend="italic">trefoil</emph> spring beneath thy feet,</l>
               <l>Or England's oak should prove a cool retreat;</l>
               <l>If thistle-down on zephyrs should o'ertake,</l>
               <l>Let them affection and remembrance wake.</l>
               <l>As Scotia's emblem passes by in air,</l>
               <l>Give it thy smile—thy earnest, heart-felt prayer;</l>
               <l>And for Old England's oak—her rose's leaf—</l>
               <l>A sigh on them may give thy heart relief.</l>
               <l>By nature's impulse thine own land revere—</l>
               <l>For Erin's woes the shamrock claims thy tear.</l>
            </lg>
         </div1>
         <div1 type="poem" id="d0e7415">
            <head type="main">To a First Born.</head>
            <lg type="stanza">
               <l>THOU art welcome, little stranger,</l>
               <l rend="indent1">With thy sweetly smiling face,</l>
               <l>To a busy world of grief and care,</l>
               <l rend="indent1">Therein to take thy place!</l>
               <l>To share its fame and glory,</l>
               <l rend="indent1">Its pleasures and its charms:</l>
               <l>Thou art welcome to thy mother's breast</l>
               <l rend="indent1">And to thy father's arms.</l>
            </lg>
            <pb id="p238" n="238"/>
            <lg type="stanza">
               <l>Thou art welcome, little stranger,</l>
               <l rend="indent1">'Mid the humble and the proud,</l>
               <l>As one of many millions here</l>
               <l rend="indent1">To join the heartless crowd;</l>
               <l>To fill the place of others</l>
               <l rend="indent1">In death but gone before,</l>
               <l>Thou art welcome to each relative,</l>
               <l rend="indent1">A blessing to adore.</l>
            </lg>
            <lg type="stanza">
               <l>Thou art welcome, little stranger,</l>
               <l rend="indent1">And may happiness be thine,</l>
               <l>Around thee are examples fair,</l>
               <l rend="indent1">The best and rarest shine;</l>
               <l>Inheritance of honours,</l>
               <l rend="indent1">If thou can'st follow them,</l>
               <l>Thou hast innocence, thy best safeguard,</l>
               <l rend="indent1">And virtue's diadem.</l>
            </lg>
            <lg type="stanza">
               <l>Thou art welcome, little stranger,</l>
               <l rend="indent1">To thy mother's fondest care,</l>
               <l>To thy father's first protecting hand,</l>
               <l rend="indent1">His hope, his joy to share.</l>
               <l>Thy pathway lies before thee,</l>
               <l rend="indent1">The just or the unjust,</l>
               <l>With the faith in Heaven above thee,</l>
               <l rend="indent1">And God to put thy trust.</l>
            </lg>
         </div1>
         <div1 type="poem" id="d0e7487">
            <pb id="p239" n="239"/>
            <head type="main">To Scots Friends.</head>
            <lg type="stanza">
               <l>BRAW chiels o' bonny Scotland!</l>
               <l>Noo ken ye wha thus greets ye?</l>
               <l>Tho' far awa', an' seas divide,</l>
               <l>Wha langs again to meet ye?</l>
               <l>To hear your jest, an' crack, an' glee,</l>
               <l>An' mirth baith late an' earlie;</l>
               <l>Wha hopes ance mair ye're smiles to see</l>
               <l>An' bonny faces fairlie.</l>
            </lg>
            <lg type="stanza">
               <l>Braw chiels o' bonny Scotland!</l>
               <l>When last we met thegither</l>
               <l>Health glowed on ilka manly cheek</l>
               <l>Like bloom upon the heather.</l>
               <l>Weel favoured carles, a' leal and true,</l>
               <l>Wi' leapin' hearts set rightly,</l>
               <l>When in ye'r ain strathspeys an' reels</l>
               <l>I saw ye trip it lightly.</l>
            </lg>
            <lg type="stanza">
               <l>Fra Glasgo' until Edinbro'</l>
               <l>To Aberdeen awa' then,</l>
               <l>Thro' weal or wo, whate'er betide,</l>
               <l>Guid wishes tend ye a' men:</l>
               <l>For ye, an' yours, an' a' ye'r clan,</l>
               <l>(Guid faith, an' they are mony,)</l>
               <l>But maist for those on Mersey's banks,</l>
               <l>The better far than bonny.</l>
            </lg>
            <pb id="p240" n="240"/>
            <lg type="stanza">
               <l>Braw chiels o' bonny Scotland!</l>
               <l>When night brings on the gloamin',</l>
               <l>Your absent friends dinna forget</l>
               <l>In ither lands a roamin';</l>
               <l>For then it is we think of ye</l>
               <l>Within a happy dwellin',</l>
               <l>Gatherin' round a cheerfu' fire,</l>
               <l>When ane the news is tellin'.</l>
            </lg>
            <lg type="stanza">
               <l>On friends who were an' are na mair,</l>
               <l>Ithers to fortune risin',</l>
               <l>Some lad or lassie happy made,</l>
               <l>Or matters mor surprisin'.</l>
               <l>An' noo the toddy circles round</l>
               <l>The hospitable table,</l>
               <l>For weel the cogie ye can fill</l>
               <l>An' empty too the ladle!</l>
            </lg>
            <lg type="stanza">
               <l>Braw chiels o' bonny Scotland!</l>
               <l>Wi' those whom I lo'e dearly,</l>
               <l>Let twalmonths pass away, an' then</l>
               <l>I hope to meet ye yearly.</l>
               <l>Hech, sirs! but wha can speer till then?</l>
               <l>Tho' noo baith hail and hardie,</l>
               <l>Grim Death may ca' for ye before,</l>
               <l>An' e'en your wand'rin' bardie!</l>
            </lg>
            <lg type="stanza">
               <l>Puir bodies! how we reckon on,</l>
               <l>Nor think foreby the morrow</l>
               <l>May grieve us sair, or lowly laid,</l>
               <l>In sickness or in sorrow.</l>
               <pb id="p241" n="241"/>
               <l>For all o' ye, whate'er may be,—</l>
               <l>Where'er, no matter what land,</l>
               <l>I'll never cease to think o' ye,</l>
               <l>Braw chiels o' bonny Scotland!</l>
            </lg>
            <lg type="stanza">
               <l>Gude night, an' joy be wi' yea',</l>
               <l>Gude cheer while you're partakin';</l>
               <l>Gude health may bring her gowden store,</l>
               <l>Gude sillar while you're makin'.</l>
               <l>Gude fortune guide, with hearts so leal,</l>
               <l>To guide, no matter what land,</l>
               <l>For auld lang syne, then, fare ye weel,</l>
               <l>Braw chiels o' bonny Scotland!</l>
            </lg>
         </div1>
         <div1 type="poem" id="d0e7629">
            <head type="main">The Philosophy of Flowers.</head>
            <lg type="stanza">
               <l>Come forth into the garden—let us breathe the vernal air,</l>
               <l>The Spring hath clad each shrub and tree, and scatter'd blossoms there;</l>
               <l>Look down upon these rosebuds—see, they just begin to peep,</l>
               <l>Like infants newly waking, from their early morning's sleep,</l>
               <l>And so our young hopes promised, ere the bloom of youth had flown,</l>
               <l>Before the cold realities of this dull world were known.</l>
            </lg>
            <pb id="p242" n="242"/>
            <lg type="stanza">
               <l>And here are varied pansies, flowers of the pensive mood,</l>
               <l>With, Janus-like, two faces hid, beneath the velvet hood;</l>
               <l>Beware how you receive these flowers of heart's ease to your breast,</l>
               <l>A bee may there conceal its sting, and mar the bosom's rest,</l>
               <l>For so lurks dark deception, concealed in specious guise,</l>
               <l>Its outward garb of honesty, sincerity implies.</l>
            </lg>
            <lg type="stanza">
               <l>Now mark the little fairy flower, in this unweeded spot,</l>
               <l>Like genius disregarded, the sweet forget-me-not;</l>
               <l>How diffident it seems to grow, unwilling to appear,</l>
               <l>As though it were intruding, where the gayest should appear;</l>
               <l>And thus does patient merit dwell, unnoticed in the shade,</l>
               <l>No eye to mark its latent worth, or tear to see it fade.</l>
            </lg>
            <lg type="stanza">
               <l>But see the glorious sunflower, seems bursting on our sight,</l>
               <l>Its graceful bending form is turned, thus ever to the light,</l>
               <l>In adoration to the east would morning homage pay,</l>
               <l>Gently declining to the west, bows to the day's decay;</l>
               <l>So let the spring time of our youth in gratitude be given,</l>
               <l>And thus the autumn of our lives devoted be to heaven.</l>
            </lg>
            <pb id="p243" n="243"/>
            <lg type="stanza">
               <l>Through nature, up to nature's God, then let us ever look,</l>
               <l>While the abundant earth supplies an ever open book,</l>
               <l>To teach us we were born to live, to bloom, to fade, and die;</l>
               <l>And like the spring to rise again, in realms beyond the sky,</l>
               <l>To guide us in our paths of peace, and treasure passing hours,</l>
               <l>And learn in every morning's walk <emph rend="italic">philosophy from flowers.</emph>
               </l>
            </lg>
         </div1>
         <div1 type="poem" id="d0e7701">
            <head type="main">The Rose of England.</head>
            <lg type="stanza">
               <l>THE rose, the rose of England!</l>
               <l rend="indent1">The queen of nature's flowers;</l>
               <l>It buds and blooms in conscious pride,</l>
               <l rend="indent1">Refreshed by morning showers.</l>
               <l>Though rare exotics meet mine eye,</l>
               <l rend="indent1">And varied tints disclose,</l>
               <l>Their beauties all unheeded lie</l>
               <l rend="indent1">Beside the lovely rose.</l>
            </lg>
            <lg type="stanza">
               <l>The rose, the rose of England!</l>
               <l rend="indent1">Where'er it meets my view,</l>
               <l>My country shines before me then—</l>
               <l rend="indent1">My patriot heart beats true.</l>
               <l>My nation's emblem reigns supreme,</l>
               <l rend="indent1">And brings, where'er it grows,</l>
               <l>Remembrance of my childhood's dream,</l>
               <l rend="indent1">Fresh as the lovely rose.</l>
            </lg>
            <pb id="p244" n="244"/>
            <lg type="stanza">
               <l>The rose, the rose of England!</l>
               <l rend="indent1">Thrice welcome everywhere,</l>
               <l>When trained around the cottage door,</l>
               <l rend="indent1">Or in the gay parterre;</l>
               <l>With trefoil or the thistle twined,</l>
               <l rend="indent1">It still refulgent glows,</l>
               <l>First in the union thus combined,</l>
               <l rend="indent1">The peerless, lovely rose.</l>
            </lg>
            <lg type="stanza">
               <l>The rose, the rose of England!</l>
               <l rend="indent1">Where'er my lot be cast,</l>
               <l>Associations it revives,</l>
               <l rend="indent1">The present and the past;</l>
               <l>Awakens, on a distant strand,</l>
               <l rend="indent1">The tear that, gushing, flows</l>
               <l>In absence from my native land,</l>
               <l rend="indent1">Where blooms the lovely rose.</l>
            </lg>
         </div1>
         <div1 type="poem" id="d0e7773">
            <head type="main">Music.</head>
            <epigraph>
               <cit>
                  <q direct="unspecified">
                     <lg type="fragment">
                        <l rend="indent2">"Speak! for thou tellest my soul that its birth</l>
                        <l rend="indent2"> Links it with regions more bright than earth."</l>
                     </lg>
                  </q>
                  <lb/>
                  <bibl>MRS. HEMANS.</bibl>
               </cit>
            </epigraph>
            <lg type="stanza">
               <l>MUSIC!—thy very name hath power</l>
               <l rend="indent1">To wake the soul to extacy,</l>
               <l>To soothe the mind in sorrow's hour</l>
               <l rend="indent1">By sounds of <sic corr="heartfelt">hearfelt</sic> sympathy.</l>
            </lg>
            <pb id="p245" n="245"/>
            <lg type="stanza">
               <l>I love thee!—in the hour of grief,</l>
               <l rend="indent1">In wildly sad, or pensive strain,</l>
               <l>When plaintive tones can yield relief</l>
               <l rend="indent1">From clouds of thought—in woe or pain.</l>
            </lg>
            <lg type="stanza">
               <l>I love thee!—mid the clang of arms,</l>
               <l rend="indent1">When beat of drum proclaims dread war,</l>
               <l>The brazen trumpet's loud alarms</l>
               <l rend="indent1">The martial band, when heard afar.</l>
            </lg>
            <lg type="stanza">
               <l>I love thee!—in the battle field,</l>
               <l rend="indent1">When in battalions foes advance,</l>
               <l>Inspiring sounds! accompanied</l>
               <l rend="indent1">By cymbal's clash, or war-horse prance.</l>
            </lg>
            <lg type="stanza">
               <l>I love thee!—in the hour of mirth,</l>
               <l rend="indent1">When friends and relatives unite,</l>
               <l>Dear ties—that still embellish earth,</l>
               <l rend="indent1">Who, with thy charm, impart delight</l>
            </lg>
            <lg type="stanza">
               <l>I love thee!—in the merry dance,</l>
               <l rend="indent1">Where elegance and ease combin'd,</l>
               <l>In vain concealing, at one glance,</l>
               <l rend="indent1">The graceful movements of the mind.</l>
            </lg>
            <lg type="stanza">
               <l>I love thee!—in the serenade,</l>
               <l rend="indent1">In ballad sweet, or lay of love,</l>
               <l>The wayward song of renegade,</l>
               <l rend="indent1">Of nightingale, or cushat dove.</l>
            </lg>
            <pb id="p246" n="246"/>
            <lg type="stanza">
               <l>I love thee!—in the hour of prayer,</l>
               <l rend="indent1">When like the seraph wing 'tis given,</l>
               <l>The mind and body to prepare,</l>
               <l rend="indent1">And train our thoughts from earth to heaven.</l>
            </lg>
         </div1>
         <div1 type="poem" id="d0e7864">
            <head type="main">The Mother of the Gracchi.</head>
            <lg type="stanza">
               <l>NO more, no more, my glorious chief,—</l>
               <l rend="indent1">Those sighs offend a matron's ear,</l>
               <l>Why should ye mourn, when death's relief</l>
               <l rend="indent1">Can end my earthly sufferings here?</l>
            </lg>
            <lg type="stanza">
               <l>Shame on the tears that would unman,</l>
               <l rend="indent1">The Gracchi's tenderness disclose:</l>
               <l>Arouse! let feelings ne'er trepan,—</l>
               <l rend="indent1">The warrior's death is but repose.</l>
            </lg>
            <lg type="stanza">
               <l>Rome must not see her valiant son</l>
               <l rend="indent1">By soft maternal love subdued;</l>
               <l>No,—brighter conquests must be won</l>
               <l rend="indent1">Ere ye can quell the stormy feud.</l>
            </lg>
            <lg type="stanza">
               <l>Look to thy glorious nation's cause,</l>
               <l rend="indent1">Defend her freedom and her fame;</l>
               <l>See no usurper frames her laws,</l>
               <l rend="indent1">And brand her glory with his name.</l>
            </lg>
            <pb id="p247" n="247"/>
            <lg type="stanza">
               <l>I ask no tribute to my bier,</l>
               <l rend="indent1">While yet my country, suffering, weeps;</l>
               <l>Point but thy sword, and say—Lo! here,</l>
               <l rend="indent1">The mother of the Gracchi sleeps.</l>
            </lg>
         </div1>
         <div1 type="poem" id="d0e7913">
            <head type="main">Natural Affections.</head>
            <epigraph>
               <cit>
                  <q direct="unspecified">
                     <lg type="fragment">
                        <l rend="indent2">"And this our life, exempt from public haunt,</l>
                        <l rend="indent2">Finds tongues in trees, books in the running brooks,</l>
                        <l rend="indent2">Sermons in stones, and good in every thing."</l>
                     </lg>
                  </q>
                  <lb/>
                  <bibl>SHAKSPEARE.</bibl>
               </cit>
            </epigraph>
            <lg type="stanza">
               <l>I LOVE the trees, the forest trees,</l>
               <l rend="indent1">Waving their heads on high;</l>
               <l>For, as their leaves fall by the breeze,</l>
               <l rend="indent1">They tell us all must die!</l>
            </lg>
            <lg type="stanza">
               <l>I love the flowers, the summer flowers,</l>
               <l rend="indent1">Of every hue and shade,</l>
               <l>Though bright from showers, in winter hours,</l>
               <l rend="indent1">They tell us all must fade.</l>
            </lg>
            <lg type="stanza">
               <l>I love the streams, the fair blue streams,</l>
               <l rend="indent1">Which through the valleys stray;</l>
               <l>Their sparkling gleams, like morning dreams—</l>
               <l rend="indent1">Like us they pass away.</l>
            </lg>
            <lg type="stanza">
               <l>I love the field, the fresh green field,</l>
               <l rend="indent1">With verdant carpet spread;</l>
               <l>To earth we yield, when death hath sealed</l>
               <l rend="indent1">The weary, wo-worn head.</l>
            </lg>
            <pb id="p248" n="248"/>
            <lg type="stanza">
               <l>I love the sea, the boundless sea,</l>
               <l rend="indent1">The dark, unfathomed deep;</l>
               <l>Home of the free! the grave we see</l>
               <l rend="indent1">Where thousand treasures sleep.</l>
            </lg>
            <lg type="stanza">
               <l>I love the stars, the evening star,</l>
               <l rend="indent1">Which lights the ethereal dome;</l>
               <l>Though seasons war, it shines afar,</l>
               <l rend="indent1">And guides us to our home.</l>
            </lg>
            <lg type="stanza">
               <l>I love the moon, the shining moon,</l>
               <l rend="indent1">Its gift—the silver light;</l>
               <l>Though pale at noon, the day's last boon</l>
               <l rend="indent1">To cheer the waning night.</l>
            </lg>
            <lg type="stanza">
               <l>I love the sun, the glorious sun,</l>
               <l rend="indent1">From Heaven the high bequest;</l>
               <l>The day is done, its race is run,</l>
               <l rend="indent1">Like it we sink to rest:</l>
            </lg>
            <lg type="stanza">
               <l>Like it to rise—to rise again</l>
               <l rend="indent1">In realms beyond the sky,</l>
               <l>Where, free from pain, we there shall reign;</l>
               <l rend="indent1">Then who would fear to die?</l>
            </lg>
            <lg type="stanza">
               <l>Trees, flowers, and streams—fields, stars, and sea,</l>
               <l rend="indent1">To nature's changes true;</l>
               <l>Emblems to all mortality,</l>
               <l rend="indent1">Omnipotent to view.</l>
            </lg>
         </div1>
         <div1 type="poem" id="d0e8020">
            <pb id="p249" n="249"/>
            <head type="main">On the Mast of the Victory.</head>
            <opener>ON SEEING THE MAST OF THE VICTORY PRESERVED, SURMOUNTED BY THE BUST OF NELSON, IN THE HALL OF WINDSOR CASTLE.</opener>
            <lg type="stanza">
               <l>HERE stands the perforated mast!</l>
               <l rend="indent1">A ball has pierced it through,</l>
               <l>Hurling destruction as it past,</l>
               <l rend="indent1">And then the victor slew!</l>
            </lg>
            <lg type="stanza">
               <l>Majestic branches, from it torn,—</l>
               <l rend="indent1">Lord of the forest trees!</l>
               <l>Are withered now, and it has borne</l>
               <l rend="indent1">"The battle and the breeze."</l>
            </lg>
            <lg type="stanza">
               <l>Its verdant leaves—their shade once spread</l>
               <l rend="indent1">In sylvan woodland green—</l>
               <l>Around it, too, have heroes bled,</l>
               <l rend="indent1">When carnage was the scene!</l>
            </lg>
            <lg type="stanza">
               <l>Once, from its giddy, towering height</l>
               <l rend="indent1">The youthful seaman brave,</l>
               <l>Beneath it saw, with pride elate,</l>
               <l rend="indent1">His home—perchance his grave!</l>
            </lg>
            <lg type="stanza">
               <l>Thus reigning over flood and field,</l>
               <l rend="indent1">Amid this pomp and state,</l>
               <l>It Nelson's glories hath revealed,</l>
               <l rend="indent1">And now stands desolate.</l>
            </lg>
            <pb id="p250" n="250"/>
            <lg type="stanza">
               <l>And well the <emph rend="italic">Victory</emph> upholds</l>
               <l rend="indent1">The sightless block of stone,</l>
               <l>Which, of the sculptor's art, unfolds</l>
               <l rend="indent1">A monument alone.</l>
            </lg>
            <lg type="stanza">
               <l>Victorious conquest crowned its name,</l>
               <l rend="indent1">As monarch of the flood;</l>
               <l>And here it fills a niche in fame—</l>
               <l rend="indent1">A shattered piece of wood!</l>
            </lg>
         </div1>
         <div1 type="part" id="d0e8093">
            <head type="main">Grand Field-day in Dublin.</head>
            <epigraph>
               <cit>
                  <q direct="unspecified">
                     <lg type="fragment">
                        <l rend="indent2">"Lord of the mighty heart and mind,</l>
                        <l rend="indent3">And theme of every song,</l>
                        <l rend="indent2">Brave, mild, and meek, and merciful,</l>
                        <l rend="indent3">I see thee bound along;</l>
                        <l rend="indent2">Thy helmet plume is seen afar,</l>
                        <l rend="indent3">That never bore a stain,</l>
                        <l rend="indent2">Thy mighty sword is flashing high,</l>
                        <l rend="indent3">Which never fell in vain."</l>
                     </lg>
                  </q>
                  <lb/>
                  <bibl>ALLAN CUNNINGHAM.</bibl>
               </cit>
            </epigraph>
            <p>DURING the late Lieutenancy of his Excellency the
Marques of Anglesey, no place in the three kingdoms
presented gayer quarters for the military than the
city of Dublin. The splendour of the vice-regal
court, where they are well received,—the extent and
beauty of the Phoenix Park, surpassing every other
for parade or review, with the renowned hospitality<pb id="p251" n="251"/>of the inhabitants, to which there is easy access,—the life, wit, animation, and kindness of her people,
give this city the decided advantage over every other,
not more from its beautiful and central situation,
than from its being the metropolis of the gayest of
the three kingdoms.</p>
            <p>It was the anniversary of the Battle of Waterloo,
about three years ago. At the time, there were a
number of regiments quartered in and about Dublin;
indeed, the whole island never was so well guarded,
for some political changes had made this requisite
for the better maintenance of good order, the
preservation of the peace, and the further protection
of all well-disposed people; so that every tenth man
you met was a soldier!</p>
            <p>To those unaccustomed to the "pomp and circumstance of glorious war," a grand field-day, and sham-fight, reviewed by the noble Marquis, on the fifteen acres, was, in these "piping times of peace,"
a great attraction; and, to do further honour to the
day, marquees were erected on the lawn before the
Vice-regal Lodge, for a sumptuous public breakfast,
to which all the nobility and gentry were invited.
The principal marquee was expressly for his
Excellency and staff, and surmounted by the royal
standard. Military bands were stationed in every
direction; and, there being only a sunk fence
between the lawn and the carriage-drive, the public
who visited the Park had a full view of the animated
scene. The day was delightful, the sky serenely<pb id="p252" n="252"/>blue. The spring verdure of the grass, and the
scent of the hawthorn blossom on the breeze, added
a variegated charm to the moving mass of glittering
arms, accoutred troops, floating banners, and richly
caparisoned horses. Every vehicle was put in
requisition, from the coroneted carriage and four,
to the ricketty jaunting-car and superannuated
Rosinante,—gigs, cabs, pony-phætons, britskas, and
the open Swiss carriage,—for no place abounds
with a greater variety of vehicles. Equestrians and
pedestrians were all on the move, like the rushing
tide, to the Park. Ladies and lovers, baronets
and beer-barrels, donkeys and drays, sweeps and
swindlers, pickpockets and footpads, all helped to
make up the throng, in which beauty and bravery
predominated; and, in truth, the youth, gaiety, and
fashion of the city could not have had a finer or
fairer opportunity of display. Every carriage was
drawn up into the line and opened. The ladies
were invariably as well plumed as the military on
the field, and the martinets of the army were in their glory.</p>
            <p>The Marquis, when Earl of Uxbridge, was once
the flower of the British court,—"the glass of
fashion and the mould of form, the observed of all
observers,"—a young, handsome, and brave nobleman. Time had paid his visit, and health had taken
her departure; and now his appearance indicated
that a great change had taken place, for the toils of
war, the anxieties to please every body in the high<pb id="p253" n="253"/>station he then filled, with the pain he endured from
the loss of his limb, and other causes, had thrown a
shade of asperity over his fine countenance <hi rend="italic">"which had no business there!"</hi> It was more cynical than beautiful; more austere than kind; but his bearing
was still noble, and, in his favourite hussar uniform,
he still looked the hero.</p>
            <p>The immense line formed was now broken, and
the different regiments commenced forming solid
squares, charging and skirmishing; horse regiments
prancing, sharp-shooters lying in ambush, firing
from behind groups of trees or mounds of earth
among young plantations, or from the thicket of
hawthorn shrubs. Aids-de-camp were seen galloping
in all directions. Cannons firing, trumpets sounding,
drums beating, colours flying, and cymbals clashing
with artillery on the moor, gave the pleasant idea of
war without its horrors. It was an exciting and
beautiful sight. We had not to retrace our steps,
as many of those brave men had done, over fields
deluged in human blood, or to walk over the remains
of mutilated comrades, slaughtered on the field of
battle. We were spared the degradation of seeing
our own sex plundering the dying victim of the few
relics which duty, love, or veneration, had taught
him to preserve, whose life she might have saved
even then; we were spared the pang of seeing heroes
who had been examples to the world—veterans in
the fight—the friends of our youth—and the relatives
of our hearts, stretched on the ground, the vital<pb id="p254" n="254"/>stream gushing from the sabre gash wound in the
pale features which had once shared our sympathies,
and were by every tie endeared.</p>
            <p>Our vehicle had been drawn up near to the elevated
ground occupied by the Lord-lieutenant and his
staff, the better to hear the bands of music of each
regiment as they passed before his excellency; and
I could not help remarking the deep shade of thought
and feeling which passed over his countenance as
some popular air was played which had its association and inspiration with the battle of Waterloo. It seemed to awaken the memory of the dead, or regret
for the loss of those who had shared with him in
the horrors and glories of that scene of carnage and
victory. Such is the power of music. It revives
dormant sparks of feeling, and quickens the woes of
the brave. It is a fact well known, that the sweet
strain of "Logan's Braes" has started the tear in
the eye and unmanned for a moment the heart of
more than one brave officer, in distance, and amid
the clang of arms, when by the two first bars of the
simple but inspiring air of "Johnny Cope" he was
a soldier and himself again!</p>
            <q direct="unspecified">
               <lg type="stanza">
                  <l rend="indent2">"Her precious record of the past</l>
                  <l rend="indent3">Fond Memory oft conceals,</l>
                  <l rend="indent2">But Music, with her master-key,</l>
                  <l rend="indent3">The hidden volume steals.</l>
               </lg>
               <lg type="stanza">
                  <l rend="indent2">The loves—the friends—the hopes of youth</l>
                  <l rend="indent3">Are stored in every leaf;</l>
                  <l rend="indent2">Oh! if I weep to hear that strain,</l>
                  <l rend="indent3">'Tis not the tear of grief."</l>
               </lg>
            </q>
            <pb id="p255" n="255"/>
            <p>Was it to be expected that the exhilarating scene I
have just attempted to describe had not its charms
for two young and lovely girls, just emancipated from
a boarding-school and the thraldom of a governante?
Was it to be supposed, that, in the attention of the
aids-de-camp, and that more particularly of Captains
Cecil and De Burgh, the beautiful daughters of
Colonel Milton could not help feeling pleased—
delighted—nay, happy, and that the mild and gentle
Clara and merry-hearted Johanna, should not feel
more than proud of the distinguished introduction
to the noble Marquis, and feel honoured by the kind
smile and salutation of the Vice-Regent of Ireland,
who, with that urbanity of manner and true aristocratical dignity, in displaying a marked attention to them in honour of their veteran father, impressed
them with the idea, that there was no profession
like the army, and that <hi rend="italic">"none but the brave deserve the fair!"</hi>
            </p>
         </div1>
         <div1 type="part" id="d0e8166">
            <head type="main">A Good-natured Old Bachelor.<lb/>A SKETCH.</head>
            <epigraph>
               <cit>
                  <q direct="unspecified">
                     <lg type="fragment">
                        <l rend="indent3">"Now is the winter of our discontent</l>
                        <l rend="indent3">Made glorious summer by this</l>
                        <l rend="indent3">Son of New York!"</l>
                     </lg>
                  </q>
                  <lb/>
                  <bibl>MATHEWS'S VERSIONS OF SHAKSPEARE.</bibl>
               </cit>
            </epigraph>
            <p>NOTHING less than a general illumination, bonfires,
fireworks, or other demonstrations of joy by confla-<pb id="p256" n="256"/>gration could exceed the bustle, preparation, and
consternation created by the anticipation of the
expected arrival of one little, lonely individual;—
no greater fuss could be made in the event of a visit
from a royal duke, and I marvel whether even majesty
itself could awaken half the industry so minutely
displayed in the little cottage of comfort occupied by
the fair, but fading sisters of Scottish extraction,—
the two solitary spinsters,—the <sic corr="Mesdames">Messdames</sic> M'Faden.
No house ornèe or mansion in the king's dominions
ever had such a time of it, such furnishing and furbishing, such rubbing and scrubbing, such ranging and changing. Every thing in the shape of goods
and <sic corr="chattels">chattles</sic> underwent an earthquake—<foreign lang="lat">
                  <hi rend="italic">pro temp.;</hi>
               </foreign>
all was placed with precision in apple-pie order,
and all to greet the gray twinkling eye and little curly
pig-tail (by the by, one of the last of the lot) appertaining to the kind, but weather-beaten visage of one of those <foreign lang="lat">
                  <hi rend="italic">rara avis in terris,</hi>
               </foreign>—a good-natured old bachelor.</p>
            <p>He was an American by birth, and truly national;
had maintained his independence in a single state to
the reflecting age of fifty. Educated in England, he
was left an orphan, when some good-natured friend
of his father did, as they generally do with all boys
with whom they know not what to do, sent him to
sea. Some are even too bad for any thing: the
saying, "nothing never in danger," did not apply
to Master Jeremy Gentle, for he was a good little
fellow, and in one country or another always turned
up alive.</p>
            <pb id="p257" n="257"/>
            <p>I have often remarked, that those boys who had
to depend solely on their own individual exertions
frequently became brighter men, and got through the
world much better than those who have had connexions and fortunes to back them; and that many a youth has dissipated a fortune before he knew
intrinsically the value of a shilling. Our hero,
Jeremy, being of a placid and deliberate disposition,
coolly, and with true courage, fought his way to
promotion amidst the skirmishes on the French and
Spanish coasts during the war; and from a middy
he was made lieutenant. Rank was a difficult ladder
to climb; "he fought and conquered," and was
rewarded accordingly. He had a slight sabre gash
under his left eye, which gave him a very knowing
look; and one little bald spot on his head he ingeniously endeavoured to cover, by coaxing a few of the neighbouring locks over it. Some hinted that he
had tried Macassar to restore it, but the wounded
place would not stoop to any such modern means of
culture and restoration. He was taken by the enemy,
and cultivated his understanding by every possible
means within his reach, within the bars of a French
prison, for the tedious term of seven long years.
This was no bar to his acquiring some knowledge
and some few accomplishments from the better part
of those amusements which grace, and too frequently
disgrace, the interior of a prison. He read, when
he could get any thing to read, from the <foreign lang="fre">
                  <hi rend="italic">Journal des Debats</hi>
               </foreign> to a cookery book; played the flute by ear,<pb id="p258" n="258"/>for he had few <hi rend="italic">notes,</hi> and those not in the <hi rend="italic">right key,</hi>
or he might have breathed the air of liberty, which
would have been less grating to his ear than the
"Galley Slave," which he attempted by puffing and
blowing in trying to extort from the instrument.
He learned also to play chess, fry an omelet, train
canaries, and knit night caps. Upon his liberation
he sought the country, as men generally do after a
long captivity, for there is something very grateful
in the external beauties of nature, such as forests,
rivers, fields, and flowers, particularly after a
septennial study of a portion of its internal treasures,
in the form of blocks of stone, and iron, tortured by
the ingenuity of man into uncomfortable looking
locks, bolts, and bars.</p>
            <p>With the little property left by his parents, reserved
prize-money, together with his half-pay, he retired
to a pleasant lodging in the village of Everton; it
then was a village, not, as now, a line of miniature
palaces, or like a street walked out of town. He
disliked innovations, and for this reason persisted
against all rules of fashion in wearing a pig-tail, the
old naval custom, broad lapelles, cocked hat, flapped
waistcoat, and shoe buckles. Among other pleasant
society, he was introduced to the aforesaid two
maiden gentlewomen, who, like himself, were solus
in the world, and vegetating upon a small annuity.
Congenial minds soon became acquainted: he became
domesticated with them, and upon every important
occurrence, "the Captain," as he was usually<pb id="p259" n="259"/>called, was sent for. Whether it related to ship,
house, garden, stable, or sty, his veto must be had.
From having seen more of the world than they, he
had become quite their "Sir Oracle;" and his
advice asked upon all occasions. In fact, he was
the factotum of the place; to them he was the acme
of perfection, the Ude of cookery, the Abernethy of
surgery, the Crichton of accomplishments, and the
Belvidere in their eyes of beauty,—nobody like the
captain. Once in his time he had loved the daughter
of the purser, but she married during his imprisonment, and he never again permitted the tender passion to agitate his gentle bosom. At that time
he thought of women as mere appendages; and if a
girl knew the geography of her home, the longitude
and latitude of a stocking, and the mathematical
parts of a pudding, it was quite sufficient. He now
thought differently, and that companionable qualities
were indispensable with their servitorship. In the
elegant and cheerful society of these accomplished
women he saw nothing to condemn, but much to
admire in mind and manner, a great deal to prefer,
add all to respect. Yet, yet "he never spoke of
love," but each fancied herself she might in time
become the object. He was exceedingly good-humoured; as a proof of which, he would lead the plainest and most ancient belle in the room in the
side couple through a quadrille, lest she should fancy
herself neglected. By this rule he established his politeness.</p>
            <pb id="p260" n="260"/>
            <p>He would give you two men at draughts or backgammon, and let you beat him; and always had honour enough at cribbage to remind you, that you
had omitted to take one for your last card. But,
above all, his grand <foreign lang="lat">
                  <hi rend="italic">desideratum</hi>
               </foreign> of happiness, nay,
his chief delight, was to wind up the enemy with a
snug rubber at whist; here he was himself, and sometimes not himself, for, notwithstanding his excellent temper, truth must be spoken when every one has
his fault,—here was his—here he lost all command.
The quaint <foreign lang="lat">
                  <hi rend="italic">summum bonum</hi>
               </foreign> of all provocatives was
a revoke: he could not bear it; he said it showed
heedless folly and want of forethought; he would
hardly forgive not returning his lead, but this he
could not forget. Yet, here was a man, who would
absolutely return you your queen at chess, when, by
an unintentional or inadvertent move, you thought
you had lost her; who would caution you of a
knight or castle in danger, and permit you to give
him checkmate with his eyes wide open, who could
not, upon any terms, bear a revoke at whist! How
wickedly, how frequently and purposely have I
committed this offence, just for the pleasure of
seeing the scarlet drapery of rage festoon his physiognomy, and the little pig-tail hop about, with the
irritable movement of the head, from shoulder to
shoulder, for mischief will perambulate the pericranium at times for mirth's sake.</p>
            <p>An amphibious feeling, with the straggling idea of
an estate belonging to his late father, together with<pb id="p261" n="261"/>the most natural of all feelings—to see once more
the land of his birth, induced him to cross the
Atlantic. He took his farewell of the ladies, with a
promise to write to them from New York. They
regretted his departure with much sincerity, and
hope whispered he might, on his return, become one
of their household gods.</p>
            <p>Two years had elapsed, when the <sic corr="Mesdames">Messdames</sic>
McFaden received the joyful intelligence, that he
had recovered his estates, sold them, and intended
returning to England in November. Great was the
news! important the event! and still greater the
preparation in expecting him to become their inmate.
When the signal announcing the arrival of the vessel
was visible through the almost worn-out telescope,
hearts were beating double quick time, nay, eyes
glistened with delight. A polite note to them,
which preceded a coach, assured them of his safe
arrival; the <sic corr="Mesdames">Messdames</sic> met him at the door with
extended hands to welcome him. The steps put
down, he stepped out, and, O tell it not in Gath,
turning round, handed out and introduced—his
wife! There was a blank leaf for the two "lone
ones left to pine on the stem." There was a
downfall of all their golden dreams of protection and matrimony!</p>
            <p>He had met with the young fair Bostonian at the
house of her guardian, a merchant in New York,
and by his insinuating address had prevailed upon
her to accept his hand and fortune, and accompany<pb id="p262" n="262"/>him to England. She was a pleasing girl, and when
the <sic corr="Mesdames">Messdames</sic> looked at her in comparison with
themselves, they hung their diminished heads, and
confessed the power of beauty. Mr. Jeremy Gentle
established himself in a villa near to them, lived
respectable, and died happily, leaving his young
widow and two sons to lament his loss, all well
provided for. And thus set the <hi rend="italic">Son of New York,</hi>
and with him the air-built hopes, expectations, and
preparations of the amiable, and now venerable
spinsters, the <sic corr="Mesdames">Messdames</sic> McFaden.—<foreign lang="lat">
                  <hi rend="italic">Sic transit gloria mundi.</hi>
               </foreign>
            </p>
         </div1>
         <div1 type="poem" id="d0e8262">
            <head type="main">The Grecian Mother.</head>
            <epigraph>
               <q direct="unspecified">
                  <lg type="fragment">
                     <l rend="indent2">"'Tis Greece—but living Greece no more."</l>
                  </lg>
               </q>
            </epigraph>
            <lg type="stanza">
               <l>THERE are no songs in Thessaly!</l>
               <l rend="indent1">Olympus! from thine hill</l>
               <l>Hush'd is the harp of melody:</l>
               <l rend="indent1">On Pindus all is still.</l>
            </lg>
            <lg type="stanza">
               <l>The Orphean strain of harmony</l>
               <l rend="indent1">From timbrel, lyre, and lute,</l>
               <l>The clang of war has silenced now,</l>
               <l rend="indent1">And sounds of peace are mute.</l>
            </lg>
            <pb id="p263" n="263"/>
            <lg type="stanza">
               <l>"Zethus! my brave and valiant son,</l>
               <l rend="indent1">Gird on thy warlike sword;</l>
               <l>The Thessalonians wait for thee,</l>
               <l rend="indent1">Their signal is thy word.</l>
            </lg>
            <lg type="stanza">
               <l>"From potentates in Moslem chains,</l>
               <l rend="indent1">My Grecian hero seeks,</l>
               <l>Our country's thraldom to oppose,—</l>
               <l rend="indent1">The freedom of the Greeks.</l>
            </lg>
            <lg type="stanza">
               <l>"Haste, ere the foreign ruler come,</l>
               <l rend="indent1">Thine armour buckle on,</l>
               <l>Usurpers stay in their career,—</l>
               <l rend="indent1">To Athens on, my son!</l>
            </lg>
            <lg type="stanza">
               <l>"Haste, ere their banners deck our walls,</l>
               <l rend="indent1">Their footsteps mark our shore!</l>
               <l>Haste, ere they levy on our coin,</l>
               <l rend="indent1">And we are free no more!</l>
            </lg>
            <lg type="stanza">
               <l>"The waters of Deucalion's age</l>
               <l rend="indent1">May deluge all the land;</l>
               <l>May sweep away our Argonauts,</l>
               <l rend="indent1">The mountain where we stand.</l>
            </lg>
            <lg type="stanza">
               <l>"Yet, to the Mighty One we yield,</l>
               <l rend="indent1">Though famine spread its sway;</l>
               <l>Aught we will bear becoming us,</l>
               <l rend="indent1">But tyrants ne'er obey."</l>
            </lg>
            <pb id="p264" n="264"/>
            <lg type="stanza">
               <l>And thus the Grecian matron spoke,</l>
               <l rend="indent1">Inspired by freedom's name,—</l>
               <l>"Go forth, my son, a conquerer,</l>
               <l rend="indent1">For Thessaly and fame!"</l>
            </lg>
         </div1>
         <div1 type="part" id="d0e8353">
            <head type="main">The Students.</head>
            <epigraph>
               <q direct="unspecified">
                  <lg type="fragment">
                     <l rend="indent3">"Black spirits and white,</l>
                     <l rend="indent3">Red spirits and gray."</l>
                  </lg>
               </q>
            </epigraph>
            <p>THERE is nothing so desirable as occupation. The
want of it, to an active mind and quick imagination,
amounts almost to a calamity. Employment to the
mind is like health to the body; yet our habits of
industry, although pursued with the <hi rend="italic">best intentions,</hi>
are often slighted, our plans of order and regularity
subverted, by some silly prejudice or over fastidious
folly; and, to prevent loss of time, it may be as well
to study reflection before occupation.</p>
            <p>There were two brothers, students in the elegant
and refined arts of modelling and sculpture, alike
enthusiasts in their profession, both endowed with
talent, taste, judgment, and indefatigable industry.
To be consistent, we will give them their classical
appellations, in compliment to the fine arts, rather
than the common-place names of William and
Richard. Ricardus was a mild, amiable, unassuming
youth, "slow to anger," unambitious, and most<pb id="p265" n="265"/>deserving of Fame's highest reward. Gulielmo was
a die of another cast. Passionate, daring, ambitious,
young, handsome, and spirited, he thought "this
world was made for Cæsar." With the mind of an
eagle and the courage of a lion, he boldly stepped
forward in the world's space, and maintained his
ground of independence by energy and application.</p>
            <p>They had chosen for themselves a study in the
upper part of the house, apart from domestic
intrusion, household noise, and, as they were pleased
to add, the voice of women. For any of the family
to attempt to gain admittance into this <foreign lang="lat">
                  <hi rend="italic">sanctum sanctorum</hi>
               </foreign> would have been as vain as Captain
Parry's voyage to the North Pole, or Napoleon's
effort to cut through the Isthmus of Suez. No
entreaties, no persuasions, could induce the artists
to suffer invasion from the domestics, or permit the
customary ablutions and requisite attentions to
cleanliness which the other part of the house underwent daily and weekly. So great a dread had they of their territories being invaded by the "helps" of
the establishment, that they always took care to lock
the inside when they were in, and the outside when
they went out.</p>
            <p>Had they lived in the days of Frankenstein, we
should not have been surprised to see a plaister
cast figure of Medusa endowed with Promethean
fire, stalk down stairs to fright the women kind;
for it was death, or further punishment, to them to
be seen even on the same landing. Months rolled<pb id="p266" n="266"/>on, and still the brothers studied in direct opposition
to all offers, and deaf to all remonstrances "to
cleanse the Augean stable." This feeling is peculiar
to most studious persons: whether poets, authors,
or painters, they object to their papers being disarranged by those who have the organ of order in "setting all to rights." They dislike the uniformity
system, and prefer the heterogeneous medley of
accumulated dust and lumber, to the quaker-like
neatness of precision, comfort, and cleanliness.</p>
            <p>It happened one morning, after a sun-rise study,
that the brothers were called hastily away, and,
fortunately, left, by mistake, the key in the study
door. Here was a glorious opportunity, not to be
lost, of storming the garrison, exploring, cleansing,
and putting to rights what had been wrong so long!
A certain favourite sister, who now made the long
wished-for discovery, called a council of war, with a
determination to act on the propriety of entering the
enemies' citadel. Accordingly, the whole phalanx
of housemaids, buckets, and brooms were put in
requisition, and the mischievous girl felt no little
pleasure in "marshalling the order of their going."</p>
            <p>The curiosity of Blue Beard's wives could not
have been more gratified. On opening the door,
casts, busts, books, models, and mutilated statuary
lay in the most uninteresting confusion. The
Torza, shaded by a morning dressing-gown, and the
Laocoon, peeping from under a travelling cap: the
lay figure hung on the easel in the most despairing<pb id="p267" n="267"/>attitude: sages, statesmen, and philosophers occupied the top of the bookshelves, thickly shaded with dust, and were united together by innumerable
festoons of cob-webbed drapery: spiders, long and
short-legged, reigned undisturbed in many an
Etruscan, Portland, and Medicean vase. The
Gladiator seemed extending his sinewy arm in
offering the flimsy drapery which the industrious
insect had woven from it to "Niobe drowned in
tears" beside him; and the statue "which enchants
the world" was thickly enveloped in a redundancy
of drapery of the same material. The Iliad of
Homer was open on the table, and a chalk drawing
of the parting of Hector and Andromache, unfinished,
was near it. On the floor were piled up books,
portfolios, pallets, blocks of Parian, Carara, and
Mona marble, lumps of clay, and "all the
appliances and means to boot" of the modeller and
sculptor. One closet was still locked, and impenetrable; but, from some anatomical drawings strewed about, it was strongly suspected the originals,
instead of being "in that bourne from whence no
traveller returns," were, what remained of their
remains, locked up therein. These suspicions were
not expressed in fear of awakening superstitious
ideas in the minds of the ignorant, to the prejudice
of the absent artists: no time was to be lost; and,
allowing her respect for the living to gain the
ascendancy over her reverence for the dead, the
sister took first from the bracket the bust of Roscoe,<pb id="p268" n="268"/>next in succession Byron, Canning, and all those
she knew something about, taking most especial care
of them; while the ancient worthies and warriors
she left to the care of the servants. And, while
they were cleaning and removing the lumber, the
busy sister thought it would be an act of charity to
wash the dirty faces of the tenants of the prison-house, and to let them appear once again, in the
eyes of the world, <hi rend="italic">decent people.</hi> So, making those
preparations that she had seen the nursery-maid of
her own anti-malthusian parents prepare, on a
Saturday night, in particular, for the weekly ablutions of the minor branches, she commenced operations on the busts. For the better purpose of
getting out the dust, she did not scruple to use a
shaving-brush to the beard of Homer. The head of
Socrates she polished, and once more made a <hi rend="italic">shining</hi>
character of; and all the ridges of plaister on the
bust of Voltaire she pared down, with a penknife,
to a proper level. All this she did with the best
intention, and with the idea of promoting her
brothers' comfort. Having replaced the busts,
upon the servants announcing that all was "put to
rights," she withdrew, having heard Gulielmo's
knock at the door, and, with a light heart, prepared
herself for his joy at the change. On his opening
the door, one of those unruly bursts of passion broke
out in no measured phrase. She distinctly heard
"Plague of creation!" "Tormentor!" "Nuisance
of society!" "Cause of Troy's ten years' war,—
woman!" Banging the doors after the manner of all<pb id="p269" n="269"/>passionate people, and ringing the bell, he summoned
the innocent culprit before him. With a frown, and
in a higher tone than usual, he cried out, "Pray,
who has been here, disturbing my study?" "Rather
ask," replied the sister, "to whom you are indebted
for cleaning and placing all in proper order, and to
whom your thanks are due." "Thanks, indeed!
How dare you displace any thing, or admit those
pests of society, those kitchen guests, here? Where
are all my shades of dust gone, which, for the sake of
shades, I have been so anxious should accumulate?
Where are the outlines of the casts gone? All
scraped down: all spoiled!" A few words more
passed, such as usually do with brother and sister;
and the young lady, recollecting that "the better
part of valour was discretion," thought fit to beat a
retreat, and leave the high-spirited youth to his
soliloquy, hoping to have a more grateful return
from Ricardus, who had more of the <foreign lang="lat">
                  <hi rend="italic">suaviter in modo</hi>
               </foreign>
about him. He admitted the justice of her intentions,
but even <hi rend="italic">he</hi> would rather she had let the study
alone. Turning to Gulielmo to appease his wrath,
he said, "Never mind; I will punish her."</p>
            <p>Days passed on, and the poor girl pondered in her
own mind what this punishment was to be; but, as
he usually greeted her with kindness and good-nature, she began to think he had forgotten his promise. One evening, about dusk, Ricardus gave
her the key of his study, and also the key of the
impenetrable closet within, saying, "Sister, there is
a letter for you in the closet, which I have forgotten<pb id="p270" n="270"/>to give you; go and fetch it." The delighted girl
ran up stairs with great glee, and opening the door
of the former scene of contention, with the talisman
prepared to <hi rend="italic">open sesame,</hi> she unclosed the long door.
Upon reaching to a paper, she observed a human
skull; and, before she could secure the supposed
letter, found herself clasped in the bony arms of a
skeleton! That she screamed loudly and raised the
house, my readers cannot doubt; and that she also
endeavoured to extricate herself from the grasp of
the death-like being; but, by the springs which the
ingenuity of her brother had united to the figure,
she was, in the too powerful aid of machinery for her
poor feeble strength to contend with, pale with fright
and sobbing with hysterics. Her brother now
released the fainting girl, when he made her promise
that nothing should ever induce her to intrude there
again, and that she should resolve to keep her <hi rend="italic">best intentions</hi> to herself for the future, and not allow
the organ of order to interfere with their ideas of
studious comforts. This she promised: and, for
their ingratitude, unkindness, and the fright altogether, she made a resolution never to waste her time in useless employment; never to engage herself in a
thankless occupation; and never to do a kind action
again, with the <hi rend="italic">best intention,</hi> without reflection, while she lived.</p>
            <q direct="unspecified">
               <lg type="stanza">
                  <l rend="indent3">'Mid moths and cobwebs some explore,</l>
                  <l rend="indent3">The antique page of classic lore;</l>
                  <l rend="indent3">Dust though we are, and soon may be,</l>
                  <l rend="indent3">It has no charm on earth for me.</l>
               </lg>
            </q>
         </div1>
         <div1 type="part" id="d0e8428">
            <pb id="p271" n="271"/>
            <head type="main">Reminiscences.</head>
            <epigraph>
               <cit>
                  <q direct="unspecified">
                     <lg type="stanza">
                        <l rend="indent2">"If every man's internal care</l>
                        <l rend="indent3">Were written on his brow,</l>
                        <l rend="indent2">How many would our pity share</l>
                        <l rend="indent3">Who claim our envy now!"</l>
                     </lg>
                  </q>
                  <bibl>—METASTATIO.</bibl>
               </cit>
            </epigraph>
            <p>"ONE half of the world knows not what the other
half suffers," said his Majesty on being first visited
by a twinge of the gout. So echoed his grace of
Wellington, when refused admittance to Almack's
by the fair elect who held sovereign sway therein.
And so responded "the Brummell" on seeing his
favourite cravat-tie imitated by his perfumer's son;
and so it was each fancied his own troubles the
greatest.</p>
            <p>"Corporeal suffering" admits no regal distinctions.
This our Sovereign well knew; for, in the multitudinous list of bodily afflictions, his complaint of the gout reigned supreme. All who endure it know it
to be no tantalizer or mocker of pain; it requires
none other auxiliary. But it is a royal malady,
therefore he bore it with the dignity of a king, and
the courage of a commoner.</p>
            <p>The noble duke's was a suffering of another
description. His was wounded pride and mortification. What!—he, the Achilles of the age, the conqueror of the conquered, the subduer of tyrants
and kingdoms, the "observed of all observers,"<pb id="p272" n="272"/>foiled by a woman!—a mere phalanx of furbelows
to out-Herod Herod,—the hero of Waterloo! Yes!
the victor of war was silenced by woman's voice
"in her little brief authority;" and he who had
overruled nations, and issued their fiat, patiently
endured his rejected fate, and for once was fairly
overruled. "Alas! there was more peril in their
eyes than in twenty other swords!"</p>
            <p>The beau's torture was a mortal wound to his
vanity. Hours, days, and sleepless nights had been
lost in the invention and construction of the beau's
incomparable <hi rend="italic">bow.</hi> All other ties, like Banquo's line,
passed on before the mirror and cheval-glass of his
adonizing <foreign lang="fre">
                  <hi rend="italic">boudoir:</hi>
               </foreign> but this, the <foreign lang="lat">
                  <hi rend="italic">ne plus ultra</hi>
               </foreign> of perfection, which beauty admired and royalty patronized, to be pirated by a vender of perfumes, a city knight of Otto and Cologne, a seller of scented
soap!—The idea was horrifying, and not to be
endured. With the shock he sunk in speechless
agony on an Ottoman, his pulse going at the rate
of one hundred and ninety-five by his Genevese
repeater. So, covering his face with an embroidered
white silk handkerchief, he exclaimed, "Is it come
to this?—"Oh! what a falling off was there!" and
banished himself, like Timon of Athens, from an
ungrateful world of fashion for ever.</p>
         </div1>
         <div1 type="poem" id="d0e8467">
            <pb id="p273" n="273"/>
            <head type="main">The Rivers.</head>
            <lg type="stanza">
               <l>RIVERS of India! ye are sacred,</l>
               <l rend="indent1">Thrice blessed to the poor Hindoo;</l>
               <l>By Ganges' streams he kneels in prayer,</l>
               <l rend="indent1">And to his God appeals through you.</l>
            </lg>
            <lg type="stanza">
               <l>Rivers of Afric! ye are fearful,</l>
               <l rend="indent1">Each wave brings pestilence and death;</l>
               <l>From Nilus to the Senegal</l>
               <l rend="indent1">There's poison in your liquid breath,</l>
            </lg>
            <lg type="stanza">
               <l>Rivers of Spain! deep, dark, and silent,—</l>
               <l rend="indent1">At eve swift skims the gondolier</l>
               <l>On Ebro or the Tagus stream,</l>
               <l rend="indent1">With serenading cavalier.</l>
            </lg>
            <lg type="stanza">
               <l>Rivers of France! clear, bright, and pleasant,</l>
               <l rend="indent1">The Seine, the Loire, or winding Rhone;</l>
               <l>Fring'd with the Pyrenean vine,</l>
               <l rend="indent1">Rolling its course, the dark Garonne.</l>
            </lg>
            <lg type="stanza">
               <l>Rivers of Erin! ye are flowing</l>
               <l rend="indent1">Through loughs, and vales, and fertile lands;</l>
               <l>The Liffey, Shannon, and the Boyne,</l>
               <l rend="indent1">Shine like emeralds on your sands.</l>
            </lg>
            <lg type="stanza">
               <l>Rivers of Scotia! ye are winding</l>
               <l rend="indent1">Where bonnie broom and brackens grow;</l>
               <l>The Forth, the Clyde, the Esk, and Tay,</l>
               <l rend="indent1">By fir-clad mountains softly flow.</l>
            </lg>
            <pb id="p274" n="274"/>
            <lg type="stanza">
               <l>Rivers of England! ye are dearest,—</l>
               <l rend="indent1">Our native land!—Oh! who would roam,</l>
               <l>An exile, from your fairest streams,</l>
               <l rend="indent1">While winding round an English home?</l>
            </lg>
         </div1>
         <div1 type="poem" id="d0e8535">
            <head type="main">Homeward Bound.</head>
            <epigraph>
               <cit>
                  <q direct="unspecified">
                     <lg type="stanza">
                        <l rend="indent2">"Pass we the joys and sorrows sailors find,</l>
                        <l rend="indent2">Looped in their winged, sea-girt citadel,</l>
                        <l rend="indent2">The foul, the fair, the contrary, the kind,</l>
                        <l rend="indent2">As breezes rise and fall, and billows swell,</l>
                        <l rend="indent2">Till on some jocund morn, lo! land! and all is well."</l>
                     </lg>
                  </q>
                  <lb/>
                  <bibl>CHILDE HAROLD.</bibl>
               </cit>
            </epigraph>
            <lg type="stanza">
               <l>YE whom domestic comforts cheer,</l>
               <l>Beholding all in life held dear,</l>
               <l>Know not the feelings, wild and strange,</l>
               <l>Of those who for subsistence range</l>
               <l>On ocean's broad and trackless deep;</l>
               <l>The waking vigils time will keep.</l>
               <l>The dark suspense, the doubts, the fears,</l>
               <l>The vain suppress of nature's tears,</l>
               <l>Of those whom fate ordains to roam,—</l>
               <l>The seamen on their voyage home.</l>
            </lg>
            <lg type="stanza">
               <l>Dear ties of nature death may rend,—</l>
               <l>Mayhap a parent, sister, friend,</l>
               <l>Or yet, the charm that gilds his life,</l>
               <l>Some anxious and beloved wife,</l>
               <pb id="p275" n="275"/>
               <l>With health impaired, or reason fled,</l>
               <l>She may be numbered with the dead;</l>
               <l>The "silver link," the pledge, the vow,</l>
               <l>The "silken tie" are nothing now:</l>
               <l>These thoughts alarm, on ocean's foam,</l>
               <l>The seaman on his voyage home.</l>
            </lg>
            <lg type="stanza">
               <l>Some power abused, or trust misplaced;</l>
               <l>Some friendship broken or disgraced;</l>
               <l>Some rude rebuke, or friend unkind</l>
               <l>To those dear loved ones left behind;</l>
               <l>Some gone, a distant course to steer,</l>
               <l>As Fortune's varied winds may veer;</l>
               <l>And prosperous wealth may bring neglect</l>
               <l>From those who late sought due respect:</l>
               <l>Hope's fickle visions hover round</l>
               <l>The hearts of all when homeward bound.</l>
            </lg>
            <lg type="stanza">
               <l>And now they gain their destined land,</l>
               <l>Quick meets the eye, and grasps the hand;</l>
               <l>In greeting with a well-known face,</l>
               <l>In sad foreboding seek to trace;</l>
               <l>Inquiring looks meet quick reply,</l>
               <l>And smiles displace the fearful sigh,</l>
               <l>Rejoicing in their hearts the while</l>
               <l>That all are spared to share their smile,</l>
               <l>The mind's relief,—how great to tell,</l>
               <l>On coming home to find ALL'S WELL!</l>
            </lg>
         </div1>
         <div1 type="part" id="d0e8640">
            <pb id="p276" n="276"/>
            <head type="main">The Sisters.</head>
            <epigraph>
               <cit>
                  <q direct="unspecified">
                     <lg type="stanza">
                        <l rend="indent2">"I saw them when their bud of life</l>
                        <l rend="indent3">Was slowly opening into flower;</l>
                        <l rend="indent2">Before a cloud of care or strife</l>
                        <l rend="indent3">Had burst above their natal bower;</l>
                        <l rend="indent2">Ere this world's blight had marred a grace</l>
                        <l rend="indent2">That mantled o'er each sparkling face."</l>
                     </lg>
                  </q>
                  <lb/>
                  <bibl>A. A. WATTS.</bibl>
               </cit>
            </epigraph>
            <p>THERE is so much incident and romance in the
realities of this life, that even a common observer of
its occurrences has no occasion to resort to fiction
for amusement, if it were only reflecting upon those
sage speeches which very wise persons sometimes
make, such as "I would not do this," and "I would
not do that," and "If it had been me I should have
done so and so," forgetting that we are all the creatures of circumstance, and all do not see with the same eyes,—fortunately having different tastes; or
that, in similar cases, they might have acted in the
self-same way: but we all know "Cupid is blind."</p>
            <p>"I would not marry a sailor," said the gentle Clara
Milton, "if every rope of his ship were strung with
pearls." "Nor I, if he brought me all the diamonds
the world ever produced," added her merry sister
Joanna. "Oh! to think in absence of high winds and
storms," said Clara. "Yes; but to think of pirates,
sharks and shipwreck," echoed Joanna, "were enough
to deter any one. They should have hearts of marble,
lungs of steel, and bodies of granite, who would ever<pb id="p277" n="277"/>think of such unions." "And this," I replied, "is
the model of your imagination of cold statuary you
would allot to the warm-hearted, generous sailors?"
But it was very natural they should think so, for of
all professions it is the one exposed to most hardships
and privations, and the hardest in contending with
the elements, in which a man has to struggle for
mere food and raiment to keep human nature, if
possible, decently together.</p>
            <p>After the review in the Park, where the carriage of
Colonel Milton had been surrounded by the military
knights errant of the day, it did not require a philosopher to decide the choice of the fair sisters in respect to their preference among the professions,
being convinced it was neither the black nor the
blue, consequently it must be the red, which was
confirmed. In speaking of Captain Cecil, Clara said.
"He was so intelligent, so clever, so well read; in
fact, he had studied the <foreign lang="fre">
                  <hi rend="italic">belle lettre."</hi>
               </foreign> "Oh, then here he is!" I exclaimed, on seeing the postman
approach, and thinking to banter my enthusiastic
friend. She blushed scarlet on finding the mistake,
saying, "How can you be so teasing?" "Why, is
he not well read?—look at his coat. A man of
information?—look at his budget. And that he is
a man of letters nobody can deny, and a servant of
the crown—servitude." This was "the unkindest
cut of all," and she thought papa ought to bring a
bill immediately into Parliament to prohibit scarlet
liveries or the colour being used in any way except<pb id="p278" n="278"/>in the army, and enacting that officers ought not to
be called his Majesty's servants.</p>
            <p>Poor girls! the world was new, bright, and beautiful to them. Their rank and station gave them opportunities of seeing life in its gayest colours. The
court and ball were not without their fascinations,
for, like the fairies, they thought that <hi rend="italic">roses bloomed for ever.</hi> And who would disturb such felicitous
ideas? Who would remind them of the thorns,—
which they may feel too soon,—by assuring them
that every state, station, and profession has its
attendant anxieties, cares, and vexations, and that
the one they preferred, in compliment to their father, was not exempt from all these.</p>
            <p>It is surprising how early opinions are formed. I
remember, when a child, remarking how beautiful a
peacock looked, with its long feathers sweeping the
lawn, and then spreading out like the variegated
rays of the sun. But when I saw a swan, its pure
white contrasting with the deep blue stream, its
graceful dignity, the ease and majesty with which it
skimmed the lake, I thought it appeared a more
noble bird, and for the command it had over the
aquatic element I gave it the preference. This had
its influence in matters of more consequence afterwards.</p>
            <p>Soldiers, like sailors, cannot afford much time to
lose in making up their minds when their intentions
are honourable, knowing delays are dangerous; and
the two letters the postman brought Colonel Milton<pb id="p279" n="279"/>were nothing less than two proposals for his daughters Clara and Joanna. Cecil was the soul of gaiety, while Clara was gentle and pensive. De Burgh was
serious and reflective, Joanna blythe as the lark;
and so were the <foreign lang="ita">
                  <hi rend="italic">allegro</hi>
               </foreign> and <foreign lang="ita">
                  <hi rend="italic">penseroso</hi>
               </foreign> happily blended in the two couple. The gentlemen were
accomplished, of high honour and just principles.
They knew the glitter of their dress had power over
the light hearts and vain eyes of those who admired
them for exterior adornments only, and that the
fascination of their manners could "while the birdies
off the bushes," had they chosen to be unprincipled
enough to exert this blandishment in a dishonourable cause; but, as they hoped to become husbands and fathers, they acted upon the grand law of doing
as they would be done by, and had no ambition to
become so renowned as to shine in the law reports,
"for the finger of scorn to point at," in the printed
columns of a newspaper: consequently, they had
never taken a wife from her husband, or robbed a
father of the services and duty of his child. They
had never endured court-martial for any breach of
discipline, or committed duelling from a false principle of honour,—were looked up to by their brother officers as models of excellence worthy of imitation,—
were religious men at heart, without making any
profession of it. Being unexceptionable in conduct,
Colonel Milton gave his consent cheerfully, for they
had never sought, either by clandestine interviews
or secret correspondence, to interfere with the duty<pb id="p280" n="280"/>of a parent in regulating the wishes of his children,
who were amiable and unsophisticated, and requited
well his care.</p>
            <p>It was now that brief portion of a lady's happiness
when relatives are all agreeable, friends given consent,
loves mutual, and the wedding day fixed,—when the
bridal preparations are alternately shadowed by the
regret "in leaving the home of their childish mirth,"
in bidding "farewell to their father's hearth,"—the
sisters' first and deep-felt sorrow.</p>
            <p>It is the custom of this country, in either burials
or weddings, to collect all friends; therefore the
meetings and greetings were numerous. I am a
dear lover of quietness on these occasions, and
advocate the most simple garb in all religious
ceremonies, thinking it more consistent with the
solemn compact; and, though all interest is past
with me in these affairs, I must not forget that I
have fair friends who would like to hear some particulars of costume on such occasions.</p>
            <p>The brides were attired in white tabinet, the
manufacture of the country. A string of pearls
adorned the head of Clara, over which she had
thrown a long blonde lace veil, the better to hide
her blushes and tears. A wreath of orange flowers
encircled the luxuriant curls of the happy Joanna,
whose buds and blossoms vied with her dimples.</p>
            <p>On returning from church, the carriages waited to
take them on an excursion to Wicklow, making the
Vale of Avoca head quarters. I will not enlarge<pb id="p281" n="281"/>upon the company, bridesmaids, &amp;c. or upon the
<hi rend="italic">cake,</hi> which was about the circumference of a <hi rend="italic">coach-wheel,</hi> and subject to much demolition before the company departed.</p>
            <p>Happy girls! may every blessing be theirs! These
are scenes of woe to me, for I cannot command a
thought apart from what may be the good or bad
result, nor help participating in the grief of an
anxious mother. I will still follow their fortunes,
and mark their destinies, for they are, and always
will be, interesting to me.</p>
            <p>I had nearly forgot to mention, they afterwards
were equipped in white hats, lancer feathers, and
ermine-lined crimson silk opera cloaks for the journey.
The hour of parting came,—the moment of trial.
The Sisters could not speak;—tears told the anguish
of separation, which has been well expressed in the
following verse by a modern poet:—<q direct="unspecified">
                  <lg type="stanza">
                     <l rend="indent3">"Farewell, mother! tears are streaming</l>
                     <l rend="indent3">Down thy tender pallid cheek!</l>
                     <l rend="indent3">I in gems and roses gleaming,</l>
                     <l rend="indent3">On eternal sunshine dreaming,</l>
                     <l rend="indent3">Scarce this sad farewell may speak.</l>
                     <l rend="indent3">Farewell, mother! now I leave thee</l>
                     <l rend="indent3">And thy love unspeakable,</l>
                     <l rend="indent3">One to cherish who may grieve me,</l>
                     <l rend="indent3">One to trust who may deceive me,</l>
                     <l rend="indent3">Farewell, mother! fare thee well!"</l>
                  </lg>
               </q>
            </p>
         </div1>
         <div1 type="poem" id="d0e8740">
            <pb id="p282" n="282"/>
            <head type="main">Stanzas.</head>
            <epigraph>
               <cit>
                  <q direct="unspecified">
                     <lg type="fragment">
                        <l rend="indent2">"————It may be a sound,</l>
                        <l rend="indent2">A tone of music, summer's eve, or spring,</l>
                        <l rend="indent2">A flower, the wind, the ocean, which shall wound,</l>
                        <l rend="indent2">Striking th' electric chain wherewith we're darkly bound."</l>
                     </lg>
                  </q>
                  <lb/>
                  <bibl>CHILDE HAROLD.</bibl>
               </cit>
            </epigraph>
            <lg type="stanza">
               <l>GIVE me again my favourite air</l>
               <l rend="indent1">You used to sing and play,</l>
               <l>In other days, unknown to care,</l>
               <l rend="indent1">When others heard the lay.</l>
            </lg>
            <lg type="stanza">
               <l>To us reviving thoughts of one</l>
               <l rend="indent1">Lov'd in those halcyon days,</l>
               <l>Whose voice, according in its tone,</l>
               <l rend="indent1">Then echoed in its praise.</l>
            </lg>
            <lg type="stanza">
               <l>Oh, no! that song, it must not be—</l>
               <l rend="indent1">It wakes a mournful theme,</l>
               <l>A sweet and early melody</l>
               <l rend="indent1">Of life's young morning dream.</l>
            </lg>
            <lg type="stanza">
               <l>To me it brings a world of pain,</l>
               <l rend="indent1">Though on thine ear it dwell</l>
               <l>For every note of that lov'd strain</l>
               <l rend="indent1">Sinks in my heart's deep cell.</l>
            </lg>
            <pb id="p283" n="283"/>
            <lg type="stanza">
               <l>Oh, worse than profanation now,</l>
               <l rend="indent1">Amid this glittering throng,</l>
               <l>To waste the pearls which brightly glow</l>
               <l rend="indent1">In that delightful song.</l>
            </lg>
            <lg type="stanza">
               <l>They know not of the sacred charm</l>
               <l rend="indent1">Its melody imparts:</l>
               <l>It would not of their mirth disarm,</l>
               <l rend="indent1">And fail to touch their hearts.</l>
            </lg>
            <lg type="stanza">
               <l>It would reveal the voice of those</l>
               <l rend="indent1">Time never can restore;</l>
               <l>Oh, then, let memory calm repose</l>
               <l rend="indent1">On those we meet no more!</l>
            </lg>
            <lg type="stanza">
               <l>But in the silent hour of eve,</l>
               <l rend="indent1">When all around is still,</l>
               <l>When on some absent friends we grieve,</l>
               <l rend="indent1">I'll then obey thy will.</l>
            </lg>
            <lg type="stanza">
               <l>Alone, alone, I'll sing it thee,</l>
               <l rend="indent1">And if, perchance, a tear</l>
               <l>That song awakens, dear to me,</l>
               <l rend="indent1">Thy sympathy is near.</l>
            </lg>
         </div1>
         <div1 type="poem" id="d0e8841">
            <pb id="p284" n="284"/>
            <head type="main">The Tide.</head>
            <lg type="stanza">
               <l>THE tide—the flowing tide—what treasures doth it bring</l>
               <l>For those who wait its coming on expectation's wing?</l>
               <l>A mine of wealth, the laden bark her swelling sail unfurls,</l>
               <l>In luxuries from eastern climes, rich gems and orient pearls;</l>
               <l>The perfum'd spice of Araby, with Afric's molten gold;</l>
               <l>The produce of the tropic isles, her well-stored hull enfold;</l>
               <l>The cotton's useful berry, from Columbia's forest wide—</l>
               <l>How many are thy treasures, thou fair and flowing tide!</l>
            </lg>
            <lg type="stanza">
               <l>The tide—the rushing tide—what woes it can foretel</l>
               <l>In parting from the ocean with a loud and angry swell!</l>
               <l>Brief tidings of the stranded, or some unpeopled deck,</l>
               <l>It beareth on a broken mast—the remnant of a wreck!</l>
               <l>Sails, shattered spars, and cordage are floating on its wave,</l>
               <l>Confirming sad surmises that lowly sleep the brave;</l>
               <l>Though anxious hearts are beating their comforts to provide,</l>
               <l>How fearful thy premises, thou ever rushing tide.</l>
            </lg>
            <pb id="p285" n="285"/>
            <lg type="stanza">
               <l>The tide—the gentle tide, like a silvered placid lake,</l>
               <l>Beneath its shining surface the sea nymphs graves shall make</l>
               <l>Of shells and coral boughs, in caves with sea-weed lined,</l>
               <l>And chaunt a requiem o'er the dead in pearly tombs enshrined.</l>
               <l>Breathe softly o'er their sleeping—let not a ripple move;</l>
               <l>Bear down the prayer, five fathom deep, of fond devoted love;</l>
               <l>In whisp'rings of affection—in tears around them glide,</l>
               <l>And smoothly spread thy winding-sheet o'er them, thou silent tide!</l>
            </lg>
            <lg type="stanza">
               <l>The dark, mysterious tide—its ever restless course—</l>
               <l>Its bounded limits would o'erleap with a resistless force.</l>
               <l>Who stills the swelling tumult? The All-directing hand</l>
               <l>Hath marked its destined sojourn upon the beaten strand.</l>
               <l>He leads the current to and fro, while bright the sun-beams play;</l>
               <l>He sweeps the tempest in the night—the hurricane by day:</l>
               <l>The majesty of might is his; unseen—unknown to guide—</l>
               <l>O God have mercy in thy power for those upon thy tide!</l>
            </lg>
         </div1>
         <div1 type="poem" id="d0e8914">
            <pb id="p286" n="286"/>
            <head type="main">To a Fair Cousin, A. R.</head>
            <lg type="stanza">
               <l>I SAW thee first a tiny thing,</l>
               <l>Around my neck thy arms would cling;</l>
               <l>I nursed thee, then, upon my knee,</l>
               <l>In helpless beauteous infancy;</l>
               <l>Whither thy first footsteps would stray,</l>
               <l>Thither I shared thy infant play,</l>
               <l>Gath'ring the fair spring-daisy flower</l>
               <l>Which then amused thy thoughtless hour.</l>
            </lg>
            <lg type="stanza">
               <l>Around the dear domestic hearth</l>
               <l>Again I shared thy childish mirth,</l>
               <l>And heard thy early lisping tongue</l>
               <l>Repeat the verse, or tune the song;</l>
               <l>Thy bounding step and heartless glee</l>
               <l>Had then a world of charms for me,—</l>
               <l>Fain would I stay the course of time</l>
               <l>To gaze upon thy girlhood's prime!</l>
            </lg>
            <lg type="stanza">
               <l>A woman! now I look upon</l>
               <l>A creature to be loved and won;</l>
               <l>Doomed, in the busy world, to share</l>
               <l>Its joys, affections, pain, and care;</l>
               <l>To be the light of home, to bless</l>
               <l>With smiles and words of tenderness.</l>
               <l>May he who claims thee for his own</l>
               <l>Protect and love the woman grown!</l>
            </lg>
         </div1>
         <div1 type="poem" id="d0e8969">
            <pb id="p287" n="287"/>
            <head type="main">To —.</head>
            <lg type="stanza">
               <l>MARKS of the stormy seas I trace,</l>
               <l rend="indent1">And billows thou hast brav'd,</l>
               <l>The proofs of toil upon thy face</l>
               <l rend="indent1">Old Ocean has engraved;</l>
               <l>Yet, do I see a cloud of care</l>
               <l rend="indent1">Shading thy open brow,</l>
               <l>And furrowed lines have gathered there,</l>
               <l rend="indent1">Which ne'er appeared till now.</l>
               <l>This answer thou dost seem to give,</l>
               <l rend="indent1">In every frequent sigh—</l>
               <l>"Oh, who would wish on earth to live,</l>
               <l rend="indent1">Or who would fear to die?"</l>
            </lg>
            <lg type="stanza">
               <l>Time was, thy ever placid smile</l>
               <l rend="indent1">With cheerfulness was fraught;</l>
               <l>Now, thou hast changed the treasured wile</l>
               <l rend="indent1">For silent, pensive thought,</l>
               <l>And meditative seems the glance,</l>
               <l rend="indent1">The look love doth revere;</l>
               <l>Thine eyes from all are turned askance,</l>
               <l rend="indent1">From me—to hide a tear.</l>
               <l>And thus, intensely fixed on earth,</l>
               <l rend="indent1">They give a cold reply—</l>
               <l>"Oh, but for thee, my only worth,</l>
               <l rend="indent1">I would not fear to die!"</l>
            </lg>
            <pb id="p288" n="288"/>
            <lg type="stanza">
               <l>Courage! my heart's own life and love!</l>
               <l rend="indent1">This world's probation bear;</l>
               <l>Cherish the hope of Heaven above,</l>
               <l rend="indent1">A respite for all care.</l>
               <l>Cheer up!—the buffets thou hast borne</l>
               <l rend="indent1">From fate, on sea, or shore,</l>
               <l>Must not depress thee now to mourn.</l>
               <l rend="indent1">Spurn thought, and grieve no more;</l>
               <l>There is a hope here from our birth,</l>
               <l rend="indent1">Where sorrow's fount is dry;</l>
               <l>Then, if we meet beyond this earth,</l>
               <l rend="indent1">Say—who would fear to die?</l>
            </lg>
         </div1>
         <div1 type="poem" id="d0e9049">
            <head type="main">The Highland Mother's Farewell.</head>
            <lg type="stanza">
               <l>DINNA fash yersels aboot me,</l>
               <l rend="indent1">Though life is wearin' to its fa';</l>
               <l>Ye maun learn to live wi'oot me.</l>
               <l rend="indent1">My bonny bairns, when I'm awa.</l>
            </lg>
            <lg type="stanza">
               <l>I maun lea' the lintwhite singin',</l>
               <l rend="indent1">The redbrest chirpin' mang the sna';</l>
               <l>Where the lark its flight is wingin',</l>
               <l rend="indent1">Far, far aboon I lea' ye a'.</l>
            </lg>
            <lg type="stanza">
               <l>Han' in hart' then cling thegither,</l>
               <l rend="indent1">Though ye'r hearts are greeting sair,</l>
               <l>Be the staff to ane anither,</l>
               <l rend="indent1">Lest ye fa' to rise nae mair.</l>
            </lg>
            <pb id="p289" n="289"/>
            <lg type="stanza">
               <l>Hear ye'r parent's last petition,—</l>
               <l rend="indent1">Boys, may ye in honour grow;</l>
               <l>Heed ye'r sister's admonition,</l>
               <l rend="indent1">She maun be ye'r mither noo.</l>
            </lg>
            <lg type="stanza">
               <l>Guard her wi' a father's duty,</l>
               <l rend="indent1">Watch her wi' a brither's care;</l>
               <l>Shield the tender flow'ret's beauty,—</l>
               <l rend="indent1">Storms may blight my lily fair.</l>
            </lg>
            <lg type="stanza">
               <l>Daughter, let nae idle lover</l>
               <l rend="indent1">Whisper nonsense in thine ear;</l>
               <l>Shun the wily hearts which cover</l>
               <l rend="indent1">Bosoms false and insincere.</l>
            </lg>
            <lg type="stanza">
               <l>Fare ye weel, my earth-born treasures,</l>
               <l rend="indent1">Tak' my last look wi' my love;</l>
               <l>Noo I seek mair lastin' pleasures</l>
               <l rend="indent1">In the hope o' peace above.</l>
            </lg>
            <lg type="stanza">
               <l>Lay my head beneath the heather,</l>
               <l rend="indent1">At my feet strew bonny broom;</l>
               <l>My wee bit flowers grow althegither,</l>
               <l rend="indent1">Storms may blow, they still will bloom.</l>
            </lg>
            <lg type="stanza">
               <l>Weep no thus in fond caressing,</l>
               <l rend="indent1">Vain resisting Death's cauld spell;</l>
               <l>Tak' my prayers, my last best blessing,</l>
               <l rend="indent1">Children o' my heart, farewell!</l>
            </lg>
         </div1>
         <div1 type="poem" id="d0e9134">
            <pb id="p290" n="290"/>
            <head type="main">A Christmas Greeting.</head>
            <lg type="stanza">
               <l>OLD CHRISTMAS, you are come again;</l>
               <l rend="indent1">I wonder where you've been;</l>
               <l>The trees are budding on the plain,</l>
               <l rend="indent1">The leaves still fresh and green.</l>
               <l>I wish that you had stay'd away,</l>
               <l rend="indent1">Your presence makes me sigh</l>
               <l>To think how many hearts are gay—</l>
               <l rend="indent1">How lonely here am I.</l>
            </lg>
            <lg type="stanza">
               <l>If you could bring famed Lethe's stream</l>
               <l rend="indent1">O'er all the past to flow,</l>
               <l>Nor thus refresh life's weary dream</l>
               <l rend="indent1">With all its scenes of woe;</l>
               <l>Then every wave might now erase</l>
               <l rend="indent1">Remembrances you bring</l>
               <l>Of every dear and well-known face</l>
               <l rend="indent1">That still to memory cling.</l>
            </lg>
            <lg type="stanza">
               <l>Or could you, stealing gently on,</l>
               <l rend="indent1">Pass by, to me unknown,</l>
               <l>Nor waken thoughts of lov'd ones gone,</l>
               <l rend="indent1">Of happier spirits flown;</l>
               <l>Although my father's by my side,</l>
               <l rend="indent1">My love is on the sea,</l>
               <l>And drearily your days will glide,</l>
               <l rend="indent1">Nor merry can they be.</l>
            </lg>
            <pb id="p291" n="291"/>
            <lg type="stanza">
               <l>No more are richest viands stored</l>
               <l rend="indent1">To give your feast its due;</l>
               <l>Where <emph rend="italic">twenty</emph> once had graced our board,</l>
               <l rend="indent1">Now there are only <emph rend="italic">two!</emph>
               </l>
               <l>And thus have vanished, one by one,</l>
               <l rend="indent1">The links that formed the chain</l>
               <l>These eyes may never look upon,</l>
               <l rend="indent1">Or ever meet again.</l>
            </lg>
            <lg type="stanza">
               <l>If you could only leave behind</l>
               <l rend="indent1">The clouds of grief and care,</l>
               <l>Of happier hours alone remind,</l>
               <l rend="indent1">Then in your mirth I'd share;</l>
               <l>But here you bring a line of age,</l>
               <l rend="indent1">Another warning true;</l>
               <l>Bereavements! in a yearly page,</l>
               <l rend="indent1">And changes! sad and new.</l>
            </lg>
            <lg type="stanza">
               <l>Then go your way, old Christmas, go,</l>
               <l rend="indent1">And do not linger here,</l>
               <l>Though once I hailed with youthful glow</l>
               <l rend="indent1">The advent you were near.</l>
               <l>But absence now dispels the charm,</l>
               <l rend="indent1">And angry billows foam;</l>
               <l>My exiled heart, devoted dwells,</l>
               <l rend="indent1">On Christmas Days, at home.</l>
            </lg>
            <lg type="stanza">
               <l>
                  <emph rend="italic">That</emph> home, alas! is changed for me,</l>
               <l rend="indent1">(Borne by the will of fate,)</l>
               <l>Where Christmas oft was held with glee;</l>
               <l rend="indent1">
                  <emph rend="italic">That</emph> hearth is desolate.</l>
               <pb id="p292" n="292"/>
               <l>A mother's voice I still deplore;</l>
               <l rend="indent1">Health, youth, no more endow.</l>
               <l>Can you the long lost here restore?</l>
               <l rend="indent1">Go on, old Christmas, <emph rend="italic">go.</emph>
               </l>
            </lg>
         </div1>
         <div1 type="part" id="d0e9270">
            <head type="main">The Lieutenant's First Love.</head>
            <p>A SAILOR'S first love is invariably his ship; all other
loves that follow are but secondary in consideration
of this. There is a devotional feeling almost all naval
officers possess in regard to the first ship in which
they embark for their sea-servitude, which nearly
approaches to idolatry: their attachment remains,
like first love, to their latest days unshaken; through
all changes, toils, and troubles it reigns pre-eminent:
and in that most honourable and glorious of all
professions, the British navy, their first ship is their
stock theme of conversation, veneration, and adoration; for they look back with pleasure to the discipline of the navy, the punctilio of the mess, the
midnight watch, and the delights of the gun-room.
The lord of the forest, the eagle in the air, are not
more proud than a sailor of his <hi rend="italic">first ship;</hi> it is his velocipede of the waves, his ark on the waters, his
home on the deep, his oasis on the desert ocean,
and, unfortunately, too frequently his sudden and
untimely grave.</p>
            <pb id="p293" n="293"/>
            <p>It was in the happy year of 1823—for happy must
that year be which gives a sailor's wife the privilege
of her husband's company three months out of the
twelve—that one of the freaks of fortune consigned
me to become shipmate as well as helpmate to my
honoured messmate, who was put in silent command,
of that most beautiful of all steamers, the St. George,
now remembered by her successor which reigns in
her stead as the <hi rend="italic">old</hi> St. George. May I be forgiven,
as it was <hi rend="italic">my first vessel</hi> to be domiciled in, if, with
the enthusiasm of the profession, as being part and
parcel of it, I here assert, that, for model, beauty
of appearance, and elegance in equipments, it still
remains unrivalled. To the exertions of the commander who preceded mine, the owners are indebted for the first establishment of the speed, fame, and
success of that vessel. He was a lieutenant in the
navy; fearless, dauntless, brave, and enterprising.</p>
            <p>In order to undergo a thorough repair and refitment, previous to the commencement of the summer
campaign, the St. George was moored in that part of
the river Mersey called the Sloine, and there we took
up our winter quarters, with a good library, a piano,
and three months provisions on board.</p>
            <p>What commiseration I suffered from what my
friends chose to term my <hi rend="italic">transportation,</hi> my banishment from their society; no poor convict going to the hulks ever endured more pity. How little they
knew how happy I was; for I had the society of
one that not all the world could compensate for the<pb id="p294" n="294"/>loss of. His commands to me were, that I might
not lead a sinecure life, to make the signal every
morning, at nine a.m. to those on shore, that
"All's well!" This, although it required rather an
early "turn out" for a winter's morning, was no
very important duty, and did not interfere with my
other more ladylike amusements; for I played,
sang, netted, knitted, read and wrote, and played
chess as happily as if I had been on shore. There
was another office I had to perform, and that was,
when left ship-keeper, which was sometimes the
case, when committee or office business called the
superior officer on shore-duty,—to "Let go the
painter," "Aye, aye, sir," for the seamen when they
took the boat to go on shore for water.</p>
            <p>Our long, happy winter evenings were usually
enlivened by tales of the sea from the captain,
previous to his leaving us for his Christmas campaign amongst his friends. From his uncommon height, being more than six feet, he was called, and
not inappropriately, by his brother luffs, the "long
lieutenant."</p>
            <p>He was a gentleman who had seen service, read
much, and knew the world; had a poetic mind, a
retentive memory, and possessed admirable and
humorous powers of description; yet, above all,
boundless as are the billows, so did his affection
abound for his <hi rend="italic">first ship;</hi> for truly, as Dibdin says, he was "all as one as a piece of the ship." It was his
<hi rend="italic">first love.</hi> Such was his ecstacy on this subject, that,<pb id="p295" n="295"/>upon his first introduction to a stranger, he would
ask, "If ever you had been on board the Sea Horse,
commanded by the Honourable Captain Gordon?"
to which question, in nine cases out of ten, he got
the answer, "No." "Never see her?" "No." "Surprising! nor hear of her?" "No." "Astonishing! Where have you been? Where can you have lived, that you have never boarded, seen, or
heard of his Majesty's ship the Sea Horse? Dive
immediately into the Durham coal-pits, hide yourself in the copper mines of Cornwall, banish yourself to Spitzbergen, or bury yourself among the bushrangers of Australia, if you are ignorant of the
actions, positions, and dimensions of that magnificent
ship-of-war the Sea Horse, Captain Gordon! for
with the "long lieutenant," who was one of the
juniors, she was the acme of all perfection; in his
idea she never can or will be surpassed (proud as he
was of the St. George) while ships are ships, and
war is war. "You have seen her, I think," said he,
turning to me. "I have," I answered, "every
section of her;" but, knowing his hobby, and
wishing to banter him a little, that the Sea Horse
and himself might not engross all the conversation
of the evening, I did not think proper to explain
that it was only the model in sections I had seen of
her, in the Royal Repository at Woolwich. "And,
as you have seen her, and being a sailor's wife,
know something about vessels, what do you think of
her? Splendid vessel, is she not?" said he, appealing<pb id="p296" n="296"/>to me, comforting himself in the hope of an assent.
But, not choosing to humour him with <foreign lang="fre">
                  <hi rend="italic">superbe, magnifique!</hi>
               </foreign> I coolly answered, "Pretty well."
"Pretty well!" echoed he. "Yes," I added, "she is
bluff enough; too full in the bows, and too crank
abaft;" for I was resolved to say she was <hi rend="italic">too</hi> something. He was positive, rather passionate, yet very eloquent; and so great were the powerful auxiliaries
to his arguments in length, lungs, and language,
that many feared to encounter, and very few dared
to contradict him; so it was rather a risk of temper
to make these assertions. "Pretty well! why you
must be dreaming, or have mistaken the vessel,"
said he, rising from his chair. "O no, I was
positive as to that." "Why then it is, it must be—
I beg your pardon—your want of taste and
judgment," said he, in rather a petulant tone.
"That may be," said I, smiling at the mischief I
was brewing; "but, nevertheless," I replied, raising
my voice a little, "it appeared to me a great, heavy,
sluggish snail of an old, lumbering tub of a thing,
fit only to carry coals, whales, or the cubs of the
navy." Neptune, Amphitrite, and all ye little fishes,
had ye but seen him! his enormous whiskers started,
his large eyes glared, and his loud voice shook even
the very bulwark we were in. But you may, gentle
reader, have probably seen Frankenstein starting
into life, Zamiel in Der Freischutz, or St. George
and the Dragon; but none of these, no, not even the
greenest of green dragons, in all its fire and fury,<pb id="p297" n="297"/>could equal the rage of the enraged luff. I had
wounded his heart's core in detracting from the
merits of his ship, though only in jest. He stormed,
stamped, and said <hi rend="italic">I</hi> must be <hi rend="italic">mad</hi> to make such
assertions. "'Bluf! full in the bows! crank!'
Why! it was the most splendid specimen of naval
architecture in the British navy. 'Sluggish!' why
it was the very Bucephalus of speed; it would
outstrip wind and tide, and even put <hi rend="italic">steam</hi> to shame and defiance. Then, for beauty, it was the pride of
the sea, the triton of the minnows, the leviathan of
the deep, the monarch of the waves!" He then
enlarged upon her achievements, her glory, renown
in actions, and anecdote; to all which I replied
"Surprising! astonishing! amazing!" until the
vocabulary of epithets in admiration was exhausted.</p>
            <p>The two guests who had passed the evening with
us now departed; the boat returned, and was hauled
up; and, although it was "past twelve o'clock, and
a fair morning," the infatuated lieutenant could not
find in his heart to give up the subject of the Sea
Horse. Finding me inexorable, and not to be
converted to his opinion,—though I knew nothing
about the vessel, never saw her, and even did not
know the meaning of the terms I had made use of,
but disputed merely for argument sake, and, what
is said to be inherent in woman, the dear spirit of
contradiction, in the trio we made, he gave me up
as a forlorn hope, and addressed the remainder of
his long "yarn" to his and my old messmate, who<pb id="p298" n="298"/>was a capital listener. Finding this, and now
beginning to grow weary, I quietly composed myself
in my elbow chair, and, leaning my head on my
hand, I have just a latent idea or remembrance of his
voice in relating, "Just then a sail hove in sight;"
and, as I knew what prowess would follow,—the
whole history of the capture, bringing to, boarding,
and taking in tow, on the American station, by the
inimitable and wonderful Sea Horse,—I gently
declined, by the monotony of his voice, into a sound
sleep; for he was so interested in his own adventures, that my breach of etiquette in napping was not perceptible; and, to tell the truth, I could
neither keep my ears nor eyes open any longer.</p>
            <p>I was awakened by the closing of the cabin-door,
and my commander's commands to rouse up and
"turn in." Yawning, and my eyes glaring on the
two candles, which had remained unsnuffed, curled
at the top like two Corinthian columns, "Where's
the Sea Horse?" said I, half asleep. "Gone."—
"Surprising! and where is the long lieutenant?"
"Gone, too." "Astonishing! did he conquer or
surrender?" "O, conquer, of course," replied my
worthy half. "And where am I?" "On board the
St. George." "Am I awake? amazing!" Good night. All's well.</p>
         </div1>
         <div1 type="poem" id="d0e9334">
            <pb id="p299" n="299"/>
            <head type="main">The Sailor's Adieu!</head>
            <lg type="stanza">
               <l>THE bark is now leaving</l>
               <l rend="indent1">Which bears me from thee,</l>
               <l>Thus doomed to lone grieving</l>
               <l rend="indent1">Far o'er the dark sea!</l>
               <l>In sighs for my country</l>
               <l rend="indent1">Remembrance will dwell,</l>
               <l>But my heart throbs with anguish</l>
               <l rend="indent1">To say, love—farewell!</l>
               <l>Tho' lost in dejection</l>
               <l rend="indent1">Fond memory shall tell</l>
               <l>How dear thine affection,</l>
               <l rend="indent1">Mine own love—farewell!</l>
            </lg>
            <lg type="stanza">
               <l>On ocean, when sleeping,</l>
               <l rend="indent1">Sweet dreams will prevail;</l>
               <l>Though torrents are weeping,</l>
               <l rend="indent1">Love sighs through the gale;</l>
               <l>Though tempests assail me,</l>
               <l rend="indent1">Proud billows may swell;</l>
               <l>Thy prayers will avail me,</l>
               <l rend="indent1">Mine own love—farewell!</l>
               <l>With Hope—ne'er depressing,</l>
               <l rend="indent1">My safety foretell,</l>
               <l>My shield in thy blessing,</l>
               <l rend="indent1">Mine own love—farewell!</l>
            </lg>
         </div1>
         <div1 type="poem" id="d0e9388">
            <pb id="p300" n="300"/>
            <head type="main">The Unknown Happy Land.</head>
            <lg type="stanza">
               <l>O, TELL us of the happy land, the world of future bliss,</l>
               <l>And teach our hearts to understand the nothingness of this,</l>
               <l>Mere atoms of mortality,—like to a grain of sand,—</l>
               <l>Say, shall we be immortal in the unknown happy land?</l>
            </lg>
            <lg type="stanza">
               <l>And shall we hold communion with those now gone before,</l>
               <l>Or break the bonds of union with beings we adore;</l>
               <l>Their voices shall we hear again, or clasp them by the hand,</l>
               <l>Tell us, Almighty being! in the unknown better land?</l>
            </lg>
            <lg type="stanza">
               <l>The loved parents of our duty, say, shall we meet them there?</l>
               <l>The lost mother who has reared us with fond maternal care,</l>
               <l>Their blessings shall we hear again, their smiling ever bland,</l>
               <l>May we again embrace them in the unknown happy land?</l>
            </lg>
            <pb id="p301" n="301"/>
            <lg type="stanza">
               <l>As the children whom they cherished, will <emph rend="italic">they</emph> know us again?</l>
               <l>Or the dear ones that have perished on the wild and stormy main;</l>
               <l>Although their bones may whiten on some dark and distant strand,</l>
               <l>Shall we recognise each other in the unknown happy land?</l>
            </lg>
            <lg type="stanza">
               <l>Will the souls which earth hath plighted in affections warm and young,</l>
               <l>By death be disunited? doth he wield his power so strong?</l>
               <l>Or can he tear asunder the indissoluble band!</l>
               <l>Severed thus! shall we exist in the unknown happy land?</l>
            </lg>
            <lg type="stanza">
               <l>If souls are all immortal, petitioning we pause,</l>
               <l>Give us the hope of meeting, thou Good and Great First Cause?</l>
               <l>The hope of re-uniting, by thy mysterious wand,</l>
               <l>That we may hail, with joy and peace, the unknown happy land!</l>
            </lg>
            <lg type="stanza">
               <l>"Thy soul it is immortal," God answered me, and said</l>
               <l>"I gave thee life, the air to breathe, for food thy daily bread;</l>
               <l>Obedient, whatsoe'er my will, be thou to my command,</l>
               <l>Prepare thyself to meet me in the unknown happy land!</l>
            </lg>
            <pb id="p302" n="302"/>
            <lg type="stanza">
               <l>For the mourner in affliction there is a balm elsewhere;</l>
               <l>A blessing for the destitute now drooping in despair;</l>
               <l>For the wailing cry of anguish, when sorrow hath unmann'd,</l>
               <l>There's a refuge for the spirit, in the unknown happy land!"</l>
            </lg>
         </div1>
         <div1 type="poem" id="d0e9469">
            <head type="main">Farewell to Villa Marino.</head>
            <lg type="stanza">
               <l>ON the banks of the Lagan's broad water I found</l>
               <l rend="indent1">A retreat well selected with true taste and care,</l>
               <l>Where young rising woods, in plantations around,</l>
               <l rend="indent1">Re-echo with music, enchanting the air.</l>
            </lg>
            <lg type="stanza">
               <l>Sweet spot of contentment! from thee who could roam?</l>
               <l rend="indent1">In nature's rich treasures what blessings are thine?</l>
               <l>Domestic felicity gilds thy dear home,</l>
               <l rend="indent1">While peace, love, and harmony fondly entwine.</l>
            </lg>
            <lg type="stanza">
               <l>The trefoil it blooms on its own fragile stem,</l>
               <l rend="indent1">Green Erin, an emblem of nature and thee,</l>
               <l>No ray shines more bright in the emerald gem</l>
               <l rend="indent1">Than Ireland's own Eden—Marino for me.</l>
            </lg>
            <pb id="p303" n="303"/>
            <lg type="stanza">
               <l>In these bowers of roses, which garnish thy shore,</l>
               <l rend="indent1">'Neath the roof of refinement and elegant ease,</l>
               <l>Where genius and art have replenished their store,</l>
               <l rend="indent1">And no joy is wanting the heart to appease.</l>
            </lg>
            <lg type="stanza">
               <l>Books, music, and flowers, the sunshine of love,</l>
               <l rend="indent1">Health, beauty, and innocence, scions of youth,</l>
               <l>Parental affection—the gift from above—</l>
               <l rend="indent1">The world's best inheritance—friendship and truth.</l>
            </lg>
            <lg type="stanza">
               <l>And here let me ask, in this scene of repose,</l>
               <l rend="indent1">This shade of retirement from sorrow and care,</l>
               <l>While there's verdure on earth, or the bloom on the rose,</l>
               <l rend="indent1">If peace be not here, can we seek it elsewhere?</l>
            </lg>
            <lg type="stanza">
               <l>For splendour and comfort, oh! tell me what more</l>
               <l rend="indent1">Can mortals require than enjoyment like this,</l>
               <l>With health ere the day dream of life it is o'er,</l>
               <l rend="indent1">But this Eden on earth and this mansion of bliss!</l>
            </lg>
            <lg type="stanza">
               <l>Farewell! in the distance I'll gaze on thy strand,</l>
               <l rend="indent1">On memory's tablets each tree I'll revere,</l>
               <l>For the hand that hath planted respect shall command</l>
               <l rend="indent1">From the friend who now leaves so much to revere.</l>
            </lg>
            <lg type="stanza">
               <l>Ere I leave ye, fair grottos, and forests of flowers,</l>
               <l rend="indent1">Remembrance shall wake when afar on the sea,</l>
               <l>The heart's best affections for these happy hours,</l>
               <l rend="indent1">And the friends I regret, dear Marino, with thee.</l>
            </lg>
         </div1>
         <div1 type="poem" id="d0e9554">
            <pb id="p304" n="304"/>
            <head type="main">Lines to Miss L.<lb/>ON RECEIVING THE FLOWER FORGET ME NOT.</head>
            <lg type="stanza">
               <l>"FORGET ME NOT!" why give to me</l>
               <l>A flower thus to remember thee?</l>
               <l>A transient, fragile, fairy flower,</l>
               <l>A sweet ephemeral of the hour;</l>
               <l>Which, like the cistus of the day,</l>
               <l>A morning's bloom, an eve's decay;</l>
               <l>This emblem seeks in vain to give</l>
               <l>To memory, power to bid thee live.</l>
            </lg>
            <lg type="stanza">
               <l>Ah, no! the flower must never fade,</l>
               <l>To gild the charm thy worth pourtrayed.</l>
               <l>Thou hast a fairer gem enshrined</l>
               <l>Within thy young and artless mind,</l>
               <l>Which freshly glows, and still lives on,</l>
               <l>When this remembrancer is gone:</l>
               <l>And thus thy innocence outvies</l>
               <l>The bloom and flowers of summer skies.</l>
            </lg>
            <lg type="stanza">
               <l>Yet I will keep the gem of earth,</l>
               <l>Culled in a careless hour of mirth;</l>
               <l>And, like the stars that gem the night,</l>
               <l>It may awaken with delight</l>
               <l>The few white days, and one bright hour,</l>
               <l>I passed within thy fairy bower:</l>
               <l>But, trust me, thou hast nought to fear—</l>
               <l>Forgetfulness—afar or near.</l>
            </lg>
            <pb id="p305" n="305"/>
            <lg type="stanza">
               <l>Reared by a strange or unknown hand,</l>
               <l>Upon a wild or foreign strand;</l>
               <l>In some revolving future year,</l>
               <l>If this fair flow'ret should appear,</l>
               <l>In rude or unfrequented spot,</l>
               <l>For thy sake, I'll forget thee not;</l>
               <l>For, by this flower, o'er land and sea,</l>
               <l>In friendship, I'll remember thee!</l>
            </lg>
         </div1>
         <div1 type="poem" id="d0e9629">
            <head type="main">The Wise Decree.</head>
            <lg type="stanza">
               <l>"OH give me back the buds of spring,</l>
               <l>Return again the summer flower,</l>
               <l>Thus to the past my heart will cling,</l>
               <l>And still alloy the future hour!</l>
               <l>Give me the world in honour, truth,</l>
               <l>Bright as the vista seemed to be!</l>
               <l>Give me again my joyous youth,</l>
               <l>And hopes that once were heaven to me!"</l>
            </lg>
            <lg type="stanza">
               <l>Vain babbler, cease!—the spring's first bloom,</l>
               <l>The fragrant flower, the spreading tree,</l>
               <l>Were but the heralds of the tomb,</l>
               <l>Which timely will encircle thee.</l>
               <l>Behold them emblems of thy fate,</l>
               <l>To warn thee of the sacred sway,</l>
               <l>Which makes the bright world desolate,</l>
               <l>When high-born hopes at once decay.</l>
            </lg>
            <pb id="p306" n="306"/>
            <lg type="stanza">
               <l>Then look upon the world's broad page,</l>
               <l>And ask thyself, would'st thou incline</l>
               <l>To recal youth and barter age,</l>
               <l>With all the cares and sorrows thine?</l>
               <l>Wouldst thou return again to life,</l>
               <l>And bear those trials o'er and o'er,</l>
               <l>Embittered by the toil and strife?</l>
               <l>"Oh wise decree,—no more, no more!"</l>
            </lg>
         </div1>
         <closer>END.</closer>
         <trailer>PRINTED BY GEORGE SMITH, LIVERPOOL.</trailer>
      </body>
   </text>
</TEI.2>
