<?xml version="1.0" encoding="utf-8"?>
<!DOCTYPE TEI.2 SYSTEM "http://digital.lib.ucdavis.edu/projects/bwrp/scripts/dtd/teixlite.dtd"[
	<!ENTITY % iso-lat1 SYSTEM "http://digital.lib.ucdavis.edu/projects/bwrp/scripts/entities/iso-lat1.ent"> %iso-lat1;
	<!ENTITY % iso-lat2 SYSTEM "http://digital.lib.ucdavis.edu/projects/bwrp/scripts/entities/iso-lat2.ent"> %iso-lat2;
	<!ENTITY % iso-num SYSTEM "http://digital.lib.ucdavis.edu/projects/bwrp/scripts/entities/iso-num.ent"> %iso-num;
	<!ENTITY % iso-pub SYSTEM "http://digital.lib.ucdavis.edu/projects/bwrp/scripts/entities/iso-pub.ent"> %iso-pub;]>

<TEI.2 TEIform="TEI.2">
   <teiHeader type="CDL-TEI:BK" TEIform="teiHeader">
      <fileDesc TEIform="fileDesc">
         <titleStmt TEIform="titleStmt">
            <title>Plays and Poems : electronic version.</title>
            <author>Brand, Hannah, d. 1821.</author>
            <respStmt TEIform="respStmt">
               <resp>Electronic text encoded by</resp>
               <name reg="Rios, Leigh">Leigh Rios</name>
            </respStmt>
         </titleStmt>
         <editionStmt TEIform="editionStmt">
            <edition>Electronic edition</edition>
         </editionStmt>
         <extent>650Kb</extent>
         <publicationStmt TEIform="publicationStmt">
            <publisher>University of California, Davis, General Library, Digital Initiatives Program</publisher>
            <pubPlace TEIform="pubPlace">Davis, Calif.</pubPlace>
            <date value="2008">2008</date>
            <idno type="ARK"/>
            <idno type="LOCAL">branhplays</idno>
            <availability>
               <p>Copyright ©2008, University of California</p>
               <p>This edition is the property of the editors.  It may be copied freely by individuals for personal use, research, and teaching (including distribution to classes) as long as this statement of availability is included in the text.  It may be linked to by internet editions of all kinds.</p>
               <p>Scholars interested in changing or adding to these texts by, for example, creating a new edition of the text (electronically or in print) with substantive editorial changes, may do so with the permission of the publisher.  This is the case whether the new publication will be made available at a cost or free of charge.</p>
               <p>
                  <hi rend="italic">This text may not be not be reproduced as a commercial or non-profit product, in print or from an information server.</hi>
               </p>
            </availability>
         </publicationStmt>
         <seriesStmt TEIform="seriesStmt">
            <title>Davis British Women Romantic Poets Series</title>
            <idno type="LOCAL">86</idno>
            <respStmt TEIform="respStmt">
               <resp>Managing Editor</resp>
               <name reg="Payne, Charlotte">Charlotte Payne</name>
               <resp>Founding Editor</resp>
               <name reg="Kushigian, Nancy">Nancy Kushigian</name>
            </respStmt>
         </seriesStmt>
         <sourceDesc TEIform="sourceDesc">
            <biblFull TEIform="biblFull">
               <titleStmt TEIform="titleStmt">
                  <title>Plays and poems.</title>
                  <author>Brand, Hannah, d. 1821.</author>
                  <respStmt TEIform="respStmt">
                     <resp>by</resp>
                     <name>Miss Hannah Brand.</name>
                  </respStmt>
               </titleStmt>
               <publicationStmt TEIform="publicationStmt">
                  <publisher>Beatniffe and Payne</publisher>
                  <pubPlace TEIform="pubPlace">Norwich</pubPlace>
                  <publisher>F. and C. Rivington</publisher>
                  <pubPlace TEIform="pubPlace">London</pubPlace>
                  <publisher>Elmsley and Bremner</publisher>
                  <pubPlace TEIform="pubPlace">London</pubPlace>
                  <date value="1798">1798</date>
               </publicationStmt>
            </biblFull>
         </sourceDesc>
      </fileDesc>
      <encodingDesc TEIform="encodingDesc">
         <projectDesc TEIform="projectDesc">
            <p>This text was scanned from its original in the Shields Library Kohler Collection, University of California, Davis, Kohler I Suppl:100.  Another copy available on microfilm as Kohler I Suppl:100mf.</p>
         </projectDesc>
         <editorialDecl TEIform="editorialDecl">
            <p>All poems, line groups, and lines are represented. All material originally typeset has been preserved with the exception of original prose line breaks and line-end hyphens (except in headings and title pages), lines of poetry divided due to length of line, running heads, signature markings, smallcaps, and decorative typographical elements. Page numbers and page breaks have been preserved.  The long "s" is displayed as a standard "s". Pencilled annotations and other damage to the text have not been preserved.</p>
         </editorialDecl>
      </encodingDesc>
      <profileDesc TEIform="profileDesc">
         <langUsage TEIform="langUsage">
            <language id="lat">Latin</language>
         </langUsage>
      </profileDesc>
      <revisionDesc TEIform="revisionDesc">
         <change>
            <date value="2008-03-14">March 14, 2008</date>
            <respStmt TEIform="respStmt">
               <name reg="Payne, Charlotte">Charlotte Payne</name>
               <resp>ed.</resp>
            </respStmt>
            <item>Proofed and entered final corrections.</item>
         </change>
      </revisionDesc>
   </teiHeader>
   <text id="d0e102">
      <front>
         <titlePage TEIform="titlePage">
            <pb id="pi" n="[i]"/>
            <docTitle TEIform="docTitle">
               <titlePart type="main" TEIform="titlePart">
                  <figure id="branhplays1" rend="block">
                     <p>[Title Page]</p>
                  </figure>PLAYS,<lb/>AND<lb/>
                  <hi rend="italic">POEMS;</hi>
                  <lb/>
               </titlePart>
            </docTitle>
            <byline>BY<lb/>
               <docAuthor TEIform="docAuthor">MISS HANNAH BRAND.</docAuthor>
            </byline>
            <epigraph>
               <cit>
                  <q direct="unspecified">
                     <lg type="fragment">
                        <l rend="indent2">Here then I rest; sooth'd with the hope to prove</l>
                        <l rend="indent2">The approbation of  "the few I love,"</l>
                        <l rend="indent2">Join'd (for ambitious thoughts will sometimes rise)</l>
                        <l rend="indent2">Join'd to th' endurance of the good and wise.</l>
                     </lg>
                  </q>
                  <lb/>
                  <bibl>GIFFORD.</bibl>
               </cit>
            </epigraph>
            <docImprint TEIform="docImprint">
               <pubPlace TEIform="pubPlace">
                  <hi rend="italic">Norwich:</hi>
               </pubPlace>
               <lb/>PRINTED BY <publisher>BEATNIFFE AND PAYNE;</publisher>
               <lb/>And sold by Messrs. F. and C. Rivington, St. Paul's Church-yard; and<lb/>Messrs. Elmsley and Bremner, in the Strand, London.<lb/>
               <docDate value="1798" TEIform="docDate">1798.</docDate>
               <lb/>Entered at Stationer's Hall.</docImprint>
            <pb id="pii" n="[ii]"/>
         </titlePage>
         <div1 type="dedication" id="d0e156">
            <pb id="piii" n="[iii]"/>
            <head type="main">TO<lb/>
               <hi rend="italic">MISS BRAND,</hi>
               <lb/>THE FOLLOWING PAGES<lb/>ARE RESPECTFULLY INSCRIBED,<lb/>As a Small,<lb/>
               <hi rend="italic">But sincere Memorial,</hi>
               <lb/>OF THE<lb/>ESTEEM AND REGARD<lb/>OF HER<lb/>
               <hi rend="italic">FAITHFUL FRIEND,</hi>
               <lb/>AND<lb/>MOST AFFECTIONATE SISTER,</head>
            <p/>
            <signed>Hannah Brand.</signed>
            <pb id="piv" n="[iv]"/>
         </div1>
         <div1 type="subscribers" id="d0e189">
            <pb id="pv" n="[v]"/>
            <head type="main">
               <hi rend="italic">SUBSCRIBERS.</hi>
            </head>
            <list type="simple">
               <item>MISS Ablitt, Butley, Suffolk</item>
               <item>John Addey, Esq. Norwich, deceased</item>
               <item>Mr. Ager, London</item>
               <item>Miss Ann Aggas</item>
               <item>Samuel Alchorne, Esq. King's Assay Master, Tower, London</item>
               <item>Dr. Alderson, Norwich</item>
               <item>Mr. Aldhouse, Norwich</item>
               <item>Miss Aldis, Woodbridge</item>
               <item>Rev. Loder Allen, Easton, Suffolk</item>
               <item>Hammond Alpe, Esq. Hardingham</item>
            </list>
            <list type="simple">
               <head type="main">B</head>
               <item>Lady Burnaby, Berkeley Square, London</item>
               <item>Mr. Wm. Back, Norwich</item>
               <item>Miss Back</item>
               <item>Miss Jane Back</item>
               <item>Mr. L. Bacon, Norwich</item>
               <item>Mr. Rich. Bacon, Norwich</item>
               <item>T. Bagge, Esq. Lynn Regis</item>
               <item>Miss Bagge</item>
               <item>Mr. Wm. Baker, Norwich</item>
               <item>Mr. John Baker, Belchamp, St. Paul's, Essex</item>
               <item>Mrs. Bale, Palgrave, Norfolk</item>
               <item>Mr. John Baly, Hillington</item>
               <item>Mrs. Baldry, Ramsholt</item>
               <item>Mrs. Barbauld, Hampstead</item>
               <item>Mrs. Wm. Barnard, Norwich</item>
               <item>Miss Mary Barnard, Norwich</item>
               <item>Mrs. Barnwell, Beeston</item>
               <item>Mr. C. F. Barnwell, Lawshall</item>
               <item>Mrs. Barrett, Bansfield Hall, Wickhambrook, Suffolk</item>
               <item>Miss Basely, Norwich</item>
               <item>Philip Bayles, Esq.</item>
               <item>Messrs. Beatniffe and Payne, Norwich, 2 copies</item>
               <item>Mrs. Beckwith, St. Martin's Palace, Norwich</item>
               <item>Mr. Beckwith, Close, Norwich</item>
               <item>Mrs. Becroft, Norwich, 7 Copies</item>
               <item>T. Beever, Esq. St. Andrew's Hall, Old Buckenham, 10 Copies</item>
               <item>Mrs. Beevor, 10 Copies</item>
               <pb id="pvi" n="vi"/>
               <item>Dr. Beevor, Norwich</item>
               <item>Mrs. Dr. Beevor</item>
               <item>Miss Beevor</item>
               <item>Mr. Horace Beevor</item>
               <item>Mrs. Bell, Queen Ann Street, Westminster</item>
               <item>Captain Benjafield, West Kent Militia</item>
               <item>Mrs. Robert Berney, Scarning</item>
               <item>Rev. George Betts</item>
               <item>Miss Anne Betts</item>
               <item>Mrs. Bidwell, Dereham</item>
               <item>Mr. M. Bishop, Cambridge</item>
               <item>Mr. W. Blake, Swanton, 2 Copies</item>
               <item>Miss Blake, Scottow</item>
               <item>Mr. Richard Blanchard, Merchant, London</item>
               <item>Miss M. A. Bohun, Beccles</item>
               <item>Mr. Edward Booth, Norwich</item>
               <item>Peter Botham Esq. Cumberland Street, London</item>
               <item>Mrs. Botham</item>
               <item>Rev. I. Bowen, Pulham, Norfolk</item>
               <item>Mrs. Anne Bowen, Norwich</item>
               <item>Mrs. Boycatt, Wheatacre, St. Peter's</item>
               <item>Mr. John Brackenbury, Lynn, Norfolk</item>
               <item>Mrs. Brand, Woodbridge</item>
               <item>John Brand, Esq. Hemingston Hall, Suffolk, 20 Copies</item>
               <item>Mrs. Brooke, Woodbridge</item>
               <item>Mr. Anthony Brown, Lynn, Norfolk</item>
               <item>J. Browne, Esq. Norwich</item>
               <item>Rev. I. Browne, Dunsby, Lincolnshire</item>
               <item>Mrs. R. I. Browne, Close, Norwich</item>
               <item>Rev. Mr. Bruckner, Norwich</item>
               <item>Mr. Brunton, Norwich</item>
               <item>Miss Brunton</item>
               <item>Mrs. Buckle, Cringleford</item>
               <item>Mrs. Bunting, Kimbolton</item>
               <item>Mrs. Burcham, Norwich</item>
               <item>Miss Burks, Upwell</item>
               <item>Mrs. Ellis Burroughes</item>
               <item>Mrs. Butler, Easton</item>
               <item>Mrs. Butter, London</item>
               <pb id="pvii" n="vii"/>
            </list>
            <list type="simple">
               <head type="main">C</head>
               <item>Her Grace the Dutchess of Chandois</item>
               <item>Mrs. Candler</item>
               <item>Miss Canham, Fordham, Norfolk</item>
               <item>Mrs. Carter, Ipswich</item>
               <item>Mrs. Carter, Thorpe</item>
               <item>Miss Carter</item>
               <item>Mrs. Carver, Norwich</item>
               <item>Mrs. Christian, Norwich, 2 Copies</item>
               <item>Miss Christian</item>
               <item>Miss Church, Yarmouth</item>
               <item>Miss Mary Chapman, Norwich</item>
               <item>Mrs. Chevalier, Aspall Hall</item>
               <item>Rev. Jacob Chilton, Ufford</item>
               <item>Mr. John Clark, Merchant, London</item>
               <item>Rev. John Clarke, Woodbridge, Suffolk</item>
               <item>Rev. Isaac Clarke, Woodbridge</item>
               <item>Miss Clarke, Norwich</item>
               <item>Mrs. John Cobbold, Ipswich</item>
               <item>Mrs. Cockell, Attleborough</item>
               <item>Miss Cockell</item>
               <item>Miss Mary Cockell</item>
               <item>Mrs. Cockle, Trimley</item>
               <item>Mrs. Cole, Norwich</item>
               <item>Mrs. Collett, Eyke, Suffolk</item>
               <item>Mrs. C. Collett, Woodbridge</item>
               <item>Mr. P. Colombine, Norwich</item>
               <item>Mrs. Colombine, Thorpe</item>
               <item>Mrs. Dr. Cooper, Yarmouth</item>
               <item>Miss Amelia Cooper, North Walsham</item>
               <item>Mrs. Cooper, Norwich</item>
               <item>Mrs. Cooper, Dereham</item>
               <item>Miss Cooper</item>
               <item>Mrs. Cooper, Woodbridge</item>
               <item>Mrs. Cooke, Knapton, Norfolk</item>
               <item>Mrs. Corbould, Weston</item>
               <item>Miss Corbould, Norwich</item>
               <item>Mrs. Couperthwaite, Woodbridge</item>
               <item>Rev. G. Crabbe, Glemham</item>
               <item>Cremer Cremer, Esq. Beeston, Norfolk</item>
               <item>Mrs. Cremer</item>
               <pb id="pviii" n="viii"/>
               <item>Rev. Benjamin Crofts, Gressinhall</item>
               <item>Mrs. Gilbert Crompton</item>
               <item>Mrs. Crown, Swaffham</item>
               <item>Mrs. Crowe, Lakenham, Norwich</item>
            </list>
            <list type="simple">
               <head type="main">D</head>
               <item>Right Hon. Countess of Dysert</item>
               <item>Hon. Mrs. Damer, London</item>
               <item>Miss Mary Anne Dashwood</item>
               <item>Miss L. Davy, Dereham</item>
               <item>Miss Day, St. John's, Suffolk</item>
               <item>Miss Denton, Lynn, Norfolk</item>
               <item>E. Dereham Book Society</item>
               <item>J. C. Dod, Esq. Carlton, Norfolk</item>
               <item>Miss Doughty, Woodbridge</item>
               <item>Wm. Drake, Esq. Grosvenor Square, London</item>
               <item>Rev. Dr. Drake, Amersham Bucks</item>
               <item>Miss Drake, Wymondham, Norfolk</item>
               <item>Mrs. Drake</item>
               <item>W. Draper, Ensign in the Cambridgeshire Militia</item>
               <item>Mrs. Drosier</item>
            </list>
            <list type="simple">
               <head type="main">E</head>
               <item>Miss Everard, Harleston</item>
               <item>Rev. Dr. Enfield, Norwich, deceased</item>
               <item>Mr. Edgar, Swaffham</item>
               <item>Mrs. Etheridge, Stoke Ferry</item>
            </list>
            <list type="simple">
               <head type="main">F</head>
               <item>Lady Fenn, Dereham</item>
               <item>Mr. Rob. S. Fayerman, Swaffham</item>
               <item>Mr. Fergusson, London, 6 Copies</item>
               <item>Mrs. Fergusson</item>
               <item>Master James Fergusson, Jamaica</item>
               <item>Rob. E. Ferrier, Esq. London</item>
               <item>Rev. Dr. Forster, Master of the Grammar School, Norwich</item>
               <item>Mrs. Wm. Foster, Norwich</item>
               <item>Mrs. Foster, St. James', 2 Copies</item>
               <item>Mrs. Foster, St. Peter's Mancroft, 2 Copies</item>
               <item>Miss Fountain, Norwich</item>
               <item>Mrs. Fowell, Snetterton</item>
               <item>Mrs. Francis, Edgefield</item>
               <pb id="pix" n="ix"/>
               <item>Mrs. Francis, Surrey Street, Norwich</item>
               <item>The Rev. R. Francis</item>
               <item>Miss Francis</item>
               <item>Miss Louisa Francis</item>
               <item>Miss Mary Anne Francis</item>
               <item>Rev. F. Francklin, Watton</item>
               <item>Miss Francklin, Attleborough, 3 Copies</item>
               <item>Rev. Dr. Frank, Alderton, 2 Copies</item>
               <item>Mrs. Frank, Alderton</item>
            </list>
            <list type="simple">
               <head type="main">G</head>
               <item>Sir John Gallini, London</item>
               <item>Mrs. Ganning, Norwich, 3 Copies</item>
               <item>Miss Garnham, Bury</item>
               <item>C. D. Garrard, Esq. M. P. Lamer, Herts</item>
               <item>John Gay, Esq. Rainthorpe Hall</item>
               <item>Mrs. Gay, Alborough</item>
               <item>Miss Gay</item>
               <item>Miss Garrett, Kettleburgh</item>
               <item>Mrs. Gilman, London Lane, Norwich</item>
               <item>Major Girling, Dereham</item>
               <item>Rev. Edward Glover, Norwich</item>
               <item>Mr. Godfrey, Norwich</item>
               <item>Miss Godfrey,</item>
               <item>Mrs. Goodricke</item>
               <item>Mr. George Goodwin, Lynn, Norfolk</item>
               <item>Mrs. Gordon, Coltishall</item>
               <item>Miss Grafton, Romford</item>
               <item>Mr. Walter Grant, Bush Lane, London</item>
               <item>Rev. Wm. Grigson, Reymerstone</item>
               <item>Mr. E. Grigson, Watton</item>
               <item>Miss Gunton, Wickmere</item>
               <item>Rev. Joseph Gunning, Sutton, Suffolk</item>
               <item>Mrs. Gunning</item>
               <item>Miss Gunning</item>
            </list>
            <list type="simple">
               <head type="main">H</head>
               <item>Mrs. R. Hamond, Lynn</item>
               <item>Mrs. Hammond, Brandeston</item>
               <item>Mrs. Hammont, Norwich</item>
               <item>Miss Hammont</item>
               <item>Miss Mary Anne Hammont</item>
               <item>Miss Rachael Hammont</item>
               <pb id="px" n="x"/>
               <item>Miss Harriet Cooper Hammont</item>
               <item>Mrs. Hancock, Norwich</item>
               <item>Mrs. Hare, Hargham-Hall, Norfolk</item>
               <item>Mrs. Anne Hare</item>
               <item>Miss Harrington, Clare, Suffolk</item>
               <item>Mrs. Harvey, St. Clement's, Norwich</item>
               <item>Miss Harvey</item>
               <item>Robert Harvey, Esq. jun. Norwich</item>
               <item>Mrs. Robert Harvey</item>
               <item>C. Harvey, Esq. Norwich</item>
               <item>Mrs. Charles Harvey</item>
               <item>John Harvey, Esq. Thorpe, Norwich</item>
               <item>Mrs. John Harvey</item>
               <item>Miss Fanny Harvey</item>
               <item>Miss Marianne Harvey</item>
               <item>Mrs. T. Harvey, Catton</item>
               <item>Miss Harvey</item>
               <item>Mr. Harwood, Burnham Overy, Norfolk</item>
               <item>Miss Hawes, Cavendish</item>
               <item>Mrs. Henley, Randlesham</item>
               <item>Mrs. Hicks, Watton</item>
               <item>Mrs. Houghton, Norwich</item>
               <item>Mrs. Hope, London</item>
               <item>Rev. I. Howes, Morningthorpe</item>
               <item>Mrs. Howse, Wroxham, Norfolk</item>
               <item>Michael Hoy, Esq. London, 3 Copies</item>
               <item>Mrs. Hudson, Norwich</item>
               <item>Mr. Robert Huish, Nottingham</item>
               <item>Miss Hutchinson, Colchester</item>
            </list>
            <list type="simple">
               <head type="main">J</head>
               <item>Hon. Lady Jerningham, Costesey Hall, Norfolk, 4 Copies</item>
               <item>Miss Jarold, Norwich</item>
               <item>Mrs. Jecks</item>
               <item>Miss Jenny, Hasketon</item>
               <item>Rev. Wm. Jewell, Aylsham</item>
               <item>Miss Mary Ingram</item>
               <item>Miss Jones, North Walsham</item>
               <item>John Ives, Esq. Norwich</item>
               <item>Mrs. T. Ives</item>
               <item>Mrs. J. Ives, Catton</item>
            </list>
            <pb id="pxi" n="xi"/>
            <list type="simple">
               <head type="main">K</head>
               <item>Mrs. Kerrison, Norwich</item>
               <item>T. A. Kerrison, Esq.</item>
               <item>Miss Kittle</item>
               <item>Mr. Kitmer, Walsingham</item>
               <item>Mrs. Eleanor King, North Elmham</item>
               <item>Mr. S. King, Litcham</item>
               <item>Mrs. Kilderbee, Campsey Ash</item>
            </list>
            <list type="simple">
               <head type="main">L</head>
               <item>Major Lambard, West Kent Militia</item>
               <item>Mrs. Landy, 2 Copies</item>
               <item>Miss Charlotte Lathbury, Woodbridge</item>
               <item>J. Lathom, Esq. Rodney Street, Norwich</item>
               <item>Miss Lee, Upwell</item>
               <item>General Leland</item>
               <item>Mrs. Lewis, 2 Copies</item>
               <item>Mr. John Livie, London</item>
               <item>Mrs. Livie</item>
               <item>Miss Mary Livie</item>
               <item>Mr. Loder, Printer, Woodbridge,</item>
               <item>Mrs. Long, South Audley, St. Grosvenor Square, London</item>
               <item>Mrs. London, Woodbridge</item>
               <item>Dr. Lubbock, Norwich</item>
               <item>Mrs. Lubbock, 4 Copies</item>
               <item>Wm. Lubbock, Esq. Lammas</item>
               <item>Rev. Gibson Lucas, Yarmouth</item>
               <item>Miss Lucas</item>
               <item>Mr. Lund</item>
               <item>Mrs. Lynn, Woodbridge</item>
            </list>
            <list type="simple">
               <head type="main">M</head>
               <item>Mrs. Mack, St Giles', Norwich</item>
               <item>Miss Mack, Smalburgh</item>
               <item>Mrs. Mansell, Upper Berkley Street, London</item>
               <item>Mr. Austin Palgrave Manclarke, Rockland</item>
               <item>Mrs. A. P. Manclarke</item>
               <item>Mrs. Manclarke, Yarmouth</item>
               <item>Captain Marton, Inniskilling Dragoons</item>
               <item>Miss S. Martin, Birmingham</item>
               <item>Mrs. Marsh, St, George's Square, Norwich</item>
               <item>Mr. I. L. Marsh, Thorpe</item>
               <pb id="pxii" n="xii"/>
               <item>Miss Marsh</item>
               <item>Mrs. J. Marsh, St. Michael's Plea, Norwich</item>
               <item>John Martindale, Esq. Park-Lane, London</item>
               <item>Mr. Mattingham, Norwich</item>
               <item>Miss Mathew, Bury</item>
               <item>Mrs. Matthias, Mundham</item>
               <item>Mrs. Mayo, Hanover-Square, London</item>
               <item>William Midford, Esq. Crescent Minories, London</item>
               <item>Richard Milles, Esq. Elmham</item>
               <item>Mrs. Milles</item>
               <item>Miss Molineux, Bury</item>
               <item>Miss Moor, Wickham</item>
               <item>Miss Money, Raynham</item>
               <item>Mrs. Montgomery, Garbouldisham Hall, Norfolk</item>
               <item>John South Morse, Esq. Barton</item>
               <item>Miss Morse, London</item>
               <item>Miss Mortlock, Woodbridge</item>
               <item>Mr. Mugridge, Lynn</item>
            </list>
            <list type="simple">
               <head type="main">N</head>
               <item>George Nassau, Esq. Trimley, 2 Copies</item>
               <item>Miss Naunton, Woodbridge</item>
               <item>Mrs. Nelson, Hilborough</item>
               <item>Miss Nelson</item>
               <item>Mr. Cæsar Newton, Sporle</item>
               <item>Miss Norton, Hale</item>
               <item>Miss Nothercoat, Swaffham</item>
            </list>
            <list type="simple">
               <head type="main">O</head>
               <item>Miss Olier Foster, Devonshire</item>
               <item>Rev. Mr. Orgill, Beccles</item>
            </list>
            <list type="simple">
               <head type="main">P</head>
               <item>Lady Prescott, 2 Copies</item>
               <item>Mrs. Page, Woodbridge, 2 Copies</item>
               <item>Wm. Woods Page, Esq. Bawdsey, 2 Copies</item>
               <item>Miss Parish, Ipswich</item>
               <item>Miss Palmer, Yarmouth</item>
               <item>Rev. Mr. Partridge, Norwich</item>
               <item>Mrs. E. Parr, Norwich, deceased</item>
               <item>Miss Payne, Hardingham, 2 Copies</item>
               <item>Miss E. Payne, 2 Copies</item>
               <pb id="pxiii" n="xiii"/>
               <item>Mrs. Pemberton, Belchamp, St. Paul's, Essex</item>
               <item>Mr. Piggon, Aylsham</item>
               <item>Miss Pierson, Clopton</item>
               <item>Miss Anne Plumptree</item>
               <item>Mrs. Pond, Dereham</item>
               <item>Miss Pond</item>
               <item>Mrs. Postle, Colney</item>
               <item>Rev. R. Potter, Prebendary, Norwich</item>
               <item>Mrs. Pratt, Dereham</item>
               <item>Rev. St. John Priest, Scarning</item>
               <item>Mr. Wm. Purse, Strand, London</item>
               <item>Mrs. Purvis, Beccles</item>
            </list>
            <list type="simple">
               <head type="main">R</head>
               <item>Right Hon. Earl of Rochford</item>
               <item>Isaac Railton, Esq. London</item>
               <item>Mr. John Railton</item>
               <item>Mr. George Ranking, London</item>
               <item>Mr. Joseph Ranking</item>
               <item>Mewit Rand, Esq. Norwich</item>
               <item>Mrs. Raven, Bramerton</item>
               <item>Mrs. Reynolds, Norwich</item>
               <item>Miss Eliza Reynolds, Wood-street, London</item>
               <item>Robert Rissowe, Esq. Woodbridge</item>
               <item>Miss Riches, Woodbridge</item>
               <item>Mrs. Rigby, Norwich</item>
               <item>Mrs. Richards, Fritton, Norfolk</item>
               <item>Captain B. Roberts</item>
               <item>Mrs. C. Rodwell, Swaffham, Norfolk</item>
               <item>Mr. J. Roach, Norwich, 2 Copies</item>
               <item>Mrs. Anna Rogers, St. Saviour's, Norwich</item>
               <item>Mr. Rudge, Norwich</item>
               <item>Mrs. Russel, Woodbridge</item>
            </list>
            <list type="simple">
               <head type="main">S</head>
               <item>Mr. T. Seabrook, Caius Coll. Camb.</item>
               <item>Mr. T. Seabrook, Master of the Gram. School, Cavendish</item>
               <item>Mrs. Seagrave, Chapel-Street, Bedford-Row, London</item>
               <item>Mrs. Sheming, Brandeston</item>
               <item>Mrs. Shreeve, Norwich</item>
               <item>Miss Shreeve</item>
               <pb id="pxiv" n="xiv"/>
               <item>Mrs. Sheppard, Campsey Ash</item>
               <item>Mrs. Sherston</item>
               <item>Miss Simpson, Nowton, Suffolk</item>
               <item>Miss Slater, Swainsthorpe</item>
               <item>Rev. Rowland Smith, Cavendish</item>
               <item>Mrs. Smyth, Dereham</item>
               <item>Rev. H. Y. Smythies, Fellow Eman. Coll. Camb. B. D.</item>
               <item>Mrs. Spilsbury, London</item>
               <item>Mr. Sparrow Gent, Houghton-Hall, Suffolk</item>
               <item>Mrs. Stearn, Burgh</item>
               <item>Mr. Stoughton, Whymondam</item>
               <item>Miss Stevenson</item>
               <item>Mr. T. Suffield, Norwich</item>
               <item>Miss Sutliffe, Norwich</item>
            </list>
            <list type="simple">
               <head type="main">T</head>
               <item>Miss Tapp, Yarmouth</item>
               <item>Mr. Wm. Taylor, jun. Surrey-Street, Norwich</item>
               <item>Rev. T. Taylor, Bethel-Street, Norwich</item>
               <item>Mrs. Taylor</item>
               <item>Mrs. John Taylor, St. George's Colegate</item>
               <item>Mr. Richard Temple, Barmer</item>
               <item>Mr. Thomas, Norwich</item>
               <item>Mrs. Thomas, Kesgrave, Suffolk</item>
               <item>Miss Tompson, Woodbridge</item>
               <item>Mr. Thurgar, Norwich</item>
               <item>Mrs. Toundrow, Pentlow, Essex</item>
               <item>Rev. George Turner, Kettleburgh</item>
               <item>Miss E. Turner, Stansfield, Suffolk</item>
               <item>Mrs. John Tuthill</item>
               <item>Miss Tuthill</item>
               <item>Miss Tye, Woodbridge</item>
               <item>Tho. D. Tyrrwhitt, Esq. M.P. Shardeloes, Bucks</item>
            </list>
            <list type="simple">
               <head type="main">V</head>
               <item>Miss Vandriel, London</item>
               <item>Mrs. Utting, St. George's Square, Norwich</item>
            </list>
            <list type="simple">
               <head type="main">W</head>
               <item>Mrs. Waddington, Cavendish</item>
               <item>Mrs. Ward, London</item>
               <item>Miss Walker, 2 Copies</item>
               <pb id="pxv" n="xv"/>
               <item>Mr. T. R. Walker</item>
               <item>Rev. I. S. Watts, Rector of Ashill</item>
               <item>Miss Elizabeth Langley Watts, Norwich</item>
               <item>Miss Watts, Wymondham</item>
               <item>Mrs. Walkin, Chelmsford</item>
               <item>Mrs. Whyte, Swaffham</item>
               <item>Miss White, Norwich</item>
               <item>Mr. Wilcocks</item>
               <item>Miss Wilcocks</item>
               <item>Mrs. Wilcocks</item>
               <item>Miss Wingfield, Dereham</item>
               <item>Mr. S. Witton, Stourbridge</item>
               <item>Captain Wodehouse, Kimberly-Hall, Norfolk</item>
               <item>Miss Woods, Loddon, Ingloss</item>
               <item>Miss Woodrow, Norwich</item>
               <item>Mrs. Worth</item>
               <item>Miss Worth</item>
               <item>Miss S. Worth</item>
               <item>Mrs. Wright, Dereham</item>
               <item>Mr. Rich. Wright, Norwich</item>
            </list>
            <list type="simple">
               <head type="main">Y</head>
               <item>Major York, Cambridgeshire Militia, M.P.</item>
               <item>Mrs. Young, Necton, Norfolk</item>
               <item>Miss. Catherine Young</item>
               <item>Miss Young, Clare, Suffolk</item>
            </list>
         </div1>
         <div1 type="contents" id="d0e1065">
            <pb id="pxvi" n="[xvi]"/>
            <head type="main">Contents.</head>
            <list type="simple">
               <item>
                  <hi rend="italic">Introduction.</hi>
                  <ref rend="align right" type="pageref" target="p1">1</ref>
               </item>
               <item>
                  <hi rend="italic">Huniades; or, The Siege of Belgrade.</hi>
                  <ref rend="align right" type="pageref" target="p11">11</ref>
               </item>
               <item>
                  <hi rend="italic">The Conflict ; or Love, Honour, and Pride.</hi>
                  <ref id="note1" type="noteref" target="n1">*</ref>
                  <ref rend="align right" type="pageref" target="p147">147</ref>
               </item>
               <item>
                  <hi rend="italic">Adelinda.</hi>
                  <ref id="note2" type="noteref" target="n2">†</ref>
                  <ref rend="align right" type="pageref" target="p251">251</ref>
               </item>
               <item>
                  <hi rend="italic">Valentine.</hi>
                  <ref rend="align right" type="pageref" target="p379">379</ref>
               </item>
               <item>
                  <hi rend="italic">Introduction. </hi>
                  <ref rend="align right" type="pageref" target="p381">381</ref>
               </item>
               <item>
                  <hi rend="italic">The Monk of La Trappe.</hi>
                  <ref rend="align right" type="pageref" target="p386">386</ref>
               </item>
               <item>
                  <hi rend="italic">Ode to Youth. </hi>
                  <ref rend="align right" type="pageref" target="p416">416</ref>
               </item>
               <item>
                  <hi rend="italic">Imitation of the French Hymn of Monsieur Des Barreaux.</hi>
                  <ref rend="align right" type="pageref" target="p418">418</ref>
               </item>
               <item>
                  <hi rend="italic">Ode to Adversity.</hi>
                  <ref rend="align right" type="pageref" target="p419">419</ref>
               </item>
               <item>
                  <hi rend="italic">Prayer to the Parcæ.</hi>
                  <ref rend="align right" type="pageref" target="p422">422</ref>
               </item>
            </list>
            <note id="n1" n="*" place="end" anchored="yes" target="note1">
               <p>Altered from D. Sanche d'Aragon, by P. Corneille.</p>
            </note>
            <note id="n2" n="†" place="end" anchored="yes" target="note2">
               <p>Altered from La Force du Naturel, by Destouches.</p>
            </note>
         </div1>
         <div1 type="errata" id="d0e1135">
            <head type="main">ERRATA.</head>
            <list type="simple">
               <item>Page 4, line 22, for <hi rend="italic">Uladislous,</hi> read <hi rend="italic">Ladislaus.</hi>
               </item>
               <item>Page 200, [line] 15, for <hi rend="italic">D. Elvira,</hi> read <hi rend="italic">D. Isabella</hi>
               </item>
               <item>Page 385, [line] 10, for <hi rend="italic">Almorer,</hi> read <hi rend="italic">Almoner.</hi>
               </item>
            </list>
         </div1>
      </front>
      <body>
         <pb id="p1" n="[1]"/>
         <div1 type="poem" id="d0e1162">
            <head type="main">HUNIADES;</head>
            <head type="subtitle">OR,<lb/>
               <hi rend="italic">THE SIEGE OF BELGRADE:</hi>
               <lb/>A Tragedy.</head>
            <pb id="p2" n="[2]"/>
            <div2 type="ss1" id="d0e1173">
               <pb id="p3" n="[3]"/>
               <head type="main">INTRODUCTION.</head>
               <p>SIGISMOND, the son of the Emperor Charles IV.
was elected King of Hungary 1386, and Emperor of
Germany 1410. His first wife, Mary, being dead, he
espoused, about the year 1414, Barbara, the daughter
of Hernan, Count of Cilley. Sigismond made the
Counts of Cilley independent Princes of the Empire;
and called them to the Diets, without the consent of
the House of Austria, their supreme Lords, who,
unwilling to emancipate the County from its dependance upon them, declared war against the Count in possession. By Barbara, Sigismond had only one
child, a daughter, named Elizabeth. Sigismond died 1437.</p>
               <p>Albert V. Duke of Austria, who had married 
Elizabeth, Sigismond's daughter, succeeded him in the
Empire, and the Kingdom of Hungary.  Albert died
1440, leaving two daughters; his Queen Elizabeth
was big with child at the time of his death; the child
proved a son, and was named Ladislaus.</p>
               <p>Upon the death of Albert II. as Emperor, and V.
as Duke of Austria, his cousin, Frederick, great
grandson of Albert II. Duke of Austria, was immediately elected Emperor.</p>
               <pb id="p4" n="4"/>
               <p>The Hungarians, almost constantly engaged in
war against the Turks, either for the defence of their
own country, or of the neighbouring states, deemed
an infant Prince and a Queen Regent unequal to the
safe government of a kingdom which, by frequent
wars, was kept in continual alarm. The crown of
Hungary, by the constitution of the kingdom, being
elective, (though sometimes possessed in hereditary
succession) Uladislaus, the young King of Poland,
was chosen King, by the advice of John Corvin
Huniades, Earl of Bistrie, whom Uladislaus made
Vaywode of Transylvania. Huniades was as celebrated for his virtues as for his valour. He was pious
towards God, faithful to his country and his prince,
and kind and benevolent to his friends; as a warrior
he was politic, of invincible courage, and mostly fortunate: he was the first Christian commander who
showed that the Turks might be overcome; and he
obtained more victories against them than any one of
the Christian Princes before him<ref id="note3" type="noteref" target="n3">*</ref>.</p>
               <p>Elizabeth, unable to prevent this choice, put her
son, Uladislaus, under the protection of the Emperor
Frederick III. Thus, of Albert's possessions, only
Austria, and the kingdom of Bohemia, remained unalienated from his posthumous son, Ladislaus.</p>
               <note id="n3" n="*" place="end" anchored="yes" target="note3">
                  <p>Sir William Temple says that, "Huniades was one of the three worthies who deserved a Crown without wearing one." The reward, merited by the virtues and great talents of the father, was paid to the son; for in 1458, the  Hungarians, from their love to Huniades, and grateful remembrance of his long services, chose his son, Matthias Corvinus, for their King.</p>
               </note>
               <pb id="p5" n="5"/>
               <p>In the battle of Varna, 1444, fought between the
Turks, commanded by their King, Amurath II. and
the Hungarians, led by Huniades, Uladislaus the
King of Hungary was slain; Huniades, by whose
side he fought, having left him to go and rally the
left wing of the Christian army.</p>
               <p>The Hungarians now elected Albert's son Ladislaus King; and they chose Huniades, their General,
Governor of Hungary during his minority. The Emperor Frederick detaining the infant King in Germany, Huniades, as Governor of Hungary, declared
war against him. After a long contest, which the
Hungarians were obliged to intermit, on account of
their wars against the Turks, the Emperor, not strong
enough to defend his dominions from being ravaged
by the incursions of the Hungarians, at last in 1452
delivered up their king; then eleven years of age.
An assembly was appointed at Vienna, to which the
nobles of Hungary and Bohemia were invited. At
this assembly it was decreed that, during the minority
of Ladislaus, Huniades should govern Hungary; that
George Podiebrad should govern Bohemia; and that
Ulrick, Count of Cilley, great uncle to the King,
should govern Austria, and be guardian of his person.</p>
               <p>Count Cilley, envious of the glory of Huniades,
excited some parties of Bohemians and Moravians to
attack Upper Austria: but they proved unsuccessful
when opposed by Huniades. Ambitious of the government of Hungary, Count Cilley accused Huniades, the Governor, to the King; but he justified<pb id="p6" n="6"/>
himself from the accusation. Count Cilley's ambition
increasing with the power which he derived from
being the King's guardian; he attempted to make
himself absolute master of Austria. To effect which,
he secured the principal fortresses, by giving them to
the command of unprincipled people whom he had
attached to his interest; gradually removing Elsinger,
and the Austrian nobility, from all offices of importance. This conduct gave great umbrage to the people.
Elsinger took advantage of their discontent; and,
aided by Huniades, obliged Ulrick to retire to his
own territory of Cilley. Thus, by the bravery and
conduct of these two warriors, Austria was wrested
from Count Cilley's usurpation.</p>
               <p>Mahomet II. the seventh King, and the first Emperor of the Turks, who took Constantinople May 29, 
1453, which his great grandfather, Bajazet I. and his
father Amurath II. had unsuccessfully besieged,
marched 1456<ref id="note4" type="noteref" target="n4">*</ref> with an army of 150,000 men to
besiege Belgrade, then thought the key to Hungary.</p>
               <p>As soon as the report of Mahomet's intention to
besiege Belgrade, reached the young King Ladislaus,
then fifteen years of age, he fled to the court of the
Emperor Frederick; which much displeased his Hungarian subjects, as it had before cost them a long and
tedious contest to get him out of the Emperor's
power.</p>
               <note id="n4" n="*" place="end" anchored="yes" target="note4">
                  <p>New Universal History, vol. XXVI. p. 296, there is a mistake in
the date of this Siege of Belgrade, which is there put down A.D. 1459;
and in vol. XXXII. p. 149, the date is 1456, which last agrees with
other Historians.</p>
               </note>
               <pb id="p7" n="7"/>
               <p>Besides his numerous army, of 150,000 men,
Mahomet provided a fleet, of 200 ships and gallies,
which he sent up the Danube from Viden to Belgrade; to the intent that no relief, or aid, should be
brought into the city out of Hungary by the great
rivers of the Danube and the Save; upon the confluence of which, the city of Belgrade stands. Not contented with thus closely blockading the city on
all sides, Mahomet sent part of his fleet further up
the Danube, and landing troops spoiled the country
in many places on the banks of the river. On his
first coming before Belgrade, he made a fierce assault but was repulsed: he found the Hungarians
ready to receive him, and prepared to skirmish with
his troops, without the walls, as well as to defend
the city. Mahomet, finding his arms so resolutely
opposed, began to proceed more warily; and intrenched his army. He provided for its safety,
against the sudden sallies of the besieged, by casting
up deep trenches and strong rampires. After planting his battery, he began to shake the wall of the city
most furiously with his great artillery: insomuch
that he battered down a part of it level with the
ground. But the defendants with great labour and
industry speedily repaired it, by casting up new fortifications and rampires, so that it was stronger than before.</p>
               <p>Campestran, a Franciscan monk, having at this
 time preached, in Germany, a crusade against the
Turks, had collected an army of 40,000 men. With<pb id="p8" n="8"/>
these, his followers, he entered Belgrade to assist in
its defence against Mahomet, who was become the
terror of all Christendom by his conquests, his enterprising genius, his capacious mind improved by all
the learning of the age, his indefatigable industry in
the pursuit of whatever he undertook, his irresistible
courage, his insatiable cruelty, his avowed impiety,
his blood-thirstiness, his immeasurable ambition, his
impious treachery, and his unrelenting flinty-hearted
severity; so that against his ambition there was no
mound, on his faith or friendship no dependance, and
in his least displeasure death.</p>
               <p>Huniades, who was gone to Upper Hungary, to
raise supplies, was expected to sail from Buda, with
a fleet of ships and gallies stored with warlike provisions; when Mahomet, having been a month before Belgrade, prepared to give a general assault,
although his superstitious troops were much dispirited
from the appearance of two comets<ref id="note5" type="noteref" target="n5">*</ref>; and the death
of Carazius the Lieutenant-General, who was killed
by a canon-shot from the city; which circumstances
they considered as prognosticks of ill success. At this
time, A.D. 1456, August 5, the fleet of Huniades
came in sight, and was met by Mahomet's fleet four
miles up the Danube beyond Belgrade.</p>
               <note id="n5" n="*" place="end" anchored="yes" target="note5">
                  <p> D'Ohsson's Hist. Gen. of the Othoman Empire, vol. I. p. 539.</p>
               </note>
            </div2>
            <div2 type="ss1" id="d0e1228">
               <pb id="p9" n="[9]"/>
               <head type="main">DRAMATIS PERSONÆ.</head>
               <list type="simple">
                  <head type="main">Christians.</head>
                  <item>JOHN CORVIN HUNIADES;<lb/>
                     <hi rend="italic">Regent of Hungary, Vaywode of <sic corr="Transylvania">Transilvania</sic>, Guardian to the Princess Agmunda, and General of the King's Forces.</hi>
                  </item>
                  <item>NICHOLAS VILACH; <hi rend="italic">the Friend of Huniades.</hi>
                  </item>
                  <item>LADISLAUS CORVINUS;<lb/>
                     <hi rend="italic">The eldest Son of the Regent Huniades, his Lieutenant General, and Deputy Governor of Transylvania.</hi>
                  </item>
                  <item>ULRICK, COUNT OF CILLEY;<lb/>
                     <hi rend="italic">(Great Uncle to Ladislaus, King of Hungary and Bohemia, and Duke of Austria,) appointed by the States Regent of Austria, and Guardian to the King during his minority.</hi>
                  </item>
                  <item>RODOLPHO; <hi rend="italic">the Confident of Count Cilley.</hi>
                  </item>
                  <item>CAMPESTRAN; <hi rend="italic">a Franciscan Monk.</hi>
                  </item>
                  <item>MICHAEL ZILUGO;<lb/>
                     <hi rend="italic">Governor of Belgrade, and President of the Council.</hi>
                  </item>
                  <item>First Lord. Old Officer. Herald.</item>
                  <item>Lords of the Council, Officers, Soldiers, People, Guards.</item>
               </list>
               <list type="simple">
                  <item>AGMUNDA;<lb/>
                     <hi rend="italic">Daughter to the late Emperor Albert, and Sister to the young King Ladislaus.</hi>
                  </item>
                  <item>ELLA; <hi rend="italic">an Attendant on the Princess Agmunda.</hi>
                  </item>
                  <pb id="p10" n="10"/>
               </list>
               <list type="simple">
                  <head type="main">Turks.</head>
                  <item>MAHOMET II. <hi rend="italic">Emperor of the Turks.</hi>
                  </item>
                  <item>MUSTAPHA; <hi rend="italic">his Minister and Favourite.</hi>
                  </item>
                  <item>CHUSANES; <hi rend="italic">the General of the Turkish Forces.</hi>
                  </item>
                  <item>ZOGANUS; <hi rend="italic">a Bashaw, Ambassador to the Hungarians.</hi>
                  </item>
                  <item>Bashaws, Agas, Janizaries, Guards, Mutes, <hi rend="italic">&amp;c.</hi>
                  </item>
               </list>
               <stage type="setting">Scene<lb/>
                  <hi rend="italic">THE CITY OF BELGRADE, AND THE SULTAN'S TENT BEFORE IT.</hi>
               </stage>
               <stage type="setting">Era<lb/>A.D. 1456: Time—from the Noon of the 5th of August to Sun-rising, August 6th.</stage>
            </div2>
            <div2 type="ss1" id="d0e1317">
               <head type="main">ADVERTISEMENT.</head>
               <p>
                  <hi rend="italic">In the representation, many passages were left out:
they are not however distinguished; as they will easily
be perceived by persons acquainted with the nature of stage effect.</hi>
               </p>
            </div2>
            <div2 type="ss1" id="d0e1323">
               <pb id="p11" n="[11]"/>
               <head type="main">
                  <hi rend="italic">HUNIADES;</hi>
                  <lb/>OR,<lb/>THE SIEGE OF BELGRADE.</head>
               <div3 type="ss2" id="d0e1332">
                  <head type="main">Act First.</head>
                  <div4 type="ss3" id="d0e1335">
                     <head type="main">SCENE FIRST—A HALL OF STATE.</head>
                     <stage type="setting">Several doors, from inner apartments, opening into the
hall. In the front folding doors, Count Cilley coming forward through them; a couch seen in the inner apartment, from which he rises as the curtain draws up. Rodolpho following him.</stage>
                     <stage rend="entrance" type="mix">
                        <hi rend="italic">COUNT CILLEY, RODOLPHO.</hi>
                     </stage>
                     <sp>
                        <speaker>COUNT CILLEY.</speaker>
                        <lg type="verse paragraph">
                           <l>IT mocks belief. Huniades arriv'd?</l>
                           <l>His fleet in sight, engaging with the Turk's?</l>
                           <l>Demons of air, in whirlwinds scatter both!</l>
                           <l>Thou roaring Danube whelm them in thy flood!</l>
                           <l>Destroy Huniades, though, he destroy'd,</l>
                           <l>Plumed victory should forsake the Christian banner,</l>
                           <l>And give to Mahomet unbounded empire.</l>
                        </lg>
                     </sp>
                     <pb id="p12" n="12"/>
                     <sp>
                        <speaker>RODOLPHO.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">This passionate deportment tends to ruin;</l>
                           <l>Your bounty has allur'd the people's hearts,</l>
                           <l>Because they see no motive, but their interest,</l>
                           <l>Which stimulates your ardour to relieve them;</l>
                           <l>The mine you dig, should they suspect your purpose,</l>
                           <l>Would be blown up with danger to yourself.</l>
                           <l>Let circumspection guard what art has won;</l>
                           <l>Opposeless is a foe new-crown'd by victory;</l>
                           <l>Huniades now reigns in every heart.</l>
                           <l>These succours, swiftly rais'd, and timely come</l>
                           <l>To their relief, have chang'd the people's murmurings</l>
                           <l>To joy and gratitude. Should you exclaim</l>
                           <l>Against their idol, you excite suspicion.</l>
                           <l>Still in the people's interest seem absorb'd,</l>
                           <l>Seem joyful that Huniades is come</l>
                           <l>With fresh supplies to feed their wives and children.</l>
                           <l>This if he bring them not sows discontent.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>COUNT CILLEY.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Curse on his coming! for it gives the lie</l>
                           <l>To all I prophesy'd of his delay,</l>
                           <l>And drooping courage. Long has he been seen?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>RODOLPHO.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Three hours.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>COUNT CILLEY.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent4">Why instantly was I not told,</l>
                           <l>When the fleet came in sight? Art thou too leagu'd</l>
                           <pb id="p13" n="13"/>
                           <l>With fortune, and my foes, against my wishes?</l>
                           <l>My favours merit better service from thee;</l>
                           <l>Thy too late warning leaves me now no power</l>
                           <l>To form such plans, as should have foil'd his speed.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>RODOLPHO.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Vain, fruitless thought! thy passion warps thy judgment.</l>
                           <l>Thou might'st as well hope to arrest yon Sun</l>
                           <l>In mid career, as stop this gallant chief,</l>
                           <l>When ardent in his country's cause he comes.</l>
                           <l>Yet had I known, my Lord, you would have thank'd</l>
                           <l>The man who told you that your foe was near,</l>
                           <l>I could have summon'd you from needed sleep</l>
                           <l>To see a grateful people mad with joy;</l>
                           <l>To hear one voice of praise ascend the skies,</l>
                           <l>That great Huniades, their guardian genius,</l>
                           <l>Their tutelary God, was come to save them.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>COUNT CILLEY.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Peace! for my ill-placed anger taunt me not.</l>
                           <l>Huniades, the man I fear and envy,</l>
                           <l>Whom I with deadly hate detest—he comes.</l>
                           <l>Unfated vengeance fires my soul to phrenzy.</l>
                           <l>Gods, he triumphant comes! Give me some hope,</l>
                           <l>Contrive some means, that he may fall my victim!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>RODOLPHO.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Be calm! and opportune event may aid you;</l>
                           <l>Without supplies the city must surrender.</l>
                        </lg>
                        <pb id="p14" n="14"/>
                        <lg type="verse paragraph">
                           <l>If now Huniades relieve Belgrade,</l>
                           <l>The frighted King will strait return to celebrate</l>
                           <l>His sister's marriage with the Servian prince.</l>
                           <l>The Princess gone, the Regent's power is sapp'd;</l>
                           <l>The guardianship of such a peerless gem,</l>
                           <l>As your fair niece, gives power to rise still higher.</l>
                           <l>'Tis rumour'd, that his son Corvinus dar'd</l>
                           <l>To ask her hand——</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>COUNT CILLEY.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent4">How! my niece wed Corvinus?</l>
                           <l>By heaven she never shall, whilst I have life;</l>
                           <l>I first would give Belgrade, although the key</l>
                           <l>Of the Hungarian realm, to Mahomet;</l>
                           <l>And he would rid me both of son and father.</l>
                           <l>Huniades! his blood commix with mine?</l>
                           <l>Corvinus and Agmunda then would mount</l>
                           <l>My coward nephew's throne, supplanting me.</l>
                           <l>Accursed scheme! rise every fiend to blast it.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>RODOLPHO.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">The Regent has himself that danger warded;</l>
                           <l>Glory, and not ambition, is his God:</l>
                           <l>He made the Princess, at the altar, swear</l>
                           <l>Never to wed his son. But other cares</l>
                           <l>Demand your present thoughts. A hasty council</l>
                           <l>Has been conven'd; which soon broke up, commanding</l>
                           <l>Such troops to muster in Saint Julian's Square,</l>
                           <l>As can be spar'd from duty on the walls.</l>
                           <pb id="p15" n="15"/>
                           <l>These, from the western gate, led by Corvinus,</l>
                           <l>In one vast column, through the Turkish camp,</l>
                           <l>Must fight their way against redoubling foes;</l>
                           <l>Whilst with his troops, and hoped supplies, Huniades</l>
                           <l>Shall disembark. In this their purpos'd sally,</l>
                           <l>A thousand of your Austrian troops they ask</l>
                           <l>To march with the rear-guard, and flank the river,</l>
                           <l>The ground maintaining which the van shall gain,</l>
                           <l>And their retreat back to Belgrade secure.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>COUNT CILLEY.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Ask me to aid the triumph of Huniades?</l>
                           <l>Bid the wreck'd seaman quit the plank he clings to!</l>
                           <l>Bid the parch'd wretch, when fever fires his blood,</l>
                           <l>Part with the cooling beverage from his lip!</l>
                           <l>'Tis a gross insult to demand my troops;</l>
                           <l>Not one shall march beneath Corvinus' standard.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>RODOLPHO.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Think of the consequence of this refusal.</l>
                           <l>'Twould sound unpopular, and most suspicious,</l>
                           <l>That Austria's Regent, the King's guardian,</l>
                           <l>And his great Uncle too, refus'd his aid</l>
                           <l>Stores to convey into a town besieged,</l>
                           <l>Where every citizen eats scanty bread.</l>
                           <l>Without these succours famine will ensue,</l>
                           <l>Belgrade must yield, and with it falls a kingdom.</l>
                           <l>Your aid is not of service to your foe,</l>
                           <l>But to yourself; worded the people's friend,</l>
                           <l>You lose their confidence, if in this misery</l>
                           <pb id="p16" n="16"/>
                           <l>Your deeds desert them. Let not fury blind you,</l>
                           <l>Weigh, with your wonted policy, your interest.</l>
                           <l>Revenge and hate must wait a riper hour.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>COUNT CILLEY.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">I know not that; their hour perhaps is <emph rend="italic">now,</emph>
                           </l>
                           <l>My spirits feel a prescience which <sic corr="proclaims">prolaims</sic>
                           </l>
                           <l>The balance of my fate aloft is pois'd;</l>
                           <l>And shall I make the adverse scale preponderate?</l>
                        </lg>
                        <stage type="stage direction">
                           <hi rend="italic">(pauses.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>Gods! give me empire, let me reign or die!</l>
                           <l>I would command my fate, nor owe to chance</l>
                           <l>My envy'd height. Huniades destroy'd,</l>
                           <l>The Regency of Hungary is mine;</l>
                           <l>Then, this Boy King, the people will depose:</l>
                           <l>Huniades, whilst Regent, more defends him</l>
                           <l>Than could embattled legions arm'd to save him.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>RODOLPHO.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">My Lord! the exigence demands despatch,</l>
                           <l>Zilugo urged me for a speedy answer;</l>
                           <l>Resolve, lest your delay excite suspicion,</l>
                           <l>And make him penetrate your secret motive.</l>
                           <l>I know he views your conduct with distrust,</l>
                           <l>And lynx-eyed jealousy may view it right;</l>
                           <l>Unless you warily avoid its ken.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>COUNT CILLEY.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Be thine the craft t'elude his penetration,</l>
                           <l>Smoothing my answer to a courteous form.</l>
                           <pb id="p17" n="17"/>
                           <l>This Governour I fain would win: so tell him,</l>
                           <l>My troops should in this enterprise take part,</l>
                           <l>To the last man; but, that I fear the Sultan,</l>
                           <l>When we shall sally to convoy the succours,</l>
                           <l>Will try to force the eastern gate by storm.</l>
                           <l>This and the wall adjacent I must guard.</l>
                           <l>To draught my troops, should an assault be given,</l>
                           <l>Would be most certain danger to Belgrade.</l>
                           <l>I but withhold them for important service,</l>
                           <l>More perilous far than that which I decline.</l>
                           <l>Grace this with all the artifice of speech,</l>
                           <l>And speak me such as he would wish to find me.</l>
                           <l rend="indent2">To my Lieutenant then the order give,</l>
                           <l>That Cosmo shall the eastern gate command;</l>
                           <l>And Hernan's regiment surround the palace.</l>
                           <l>Report my fears that the Turks mean to storm.</l>
                           <l>And instantly to arms my Austrians call.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>RODOLPHO.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Is this parade meant but to blind the council?</l>
                           <l>Or have these preparations other motives?</l>
                           <l>Instruct me, lest I fail to aid your purpose.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>COUNT CILLEY.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">This palace I will seize. My niece the Princess,</l>
                           <l>Leagu'd with my foes or not, shall be my prisoner</l>
                           <l>Till I succeed; and, if I fail, my victim.</l>
                           <l>I must harangue the crowd, distribute money,</l>
                           <l>Accuse Huniades of breach of faith,</l>
                           <l>That he has plann'd his son should wed the Princess,</l>
                           <pb id="p18" n="18"/>
                           <l>Dethrone my nephew, and usurp his crown.</l>
                           <l>If this inflame the people, as I wish,</l>
                           <l>Corvinus and Huniades return'd</l>
                        </lg>
                        <stage type="stage direction">
                           <hi rend="italic">(spoken with insidious meaning.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>Shall be for treason seiz'd, and thou their guard,</l>
                           <l>As thou wast Elsinger's. The Monk Campestran,</l>
                           <l>Fanatic priest, shall writhe beneath my vengeance.</l>
                           <l>I'll seize the Sword his insolence refus'd me:</l>
                           <l>Bless'd by the Pope, the people hold it sacred,</l>
                           <l>Thinking miraculous power attends the wearer.</l>
                           <l>Campestran shall repent his proud defiance:</l>
                           <l>Without his aid, sole Regent of this realm</l>
                           <l>Belgrade shall hail me, and ere long its King.</l>
                           <l>With thy accustom'd zeal my orders execute.</l>
                        </lg>
                     </sp>
                     <stage rend="EXIT" type="mix">
                        <hi rend="italic">Exit Rodolpho.</hi>
                     </stage>
                  </div4>
                  <div4 type="ss3" id="d0e1766">
                     <head type="main">SCENE SECOND.</head>
                     <stage rend="entrance" type="mix">
                        <hi rend="italic">COUNT CILLEY, THE GOVERNOR MICHAEL ZILUGO.</hi>
                     </stage>
                     <stage type="mixed">
                        <hi rend="italic">(Zilugo enters hastily as Rodolpho goes out.)</hi>
                     </stage>
                     <sp>
                        <speaker>COUNT CILLEY.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">What trouble read I in your looks, Zilugo?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>ZILUGO.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Grief at the loud laments of starving thousands,</l>
                           <l>And at the silent tears of hardy veterans,</l>
                           <l>Drooping dismay'd.—The fleet is now in flames——</l>
                        </lg>
                     </sp>
                     <pb id="p19" n="19"/>
                     <sp>
                        <speaker>COUNT CILLEY.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">The Regent's fleet, which came this morn in sight?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>ZILUGO.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Is now destroying. Nought can be seen of it,</l>
                           <l>For bursting flames, and volumes of thick smoke,</l>
                           <l>Which the west wind towards the city blows.</l>
                           <l>We fear our godlike champion now expires,</l>
                           <l>Or, chain'd, is led in triumph by the victor.</l>
                           <l>I have just call'd the council to advise</l>
                           <l>What, in this exigence, we ought to do.</l>
                           <l>Fain would Corvinus sally forth, with all</l>
                           <l>Our force, at the west gate, and through the invaders,</l>
                           <l>On that side now redoubling, force a passage;</l>
                           <l>And save, from Mahomet, his gallant Father,</l>
                           <l>With those brave troops who may escape the flames.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>COUNT CILLEY.</speaker>
                        <lg type="verse paragraph">
                           <l>The attempt is madness. What, risk our whole force</l>
                           <l>To save <emph rend="italic">one</emph>  man? Hazard Belgrade for him?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>ZILUGO.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Huniades <emph rend="italic">that One,</emph>—hazard an Empire.</l>
                           <l>Though gratitude were dumb, yet interest pleads;</l>
                           <l>For seven score thousand Turks, inur'd to war,</l>
                           <l>Round our beleaguer'd walls have trenches open'd,</l>
                           <l>And our own safety now demands his aid.</l>
                           <l>Who but himself had fought against their fleet</l>
                           <l>This morn? Yet he, undaunted Chief, engag'd</l>
                           <l>Their ships at fearful odds. Had victory smil'd,</l>
                           <pb id="p20" n="20"/>
                           <l>Boldly must he his landing have made good</l>
                           <l>I' the teeth of all the Sultan's chosen soldiers.</l>
                           <l>And after that, although you think it madness</l>
                           <l>For us to pass athwart the Turkish lines,</l>
                           <l>Yet he, with not the tenth of half our force,</l>
                           <l>Would, through their camp, have hewn himself a path;</l>
                           <l>Then with tir'd troops, from a third battle panting,</l>
                           <l>Belgrade had been again by him reliev'd.</l>
                           <l>This godlike man shall we, with coward caution,</l>
                           <l>Desert, now, when for us, he stands the mark</l>
                           <l>Of hostile rage?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>COUNT CILLEY.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent4">Defeat, in mid career,</l>
                           <l>His boldness stops; and, with less daring, prudence</l>
                           <l>Warns us to act, nor, by our ruin, grace</l>
                           <l>His fall. Huniades, or dead, or captive,</l>
                           <l>The tottering state must chuse another Regent:</l>
                           <l>A Nation's praise will that brave man deserve,</l>
                           <l>Who, in this peril, dares to take the helm.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>ZILUGO.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Now, at this stormy crisis, to be Regent</l>
                           <l>Is to encounter toil and certain danger:</l>
                           <l>A thankless office, where all may be lost,</l>
                           <l>And nothing can be won. Much the King's flight</l>
                           <l>To Frederick's court, the people has displeas'd.</l>
                           <l>This beardless King, deserting his own cause,</l>
                           <l>Is grown unpopular. The soldiers fight</l>
                           <pb id="p21" n="21"/>
                           <l>Dead-hearted. Yet where great Corvinus leads,</l>
                           <l>Adoring him, with ready swords they follow.</l>
                           <l>Another Regent strew'd with thorns will find</l>
                           <l>His road, unless our well-plac'd choice select</l>
                           <l>That hero whom the soldiers love and fear.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>COUNT CILLEY.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">A Regent must be chosen, or this Corvinus,</l>
                           <l>This boy, will arrogate his Father's power,</l>
                           <l>Defy the council's orders, waste our strength,</l>
                           <l>And lose the city of the most importance</l>
                           <l>In the Hungarian realm. If you should aid</l>
                           <l>This rash exploit, I shall suspect your loyalty.</l>
                           <l>Traitors I deem Corvinus, and Huniades,</l>
                           <l>Who would usurp my infant Nephew's throne.</l>
                           <l>To guard his rights, I claim the General's truncheon.</l>
                        </lg>
                     </sp>
                     <stage rend="entrance" type="mix">
                        <hi rend="italic">Enter a Messenger.</hi>
                     </stage>
                     <sp>
                        <speaker>MESSENGER <hi rend="italic">(addressing the Governor).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">My Lord! approaching tow'rds the eastern gate</l>
                           <l>A train of Turks appears, so very numerous,</l>
                           <l>That it resembles more a hostile army</l>
                           <l>Than a state embassy. They found a parley.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>ZILUGO.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Let trumpets from the eastern tower accept it,</l>
                           <l>And send forth Heralds to demand their purpose,</l>
                           <l>Which here report.</l>
                        </lg>
                     </sp>
                     <stage type="exit">
                        <hi rend="italic">Exit Messenger.</hi>
                     </stage>
                     <pb id="p22" n="22"/>
                     <sp>
                        <speaker>COUNT CILLEY.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent4">Now shew your zeal to serve</l>
                           <l>The state; and in the council name me Regent.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker> ZILUGO.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Forego that thought, nor hazard a repulse.</l>
                           <l>My Lord! at present, if the council chuse</l>
                           <l>A man for that high office, much I doubt,</l>
                           <l>Nay I foretell, they never will name you.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>COUNT CILLEY.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">And yet this realm demands my care, Zilugo!</l>
                           <l>This new alliance with the Prince of Servia,</l>
                           <l>Will keep the sword for ever in our hands</l>
                           <l>Against the Turk, who, when he quits Belgrade,</l>
                           <l>With fire and sword, will ravage Servia,</l>
                           <l>Which, by the treaty, we are bound to succour.</l>
                           <l>Huniades has some base views in this;</l>
                           <l>Some secret tribute, or some promis'd service.</l>
                           <l>My Niece is sold.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>ZILUGO.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent4">Unjust are your suspicions.</l>
                           <l>The Regent knows no interest, but his Country's;</l>
                           <l>And Servia, aided by our arms, will prove</l>
                           <l>Hungaria's bulwark 'gainst the Turk's invasion.</l>
                           <l>Therefore he gives the Princess to Matthias.</l>
                           <l>Although her heart in secret loves another;</l>
                           <l>Yet has his counsel o'er that love prevail'd,</l>
                           <l>For the state's welfare, and his sovereign's safety.</l>
                        </lg>
                     </sp>
                     <pb id="p23" n="23"/>
                     <sp>
                        <speaker>COUNT CILLEY.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">And can you, Governor! approve this marriage?</l>
                           <l>The Servian Prince will like his treacherous father,</l>
                           <l>Deceitful prove; that father who, before you,</l>
                           <l>Murder'd your Brother, basely, in cold blood.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>ZILUGO.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">My sword the traitor slew; and, justice satisfy'd,</l>
                           <l>Resentment sleeps within its victim's tomb.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>COUNT CILLEY.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Had I a Regent's power, I would oppose</l>
                           <l>This purpos'd marriage: highly I dislike it.</l>
                           <l>Form'd by Huniades, it hides some treason.</l>
                           <l>Let my Niece wed with some Hungarian Lord,</l>
                           <l>Whose service such a high reward may merit.</l>
                           <l>Amongst the gallant nobles of this realm,</l>
                           <l>I know not who has from the state, Zilugo!</l>
                           <l>Such claims to honour as yourself. Your son——</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>ZILUGO <hi rend="italic">(haughtily).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">I understand you, Count! I know, my interest</l>
                           <l>Is, with the Council, of sufficient weight</l>
                           <l>For such a bribe: and, when inclin'd to sell</l>
                           <l>Honour and faith, I know a purchaser,</l>
                           <l>Who, wanting both, would give a prodigal price,</l>
                           <l>Glut my revenge, and my ambition feed.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>COUNT CILLEY.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">I prize your zeal, and therefore court your friendship.</l>
                           <pb id="p24" n="24"/>
                           <l>'Tis my esteem for you, which makes me chuse</l>
                           <l>Your Son to wed my Niece. Whilst to your merit</l>
                           <l>I am thus just, you through mistake oppose me.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>ZILUGO.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">It now behoves me bluntly to inform you,</l>
                           <l>You lose your dignity in these attempts.</l>
                           <l>Your sanguine temper grasps at unjust power,</l>
                           <l>Which vested in you would prove dangerous.</l>
                           <l>The man who asks more than he ought to have,</l>
                           <l>Must meet repulse. When honest minds are rous'd</l>
                           <l>To oppose audacity, respect is lost</l>
                           <l>In that contempt, which, all unfair designs,</l>
                           <l>Whether in public or in private life,</l>
                           <l>Sooner or later ever must incur.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>COUNT CILLEY <hi rend="italic">(half drawing his sword).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">I'll teach your bluntness to contemn my power,</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>ZILUGO <hi rend="italic">(drawing his sword and retreating).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Ulrick! this sword is practis'd 'gainst assassins—</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>COUNT CILLEY <hi rend="italic">(drawing his sword advances).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">As man to man, in equal fight advance.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>ZILUGO.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">No! whilst my sword can serve my Country's cause,</l>
                           <l>I will not use it but for her; except</l>
                           <l>To guard my life. If I escape the peril,</l>
                           <pb id="p25" n="25"/>
                           <l>Which now awaits us, call me forth—the friend</l>
                           <l>Of Elsinger will meet you; brave, fallen Elsinger!</l>
                           <l>His, and our noble Regent's, threatening sword</l>
                           <l>Kept from your grasp all Austria's rich domains;</l>
                           <l>For had not they in your career oppos'd you,</l>
                           <l>Instead of Guardian to your infant Nephew,</l>
                           <l>You first had rebel been, and then usurper.</l>
                           <l>The power you have our nobles think unsafe;</l>
                           <l>Therefore the Council will not chuse you Regent.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>COUNT CILLEY.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">They shall by force elect me, if not peaceably;</l>
                           <l>The army shall control them in my favour.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>ZILUGO.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Only that army, which you hither brought.</l>
                           <l>Ulrick! you now confess, what all suspected,</l>
                           <l>That here your troops were station'd with design</l>
                           <l>Most hostile to this State; we knew, your purpose</l>
                           <l>Was not to grace the nuptials of your Niece,</l>
                           <l>Though that was your pretence to gain them entrance:</l>
                           <l>Yet, as 'twas rumour'd, that the unnumber'd host,</l>
                           <l>Which Mahomet led, was marching to Belgrade,</l>
                           <l>Its gates were open'd to receive your forces,</l>
                           <l>Unquestion'd your designs.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>COUNT CILLEY.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent4">And who should question them?</l>
                           <l>Am I, a German Prince, and Austria's Regent,</l>
                           <l>To move without due state, lest you should frown?</l>
                        </lg>
                     </sp>
                     <pb id="p26" n="26"/>
                     <sp>
                        <speaker>ZILUGO.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Conceal'd ambition lures you to a plan,</l>
                           <l>In which success will prove most fatal to you.</l>
                           <l>I know your valour; but in Europe's wars</l>
                           <l>However skill'd, in Asiatic modes</l>
                           <l>Of wily fight, or fierce terrific onset,</l>
                           <l>Your courage and your conduct are untry'd.</l>
                           <l>Your first essay, in this extreme of danger,</l>
                           <l>Cannot be made. We must give battle soon,</l>
                           <l>Or else by famine perish. I am your friend——</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>COUNT CILLEY.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Let me but find you so. Such vast returns——</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>ZILUGO.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Mistake me not: I am your friend who warns you</l>
                           <l>To shun dishonour's gulph, which yawns beneath</l>
                           <l>The mouldering precipice, whose brink you tread</l>
                           <l>With such temerity. Mark, that I speak not,</l>
                           <l>Solely, to save your honour; but to avoid</l>
                           <l>Intestine war, to you, to us, unsafe;</l>
                           <l>To avoid disgrace and ruin, chains and slavery,</l>
                           <l>Which, if you lead our troops, must be our fate.</l>
                           <l>Then be advis'd——</l>
                        </lg>
                     </sp>
                     <stage type="entrance">
                        <hi rend="italic">Enter Heralds.</hi>
                     </stage>
                     <sp>
                        <speaker>FIRST HERALD.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent4">Impatient to gain entrance,</l>
                           <l>The Turks declare they come with terms of honour,</l>
                           <pb id="p27" n="27"/>
                           <l>Though, our fleet burnt, they might as victors come;</l>
                           <l>And that, provided the Hungarians</l>
                           <l>Aid not the Servian Prince, and instant give</l>
                           <l>Agmunda for a bride to Mahomet,</l>
                           <l>With thirty thousand ducats yearly tribute,</l>
                           <l>The Sultan will consent to raise the siege;</l>
                           <l>But if refus'd, Belgrade he means to storm.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>ZILUGO.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">I fear some craft. The Council now is met:</l>
                           <l>These terms, unlook'd for, shall be laid before them.</l>
                           <l>May Heaven direct their choice! Admit the embassy!</l>
                        </lg>
                        <stage type="exit">
                           <hi rend="italic">Exit Heralds.</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l rend="indent2">Your Austrian troops, my Lord! in serried files,</l>
                           <l>So guard this palace, and the eastern gate,</l>
                           <l>We need not fear their numbers should surprise us.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>COUNT CILLEY.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">It will be well, if their best services</l>
                           <l>Can make me less suspected by Zilugo.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>ZILUGO.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">My Lord! will you with me the Council join?</l>
                           <l>There your advice, as Uncle to the Princess,</l>
                           <l>With due respect and deference will meet.</l>
                        </lg>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e2351">
                     <pb id="p28" n="28"/>
                     <head type="main">SCENE THIRD.</head>
                     <stage rend="entrance" type="mix">
                        <hi rend="italic">CORVINUS, COUNT CILLEY, THE GOVERNOR MICHAEL ZILUGO.</hi>
                     </stage>
                     <sp>
                        <speaker>CORVINUS.</speaker>
                        <stage type="mix">
                           <hi rend="italic">(In complete armour: his casque gold, the crest a raven, a large plume of black feathers waving over it.  Speaking to an Officer as he enters.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l rend="indent2">Campestran is not here. In his own chapel,</l>
                           <l>Or in the council-hall, Ernesto! seek him.</l>
                           <l rend="indent2">Zilugo! will the Council grant my prayer,</l>
                           <l>Empower me to avenge, or save my Father?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>COUNT CILLEY.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">We mourn his fate, but must avoid to share it.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CORVINUS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Matchless ingratitude! Desert Huniades!</l>
                           <l>So oft his Country's tutelary God?</l>
                           <l>Is this the last, brave battle he shall fight?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>ZILUGO.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">My Lord! the Council is but just assembled;</l>
                           <l>Hope in their justice for your Father's rescue.</l>
                           <l>Corvinus, have you heard the Turkish embassy?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CORVINUS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">With grief, with indignation, I have heard it;</l>
                           <pb id="p29" n="29"/>
                           <l>Peace on such terms makes us the slaves of Mahomet.</l>
                           <l>The giddy people think it of advantage,</l>
                           <l>And joyful shout "Our Princess will redeem us."</l>
                           <l>A Turkish marriage is most vile disgrace.</l>
                           <l>We will not tamely wear the chains of Mahomet;</l>
                           <l>This shameful union never shall take place.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>COUNT CILLEY.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Speech so peremptory becomes you not,</l>
                           <l>Young Lord! I think compliance will be prudent.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CORVINUS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Heavens! to this spoiler would you give the Princess?</l>
                           <l>His sword yet reeks with his Sultana's blood<ref id="note6" type="noteref" target="n6">*</ref>,</l>
                           <l>Wantonly slain, by his own hand, to shew</l>
                           <l>His whole, astonish'd court, he could in cruelty</l>
                           <l>Exceed whatever monster yet debas'd</l>
                           <l>The nature, or disgrac'd the name of man.</l>
                           <l>Hence let us drive this fierce, imperial ruffian,</l>
                           <l>Or nobly perish in the just attempt.</l>
                           <l>Let him the city storm; it shall be sav'd,</l>
                        </lg>
                     </sp>
                     <note id="n6" n="*" place="end" anchored="yes" target="note6">
                        <p>This alludes to the fate of the Sultaness Irene. Mahomet, being
told that the Janizaries, and the great officers murmured, that he spent so
much time in her company, and were ready to revolt, assembled the
Divan, and brought Irene before them; and after severely reproaching
them for daring to murmer at his attachment to her, he, to shew them
that he was master over his affections, twisted his hand in her hair
which hung flowing over her shoulders, and with one blow of his
scymitar struck off her head, to the horror and surprise of all present.<lb/>
                           <bibl>KNOLLES, p. 353.</bibl>
                        </p>
                     </note>
                     <pb id="p30" n="30"/>
                     <sp>
                        <lg type="verse paragraph">
                           <l>Or I will perish in its last intrenchment;</l>
                           <l>Leave him of my defeat a sad memorial,</l>
                           <l>A trophy, which shall make my victor mourn.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>COUNT CILLEY <hi rend="italic">(very sarcastically).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">For tilts and tournaments, vain-glorious stripling!</l>
                           <l>Save idle gallantry.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CORVINUS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent4">Injurious Prince!</l>
                           <l>That stripling's sword has gain'd a coat of mail,</l>
                           <l>Which malice cannot pierce. My past success</l>
                           <l>Warrants my present hopes.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>COUNT CILLEY <hi rend="italic">(going out).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent4">Think not to risk</l>
                           <l>Belgrade, and slaughter thousands at thy will.</l>
                        </lg>
                        <stage type="exit">
                           <hi rend="italic">Exit Count Cilley.</hi>
                        </stage>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e2501">
                     <head type="main">SCENE FOURTH.</head>
                     <stage type="setting">
                        <hi rend="italic">CORVINUS, THE GOVERNOR MICHAEL ZILUGO.</hi>
                     </stage>
                     <sp>
                        <speaker>ZILUGO.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Ulrick's ambition plans to seize the crown;</l>
                           <l>But thou wilt guard it for its trembling master.</l>
                        </lg>
                     </sp>
                     <pb id="p31" n="31"/>
                     <sp>
                        <speaker>CORVINUS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">May Heaven forsake me, when I <emph rend="italic">him</emph> forsake.</l>
                           <l>Bred up my foe, yet still he is my King:</l>
                           <l>And could ambition warp my sworn allegiance,</l>
                           <l>A panoply invulnerable guards him,</l>
                           <l>Which courage, or which honour ne'er assails;</l>
                           <l>Namely—his helpless state,——sacred to me</l>
                           <l>As sainted shrines, nor dare I to invade it.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>ZILUGO.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">O more than monarch, princely-minded youth!</l>
                           <l>Worthy to mount that throne thy temperance shuns.</l>
                           <l>More glorious thus to guard a crown than wear it.</l>
                           <l>The spirit of Huniades lives in thee,</l>
                           <l>O Son, most worthy of thy godlike Father!</l>
                           <l>Thou know'st my heart; say how I best may serve thee.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CORVINUS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Haste, join the assembled Council, and oppose</l>
                           <l>With all your influence this hated marriage.</l>
                           <l>Speak my great Father's claim to ev'ry aid,</l>
                           <l>E'en to the last, brave man the State can raise:</l>
                           <l>Speak for a friend, a patriot, and a Son,</l>
                           <l>With all a friend's, a Son's, a patriot's, zeal.</l>
                           <l>But should'st thou fail in these, protract the council;</l>
                           <l>A moment now is worth an age hereafter.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>ZILUGO.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">I to the Council will prefer your suit.</l>
                        </lg>
                        <pb id="p32" n="32"/>
                        <stage type="ENTRANCE">
                           <hi rend="italic">(To Campestran as he enters.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>Campestran comes. Hail, saintly warrior!</l>
                           <l>Advise, assist us, in this hour of fate,</l>
                           <l>To save a Throne, a Kingdom, and a Friend.</l>
                        </lg>
                        <stage rend="exit" type="mix">
                           <hi rend="italic">(Zilugo goes out.)</hi>
                        </stage>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e2593">
                     <head type="main">SCENE FIFTH.</head>
                     <stage type="setting">
                        <hi rend="italic">CAMPESTRAN, CORVINUS.</hi>
                     </stage>
                     <sp>
                        <speaker>CORVINUS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Good father! hast thou heard the Sultan's embassy,</l>
                           <l>His arrogant demands?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CAMPESTRAN.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent4">I have, my son!</l>
                           <l>Ernesto found me in the council-hall,</l>
                           <l>Where Ulrick now harangues in praise of peace.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CONVINUS  <hi rend="italic">(with great eagerness).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Our warriors surely execrate the terms;</l>
                           <l>Nor will ignobly sacrifice Agmunda</l>
                           <l>To this barbarian.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CAMPESTRAN.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent4">A general panic</l>
                           <l>Has, like some sudden pestilence, unstrung</l>
                           <l>Each heart: the icy poison of dismay</l>
                           <pb id="p33" n="33"/>
                           <l>Freezes the life-blood of their vaunted courage.</l>
                           <l>Though murmuring, all consent to purchase peace,</l>
                           <l>To yield the Princess, and to pay the tribute.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CORVINUS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Curse on the unmanly spirits which desert her!</l>
                           <l>We shall be chronicled to future times</l>
                           <l>For traitors, cowards, to devote a Princess</l>
                           <l>To slavery, nay to death, to ransom Us</l>
                           <l>Only from sharing in the chance of war.</l>
                           <l>Our fortune ebbs, but is not desperate yet;</l>
                           <l>Even then, our lives with loss of honour bought,</l>
                           <l>Were purchas'd at a price beyond their worth.</l>
                           <l>Then let us save her, and prevent our shame.</l>
                           <l>O father!——<emph rend="italic">(pauses much agitated).</emph>
                           </l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CAMPESTRAN.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent4">Why dejected dost thou pant,</l>
                           <l>Like timorous fawn caught in the snarer's toils?</l>
                           <l>I know thee not; thou art so fallen and spiritless.</l>
                           <l>What trouble thus unnerves thee? Rouse, Corvinus!</l>
                           <l>Collect thy thoughts. Support thy present woes</l>
                           <l>With the same equal mind, and dauntless courage,</l>
                           <l>Thou at an army's head repell'st thy enemy.</l>
                           <l>Thy grief, though just, should not disarm thy mind.</l>
                           <l>Recall thy godlike energy of soul;</l>
                           <l>Reflect on thy own fame; respect thyself.</l>
                           <l>Can courage aid us, or can wisdom save?</l>
                           <l>In every exigence they still were thine.</l>
                           <l>Oft has thy valour sav'd the doubtful field,</l>
                           <pb id="p34" n="34"/>
                           <l>And oft thy counsel has inform'd the wise.</l>
                           <l>If aught can now be done, thou canst achieve it;</l>
                           <l>Thy arm our bulwark, and thy mind our helm.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CORVINUS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Faint hope gleams on my soul; but so o'ercast</l>
                           <l>With fears, which, like to cowardice, unman me;</l>
                           <l>Thus sunk, through very weakness, I could weep.</l>
                           <l rend="indent2">There is one step which might avert these ills;</l>
                           <l>A venturous act befits a losing cause.</l>
                        </lg>
                        <stage type="novelistic">
                           <hi rend="italic">(Recovering his spirit.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>These coward nobles will our honour stain;</l>
                           <l>Ingrates, who leave my Father to his fate,</l>
                           <l>A slave, or fallen, unrescu'd, unreveng'd.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CAMPESTRAN.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Where glory leads, my troops, thou may'st command:</l>
                           <l>They are not veterans; but zeal supplies</l>
                           <l>Experience. Wait not the Council's orders;</l>
                           <l>Lead forth my troops. I by thy side will fight,</l>
                           <l>Conquer, or die.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CORVINUS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent4">Dost thou dislike this marriage?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CAMPESTRAN.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Yes; as a man, and Christian. Canst thou think,</l>
                           <l>I left my blest retreat, my holy brethren,</l>
                           <l>Hither to come to place a helpless lamb</l>
                           <pb id="p35" n="35"/>
                           <l>Upon the altar, for the cruel Turk</l>
                           <l>To immolate, beneath the olive branch</l>
                           <l>Of peace, held forth in treachery to blind us?</l>
                           <l>Does the Crusade I preach admit such peace;</l>
                           <l>Or our religion hold such nuptials holy?</l>
                           <l>What is thy aim? If in thy self-desertion,</l>
                           <l>Thou canst a purpose form, give me to know it.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CORVINUS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Oh! canst thou not divine from looks my wishes,</l>
                           <l>Learn, from the throbbings of my heart, my hopes,</l>
                           <l>And from these tears of anguish, that despair</l>
                           <l>Which blasts them all? Wert thou but skill'd to read</l>
                           <l>My inmost soul—— Let me not give it speech,</l>
                           <l>Unless thou, father! kindly wilt recall</l>
                           <l>Thy youthful ardour, ere the cloyster's gloom</l>
                           <l>Chasten'd thy thoughts to dwell on Heaven alone.</l>
                           <l>Love once——</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CAMPESTRAN.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent4">Befits this time a lover's tale?</l>
                           <l>When Ulrick plots against thy fame and life,</l>
                           <l>When peace, alike impolitic and shameful,</l>
                           <l>Thy country threats with everlasting chains?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CORVINUS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">To avert that peace one way alone remains,</l>
                           <l>If you consent.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CAMPESTRAN.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent4">Speak but the means.</l>
                        </lg>
                     </sp>
                     <pb id="p36" n="36"/>
                     <sp>
                        <speaker>CORVINUS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent6">Ah! wilt thou? <emph rend="italic">(falters.)</emph>
                           </l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CAMPESTRAN.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Why falter thus?  Declare; what can I do</l>
                           <l>To avert this shameful peace?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CORVINUS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent6">Persuade the Princess</l>
                           <l>To accept my vows—unite us instantly,</l>
                           <l>And supersede this most unchristian sacrifice.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CAMPESTRAN.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">'Tis the sure means to avoid this fatal peace.</l>
                           <l>Hast thou a hope she will consent to this?</l>
                           <l>Betroth'd to Servia's Prince, who would be here</l>
                           <l>To claim her hand, but for the Sultan's army;</l>
                           <l>A part of which invades the Servian frontiers,</l>
                           <l>Whilst he, in person, storms Belgrade.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CORVINUS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent8">Once, highly</l>
                           <l>Was I esteem'd. The fair Agmunda gave</l>
                           <l>Consent, that to my Father I should tell</l>
                           <l>My love. State-policy, usurping tyrant</l>
                           <l>Over domestic bliss, destroy'd my hopes;</l>
                           <l>The Regent heard my suit, but not the Parent.</l>
                           <l>Parental love Agmunda's rigid Guardian</l>
                           <l>Now first forgot: he sent me from Belgrade.</l>
                           <l>The Princess, by my Father's firmness aw'd,</l>
                           <pb id="p37" n="37"/>
                           <l>(Her ductile mind won by delusive reasons)</l>
                           <l>Promis'd——— Oh horrour! by a solemn Oath,</l>
                           <l>Never to wed but with his full consent;</l>
                           <l>And should he die, ere yet the nuptial torch</l>
                           <l>For her was lighted, ne'er to wed his Son.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CAMPESTRAN.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Oh most unjust! an oath like this to exact</l>
                           <l>Her tyrant Uncle better had become</l>
                           <l>Than our brave Chief; nor ought she to have sworn it.</l>
                           <l>Surely thy rank, thy fame, merits her hand.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CORVINUS.</speaker>
                        <lg type="verse paragraph">
                           <l>Then, good Campestran! thou wilt plead my cause?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CAMPESTRAN.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Plead for thyself; and with a lover's haste.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CORVINUS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">How shall I gain admission to her presence?</l>
                           <l>She will not see me since her fatal oath.</l>
                           <l>Though you consent, I have a thousand fears,</l>
                           <l>Perhap she'll scorn me, will not let me save her;</l>
                           <l>Her hand is to another lover promis'd.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CAMPESTRAN.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">This marriage with the Turk she must abhor.</l>
                           <l>From his detested nuptials you redeem her,</l>
                           <l>When all desert her, Uncle, Nobles, People.</l>
                           <l>Plead this, and speak the hazard, which your love</l>
                           <l>For her encounters.</l>
                        </lg>
                     </sp>
                     <pb id="p38" n="38"/>
                     <sp>
                        <speaker>CORVINUS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent4">Should my generosity</l>
                           <l>Appear beyond my love, I meet repulse.</l>
                           <l>Great souls from obligations nobly fly.</l>
                           <l>She must be won, ere she has time to think</l>
                           <l>Herself oblig'd.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CAMPESTRAN.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent4">Take courage, son! her love</l>
                           <l>You merit. In my chapel dormitory,</l>
                           <l>Behind the altar of the palace church,</l>
                           <l>I'll wait your coming, and there join your hands.</l>
                           <l>Then will I gird you with that blessed Sword,</l>
                           <l>There plac'd in trust upon that sacred altar:</l>
                           <l>That Sword which Ulrick has in vain demanded.</l>
                           <l>Farewell. An old man's half prophetic zeal</l>
                           <l>Foretells a cause so just will meet success.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CORVINUS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent1">Transporting thought, Agmunda for my bride!</l>
                           <l>Grant me to save my Father and my Country,</l>
                           <l>And make the measure of my bliss complete.</l>
                        </lg>
                        <stage type="exit">
                           <hi rend="italic">Exeunt separately.</hi>
                        </stage>
                     </sp>
                  </div4>
                  <closer>End of the First Act.</closer>
               </div3>
               <div3 type="ss2" id="d0e3006">
                  <pb id="p39" n="39"/>
                  <head type="main">Act Second.</head>
                  <div4 type="ss3" id="d0e3010">
                     <head type="main">SCENE FIRST—A CHURCH.</head>
                     <stage type="setting">
                        <p>
                           <hi rend="italic">The platform of the high altar raised a step above the
floor of the church, and of sufficient breadth for
any body to walk upon it, without coming to the
edge of the step, which is covered with crimson
cloth. A large altar table, covered with crimson
velvet, fringed with gold. At the back of the altar,
over the table, a luminous Cross; under which
hangs a magnificent Sword, suspended from a rich belt.
On each side of the altar, upon the raised platform, footstools covered like the altar table. The Princess Agmunda, kneeling upon the footstool on
the south side, or left hand, of the altar.</hi>
                        </p>
                     </stage>
                     <sp>
                        <speaker>PRINCESS <hi rend="italic">(alone).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l>IF for its sins, THOU  visitest this land,</l>
                           <l>Destroy it not in wrath! O! let the wings</l>
                           <l>Of mercy shield us from thy dread displeasure;</l>
                           <l>If we must suffer, be it from thy hand.</l>
                           <l>Give us not up to our blood-thirsty foes;</l>
                           <l>But grant us strength, and courage, to withstand them:</l>
                           <l>Defeat their stratagems, confound their counsels;</l>
                           <l>And aid thy servant who now fights our cause.</l>
                        </lg>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e3039">
                     <pb id="p40" n="40"/>
                     <head type="main">SCENE SECOND.</head>
                     <stage type="mixed">
                        <hi rend="italic">THE PRINCESS; ELLA.</hi>
                     </stage>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <stage type="entrance">
                           <hi rend="italic">(Descending from the altar, and coming forward soon as Ella enters).</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l rend="indent2">Is the fight over; Is our fleet victorious?</l>
                           <l>Why this long interval, without intelligence?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>ELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">The anxious multitude have so beset</l>
                           <l>The watch-tower, that your messengers can scarce</l>
                           <l>Pass through the throng.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent4">But what account bring'st thou?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>ELLA.</speaker>
                        <lg type="verse paragraph">
                           <l>I must conceal the news <hi rend="italic">(aside).</hi> Corvinus wishes——</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">I will not hear.—Have I not oft conjured thee,</l>
                           <l>For my mind's peace, to speak that name no more?</l>
                           <l>Duty commands, that I forget our loves:</l>
                           <l>All thoughts of him, whenever they obtrude,</l>
                           <l>Must unapprov'd, undwelt on, be dismiss'd.</l>
                           <l>O ceaseless anguish! Ere I chase one thought,</l>
                           <l>Another and another, torturing comes,</l>
                           <l>Mocking my best resolves.</l>
                        </lg>
                     </sp>
                     <pb id="p41" n="41"/>
                     <sp>
                        <speaker>ELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent6">Corvinus begs,</l>
                           <l>That you would see him now.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent6">To bring this message</l>
                           <l>Was wrong; and, although check'd, again to speak it,</l>
                           <l>Argues unfriendliness, tempting to crime.</l>
                           <l>Ella! thou knew'st I dar'd not see Corvinus.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>ELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Forgive me. Yet his wretchedness so struck me,</l>
                           <l>That, ere my judgment weigh'd, my heart was won</l>
                           <l>To pity his distress, and tell his suit.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Rash, thoughtless, that thou art! to be thus won</l>
                           <l>To tempt my soul. If thou could'st not resist</l>
                           <l>His sorrows, how shall I be proof against them?</l>
                           <l>Injur'd Corvinus! I destroy thy peace;</l>
                           <l>I dare not see thee more; for should'st thou sue,</l>
                           <l>And plead, despair might urge my tortur'd soul</l>
                           <l>To violate the unjust, the guilty Oath,</l>
                           <l>Which I, in bitterness of heart, repent.</l>
                           <l>Ye soft ideas! Ye illusive hopes</l>
                           <l>Of love and bliss, begone! Assail me not.</l>
                           <l>Whatever joys fate had reserv'd for me,</l>
                           <l>Thristless I mortgag'd, ere possession came:</l>
                           <l>The ruinous payment beggars future hours.</l>
                           <pb id="p42" n="42"/>
                           <l>Oh, to forget! for thoughts of happier prospects</l>
                           <l>Embitter misery.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>ELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent4">Yet see Corvinus;</l>
                           <l>Somewhat of moment has he to impart,</l>
                           <l>Which it imports you instantly to learn.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Forbear! 'Tis virtue bids me shun the conflict.</l>
                           <l>Tell him, I cannot see him; I'm at the altar,</l>
                           <l>Imploring Heaven's protection for my Country.</l>
                           <l>I am its victim.—Say not that to him.</l>
                        </lg>
                        <stage type="exit">
                           <hi rend="italic">(Exit Ella.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>A voluntary wretch, I made myself,</l>
                           <l>Alas! ere my heart knew how much it lov'd.</l>
                           <l>Why did I swear for ever to renounce him?</l>
                           <l>Aid me, kind heaven! against this rooted passion;</l>
                           <l>Assist me to forget this dear Corvinus!</l>
                        </lg>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e3204">
                     <head type="main">SCENE THIRD.</head>
                     <stage type="setting">
                        <hi rend="italic">THE PRINCESS, CORVINUS.</hi>
                     </stage>
                     <sp>
                        <speaker>CORVINUS <hi rend="italic">(entering his Casque in his hand).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l>Heaven, hear her not! but now two faithful hearts </l>
                           <l>Reward.</l>
                        </lg>
                     </sp>
                     <pb id="p43" n="43"/>
                     <sp>
                        <speaker>PRINCESS <hi rend="italic">(turning from Corvinus).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent4">Why is this trying moment come?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CORVINUS <hi rend="italic">(kneeling).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Agmunda! bless the lover who adores you,</l>
                           <l>And pitying end his woes! When last we parted——</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">We parted then for ever. Rise, my Lord!</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(He rises.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>It was not well to invade this holy place,</l>
                           <l>When my sad heart was communing with Heaven.</l>
                           <l>The affianc'd bride of brave Matthias grieves,</l>
                           <l>That you should dare infringe the sacred mound</l>
                           <l>Of female delicacy, wounding her soul</l>
                           <l>By searching out those secret, inmost sentiments,</l>
                           <l>Which duty, time, and absence, will o'ercome.</l>
                           <l>On earth we meet no more. Regard this moment,</l>
                           <l>As if, from awful summons, thou stood near</l>
                           <l>The death-bed of a soon departing friend:</l>
                           <l>Let my <emph rend="italic">Request,</emph> I solemnly adjure thee,</l>
                           <l>As if it were that dying friend's Request,</l>
                           <l>Be sacred held. My Brother is thy King;</l>
                           <l>Take no advantage of the People's love,</l>
                           <l>Remain his <emph rend="italic">Subject.</emph> Then, to her last of life,</l>
                           <l>With sisterly affection, will Agmunda</l>
                           <l>Remember thee. Farewell—resign—forget me—</l>
                           <l>Honour and Fame demand the sacrifice.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Goes towards the altar, Corvinus following her, she stops, and again comes forward.)</hi>
                        </stage>
                     </sp>
                     <pb id="p44" n="44"/>
                     <sp>
                        <speaker>CORVINUS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">To call thee mine, is the first honour which</l>
                           <l>My soul desires. Alas! I once had hopes</l>
                           <l>That the sweet dreams of childhood were not false.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Ah! flattering dreams! they fled with infancy.</l>
                           <l>Inexorable fate has seal'd our doom;</l>
                           <l>Nor leaves one hope of happier days to cheer us.</l>
                           <l>But virtue still is left us midst our woes;</l>
                           <l>Then let us summon courage to sustain them,</l>
                           <l>As virtue bids.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CORVINUS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent4">Heaven first, of each perfection,</l>
                           <l>Must thee deprive, ere I with courage can.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Thy duties all command it. Think, Corvinus!</l>
                           <l>Reflect on all the reasons, duties, claims,</l>
                           <l>Thy Father wisely urg'd when he forbad thee</l>
                           <l>Ever to hope my hand. Chaste honour, conscience,</l>
                           <l>Filial obedience, a patriot's duty,</l>
                           <l>And sacred friendship's debt of gratitude,</l>
                           <l>Have plac'd their adamantine bars against</l>
                           <l>Thy love. Respect my peace, forbear thy suit.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CORVINUS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Thy heart can plead for every claim but mine.</l>
                           <l>My love is sacrific'd to raise thy glory.</l>
                           <l>Be songs of triumph thine—</l>
                        </lg>
                     </sp>
                     <pb id="p45" n="45"/>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent6">Unjust Corvinus!</l>
                           <l>Accuse me not of such vain-glorious pride.</l>
                           <l rend="indent2">My rank demands the sacrifice I make,</l>
                           <l>The subject's fealty claims the Prince's love.</l>
                           <l>To the State's interest I am now devote;</l>
                           <l>To insure its happiness my own is yielded.</l>
                           <l>A Nation's welfare, and my Brother's safety,</l>
                           <l>Bade me forego the choice my heart had made:</l>
                           <l>'Twas reason's dictate, and made honour's law,</l>
                           <l>By the strong Oath exacted by thy Father:</l>
                           <l>To spotless honour sacred be that Oath.</l>
                           <l>Let thy firm soul resist its present feelings;</l>
                           <l>Reproach me not——Alas! I know thy woes;</l>
                           <l>I—I inflict them——but I more than share them.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CORVINUS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">My anguish canst thou feel, and yet persist?</l>
                           <l>Let thy relenting pity end my torments.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Seek not to melt my heart to vain repentance;</l>
                           <l>The motives which impell'd forbid retreat.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CORVINUS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Obdurate Princess! Thou hast never lov'd.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Leave me! To see thee thus distress'd, Corvinus!</l>
                           <l>Adds to the conflict of my tortur'd soul:</l>
                           <pb id="p46" n="46"/>
                           <l>Spare! spare! my grief, I agonize at thine.</l>
                           <l>All dearer ties forget;——think me thy sister;</l>
                           <l>And urge my duties with a Brother's sternness.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CORVINUS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Oh! has thy heart no pity for my sufferings?</l>
                           <l>Forgive the boldness of despair! Thou must</l>
                           <l>Be mine.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(He seizes her hand wildly; and draws her further from the altar.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent4">Add not thy phrensy to my woes:</l>
                           <l>I pity, I esteem,——Oh release me!</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Endeavours to withdraw her hand.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>My hand cannot be thine. My Oath forbids it.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CORVINUS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Wilt thou not hazard something to redeem me?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">All! All! but truth and honour: these I dare not.</l>
                           <l>Strive not to make me hateful to myself—</l>
                           <l>Oh! what can I, to mitigate thy grief?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CORVINUS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Let pity plead; be generous, be just:</l>
                           <l>Recall my doom, and save thyself, sweet excellence!</l>
                           <l>From our curs'd foe, from treacherous, savage Mahomet,</l>
                           <l>Who now insulting claims thee for his bride.</l>
                        </lg>
                     </sp>
                     <pb id="p47" n="47"/>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Detested thought!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CORVINUS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent6">Prevent the hell I must</l>
                           <l>Endure to see thee in base Mahomet's arms.</l>
                           <l>Think what the rage of madness and despair,</l>
                           <l>Might make me do against us both.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent8">No more:</l>
                           <l>I never will consent to such a sacrifice.</l>
                           <l>Oh! dire dishonour! wed a Turk! a murderer!</l>
                           <l>An Infidel! who Christian rites abhors!</l>
                           <l>When was this fatal proposition made?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CORVINUS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Even now. Ambassadors attend the Council,</l>
                           <l>Demanding tribute, and thy hand in marriage,</l>
                           <l>For price of peace with their inhuman master:</l>
                           <l>And they will take thee hence this very day,</l>
                           <l>Unless thou give me sacred right to claim thee.</l>
                           <l>The coward Council all desert thy cause:</l>
                           <l>Except myself, Campestran, and Zilugo,</l>
                           <l>They are unanimous, sway'd by thy Uncle,</l>
                           <l>Basely to yield thee to this ravage Prince.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">The people will not: I'll appeal to them;</l>
                           <l>Invoke their justice, and implore their pity.</l>
                           <l>Let rank, and proud prerogative, desert me;</l>
                           <pb id="p48" n="48"/>
                           <l>My Uncle scorn, defame, oppress, insult me;</l>
                           <l>Still fearless will I urge my freeborn right,</l>
                           <l>And whilst with conscious virtue glows my breast,</l>
                           <l>As suff'ring now in their, and honour's, cause,</l>
                           <l>What more I fear'd, Heaven knows, than death itself,</l>
                           <l>I will dare hope that worthy, generous hearts</l>
                           <l>Will not be steel'd when helpless woman pleads.</l>
                           <l>Though human nature hardily may err,</l>
                           <l>And with rash judgment to oppression lean,</l>
                           <l>Mercy and Justice for a while be hush'd;</l>
                           <l>Their heavenly voice will not be silenc'd long,</l>
                           <l>But like the glorious Sun will burst the cloud,</l>
                           <l>Dispel the storm, and with more radiance shine.</l>
                           <l>A people truly brave are kind and just,</l>
                           <l>They will protect me till thy father comes.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CORVINUS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Thy Uncle's emissaries sap their fealty:</l>
                           <l>Easily led, they to the palace fly</l>
                           <l>In crowds, and think this marriage their sole hope.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Has Heaven withdrawn its attributes from man?</l>
                           <l>Mercy and Justice, are they fled from earth?</l>
                           <l>Inhuman people! To devote me thus,</l>
                           <l>To such a wretch! A more than Moloch Sacrifice!</l>
                           <l>Let bold rebellion rear its fiend-like arm,</l>
                           <l>Belie the sacred oath of its allegiance,</l>
                           <l>And immolate that blood it swore to guard.</l>
                           <pb id="p49" n="49"/>
                           <l>My life their swords may take; but to this marriage</l>
                           <l>Never will I consent; nor be the victim</l>
                           <l>Of a peace, inglorious and unsafe;</l>
                           <l>A peace that would dethrone my infant Brother,</l>
                           <l>And for his kingdom forge eternal chains;</l>
                           <l>Which crafty Mahomet as my right would claim.</l>
                           <l rend="indent2">No! with the dauntless spirit of my race,</l>
                           <l>With firmness will I meet the coming storm.</l>
                           <l>'Tis but to die;—and for his Prince's welfare,</l>
                           <l>Bravely each soldier death defies; shall I,</l>
                           <l>With a dear Brother's cause conjoin'd, dare less</l>
                           <l>Than the poor peasant, for my anointed King?</l>
                           <l rend="indent2">Leave me alone, to meet my dubious fate,</l>
                           <l>And in thy turn, abandon me, Corvinus!</l>
                           <l>From coward nobles, an ungrateful people,</l>
                           <l>From an insidious Uncle, take example.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CORVINUS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Honour and love forbid me to obey thee.</l>
                           <l>Campestran sanctifies, by his consent,</l>
                           <l>The only means that can from slavery save us.</l>
                           <l>When duty pleads my cause can love be silent?</l>
                           <l>Is there no gentle voice that moves thy heart,</l>
                           <l>To pity, and reward, my tried affection?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">My hand to thee would be a fatal gift.</l>
                           <l>My Uncle seeks thine, and thy Father's ruin.</l>
                           <l>He envies your high fame, and dreads your power:</l>
                           <l>Were we united, some perfidious act,</l>
                           <pb id="p50" n="50"/>
                           <l>(In which the ill-tutor'd King might blindly join,)</l>
                           <l>Would for the victim of his hatred mark thee;</l>
                           <l>And thou might'st fall; or else, to guard thy life,</l>
                           <l>Thy sword must be unsheath'd against thy Sovereign;</l>
                           <l>Perhaps the crown thou from his brow might'st tear—</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CORVINUS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Canst thou suspect my faith? All that I ought</l>
                           <l>To promise, here I swear. Thy Brother's Throne,</l>
                           <l>His sacred Person, and his Rights inviolate,</l>
                           <l>My sword and life shall guard. Myself I must</l>
                           <l>Protect; but if I ever pass the bounds</l>
                           <l>Of self-defence against him, then may'st thou,</l>
                           <l>May Heaven desert me; may its vengeance strike me,</l>
                           <l>And by that hand which two-fold power would give it,</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Draws a dagger from his bosom.)</hi>
                        </stage>
                        <l>By thine——Take this, my honest pledge of faith;</l>
                        <l>If I invade thy Brother's Rights, or wink</l>
                        <l>When aught invades them, plunge it in my heart.</l>
                        <stage type="business">
                           <hi rend="italic">(He offers the dagger; the Princess turns aside and retires a step, he still offers the dagger.)</hi>
                        </stage>
                        <l>O trust my zeal, my honour, and my loyalty!</l>
                        <l>Reward my faithful love, or be this night</l>
                        <l>The Tyrant's Bride.</l>
                     </sp>
                     <sp>
                        <speaker>PRINCESS <hi rend="italic">(walking from Corvinus).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent6">What ought I to resolve?</l>
                           <l>I shrink with terrour from a fate so cruel;</l>
                           <l>What to avoid, or what to choose, I know not.</l>
                        </lg>
                        <pb id="p51" n="51"/>
                        <stage type="business">
                           <hi rend="italic">(Returning to Corvinus.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>I know thy love, and I will trust thy honour.</l>
                           <l>Corvinus! I accept this horrid pledge.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Takes the dagger.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>If thou betray thy King, know, in my right,</l>
                           <l>Thou ne'er shalt wear his crown. Great Albert's Daughter</l>
                           <l>Will use this dagger, as her Father ought,</l>
                           <l>Against herself, the <emph rend="italic">Accomplice</emph> of thy crime,</l>
                           <l>If she should fail to guard his infant Son,</l>
                           <l>For giving Thee the power to shake his Throne.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(She puts the dagger into her bosom.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>CORVINUS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">I wish no empire but Agmunda's heart.</l>
                           <l>My love! my bride! sweet source of ev'ry joy!</l>
                           <l>My soul exults that thou, at last, art mine.</l>
                           <l>Devoted to thy cause, my zeal and loyalty</l>
                           <l>Shall show the rapturous gratitude I feel.</l>
                           <l>This instant must we plight our mutual faith.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Corvinus opens the door on the North side of the altar, speaking to  Campestran, who comes forward.)</hi>
                        </stage>
                        <l>Campestran waits to join our hands. Good father!</l>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e3782">
                     <pb id="p52" n="52"/>
                     <head type="main">SCENE FOURTH.</head>
                     <stage type="setting"/>
                     <stage type="setting">
                        <hi rend="italic"/>THE PRINCESS, CORVINUS, CAMPESTRAN.</stage>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Campestran! holy man! do thou direct me.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CAMPESTRAN.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">May heaven direct us for our good; and guide</l>
                           <l>Our erring minds to what is best. Your hands</l>
                           <l>I will consent to join. Thy unjust Oath,</l>
                           <l>And thy pledged faith, to Servia's brave Prince,</l>
                           <l>I own are obstacles against these nuptials.</l>
                           <l>But I so much abhor a human sacrifice,</l>
                           <l>And such, thou must be, to the faithless Mahomet,</l>
                           <l>That I dare urge thy marriage with Corvinus;</l>
                           <l>Rome's Pontiff will absolve thy breach of Oath;</l>
                           <l>Rash was the vow; unjust was its exaction.</l>
                           <l>Huniades has err'd through over zeal,</l>
                           <l>Which should have met rejection, not compliance.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(The Princess weeps much agitated.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>This deep distress is thy own act and deed.</l>
                           <l>The Council's sitting cannot be prolong'd;</l>
                           <l>Your Uncle loudly calls for its decision,</l>
                           <l>Which, well he knows, will be to yield you up.</l>
                           <l>To supererrogate has been thy fault,</l>
                           <l>This Oath no duty could require; thou, having</l>
                           <l>Thy free-will fetter'd, hast but choice of evil.</l>
                           <pb id="p53" n="53"/>
                           <l>Choose;—wed this Turk; your life, your faith, endanger;</l>
                           <l>Or break your oath, and be this Hero's Bride.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Campestran takes her hand, and gives it to Corvinus.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>Corvinus! she is yours. Lead to the altar.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <stage type="business">
                           <hi rend="italic">(Retreating from Corvinus and withdrawing her hand).</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l rend="indent2">Lead to some altar where light never gleams;</l>
                           <l>Befitting oaths that sinfully are sworn.</l>
                           <l>This is no altar for our vows. Here Heaven,</l>
                           <l>With all its hosts of Angels, Saints, and Martyrs,</l>
                           <l>Witness'd my promise, "never to be thine."</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Pointing to the altar.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>Should I approach yon awful shrine, that sword,</l>
                           <l>Some Angel's vengeful arm would raise to strike me,</l>
                           <l>For breaking thus my Oath to thy stern Father.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CAMPESTRAN.</speaker>
                        <stage type="business">
                           <hi rend="italic">(Going to the altar, takes down the magnificent Sword which hangs at the front of the altar, under the luminous cross).</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l rend="indent2">This Sword I had reserv'd for great Huniades;</l>
                           <l>Rome's holy Pontiff sent it forth to arm</l>
                           <l>Our Chief, in the Crusade, against curs'd Mahomet.</l>
                           <l>Now, champion of our cause, I hail Corvinus.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CORVINUS <hi rend="italic">(taking the Sword).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">The sacred pledge with reverence I receive,</l>
                           <l>And I will wield it with no common zeal;</l>
                           <pb id="p54" n="54"/>
                           <l>Oh, may supernal power my arm invigorate,</l>
                           <l>And be our cause invincible, as holy!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CAMPESTRAN <hi rend="italic">(to the Princess).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Let us this altar quit, since it excites</l>
                           <l>Thy fears. My chapel, through the dormitory,</l>
                           <l>Is more retir'd. We might be here surpriz'd.</l>
                           <l>Speed to reward this hero with thy hand;</l>
                           <l>And from a lawless tyrant save thyself.</l>
                           <l>Hither return; nor sanctuary quit</l>
                           <l>Except with us. Here let the Council find thee.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Must I be left to meet my Uncle's rage?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CAMPESTRAN.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">This altar, from his violence, protects thee;</l>
                           <l>Here then remain; and, when the dastard nobles</l>
                           <l>To yield thee come, declare thou art espous'd:</l>
                           <l>Acknowledge, if occasion call, to whom</l>
                           <l>Thy hand is given. War's various toils demand</l>
                           <l>Elsewhere our presence. Corvinus and myself</l>
                           <l>Must to the troops declare his happy fortune.</l>
                           <l>The soldiers love, they idolize Corvinus:</l>
                           <l>Their joy the echoing people soon will catch,</l>
                           <l>And make their own; they will applaud thy choice.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">I dread the event; the people are against me.</l>
                        </lg>
                     </sp>
                     <pb id="p55" n="55"/>
                     <sp>
                        <speaker>CORVINUS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Dismiss thy fears, the people still adore thee,</l>
                           <l>E'en whilst their terrour to desert thee leads them:</l>
                           <l>All will be well, I shall return triumphant</l>
                           <l>To guard my Princess, and my charming Bride.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Campestran goes through the altar door by he entered; Corvinus follows him leading the Princess.)</hi>
                        </stage>
                     </sp>
                  </div4>
                  <closer>End of the Second Act.</closer>
               </div3>
               <div3 type="ss2" id="d0e3984">
                  <pb id="p56" n="56"/>
                  <head type="main">Act Third.</head>
                  <div4 type="ss3" id="d0e3988">
                     <head type="main">SCENE FIRST—THE CHURCH.</head>
                     <sp>
                        <speaker>PRINCESS <hi rend="italic">(entering the Church).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l>OH! let the terrour, which compell'd my perjury,</l>
                           <l>Plead for its pardon!—Heaven! I fear thy wrath;</l>
                           <l>No longer pure of heart, my Sweet affiance,</l>
                           <l>In thy love, fled with my innocence and truth.</l>
                           <l>Thy Mercy is Omnipotent,——but Justice too</l>
                           <l>Is thy dread Attribute.——Imploring pardon,</l>
                           <l>Dare I to hope protection in my guiltiness?</l>
                           <l>Hope, Mercy ne'er recorded my rash Oath.</l>
                        </lg>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e4013">
                     <head type="main">SCENE SECOND.</head>
                     <stage type="setting">
                        <hi rend="italic">THE PRINCESS, COUNT CILLEY, MICHAEL ZILUGO, &amp; THE LORDS OF THE COUNCIL.</hi>
                     </stage>
                     <stage type="mix">
                        <hi rend="italic">The Governor Michael Zilugo, and the Lords of the
Council, in their robes over their armour; their
swords by their sides, ranged on the North side of
the altar. Zilugo much nearer the altar than the
other Lords; very attentive to all Count Cilley's
movements.</hi>
                     </stage>
                     <sp>
                        <speaker>COUNT CILLEY.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Princess! we hail Thee Empress of the East.</l>
                        </lg>
                     </sp>
                     <pb id="p57" n="57"/>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">I never will accept that hated title.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>COUNT CILLEY.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">The People, Council, and I, Princess! will it:</l>
                           <l>And your reluctance to our power must yield.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Nor you, nor they, my Lord! shall thus enslave me.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(She kneels on the footstool of the altar, her right arm extended on the altar table.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>This sacred altar shall protect me from you.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>COUNT CILLEY <hi rend="italic">(aside).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">'Tis to my wish. Now let the whirlwind rise;</l>
                           <l>I can direct the storm, and point its rage.</l>
                        </lg>
                        <stage type="exit">
                           <hi rend="italic">(Exit Count Cilley.)</hi>
                        </stage>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e4068">
                     <head type="main">SCENE THIRD.</head>
                     <stage type="setting">
                        <hi rend="italic">THE PRINCESS, MICHAEL ZILUGO, LORDS OF THE COUNCIL.</hi>
                     </stage>
                     <sp>
                        <speaker>PRINCESS <hi rend="italic">(with her right hand upon the altar).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">I solemnly declare, I will not wed</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Rising and coming forward.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>The Turkish Sultan.—I disdain alliance</l>
                           <pb id="p58" n="58"/>
                           <l>With a vile Infidel, a dark assassin</l>
                           <l>Practis'd in death;—with one whose hands are stain'd</l>
                           <l>With kindred blood;—by whom four Brothers fell.</l>
                           <l>A wretch who knows no touch of nature's kindness;</l>
                           <l>No tie of justice that binds man to man;</l>
                           <l>Who e'en the sacred laws of Heaven defies,</l>
                           <l>Scoffs at Religion<ref id="note7" type="noteref" target="n7">*</ref>, and disowns all Faiths.</l>
                           <l>Well is his want of truth and honour known;</l>
                           <l>Yet, to the power of this inhuman Turk,</l>
                           <l>The Christian Lords, and people of this realm,</l>
                           <l>Betray their Princess, and resign themselves.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>FIRST LORD.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent1">To save our wives and children, we implore her—</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">By you, they should be sav'd, and I protected.</l>
                           <l>The man who will not risk his life to save</l>
                           <l>His wife, his children, and his native land,</l>
                           <l>Has lost great Nature's first, best energies;</l>
                           <l>A patriot's valour, and a parent's love.</l>
                           <l>And have ye lost them then, beyond redemption?</l>
                           <l>O, dead to shame! who thus unblushing force</l>
                           <l>Imperial Albert's Daughter to an altar,</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(She retreats back a step, and kneels at the altar as before.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>As her last refuge; force her to oppose</l>
                        </lg>
                     </sp>
                     <note id="n7" n="*" place="end" anchored="yes" target="note7">
                        <p>Mahomet was altogether irreligious, and of all others most perfidious, ambitious above measure, and he delighted in nothing more than in blood.<lb/>
                           <bibl>KNOLLES'S HIST. OF THE TURKS, p. 433</bibl>
                        </p>
                     </note>
                     <pb id="p59" n="59"/>
                     <sp>
                        <lg type="verse paragraph">
                           <l>Subjects, disloyal, recreant, and unmanly,</l>
                           <l>In their base tameness to desert her cause.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>FIRST LORD.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Princess! we grieve to meet this stern rebuke:</l>
                           <l>We have not merited in aught thy anger.</l>
                           <l>Complete are all the Sultan's preparations</l>
                           <l>To storm Belgrade. His batteries are rais'd,</l>
                           <l>And ordnance, of enormous size, are mounted</l>
                           <l>Against our walls; of such tremendous force,</l>
                           <l>As, to their deep foundations, will destroy them.</l>
                           <l>The people wild, tumultuous, fierce, from terrour,</l>
                           <l>The sacking of the City dread to madness.</l>
                           <l>You are their hope; for you alone can save them.</l>
                           <l>This night, unless with their Ambassadors</l>
                           <l>You will return, the Turks will storm our works;</l>
                           <l>And, if you should refuse, I fear the citizens,</l>
                           <l>By force, will yield YOU up, to save themselves.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS <hi rend="italic">(rising, very indignantly).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l>Am <emph rend="italic">I</emph> your slave by Charter, that ye threat me?</l>
                           <l>Are ye so much dismay'd, that ye forget,</l>
                           <l>How from before Belgrade, Huniades</l>
                           <l>Drove haughty Amurath? Is this young Sultan,</l>
                           <l>Less vincible than was his veteran Sire?</l>
                           <l>His Father's conqueror comes to vanquish him;</l>
                           <l>Huniades is come. Peers! will ye sell</l>
                           <l>Your Princess in his sight? He now destroys</l>
                           <l>This Mahomet's fleet; its close blockade he raises;</l>
                           <pb id="p60" n="60"/>
                           <l>And comes triumphant, to our gates, to save us.</l>
                           <l>I trust in Heaven ye soon shall see these Infidels</l>
                           <l>Flying before him, as the heartless wren</l>
                           <l>Before the towering eagle. Let them but hear</l>
                           <l>His Name:—from rank to rank, wild rout, and flight,</l>
                           <l>And terrour, spoil the harvest of his sword.</l>
                           <l>Countless the times the Turks have fled before him.</l>
                           <l>Trust to his feats in arms, so great, so swift,</l>
                           <l>That ere the echo of one victory ceases,</l>
                           <l>Fame's oft-swell'd trump proclaims another conquest.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>FIRST LORD.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">No longer have we hope in great Huniades.</l>
                           <l>His Fleet is now in flames, and all is lost.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS <hi rend="italic">(with surprise and agitation).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l>Heavens! did I hear thee right? The Fleet in flames?</l>
                           <l>Where is Huniades? <emph rend="italic">(To Zilugo.)</emph>
                           </l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>ZILUGO.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent6">Slain, say the Turks;</l>
                           <l>As sword in hand, first in the fight, he leap'd</l>
                           <l>Upon the deck of their great Admiral.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Alas! my more than Parent! other griefs</l>
                           <l>Defraud thee of thy due. O sainted spirit!</l>
                           <l>Look down, forgive me, pity my distress!</l>
                        </lg>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e4279">
                     <pb id="p61" n="61"/>
                     <head type="main">SCENE FOURTH.</head>
                     <stage type="setting">
                        <hi rend="italic">THE PRINCESS, MICHAEL ZILUGO, THE LORDS OF THE COUNCIL. </hi>
                     </stage>
                     <stage type="mix">
                        <hi rend="italic">A numerous crowd of People and Soldiers, COUNT
CILLEY in the midst of them, burst open the great
doors of the Church in the side scene, on the South
side of the altar. The Princess, on this alarm, again
kneels, and extends her right arm upon the altar
table.</hi>
                     </stage>
                     <sp>
                        <speaker>PRINCESS <hi rend="italic">(with terrour and distress).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Oh! can I hope to find this Altar sacred,</l>
                           <l>When I myself have daringly profan'd it?</l>
                           <l>Why are ye thus tumultuously assembled?</l>
                           <l>And, with licentious disrespect, how dare ye,</l>
                           <l>With force profane, pollute this Sanctuary?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>OLD OFFICER <hi rend="italic">(amongst the foremost of the people).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">To supplicate our Princess to redeem us,</l>
                           <l>To beg her mercy, in this hour of woe.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS <hi rend="italic">(with extreme anguish rising).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l>Oh! would to Heaven that I had power to save you!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>OLD OFFICER.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">O Princess! You, and You alone, can save us.</l>
                           <l>Your godlike Father's, and your Grandsire's, battles</l>
                           <l>I've toil'd to win, in many a hard-fought field:</l>
                           <pb id="p62" n="62"/>
                           <l>But never saw I such unequal war,</l>
                           <l>As threats us now.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent4">The valour of our troops,</l>
                           <l>So oft victorious, shall conquer still.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>OLD OFFICER.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Bootless is valour 'gainst unnumber'd legions;</l>
                           <l>Our succours are cut off, our Regent lost.</l>
                           <l>Soon must the Turk be master of our walls.</l>
                           <l>Think of this city sack'd, given up a prey</l>
                           <l>To cruel, lustful, soldiers, drunk with victory——</l>
                           <l>Nothing but Hell, with all its Fiends unchain'd,</l>
                           <l>Can be so dreadful. The old man's groan, half-butcher'd,</l>
                           <l>Dragg'd by the hair, from out the victor's path;</l>
                           <l>The infant's plaintive cry, and the shrill shriek</l>
                           <l>Of helpless virgins, then must strike your ear:</l>
                           <l>Such scenes of carnage meet your eyes, as nature</l>
                           <l>Shudders to view: dire miseries, unknown,</l>
                           <l>Save, where stern War fixes his iron seat.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Fight, gracious Heaven! our cause.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>OLD OFFICER.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent8">Agmunda! Heaven</l>
                           <l>Vouchsafes to you alone, the power to save us.</l>
                           <l>Could all our lives redeem you from this marriage,</l>
                           <pb id="p63" n="63"/>
                           <l>Freely each Youth, each Veteran, would bleed.</l>
                           <l>But, from the Sultan's power, they cannot save you:</l>
                           <l>And it' they cannot save, why should they fall?</l>
                           <l>Will thy own woes be less, if thousands share them?</l>
                           <l>Belgrade in flames, a People massacred,</l>
                           <l>A Kingdom lost, would these be consolations?</l>
                           <l>'Tis not in us to mitigate thy fate;</l>
                           <l>Then nobly bear it, shield us from destruction.</l>
                           <l>Ransom the Throne of thy renown'd Forefathers:</l>
                           <l>Ransom our matrons, virgins, helpless infants:</l>
                           <l>Ransom thy native Land from desolation!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Can life that ransom pay? I will consent</l>
                           <l>To suffer any death; unmov'd will meet it,</l>
                           <l>With patient firmness, and my blood pour forth,</l>
                           <l>A free libation, in your heartfelt cause.</l>
                           <l>I love my Father's and my Brother's Subjects;</l>
                           <l>And I should glory in that Death which saves them:</l>
                        </lg>
                        <stage type="delivery">
                           <hi rend="italic">(In a lowered voice, with fear and horrour.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>But——— I can never wed this savage Infidel.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>COUNT CILLEY.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Inhuman Princess! wilt thou then decree</l>
                           <l>Half our brave citizens to death? the rest,</l>
                           <l>To be driven forth, to distant lands, and sold</l>
                           <l>For slaves?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent4">Seek not to aggravate my fate</l>
                           <l>I am most wretched.</l>
                        </lg>
                     </sp>
                     <pb id="p64" n="64"/>
                     <sp>
                        <speaker>COUNT CILLEY <hi rend="italic">(pointing to the people).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent4">Think! what then are these,</l>
                           <l>Who supplicate thy mercy? View thy victims.</l>
                           <l>This City, for three days, thou doom'st to pillage,</l>
                           <l>To rapine, fire, and the destructive sword;</l>
                           <l>For such are Mahomet's compacts with his soldiers.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Pointing to the Nobles.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>Turn here, and view the fourth day's sacrifice.</l>
                           <l>For Mahomet then Belgrade in triumph enters,</l>
                           <l>To take his Spoil; when to a bloody banquet,</l>
                           <l>In chains, these Nobles, with their wives and children,</l>
                           <l>Before the insulting Victor will be dragg'd;</l>
                           <l>And there, with barbarous taunts, midst revelling</l>
                           <l>And minstrelsy, will be, with study'd cruelty,</l>
                           <l>Mangled, and slain, to crown the ravage feast.</l>
                           <l>Constantinople thus, this Sultan enter'd;</l>
                           <l>Nor spar'd the Imperial Race of Constantine,—</l>
                           <l>They, at his first infernal banquet bled;</l>
                           <l>And, at succeeding feasts, the Grecian Nobles</l>
                           <l>Were slaughter'd, in cold blood,—nor found a grave.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>FIRST LORD.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">'Tis from no common fate we beg redemption,</l>
                           <l>When such a peerless Victim we must yield.</l>
                           <l>Peace, on such terms, brings tears, and mourning with it,</l>
                           <l>And not rejoicing. Thy great soul, Agmunda!</l>
                           <l>Is equal to this godlike deed of mercy;</l>
                           <l>To wed this Tyrant, and redeem a people.</l>
                           <l>Be greatly worthy of thy royal race,</l>
                           <pb id="p65" n="65"/>
                           <l>Be more than thy Imperial Fathers were,</l>
                           <l>O! be the Guardian Genius of thy Country!</l>
                           <l>Save, with Belgrade, the whole Hungarian Realm:</l>
                           <l>If once the Turk be master of this City,</l>
                           <l>Hungaria is no more. Then, Princess, save us!</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(When the first Lord has done speaking, the people kneel. The Lords of the Council, their hands crossed on their breasts, bend forward, with
supplicating solemnity.—a pause.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>PRINCESS <hi rend="italic">(with a voice half-suppressed by tears).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">O! rise.—My soul feels all your woes. The fate</l>
                           <l>Which threatens you, freezes my heart with horrour.</l>
                           <l>Oh! were but this my funeral hour; and all</l>
                           <l>Your tears for me alone. <stage type="delivery">
                                 <hi rend="italic">(Falters)</hi>
                              </stage> I plead for mercy;</l>
                           <l>I claim protection from this holy Altar.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Kneels at the altar as before.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>O People! do not violate its sanctity!</l>
                           <l>
                              <stage type="business">
                                 <hi rend="italic">(Weeping)</hi>
                              </stage> Give me not up by force to this destroyer!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>OLD OFFICER.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Have royal tears more power to melt than ours?</l>
                           <l>Or is not pity, in a princely breast,</l>
                           <l>Assailable by common woes? We plead</l>
                           <l>For thousands, you reject our supplications.</l>
                           <l>And were we, hard of heart, to think of force,</l>
                           <l>You clasp an altar, and prevent the deed.</l>
                           <l>At thought of sacrilege we tremble, Princess!</l>
                           <l>But when fierce Mahomet comes, then can no church</l>
                           <l>Protect; no holy altar guard; no tears,</l>
                           <pb id="p66" n="66"/>
                           <l>Though Saints should shed them, save you from his power,</l>
                           <l>Since you must suffer, doom not thousands with you.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">'Twould be an action, worthy of my Race,</l>
                           <l>To prop a tottering Throne, redeem a People,</l>
                           <l>Myself the sole, sad, victim of misfortune.</l>
                        </lg>
                        <stage type="delivery">
                           <hi rend="italic">(Pauses from terrour almost breathless.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>This glorious sacrifice———I cannot make.</l>
                           <l>Alas! devoted People! 'tis too late;——</l>
                        </lg>
                        <stage type="delivery">
                           <hi rend="italic">(Wringing her hands and weeping.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>I am a Wife.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(The People retreat a few steps back, as terrified, making a confused noise of sorrow.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>OLD OFFICER.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent4">Then we are lost indeed!</l>
                           <l>Our succours are cut off, our Regent fallen,</l>
                           <l>Our King is fled, our Princess too deserts us.</l>
                           <l>Let us return to our sad homes. Not long</l>
                           <l>They will be ours: for desolation comes.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>COUNT CILLEY.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Remain! I am your friend; and I will save you.</l>
                           <l>O'er your misfortunes, People! my heart weeps:</l>
                           <l>Though by your King abandon'd, I'll protect you.</l>
                        </lg>
                        <stage type="delivery">
                           <hi rend="italic">(To the Princess, with contemptuous rage, who rises.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>Whose Wife art thou? What wretch has dar'd accept</l>
                           <l>Thy hand? Him instant death awaits for treason;</l>
                           <pb id="p67" n="67"/>
                           <l>And thou deserv'st no less. Who has betray'd us?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS <hi rend="italic">(with a resolute voice).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Myself.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>COUNT ClLLEY.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent4">Who is thy paramour? Declare!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">I will not answer this licentious mode</l>
                           <l>Of disrespectful speech.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>COUNT CILLEY.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent6">But thou shalt answer it.</l>
                           <l>Hast thou so vilely cast thyself away,</l>
                           <l>Hast thou so low descended, that thou blushest</l>
                           <l>To own thy choice, before this injur'd People?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS <hi rend="italic">(with great dignity and firmness).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">A Hero, from his cradle, known to fame,</l>
                           <l>His country's honour, and her best support;</l>
                           <l>Pride of her councils, victor in her wars;</l>
                           <l>The soul of justice, and the arm of power;</l>
                           <l>Him, has my heart selected for its lord;</l>
                           <l>Him, do I glory to esteem, and love;</l>
                           <l>To him, intrust this People, and Myself,—</l>
                           <l>He can protect their rights, and guard his own.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>COUNT CILLEY.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">My friends! ye shall have retribution still:</l>
                           <pb id="p68" n="68"/>
                           <l>The voice of Justice bids you right yourselves.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Pointing to the Princess. Zilugo half draws his sword.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>That woman seize; unless she now declare</l>
                           <l>What wretch is rais'd to trample on your necks;</l>
                           <l>That ye may piece-meal scatter his vile limbs:</l>
                           <l>Then she, to Mahomet, shall your ransom be.</l>
                           <l>Speak! for that shrine shall not protect thee, silent.</l>
                           <l>Perhaps thy coward Brother, who is fled,</l>
                           <l>Clings to some altar too. The King who can</l>
                           <l>Desert his throne, from all allegiance frees</l>
                           <l>The People; he dissolves their compact with him;</l>
                           <l>And they may choose a King whose heart can feel</l>
                           <l>Their woes, whose arm can succour their distress,</l>
                           <l>Who, in their utmost need, will not desert them.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>SOME OF THE PEOPLE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Let Ulrick be our King!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>ZILUGO <hi rend="italic">(with anger, to the People).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent8">We have a King,</l>
                           <l>He who bereaves his Crown, shall feel my justice:</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(The Lords half draw their swords, as approving what Zilugo says.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>My sword shall strike him, though he were Count Cilley,</l>
                           <l>Hemm'd in by thousands, singly I'd oppose him.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>SOME OF THE PEOPLE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Our King deserts us.</l>
                        </lg>
                     </sp>
                     <pb id="p69" n="69"/>
                     <sp>
                        <speaker>COUNT CILLEY <hi rend="italic">(to the People).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent8">I will save you still.</l>
                           <l>Assert yourselves, and all your foes shall tremble.</l>
                        </lg>
                        <stage type="delivery">
                           <hi rend="italic">(To the Princess.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>Speak, I command thee! and declare thy partner</l>
                           <l>In this complotted treason, which demands</l>
                           <l>A punishment condign on thee, and him.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l>Art thou, Count Cilley? Surely some base impostor,</l>
                           <l>Beneath his name, thus loudly bawls sedition,</l>
                           <l>Excites revolt, and tempts to foulest murder.</l>
                           <l>You whom the States chose Guardian to their King,</l>
                           <l>Because his Uncle, have their choice dishonour'd.</l>
                           <l>They hop'd to train a tender vine around</l>
                           <l>A healthy parent elm: but, when the tendrils</l>
                           <l>Of the young plant shoot curling up to climb,</l>
                           <l>They clasp a wither'd branch, which, treacherous snapping,</l>
                           <l>Yields no support, but lets it fall to ruin.</l>
                           <l>Now, when my Brother wants your aid and counsel,</l>
                           <l>When I might have found comfort from your friendship,</l>
                           <l>Oh! you forsake, defame, and plot against us.</l>
                           <l>False to your trust, rebellious to your Prince,</l>
                           <l>To your own blood a traitor, I disclaim you.</l>
                           <l>O'er me, my Lord! henceforth; you have no power.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>COUNT CILLEY.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">I'll shew thee that I have, and courage too,</l>
                           <pb id="p70" n="70"/>
                           <l>To execute a speedy vengeance on thee.</l>
                           <l>Speak! give thy vile seducer to our wrath,</l>
                           <l>Or with that Sword, which Rome's great Pontiff sent,</l>
                           <l>To guard our cause, I'll sacrifice thee here,</l>
                           <l>As excommunicate, as one unhallow'd,</l>
                           <l>To whom an Altar's sanctity extends not.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Count Cilley advances to the step of the platform. Zilugo draws his sword, advances up the step, and stands before the altar table.
The Lords of the Council draw their swords.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>ZILUGO.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Ulrick! that Sword is here in trust: 'tis sacrilege</l>
                           <l>To seize it.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent4">That sacred Sword my Husband wears;</l>
                           <l>And your ambitious hand shall never grasp it.</l>
                           <l>You are my Brother's Subject. In his absence,</l>
                           <l>If you rebel, and prove disloyal to him,</l>
                           <l>Know that in ME resides my Father's spirit;</l>
                           <l>Call'd forth, it shall invigorate my soul;</l>
                           <l>And Albert's fearless Daughter shall protect</l>
                           <l>His infant Son, whilst she has life, or friend,</l>
                           <l>Upon the throne of his Imperial Fathers.</l>
                           <l>Your house was honour'd by their high alliance:</l>
                           <l>But when my Grandsire wedded with your Sister,</l>
                           <l>You were Count Cilley still: no royal blood</l>
                           <l>Flows in your veins to give a right to Empire.</l>
                        </lg>
                        <pb id="p71" n="71"/>
                        <stage type="delivery">
                           <hi rend="italic">(To the People.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l rend="indent2">My friends! this is no time for civil broils:</l>
                           <l>Concord and union are the arms of safety.</l>
                        </lg>
                        <stage type="delivery">
                           <hi rend="italic">(Pointing to her Uncle.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>You are my hope 'gainst this unnatural foe;</l>
                           <l>O! be yourselves the Guardians of your Princes.</l>
                           <l>We are the last of our Imperial Race;</l>
                           <l>Protect the offspring of your ancient Kings:</l>
                           <l>Let each brave man think Albert's Son his own,</l>
                           <l>Then feel how sacred is his Monarch's cause.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>COUNT CILLEY <hi rend="italic">(to the People).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Has not your coward Monarch left his throne,</l>
                           <l>At rumour only of the Turks' invasion?</l>
                           <l>Will you, brave Men, support a dastard Prince,</l>
                           <l>Who flies to prison, rather than share your danger?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Malicious slanderer! 'Tis true, O citizens!</l>
                           <l>Your King is fled. His Uncle, and his Guardian,</l>
                           <l>Should, telling this, have told his tender Youth:</l>
                           <l>Fear is the state of childhood, not its crime.</l>
                           <l>Your Monarch, by his future deeds of fame,</l>
                           <l>Shall gloriously retrieve this childish flight;</l>
                           <l>Efface from memory's record this stain,</l>
                           <l>And emulate the Race from which he springs.</l>
                           <l rend="indent2">People and Peers! be guardians of his Throne,</l>
                           <l>As ye would wish your children should, in peace,</l>
                           <l>Possess their just hereditary rights.</l>
                           <l rend="indent2">If I have done aught criminal against you,</l>
                           <pb id="p72" n="72"/>
                           <l>I ask to suffer singly, in myself;</l>
                           <l>Your victim immolate,—or guard your Princess.</l>
                           <l>Trusting to find you just, I quit all Sanctuary,</l>
                           <l>Fly to your arms, confiding in your faith.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(She flies amongst the people, who in part, surround her, at a little distance.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>OLD OFFICER.</speaker>
                        <lg type="verse paragraph">
                           <l>We'll fight your cause. We'll die or suffer with you.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Kneeling.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>Princess! for all, I swear allegiance to you:</l>
                           <l>We trust your heart has made a worthy choice.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">The Regent's Son, Corvinus, is my Husband.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>COUNT CILLEY <hi rend="italic">(aiming his sword at her).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Traitress! my tardy justice finds thee. Die.</l>
                        </lg>
                        <stage type="mix">
                           <hi rend="italic">(The Old Officer throws himself before the Princess, and seizes Count Cilley's arm uplifted to strike, and holds it suspended. Zilugo and the Lords of the Council advance with drawn swords; Zilugo foremost, who takes Count
Cilley's sword from his hand.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Spare, spare my Uncle; I command you, friends!</l>
                           <l>Restore his sword.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Zilugo gives back the sword.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l rend="indent4">Cruel, insidious Uncle!</l>
                           <l>Retire!—Reflect! that treason, and foul murder,</l>
                           <pb id="p73" n="73"/>
                           <l>Are such deep crimes, as with confusion load</l>
                           <l>Even the time-honour'd head of age with shame.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>COUNT CILLEY</speaker>
                        <lg type="verse paragraph">
                           <l>Traitress! may she be curs'd. Oh! may'st thou keep</l>
                           <l>Thy faith with this mean slave, this wretch Corvinus,</l>
                           <l>As to his Father thou hast kept thy Oath.</l>
                        </lg>
                        <stage type="exit">
                           <hi rend="italic">(Exit in a rage.)</hi>
                        </stage>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e5040">
                     <head type="main">SCENE <sic corr="FIFTH">FOURTH</sic>.</head>
                     <stage type="setting">
                        <hi rend="italic">THE PRINCESS, MICHAEL ZILUGO, THE LORDS OF THE COUNCIL, PEOPLE.</hi>
                     </stage>
                     <sp>
                        <speaker>ZILUGO <hi rend="italic">(to the Princess).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">We glory in your choice. And had we not</l>
                           <l>A lawful Prince, all here, I know, would think</l>
                           <l>Corvinus worthy of Hungaria's throne.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>OLD OFFICER <hi rend="italic">(to the Council).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">My Lords! we ask Corvinus for our Regent;</l>
                           <l>For him we will submit to war's dread hazard:</l>
                           <l>We'll fight like lions for our brave young Chief,</l>
                           <l>And trust some miracle from Heaven shall save us.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>ZILUGO.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">May favouring Heaven now grant its servants aid!</l>
                        </lg>
                        <pb id="p74" n="74"/>
                        <stage type="delivery">
                           <hi rend="italic">(To the People.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>Retire, my friends! in peace, each to his duty;</l>
                           <l>Exhort your fellow citizens to theirs.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(The crowd retires.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>Princess! we go the Ambassadors to answer:</l>
                           <l>Soon we'll return, and place you in the Castle.</l>
                           <l>This quarter of the City is unsafe,</l>
                           <l>Your Uncle's troops command it; much I fear,</l>
                           <l>That his mad rage, bent on revenge and power,</l>
                           <l>Will to some act of desperation tempt him.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(The Princess returns to the altar; the Governor and Council go out: the scene closes.)</hi>
                        </stage>
                     </sp>
                  </div4>
                  <closer>End of the Third Act.</closer>
               </div3>
               <div3 type="ss2" id="d0e5111">
                  <pb id="p75" n="75"/>
                  <head type="main">Act Fourth.</head>
                  <div4 type="ss3" id="d0e5115">
                     <head type="main">SCENE FIRST—THE TENT OF MAHOMET.</head>
                     <stage type="setting">
                        <p>
                           <hi rend="italic">A magnificent Tent, occupying the greatest part of the
stage, in width; its form circular. The outer tent
forming a hall of audience. Two doors, at the back
of the tent, conducting to the interior part of it. In
the middle, between the two doors, a splendid
Throne, with a canopy over it; the drapery of the
canopy hanging from a large crescent, representing
gems. At each side of the tent, near the front, a
rich sofa. The side scenes about the tent trees. The
scene behind the tent the Turkish Camp; a crescent
on the top of each tent.</hi>
                        </p>
                        <p>
                           <hi rend="italic">The scene drawing discovers Mustapha, seated on one of
the sofas. An Aga enters the tent, holding his right
hand motionless on his breast, according to the
Turkish manner of salutation.</hi>
                        </p>
                     </stage>
                     <sp>
                        <speaker>AGA.</speaker>
                        <lg type="verse paragraph">
                           <l>CHUSANES waits without.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MUSTAPHA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent6">Conduct him hither.</l>
                        </lg>
                        <stage type="exit">
                           <hi rend="italic">(Exit Aga.)</hi>
                        </stage>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e5140">
                     <pb id="p76" n="76"/>
                     <head type="main">SCENE SECOND.</head>
                     <stage type="setting">
                        <hi rend="italic">MUSTAPHA, CHUSANES.</hi>
                     </stage>
                     <sp>
                        <speaker>CHUSANES.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Impatient of my messenger's delay,</l>
                           <l>I come before he brings me leave of audience.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MUSTAPHA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">You will not gain it yet; for disappointment,</l>
                           <l>Rage, and revenge, possess the Sultan's soul</l>
                           <l>By turns. His pride is wounded at the thought</l>
                           <l>Of that disgrace, his fame will now sustain,</l>
                           <l>Unless Belgrade should fall, by storm, or stratagem.</l>
                           <l>Now, whilst he vents his rage, he will not see you.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CHUSANES.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">My orders from his Highness are imperfect:</l>
                           <l>And, I suspect, the business of this night</l>
                           <l>Teems with no common danger to our arms.</l>
                           <l>Why does he now negotiate for this Princess?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MUSTAPHA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">If she be gain'd, these Christian Dogs will rest</l>
                           <l>Secure of peace: and, when they find our Fleet</l>
                           <l>Was burnt, but to molest Huniades,</l>
                           <l>They will impute this marriage to our fears.</l>
                           <l>They will exult: but when in midnight wine,</l>
                           <l>Supine they're drown'd, and unprepar'd to meet us,</l>
                           <pb id="p77" n="77"/>
                           <l>Then shall we thunder, at their half-arm'd walls,</l>
                           <l>With all our mighty war: at once assault,</l>
                           <l>And level, their high towers, ere they have time</l>
                           <l>To weep their falling.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CHUSANES.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent6">Should they this intent</l>
                           <l>Suspect, and much I fear they will, we're caught</l>
                           <l>In our own toils. This policy may fail,</l>
                           <l>They may refuse the Princess to our Sultan.</l>
                           <l>Then great advantage does this parley give them.</l>
                           <l>Ere we can storm, Huniades may land;</l>
                           <l>Though half our host is gone to stop this Christian.</l>
                           <l>But what are legions 'gainst this favour'd mortal?</l>
                           <l>Whose prophet sends him signs, and prodigies<ref id="note8" type="noteref" target="n8">*</ref>,</l>
                           <l>To affright and terrify the stoutest hearts.</l>
                           <l>Our soldiers tremble at his hated Voice:</l>
                           <l>'Tis as the blast of Israfel's<ref type="noteref" target="n9">†</ref> dread Trump,</l>
                           <l>To their astonish'd ears: They fly before him,</l>
                           <l>With the same fatal speed, as will the accursed,</l>
                           <l>Over the sword-edg'd Sirat<ref type="noteref" target="n9">†</ref>, when fallen Eblis<ref type="noteref" target="n9">†</ref>
                           </l>
                           <l>Despairing drives them. Our selected men,</l>
                           <l>Even the Oglani, I beheld at Vascape</l>
                           <l>Desert our mighty Prophet's holy standard,</l>
                           <l>By Christian hands defil'd, led on to havock</l>
                           <l>By fierce Huniades; who, o'er fourscore thousand,</l>
                        </lg>
                     </sp>
                     <note id="n8" n="*" place="end" anchored="yes" target="note8">
                        <p>The bad success of the enterprise against Belgrade was attributed to
the appearance of two Comets on the concluding days of that memorable
Siege. See D'Ohsson's Hist. Gen. of the Othoman Empire, vol. I. p. 246.</p>
                     </note>
                     <note id="n9" n="†" place="end" anchored="yes">
                        <p>See Sale's Translation of the KORAN.</p>
                     </note>
                     <pb id="p78" n="78"/>
                     <sp>
                        <lg type="verse paragraph">
                           <l>Of the brave Faithful, there exulting triumph'd;</l>
                           <l>And with a puny army, far less numerous</l>
                           <l>Than our great Sultan's train<ref id="note10" type="noteref" target="n10">*</ref>, when in the field,</l>
                           <l>To unbend his mind, he takes his hunting sport.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MUSTAPHA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Victorious Mahomet now leads the Faithful.</l>
                           <l>Shall this Belgrade resist that mighty arm,</l>
                           <l>Which raz'd Imperial Constantine's proud towers?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CHUSANES.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Another destiny, now frowning, threats us.</l>
                           <l>Our Fleet was burnt but to prevent its capture;</l>
                           <l>And, if the Christians, thinking it their fleet,</l>
                           <l>Should yield to peace, our standard from their towers</l>
                           <l>May wave; yet if our terms should be refus'd,</l>
                           <l>The event is doubtful; they can still defy us.</l>
                           <l>What 'vantage, by a month's blockade, is gain'd?</l>
                           <l>If. at this time, they knew but their own strength,</l>
                           <l>What shall we gain? The Christian Dervis aids them:</l>
                           <l>Corvinus too, that Son of fierce Huniades,</l>
                           <l>In strength, and years, our youthful Sultan's peer,</l>
                           <l>Is in Belgrade: his fame and courage equal</l>
                           <l>His veteran Sire's.——What hope of conquest then</l>
                        </lg>
                     </sp>
                     <note id="n10" n="*" place="end" anchored="yes" target="note10">
                        <p>The Sultan Amurath had seven thousand Falconers, and seven
thousand Huntsmen; and at the head of ten thousand men, Huniades
defeated the whole Turkish army, commanded by Amurath in person.
At Vascape, at the head of fifteen thousand men, he defeated an army of
eighty thousand Turks: and for this signal victory, Te Deum was sung
for three days throughout Hungary.</p>
                     </note>
                     <pb id="p79" n="79"/>
                     <sp>
                        <lg type="verse paragraph">
                           <l>O'er Men whom, singly, we have found invincible?</l>
                           <l>Their valour claims that victory, which Heaven</l>
                           <l>To them predestinates. In vain we strive;</l>
                           <l>We cannot stem the tide, nor stand its force.——</l>
                           <l rend="indent2">Will you not tell the Sultan, that his slave</l>
                           <l>Waits for his further orders?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MUSTAPHA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent8">As my life</l>
                           <l>I value, in his present mood, I dare not</l>
                           <l>Venture, unsummon'd, to appear before him.</l>
                           <l>"Let none approach me till Zoganus comes,"</l>
                           <l>Were his commands.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CHUSANES.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent6">One, privileg'd like you,</l>
                           <l>Might, in such exigence, dispense with orders,</l>
                           <l>And disobey the injunctions passion gave.</l>
                           <l>You are the only man who can control him.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MUSTAPHA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">I never dar'd but once<ref id="note11" type="noteref" target="n11">*</ref>: nor dare I now.</l>
                           <l>It were as safe to face the cannon's mouth,</l>
                           <l>When its fierce blast sends forth pernicious deaths,</l>
                           <l>As seek the Sultan in his ireful mood.</l>
                           <l>Alas! his passions know no wholesome bounds.</l>
                           <l>Nature has left her noblest work imperfect,</l>
                           <l>In mighty Mahomet's splendid, savage soul.</l>
                        </lg>
                     </sp>
                     <note id="n11" n="*" place="end" anchored="yes" target="note11">
                        <p>See Knolles, p. 351.</p>
                     </note>
                  </div4>
                  <div4 type="ss3" id="d0e5391">
                     <pb id="p80" n="80"/>
                     <head type="main">SCENE THIRD.</head>
                     <stage type="setting">
                        <hi rend="italic">MAHOMET, MUSTAPHA, CHUSANES.<lb/>(Mahomet enters from the left hand door of the inner
tent; Chusanes prostrates himself; Mustapha offers
to retire.)</hi>
                     </stage>
                     <sp>
                        <speaker>MAHOMET.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent1">Mustapha, stay! <stage type="delivery">
                                 <hi rend="italic">(To Chusanes.)</hi>
                              </stage> Rise, slave!</l>
                           <l>
                              <stage type="delivery">
                                 <hi rend="italic">(To Mustapha.)</hi>
                              </stage> What, no Zoganus?——</l>
                           <l>Is there no messenger?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MUSTAPHA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent6">Great Sultan, no!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Curse on his tardiness, and negligence,</l>
                           <l>Which disappoint my hopes, and keep my soul</l>
                           <l>In this suspense.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MUSTAPHA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent4">He doubtless waits to come</l>
                           <l>In greater pomp, and bring the Princess forth</l>
                           <l>In state, attended by her Lords and Chiefs.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Hah! say'st thou so.—Be they as princes feasted;</l>
                           <l>Till night has thrown her starry mantle o'er</l>
                           <l>Our warring hosts. <stage type="delivery">
                                 <hi rend="italic">(To Chusanes.)</hi>
                              </stage> Then give them chains, not death.</l>
                           <l>Belgrade shall be their ransom, they my hostages.</l>
                           <pb id="p81" n="81"/>
                           <l>Soul of my Father Amurath! I swear,</l>
                           <l>The affront thy arms sustain'd from this proud City,</l>
                           <l>Thy Son shall see aveng'd. This fierce Huniades,</l>
                           <l>Who drove thee hence, with shame, and fell defeat,</l>
                           <l>Shall round thy tomb be dragg'd, a second Hector.</l>
                           <l>Curse on his glory, it obscures my own.</l>
                           <l>Though giant terrour's self stalks in my van,</l>
                           <l>And bows the trembling Nations ere I strike;</l>
                           <l>Yet he refills the conqueror of the East,</l>
                           <l>Stops my career, and bids my fame stand still.</l>
                           <l>By force, or stratagem, Belgrade shall yield,</l>
                           <l>And suffer for this obstinate resistance;</l>
                           <l>For all the pangs my wounded pride has felt,</l>
                           <l>For all I still may feel, should dismal overthrow</l>
                           <l>Disgrace my arms———I will not think it can;</l>
                           <l>For if I do, I shall grow mad with rage.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MUSTAPHA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">If this strong City can be overthrown,</l>
                           <l>You gain the Realm, of which it is the key.</l>
                           <l>Surely they'll give their Princess to our Emperor?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">But I must send, and sue, for this Agmunda;</l>
                           <l>I, who had will'd, amidst the smoking ruins</l>
                           <l>Of proud Belgrade, as royal spoil, to seize her.</l>
                           <l>I fear these Christian Dogs are not deceiv'd,</l>
                           <l>And that they know the blazing fleet is mine.</l>
                           <l>But yet, Belgrade! thy towers shall kiss the ground.</l>
                        </lg>
                     </sp>
                     <pb id="p82" n="82"/>
                     <sp>
                        <speaker>MUSTAPHA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">All that men dare attempt, your troops will do;</l>
                           <l>Inspir'd, and aided, by your great example.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Chusanes, have our orders been obey'd;</l>
                           <l>And does each Chieftain know his post of honour?</l>
                           <l>Is all in readiness to storm the City?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CHUSANES.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">All that the mighty Sultan has commanded;</l>
                           <l>And his Slave waits to know his further orders.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Let fires throughout the camp, ready for midnight,</l>
                           <l>Be prepar'd. Plant the ordnance 'gainst the postern,</l>
                           <l>North of the Eastern tower; for there I deem</l>
                           <l>The wall is most assailable. Let Tura</l>
                           <l>Lead on the main assault; and his worst troops</l>
                           <l>First climb the scaling ladders. To the left,</l>
                           <l>Let Isa Beg lead on the Tartar slaves.</l>
                           <l>To the command of that brave veteran, Cali,</l>
                           <l>Appoint five thousand chosen Janizaries,</l>
                           <l>To back the assault, and drive the caitiffs on.</l>
                           <l>He dies, who turns his back, or breaks the ranks.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CHUSANES.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">What is the signal for our troops to leave</l>
                           <l>The outer camp?</l>
                        </lg>
                     </sp>
                     <pb id="p83" n="83"/>
                     <sp rend="italics">
                        <speaker>MAHOMET.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent4">The word be <emph rend="italic">"Mahomet,"</emph>
                           </l>
                           <l>Let all, in silence, march without the lines;</l>
                           <l>And then, from host to host, the word be<emph rend="italic">"Amurath,"</emph>
                           </l>
                           <l>And instant let the cover'd fires blaze forth,</l>
                           <l>To light them to their fame. To-morrow, tell them,</l>
                           <l>Ere the Sun gilds the East, their conquering Sultan,</l>
                           <l>Bearing the holy Prophet's sacred standard,</l>
                           <l>Will view their glorious deeds, and aid their prowess.</l>
                           <l>Should any dire mishap o'ertake our purpose,</l>
                           <l>Let <emph rend="italic">"Duma"</emph> be the word to spread the alarm.</l>
                           <l>Within yon Grove, see my rear-guard be posted.</l>
                           <l>Be my ten thousand troops all night in arms;</l>
                           <l>That, if aught intervene, before day dawns,</l>
                           <l>Worthy my Sword, all may be ready for me.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CHUSANES.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Say, what reward shall victory bring the Faithful?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Three days I give the Town to their sole pillage;</l>
                           <l>With power of life and death o'er ev'ry citizen:</l>
                           <l>And to each Captain, choice of twenty slaves,</l>
                           <l>Amongst their Merchants. But their Princely Nobles,</l>
                           <l>For me, and my Bashaws, must be reserv'd.</l>
                           <l rend="indent2">Now send a summons, to the City walls,</l>
                           <l>To know, why our Ambassadors are thus</l>
                           <l>Detain'd? <stage type="business">
                                 <hi rend="italic">(Chusanes goes out, and instantly returns,
as meeting Zoganus; he conducts him
in, and then retires.)</hi>
                              </stage>
                           </l>
                        </lg>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e5648">
                     <pb id="p84" n="84"/>
                     <head type="main">SCENE FOURTH.</head>
                     <stage type="setting">
                        <hi rend="italic">MAHOMET, MUSTAPHA, ZOGANUS.</hi>
                     </stage>
                     <sp>
                        <speaker>ZOGANUS <hi rend="italic">(prostrating himself).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent6">Great Sultan!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET <hi rend="italic">(signing to him to rise).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent8">Instant give your tidings!</l>
                           <l>Did the Foe think the burning Fleet was theirs?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>ZOGANUS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">They did, dread Sultan! and such consternation,</l>
                           <l>As their looks shew'd, I never saw before.</l>
                           <l>The Governor received your gracious message</l>
                           <l>With much dislike; though he oppos'd, the Council</l>
                           <l>Acceded to your terms: Count Cilley sway'd them.</l>
                           <l>They went, in form, to bring the Princess to us.</l>
                           <l>Long time we waited in the audience-hall.</l>
                           <l>Back came Count Cilley: passion shook his frame,</l>
                           <l>Aside he took me: "We're betray'd," said he;</l>
                           <l>"Take your dismission peaceably, retire.——</l>
                           <l>"When your first troops have reach'd the City gate</l>
                           <l>"Halt, and expect your just revenge from me.</l>
                           <l>"Let that commend me to your Sultan's friendship."</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET.</speaker>
                        <lg type="verse paragraph">
                           <l>Dispatch—What means this many-worded mystery?</l>
                        </lg>
                     </sp>
                     <pb id="p85" n="85"/>
                     <sp>
                        <speaker>ZOGANUS.</speaker>
                        <lg type="verse paragraph">
                           <l>Then came the Council, and with thanks dismiss'd us.</l>
                           <l>The Princess had just own'd herself the Wife</l>
                           <l>Of bold Corvinus.——</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET <hi rend="italic">(in a rage).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent6">How! said'st thou his Wife?</l>
                           <l>Corvinus' Wife? This Father and this Son</l>
                           <l>Cast a more deadly shade upon my glory,</l>
                           <l>Than curs'd Al Zackum<ref id="note12" type="noteref" target="n12">*</ref> on Hell's barren plain.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>ZOGANUS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Sultan! you triumph over both——</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET <hi rend="italic">(half drawing his sabre).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent8">Peace, Slave</l>
                           <l>On thy life, Say not I triumph! In love,</l>
                           <l>Revenge, and glory, they impede my course.</l>
                           <l>But for their swords, my conquests had outstripp'd</l>
                           <l>The victories of mighty Alexander<ref id="note13" type="noteref" target="n13">†</ref>:</l>
                           <l>Ere at his age arriv'd, the world had own'd</l>
                           <l>Me for its Lord supreme; for like young Ammon,</l>
                           <l>The world alone can bound my daring views:</l>
                           <l>But these Hungarian Chiefs arrest my speed;</l>
                        </lg>
                     </sp>
                     <note id="n12" n="*" place="end" anchored="yes" target="note12">
                        <p>See Sale's Translation of the KORAN.</p>
                     </note>
                     <note id="n13" n="†" place="end" anchored="yes" target="note13">
                        <p>Alexander and Julius Cæsar were the models which Mahomet
strove to imitate. Homer, Quintius Curtius, and Cæsar's Commentaries,
were his favourite studies. He was master of all the learning of his time,
and understood six or seven different languages. At this period, he was in
the twenty-fifth year of his age.</p>
                     </note>
                     <pb id="p86" n="86"/>
                     <sp>
                        <lg type="verse paragraph">
                           <l>Else, like the first, intrepid, godlike Cæsar,</l>
                           <l>Mahomet too had <emph rend="italic">come,</emph> and <emph rend="italic">seen,</emph> and <emph rend="italic">conquer'd;</emph>
                           </l>
                           <l>Swifter than Fame, had she ten thousand tongues,</l>
                           <l>Could speak his deeds. The haughty Eastern Empire</l>
                           <l>In ruin lies beneath my feet: I'll reap</l>
                           <l>Like harvest in the West <emph rend="italic">Immortal Cæsar!</emph>
                           </l>
                           <l>In thy <emph rend="italic">Imperial Rome</emph> I will be crown'd<ref id="note14" type="noteref" target="n14">*</ref>:</l>
                           <l>I'll plant the Crescent, where thy Eagles soar'd,</l>
                           <l>And conquer Worlds to rule upon thy Throne.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>ZOGANUS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">O, mighty Sultan! wilt thou hear thy Slave?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Yes; if thou canst but make me know I triumph</l>
                           <l>O'er these aspiring Men. Gods! that such Heroes,</l>
                           <l>Worthy to cope with Me, and cross my fortune,</l>
                           <l>Should fight for a boy King, a coward boy!——</l>
                           <l>If they be fallen, then speak; if not, away!</l>
                           <l>Away! for my chafed soul is rous'd, and thirsts</l>
                           <l>To wreak its vengeance. Speak! say! If I triumph</l>
                           <l>O'er these destructive foes? And if I do,</l>
                        </lg>
                        <stage type="delivery">
                           <hi rend="italic">(Strikes his forehead)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>By heaven, I grieve—There's not a Hero left,</l>
                           <l>Worthy to meet my prowess in the field,</l>
                           <l>If these be overthrown<ref id="note15" type="noteref" target="n15">†</ref>.</l>
                        </lg>
                     </sp>
                     <note id="n14" n="*" place="end" anchored="yes" target="note14">
                        <p>This, through life, was Mahomet's ambition, and he would have
accomplished it, had he not been killed at the siege of Otranto in Italy.</p>
                     </note>
                     <note id="n15" n="†" place="end" anchored="yes" target="note15">
                        <p>Mahomet said this when informed of the death of Huniades.</p>
                     </note>
                     <pb id="p87" n="87"/>
                     <sp>
                        <speaker>ZOGANUS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent6">Hear first my tale;</l>
                           <l>Then Sultan! of your triumph judge.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET.</speaker>
                        <l rend="indent8">Proceed.——</l>
                     </sp>
                     <sp>
                        <speaker>ZOGANUS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">We halted at the city gate. A man</l>
                           <l>Of noble port advanc'd.  "Count Cilley sends me;</l>
                           <l>Follow."—We did; and to a Temple, close</l>
                           <l>Bordering upon the inner rampart wall,</l>
                           <l>He led us. Kneeling, at an Altar there,</l>
                           <l>Alone, we law a beauteous, female form.</l>
                           <l>"That," said the stranger, "is Count Cilley's gift</l>
                           <l>"To Mahomet. That is his Niece, the Princess."</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET <hi rend="italic">(drawing his sabre).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Is she my conquest, Slave? Else, by this sword,</l>
                           <l>Thou art but dust. </l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Zoganus terrified kneels.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>ZOGANUS.</speaker>
                        <lg type="verse paragraph">
                           <l>Dread Emperor! she is:</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Mahomet, with his sabre, motioning to him to rise, he rises.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>Weeping, and trembling, hither she approaches.</l>
                           <l>When our whole train had pass'd the city gate,</l>
                           <l>Corvinus fell upon our rear. I left</l>
                           <l>The skirmish to the conduct of Mesetes;</l>
                           <l>Whilst I, with your fair prize, the trenches gain'd.</l>
                           <pb id="p88" n="88"/>
                           <l>Corvinus still maintains the fight; I saw</l>
                           <l>His towering helmet glittering midst our troops.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET <hi rend="italic">(to Mustapha).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l>Mesetes may want aid: see to the field.</l>
                        </lg>
                        <stage type="exit">
                           <hi rend="italic">(Exit Mustapha.)</hi>
                        </stage>
                     </sp>
                     <stage type="entrance">
                        <hi rend="italic">Enter an Aga.</hi>
                     </stage>
                     <sp>
                        <speaker>AGA <hi rend="italic">(to Zoganus).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Abdalla sends to say, the female prisoner</l>
                           <l>Waits at the outside of his Highness' guard.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent1">Bid him conduct her to our presence instantly.</l>
                        </lg>
                        <stage type="exit">
                           <hi rend="italic">(Exit Aga.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>Thou hast thy master's thanks for this good service.</l>
                        </lg>
                        <stage type="exit">
                           <hi rend="italic">(Exit Zoganus.)</hi>
                        </stage>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e5969">
                     <head type="main">SCENE FIFTH.</head>
                     <stage type="setting">
                        <hi rend="italic">MAHOMET, THE PRINCESS.<lb/>(The Aga conducting the Princess; a Guard enters
with her; an untwisted turban covering her face
as a veil: the Aga takes it off, and then retires.)</hi>
                     </stage>
                     <sp>
                        <speaker>MAHOMET <hi rend="italic">(as the veil is taking off the Princess).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">This is a prize well worth a kingdom's contest!</l>
                        </lg>
                     </sp>
                     <pb id="p89" n="89"/>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Prince! I thy justice claim. The faith of Nations</l>
                           <l>Is, by thy treacherous servants, violated.</l>
                           <l>A Truce protected them; but they profan'd</l>
                           <l>Its sanctity and from an Altar tore me.</l>
                           <l>Redress this wrong; give me safe conduct back.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Princess! I would forego my throne, my life,</l>
                           <l>Sooner than part with her, whose charms would add</l>
                           <l>Splendour to Empire, Paradise to earth.</l>
                           <l>My faithful servants' zeal deserves my praise;</l>
                           <l>I sent them for thee; sent them for my Bride.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Thy Bride! Alas! thou know'st not, Prince, the wrong</l>
                           <l>I have sustain'd; I'm torn from all my soul</l>
                           <l>Esteems; from all my anguish'd heart holds dear;</l>
                           <l>Torn, from each social bliss, from life, from joy,</l>
                           <l>From honour, from the Husband of my love.</l>
                           <l>Restore me then, to all these sacred ties,</l>
                           <l>By thy own Christian Mother<ref id="note16" type="noteref" target="n16">*</ref>, I conjure thee!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">No ties exist which can withstand my claims.</l>
                           <l>What Husband, Princess! That mean slave, Corvinus,</l>
                           <l>Shall not exult in such a beauteous Wife,</l>
                        </lg>
                     </sp>
                     <note id="n16" n="*" place="end" anchored="yes" target="note16">
                        <p>Mary, the Daughter of George, the Despot of Servia.</p>
                     </note>
                     <pb id="p90" n="90"/>
                     <sp>
                        <lg type="verse paragraph">
                           <l>Radiant with youth, and love's attractive grace;</l>
                           <l>More fair than are the Daughters of our Paradise;</l>
                           <l>Worthy to share in Mahomet's soft retirement,</l>
                           <l>When war relaxes his stern brow, and gives</l>
                           <l>An interval of peace, to taste repose:</l>
                           <l>Then will he joyful wear Agmunda's chains;</l>
                           <l>And own, no other Deity, but Love.</l>
                           <l>Oh, to possess thy heart! that when I come</l>
                           <l>From conquest, thou may'st fly to meet me, chide</l>
                           <l>My thirst for fame, yet glory in my laurels:</l>
                           <l>Then tell me, how thou hadst thought, lov'd, dreamt of me.——</l>
                           <l>I hail thee, charming Princess! my Sultana;</l>
                           <l>Sweet partner of my Imperial bed and throne;</l>
                           <l>For, by the Soul of my great Father Amurath,</l>
                           <l>By this good Sword, I swear<ref id="note17" type="noteref" target="n17">*</ref> ne'er to resign——</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(During the greatest part of this speech, the Princess
seems absorbed in deep thought, and solemn
grief; her eyes bent on the ground. When Mahomet says,</hi> "ne'er to resign—" <hi rend="italic">with sudden burst of anguish and terrour, as of one awaked
in a fright, She throws herself at the Sultan's feet.)</hi>
                        </stage>
                     </sp>
                     <note id="n17" n="*" place="end" anchored="yes" target="note17">
                        <p>The following is the Oath of the Turkish Sultans. "By the Immortal God, by the four hundred Prophets, by Mahomet, by my Father's
Soul, by my own Children, by the Sword wherewith I am girt, I solemnly
swear to perform what I have now promised." This Oath was sworn by
Mahomet at the sacking of Constantinople, 1453, three years before the
Era of this Tragedy, when he promised the soldiers, that if they could
take the City, they should have the spoil of it for three days.</p>
                     </note>
                     <pb id="p91" n="91"/>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">End not thy oath, I solemnly adjure thee!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET <hi rend="italic">(offering to raise her, she rises).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">'Tis sworn already, I cannot resign thee;</l>
                           <l>For by my Father's Soul the Oath was sworn,</l>
                           <l>And 'tis so sacred, did our Prophet live,</l>
                           <l>Not he himself could with the Vow dispense.</l>
                           <l>Thou shalt exult in Mahomet's ardent love,</l>
                           <l>Thy every wish prevented, thy whole life</l>
                           <l>One splendid feast of sumptuous delight.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Since the sole benefit I could accept,</l>
                           <l>Thou dost refuse; know, in the whole, wide range,</l>
                           <l>Of all thy power, thou hast nought left to give,</l>
                           <l>Worthy Agmunda's thanks, except a grave.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">No, beauteous Scorner! no; a tomb ill suits</l>
                           <l>Thy youth. Whole ages of delight await us;</l>
                           <l>Thou my Sultana, I thy humble Slave.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">I am the Wife of an illustrious Hero:</l>
                           <l>My hand and heart are to Corvinus given.</l>
                           <l>Respect the sacred tie of nuptial Faith.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Fate has dissolv'd it. For you are my Slave,</l>
                           <pb id="p92" n="92"/>
                           <l>Taken in war. When you refus'd my nuptials,</l>
                           <l>The truce was void. Fate has decreed you mine.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">My Faith is pledg'd. I never can be yours.</l>
                           <l>Your prophet, Sultan! has forbidden marriage</l>
                           <l>With one who is a wife.—Revere his law.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">With a free woman, marriage is forbidden.</l>
                           <l>But my bond Slave<ref id="note18" type="noteref" target="n18">*</ref>, although her Husband live,</l>
                           <l>I by my Law may wed.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent6">Or Slave, or free,</l>
                           <l>I am Corvinus' Wife. Marriage with thee,</l>
                           <l>Wen if I were thy Slave, my Law would punish.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET.</speaker>
                        <lg type="verse paragraph">
                           <l>Renounce thy Christian Worship;—own our Prophet.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <stage type="business">
                           <hi rend="italic">(Regarding Mahomet for a moment with haughtiness and contempt).</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l rend="indent2">Forsake my everlasting Hope!—For what?</l>
                           <l>The privilege to quit a noble Husband,</l>
                           <l>Whom I adore for his unblemish'd honour,</l>
                        </lg>
                     </sp>
                     <note id="n18" n="*" place="end" anchored="yes" target="note18">
                        <p>"Ye are also forbidden to take to wife free women who are married, except those women whom your right hand shall possess as Slaves."<lb/>
                           <bibl>SALE'S <sic corr="Translation">Translatiou</sic> of the KORAN, p. 63.</bibl>
                        </p>
                     </note>
                     <pb id="p93" n="93"/>
                     <sp>
                        <lg type="verse paragraph">
                           <l>A gallant Youth who is his Country's bulwark?</l>
                           <l>Forsake my GOD! that I may wed a Tyrant,</l>
                           <l>Whom my soul spurns at, and my heart abhors!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">What's thy resistance, to a Monarch's power?</l>
                           <l>Thy scorn may, to resentment, turn my love.</l>
                           <l>Thou hast forgotten then, that I am Mahomet?</l>
                           <l>Whose frown annihilates the wretch it lights on;</l>
                           <l>Whose least displeasure is such certain Death,</l>
                           <l>The stoutest Warrior trembles to excite it.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <stage type="business">
                           <hi rend="italic">(With a swiftness, as if some sudden illumination of thought at that instant struck her).</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l rend="indent2">I, with unspeakable contempt, behold it.</l>
                           <l>Scoff at this dreaded tyrant, who could send</l>
                           <l>Thousand of slaves, beneath a lying embassy,</l>
                           <l>To seize one Woman. Heavens! Art thou a Prince?</l>
                           <l>Where, is the honour, that should grace thy rank,</l>
                           <l>And give its brightest splendour to a throne?</l>
                           <l>Thou base, dishonourable, treacherous, coward!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET.</speaker>
                        <stage type="business">
                           <hi rend="italic">(Half drawing his sabre, but sheathing it as he speaks).</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>Audacious Fair! that coward's power can crush thee;</l>
                           <l>Make thy proud soul, with fear, shrink shuddering,</l>
                           <l>And, prostrate in the dust, implore his mercy.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Derision, and not fear, thy taunts inspire.</l>
                           <pb id="p94" n="94"/>
                           <l>Dismay and terrour, come they at thy beck?</l>
                           <l>Behold! a Woman braves, a woman scorns thee.</l>
                           <l>Her Soul superiour, lords it o'er thy Spirit;</l>
                           <l>Which aw'd, and cow'ring, droops before its greater.</l>
                           <l>Thou, Mahomet! Thou! appall'd shrink'st shudd'ring,</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Mahomet lays his hand on his sabre.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>Before a Christian foe, before thy Captive.——</l>
                           <l>The Daughter of that sceptred Ancestry,</l>
                           <l>The constant scourge of thy barbarian Race,</l>
                           <l>Protected by thy fear, defies thy sword;</l>
                           <l>Disdains thy mercy; she would shew thee none:</l>
                           <l>The axe of Justice on thy neck should fall,</l>
                           <l>And rid mankind of Thee! their dire disgrace.</l>
                           <l>Know, trembling coward! that I fear thee not.</l>
                           <l>Thou dar'st not take my life.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Mahomet in a rage draws his sabre, having kept
his hand upon it during the latter part of this speech, advancing to strike the Princess, she advances.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>MAHOMET.</speaker>
                        <stage type="business">
                           <hi rend="italic">(Turning away, and dropping the point of his sabre,
leans upon it).</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>I will not kill her.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(The instant that the Princess perceives that he will
not kill her, she retreats from him.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Tyrant! art thou in abjectness, so sunk,</l>
                           <l>That thou hast not one generous vice? Hast thou</l>
                           <pb id="p95" n="95"/>
                           <l>No manly rage 'gainst an insulting enemy?</l>
                           <l>Rouse thee to anger, Prince! Do not, when scoff'd,</l>
                           <l>And coward call'd, forego a signal vengeance.</l>
                           <l>Wreak thy revenge against an insolent foe,</l>
                           <l>Who lives, but to revile thee.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent8">At thy call,</l>
                           <l>I wake to rage, resentment, and revenge.</l>
                           <l>Soon I'll repay thee this vindictive scorn.</l>
                           <l>I see thy drift, Agmunda! Thou would'st die,</l>
                           <l>And me, the instrument of death, would make.</l>
                           <l>Thou bidd'st me vengeance take,—and I will take it.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Sheaths his sabre. Terrour takes possession of the
Princess's countenance for an instant.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>For thou shalt live. I'll seize by force, proud Woman!</l>
                           <l>Those charms which vainly I have stoop'd to sue for.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Mahomet advances to seize her; she draws the
Dagger from her bosom that Corvinus had
given her as the pledge of his loyalty to her
Brother. Retreating as she speaks, holding the
Dagger fast clenched in her hand, in readiness
to strike it into her bosom. Mahomet starts at
seeing it, and, perceiving her intention to stab
herself, does not advance.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>PRINCESS <hi rend="italic">(with a resolute, solemn voice).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l>This Dagger guards my Husband's honour, Sultan.</l>
                           <l>If thou approach, I strike it to my heart.</l>
                           <l>Death from dishonour saves me, and from thee.</l>
                        </lg>
                        <pb id="p96" n="96"/>
                        <stage type="business">
                           <hi rend="italic">(Mahomet advances a step, she extends her hand
strike, he retires.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>Prince! I dare pay that awful debt to Virtue,</l>
                           <l>Which I to Nature owe. And I will die,</l>
                           <l>On the most slight suspicion of Dishonour:</l>
                           <l>The moment that alarms my wakeful fears,</l>
                           <l>Remember————is my last.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET.</speaker>
                        <stage type="business">
                           <hi rend="italic">(Striving to restrain his rage, and disappointment).</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l rend="indent8">To save thy life,</l>
                           <l>I promise, that thy honour shall be safe.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Sultan! I thank thee. O! relent, and make</l>
                           <l>The life thou deign'st to save, a blessing to me.</l>
                           <l>Redeem thy honour, and retrieve thy glory;</l>
                           <l>Win, by thy noble conduct, my esteem;</l>
                           <l>Yet, yet, be just; permit me to depart!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET <hi rend="italic">(with gloomy haughtiness).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Unless thou wilt, this hour, consent to wed me,</l>
                           <l>Thou art MY Slave no longer.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS <hi rend="italic">(with joy and exultation).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent8">Unbounded gratitude,</l>
                           <l>My heart repays thee, noble, generous, Sultan!</l>
                           <l>May joy, like mine, irradiate ev'ry gloom,</l>
                           <l>That dark despair upon thy mind may cast.</l>
                        </lg>
                     </sp>
                     <pb id="p97" n="97"/>
                     <sp>
                        <speaker>MAHOMET <hi rend="italic">(fiercely).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l>Forbear thy thanks.—For since, imprudent Princess!</l>
                           <l>Thou dar'st disdain my love, I here resign thee.——</l>
                           <l>Thou art my Slave no longer——I bestow thee</l>
                           <l>Upon the vilest Tartar in my camp:</l>
                           <l>The prince thou scorn'st makes thee a reptile's slave.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(The Princess raising her dagger.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>
                              <stage type="delivery">
                                 <hi rend="italic">(Mahomet hastily.)</hi>
                              </stage>Thy honour shall be safe—fifty brave Janizaries</l>
                           <l>Shall be thy guard, to keep thee from all danger.</l>
                           <l>In this, thy bondage, there is no dishonour.</l>
                           <l>It is affliction only, such affliction.——</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Looking at her with the most taunting scorn.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>As CHRISTIAN Slaves must patient bear, and live.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <stage type="delivery">
                           <hi rend="italic">(With extreme anguish, looking up to Heaven).</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>This————is affliction's iron hand indeed.</l>
                           <l>All gracious heaven! for my one, deep offence,</l>
                           <l>Let this dire retribution make atonement.</l>
                           <l>In mercy, guard me from my own despair;</l>
                           <l>And give me fortitude to meet my fate!</l>
                        </lg>
                        <stage type="delivery">
                           <hi rend="italic">(Panting with terrour, she supports herself by the
drapery of the tent.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>MAHOMET.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Art thou then, obstinately bent, to brave me?</l>
                        </lg>
                        <stage type="delivery">
                           <hi rend="italic">(With entreaty, mingled with admiration.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>Think of thy youth, the graces of thy form,</l>
                           <l>Thy ev'ry elegance, thy winning charms,</l>
                           <pb id="p98" n="98"/>
                           <l>Have pity on thyself! Doom not thy beauty,</l>
                           <l>To a curs'd fate, that chills my heart with horrour.</l>
                           <l>Wilt thou not deign to deprecate thy doom?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">If there be aught of human in thy heart,</l>
                           <l>Say, by what virtuous means I may awaken it.</l>
                        </lg>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e6546">
                     <head type="main">SCENE SIXTH.</head>
                     <stage type="business">
                        <hi rend="italic">MAHOMET, THE PRINCESS, MUSTAPHA.<lb/>(Mustapha comes in sight on the same side on which the
Princess stands; but does not enter the tent.)</hi>
                     </stage>
                     <sp>
                        <speaker>MAHOMET.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Guards!<stage type="business">
                                 <hi rend="italic">(They appear.)</hi>
                              </stage>To the inner tent conduct the Princess:</l>
                           <l>Let none presume, on pain of instant death,</l>
                           <l>Her sacred person to approach uncall'd.</l>
                        </lg>
                        <stage type="delivery">
                           <hi rend="italic">(To the Princess.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>This order may suffice, to hush thy fears.</l>
                           <l>Retire, and let repose thy spirits calm.</l>
                           <l>Have pity on thyself, nor seal thy doom.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS <hi rend="italic">(retiring to the inner tent).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l>Sultan! reflect, nor force me to accept it.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(The Aga of the Guards opens the door of the
inner tent on the right-hand side: the Guards<pb id="p99" n="99"/>
range themselves on the same side with the Sultan, so that the Princess may enter the tent without passing near them. When entered, the
door of the tent closes; the Guards retire.)</hi>
                        </stage>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e6591">
                     <head type="main">SCENE SEVENTH.</head>
                     <stage type="setting">
                        <hi rend="italic">MAHOMET, MUSTAPHA.</hi>
                     </stage>
                     <sp>
                        <speaker>MUSTAPHA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Sultan! the Christian Dervis is thy prisoner,</l>
                           <l>And waits without. The Christians still maintain</l>
                           <l>The fight, led by Corvinus.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent8">Curse on his courage!</l>
                           <l>Ten thousand sequins shall reward the man</l>
                           <l>Who kills Corvinus. This proclaim. Return,</l>
                           <l>And here, before the Princess, say he's slain:</l>
                           <l>Or true, or false, I have a rich revenge:</l>
                           <l>But add such circumstance, as may gain credence</l>
                           <l>To what thou say'st.——<stage type="exit">
                                 <hi rend="italic">(Exit Mustapha.)</hi>
                              </stage>
                           </l>
                           <l rend="indent6">She must, she shall be mine.</l>
                           <l>What an exalted soul Agmunda owns:</l>
                           <l>My spirit never was so mated yet,</l>
                           <l>Envy and admiration both contend,</l>
                           <l>And love, and hate, alternate, swell my breast.</l>
                        </lg>
                        <pb id="p100" n="100"/>
                        <stage type="delivery">
                           <hi rend="italic">(To the Guards at the side scene.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>Conduct the Christian Dervis to our presence,</l>
                           <l>He shall persuade the Princess.</l>
                        </lg>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e6647">
                     <head type="main">SCENE EIGHTH.</head>
                     <stage type="setting">
                        <hi rend="italic">MAHOMET, CAMPESTRAN (in Chains).</hi>
                     </stage>
                     <sp>
                        <speaker>MAHOMET.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent6">Art thou Campestran?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CAMPESTRAN <hi rend="italic">(proudly).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">I am.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Better it would become thy Prophet's Minister</l>
                           <l>To preach of peace, than, clad in priestly vestments,</l>
                           <l>The torch of Discord waving in thy hand,</l>
                           <l>Thus to run madding, wild, from clime to clime,</l>
                           <l>Leading enthusiasts to certain death;</l>
                           <l>Battening our vultures with thy pious fools.</l>
                           <l>Attend to heavenly cares; leave arms, and war,</l>
                           <l>To Monarchs and to Heroes. Priest! I want</l>
                           <l>A peaceful service from thee; reward awaits thee,</l>
                           <l>If thou succeed.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CAMPESTRAN.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent6">With Infidels I hold</l>
                           <l>No fellowship. From me expect no service.</l>
                        </lg>
                     </sp>
                     <pb id="p101" n="101"/>
                     <sp>
                        <speaker>MAHOMET.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Thou art my Slave.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CAMPESTRAN.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent6">The prisoner of thy arms,</l>
                           <l>I know I am.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent6">Thy life is in my hands.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CAMPESTRAN.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Take it; a Christian warrior fears not death;</l>
                           <l>Nor looks for noble treatment from base Mahomet.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">And dost thou know me, yet insult my power?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CAMPESTRAN.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Thy power, thou lawless Ravager! and Thee,</l>
                           <l>My soul regards, as Heaven's afflicting scourge.</l>
                           <l>Gaunt famine, pestilence, and spotted plague,</l>
                           <l>And curs'd, imperial Plunderers, like thyself,</l>
                           <l>Are but its instruments of wrath, to visit</l>
                           <l>Bad men's impiety. Heaven's end obtain'd,</l>
                           <l>Then are your waves of desolation stay'd;</l>
                           <l>Ye shall not pass the bounds of its behests.</l>
                           <l>Thy crimes accomplish'd, yet thou shalt not triumph.</l>
                           <l>The partner, in thy ruffian treachery,</l>
                           <l>Has paid the forfeit of His two-fold guilt;</l>
                           <l>Zilugo's sword has punish'd Cilley's treason;</l>
                           <pb id="p102" n="102"/>
                           <l>He dies, first victim to the injur'd Princess.</l>
                           <l>Restore her then, and thus avert thy punishment.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Till thou canst rail the eagle to forsake</l>
                           <l>Her sky-built aerie, for the wren's humble nest,</l>
                           <l>Thou dost but lose thy pains to lesson me.</l>
                           <l rend="indent2">Say, does thy Prophet's Law permit thee death,</l>
                           <l>By thy own hands?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CAMPESTRAN.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent5">No: it forbids all murder.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Instruct thy Princess better, in her duty;</l>
                           <l>She dares uplift her hand against her life.</l>
                           <l>Rail forth thy Law to her. For if she die</l>
                           <l>By her own hand, thou shalt expire in torments.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Mahomet goes to the door of the inner Tent, which
is opened at his approach; the Princess seen
sitting on a sofa, weeping.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>Princess! thy warrior Dervis is my slave;</l>
                           <l>Here, I allow thee to hold converse with him.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Campestran goes towards the inner Tent, the Princess, seeing him, comes forward, the dagger in her hand.)</hi>
                        </stage>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e6810">
                     <pb id="p103" n="103"/>
                     <head type="main">SCENE NINTH.</head>
                     <stage type="setting">
                        <hi rend="italic">MAHOMET, THE PRINCESS, CAMPESTRAN.</hi>
                     </stage>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">O holy father! much I grieve to see thee!</l>
                           <l>Exhaustless is, I fear, my cup of woe;</l>
                           <l>And thousands, of the baleful draught, drink with me.</l>
                           <l>Say, does my Hero live?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CAMPESTRAN.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent8">Corvinus lives.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(The Princess looks up with thankfulness, to Heaven.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>Long by his side I fought: He still maintains</l>
                           <l>The fight, with more than human strength. His arm</l>
                           <l>The sword of Justice wields; 'tis Heav'n's own sword,</l>
                           <l>And he, vicegerent of the wrath of Heaven,</l>
                           <l>Exterminates, from earth, its scoffing foes.</l>
                           <l>He will avenge the insult done to Thee,</l>
                           <l>And to the Faith of Nations, by thy capture.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Thou God of battles! in a cause thus just,</l>
                           <l>Raise thy strong arm and buckler on his side!</l>
                           <l>Ye sainted Spirits of my royal Fathers,</l>
                           <l>Implore the Throne of Mercy for this Hero,</l>
                           <l>And save the guardian Genius of your Race!</l>
                        </lg>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e6867">
                     <pb id="p104" n="104"/>
                     <head type="main">SCENE TENTH.</head>
                     <stage type="business">
                        <hi rend="italic">MAHOMET, THE PRINCESS, CAMPESTRAN, MUSTAPHA.<lb/>(Mustapha enters, and lays the Sword and Casque of Corvinus at the feet of Mahomet.</hi>
                     </stage>
                     <sp>
                        <speaker>MUSTAPHA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Our Prophet fights the mighty Sultan's cause.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Whose Sword and Casque are these?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MUSTAPHA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent8">They are the spoils</l>
                           <l>Of fallen Corvinus————whom Mesetes slew.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l>Oh!——<stage type="business">
                                 <hi rend="italic">(falls fainting into Campestran's arms.)</hi>
                              </stage>
                           </l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CAMPESTRAN.</speaker>
                        <stage type="business">
                           <hi rend="italic">(Supporting the Princess, and raising his eyes to Heaven).</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>O! send her strength proportion'd to her woes!</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(The Princess recovering, looks earnestly at the
Sword and Casque, and lifts the Dagger to kill
herself: Campestran stays her hand, and continues.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>Rely on Heaven! nor rashly shed thy blood:</l>
                           <pb id="p105" n="105"/>
                           <l>For life, or death, are not in mortals' choice.</l>
                           <l>Bow down thy soul with patience to this grief;</l>
                           <l>And, as this separation wounds thy spirit,</l>
                           <l>Let not thy rebel hand eternal make it,</l>
                           <l>And lose the hope, in realms of bliss, to meet</l>
                           <l>The worthy object of thy love on earth.</l>
                           <l>Resign this Dagger.——</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent5">No: as 'twas Honour's pledge,</l>
                           <l>It shall be Honour's guardian.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent8">Princess! thy faith,</l>
                           <l>According to thy Law, is disengag'd.</l>
                           <l>Consent, that by thy Christian Rites, Campestran</l>
                           <l>Shall now unite us.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent4">Never, will I consent!</l>
                           <l>Never! Corvinus! to thy Tomb I'm wedded!</l>
                        </lg>
                        <stage type="delivery">
                           <hi rend="italic">(To the Sultan.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>O, let me see him! that the sight may end me!</l>
                           <l>Then give us the fame grave: And spare Belgrade;</l>
                           <l>Her matrons, virgins, and her tender infants;</l>
                           <l>And my last breath shall praise and bless thy mercy.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">If thou wouldst have thy ardent prayers prevail,</l>
                           <l>And save thy native City from my wrath,</l>
                           <l>By all that's sacred, to a Christian's soul,</l>
                           <pb id="p106" n="106"/>
                           <l>Thou first must swear, not to attempt thy life;</l>
                           <l>And, in this very hour, be my Sultana:</l>
                           <l>Or else, with fire and sword, this night, Belgrade</l>
                           <l>Receives my troops; and sates my great revenge.</l>
                           <l>To-morrow thou shalt see thy City delug'd</l>
                           <l>With blood; her Nobles, in thy presence, slain.</l>
                           <l>Thou shalt behold my hated foe, Corvinus,</l>
                           <l>Piece-meal devour'd, by our fierce ravening dogs:</l>
                           <l>No other sepulchre will Mahomet grant him.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CAMPESTRAN.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">This godlike youth, shall he not find a grave?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Ask that obdurate Fair, who gives remorseless</l>
                           <l>Her Husband's mangled corpse to vile dishonour,</l>
                           <l>Her Country to the sword: it is her will.</l>
                           <l>Corvinus was my foe; as such, I treat him.</l>
                           <l>Belgrade contains no friend who fight my cause;</l>
                           <l>I plunge no sword into my Country's bosom;</l>
                           <l>Nor sentence thousands to indulge my scorn.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Show Mercy, Prince! as thou wouldst wish to find it;</l>
                           <l>Nor ask a price thou wouldst disdain to pay.</l>
                           <l>Think on the chance of War, and nobly use</l>
                           <l>The power, which Heaven, in vengeance to this Land,</l>
                           <l>Ordains thy desolating sword to gain.  <stage type="business">
                                 <hi rend="italic">(Kneels.)</hi>
                              </stage>
                           </l>
                           <l>Think, if some treacherous turn of human fate,</l>
                           <pb id="p107" n="107"/>
                           <l>Should thus bow down thy struggling mind to earth;</l>
                           <l>Thus humbled, thus abas'd, in abject woe,</l>
                           <l>If mercy thou wouldst hope, O, grant it now!</l>
                           <l>By me the sorrowing People, thus implore thee;</l>
                           <l>Their anguish'd souls, thus humbled to the dust,</l>
                           <l>They deprecate thy rage, and sue for mercy.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Did the whole Heavenly Hierarchy kneel,</l>
                           <l>Unmov'd I'd act the purpose of my soul.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Campestran raises, and supports the Princess.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>But, on the terms I proffer'd, will I spare:</l>
                           <l>Thou art the sovereign of thy Country's Fate.</l>
                           <l>Live; and be partner of my bed and throne:</l>
                           <l>Else, thy obdurate scorn shall wake more crimes,</l>
                           <l>Than war's inventive cruelty yet knows.</l>
                           <l>Pronounce the Doom—If mercy be thy will,</l>
                           <l>Urge not my rugged soul, by vain resistance;</l>
                           <l>Lest thou shouldst rouse a storm beyond control.</l>
                           <l>If thou wilt yield, this moment is thy own;</l>
                           <l>The next, may be too late, e'en for repentance.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(He walks away from the Princess.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l>Thy justice, Heaven! o'ertakes me for my perjury;</l>
                           <l>For my transgression my brave Husband falls.</l>
                           <l>Though great my fault, yet dire, beyond compare,</l>
                           <l>On me, thy over-whelming justice comes.</l>
                           <l>Yet, awful Power! if sufferings can for crimes</l>
                           <l>Atone, sure mine may hope to find remission.</l>
                           <pb id="p108" n="108"/>
                           <l>Let this dread expiation clear my guilt,</l>
                           <l>Make me so pure, that I may prove a victim,</l>
                           <l>Acceptable to thee, and save my country still.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Mahomet approaches.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>O! Mahomet! I'll be ransom for this People;</l>
                           <l>I swear, till Heaven shall call my spirit hence,</l>
                           <l>I will bear life, nor free me from its load.</l>
                           <l>And,—if thou still insist to force my hand,</l>
                           <l>I'll sacrifice myself——nay,——even to Thee;</l>
                           <l>But thou must swear to give my Country peace,</l>
                           <l>On fair and honourable, Princely Terms;</l>
                           <l>Nor ask another Victim than myself;</l>
                           <l>Must swear to grant my Husband's corpse a grave;</l>
                           <l>And once again permit me to review</l>
                           <l>My native palace, give me three, sad days,</l>
                           <l>To take a last farewell, and see entomb'd</l>
                           <l>The Husband of my love.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent6">I swear to grant</l>
                           <l>All thou hast ask'd; but on this one condition,</l>
                           <l>Instant be mine. If thou attempt thy life,</l>
                           <l>Thou doom'st Belgrade to an unheard-of vengeance.</l>
                           <l>Princess! retire. Thou Dervis with her go,</l>
                           <l>And, on thy life, protect her from herself.</l>
                           <l>Prepare thy nuptial rites; I will but give</l>
                           <l>The orders which befit this change, then come</l>
                           <l>And take my bride, my fair, my bright Sultana.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(The Princess, supported by Campestran, goes into
the inner tent; stopping at the Sword and Casque as she passes them.)</hi>
                        </stage>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e7173">
                     <pb id="p109" n="109"/>
                     <head type="main">SCENE ELEVENTH.</head>
                     <stage type="setting">
                        <hi rend="italic">MAHOMET, MUSTAPHA.</hi>
                     </stage>
                     <sp>
                        <speaker>MAHOMET.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Vengeance, and love! ye both are in my power!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MUSTAPHA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Corvinus, though disarm'd, was not o'ercome;</l>
                           <l>Sav'd by his troops, who gave their lives for his.</l>
                           <l>Within our trenches they maintain their ground,</l>
                           <l>Corvinus still is foremost in the fight.</l>
                           <l>He will not yield; nor can he now retreat:</l>
                           <l>Dearly he sells his life, and like Corvinus.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Come, I will see him fall. When dauntless heroes</l>
                           <l>Firm, meet their fate, they are more great than monarchs,</l>
                           <l>Whom favouring fortune crowns with easy conquests:</l>
                           <l>They are a sight for Gods to view, and praise.</l>
                        </lg>
                     </sp>
                     <stage type="exit">
                        <hi rend="italic">(Exeunt.)</hi>
                     </stage>
                  </div4>
                  <closer>End of the Fourth Act.</closer>
               </div3>
               <div3 type="ss2" id="d0e7219">
                  <pb id="p110" n="110"/>
                  <head type="main">Fifth Act.</head>
                  <div4 type="ss3" id="d0e7223">
                     <head type="main">SCENE FIRST—THE SULTAN'S TENT.</head>
                     <stage type="business">
                        <hi rend="italic">(In the interval between the Fourth and Fifth Act, the
word</hi> "Mahomet"  <hi rend="italic">given; first heard near, and
distinctly, from many voices; then dying away at a
distance. Just before the scene draws for the Fifth
Act, a discharge of several <sic corr="cannon">canon</sic>; then shouting
and warlike music. The scene drawing discovers
Mustapha in the Tent. The Sultan's Guards ranged
on the outside of the Tent.  Another discharge of
cannon. The door of the inner tent opens: the Princess seen seated on a sofa, fainting, attendants supporting her.)</hi>
                     </stage>
                     <sp>
                        <speaker>MAHOMET.</speaker>
                        <stage type="business">
                           <hi rend="italic">(Coming forward, to the Attendants in the tent).</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>SEE, she attempts no deed of desperation.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Door of the inner tent closes.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>Haste, call Chusanes.  <stage type="delivery">
                                 <hi rend="italic">(To one of the Guards.)</hi>
                              </stage>
                           </l>
                           <l>
                              <stage type="delivery">
                                 <hi rend="italic">(To an Aga of the Guards.)</hi>
                              </stage> Aga! sound my charge,</l>
                           <l>That my ten thousand Spahies<ref id="note19" type="noteref" target="n19">*</ref> form their ranks.</l>
                        </lg>
                     </sp>
                     <stage type="exit">
                        <hi rend="italic">(The Aga goes out.)</hi>
                     </stage>
                     <note id="n19" n="*" place="end" anchored="yes" target="note19">
                        <p>The Body Guards of the Turkish Sultans are selected from the
Janizaries. The better sort amongst them are honoured with the name
of Spahi, Oglani, that is to say, the Sultan's Knights and Sons.<lb/>
                           <bibl>See KNOLLES, p. 485, 1463; and Brief Discourse, p. 5 and 6.</bibl>
                        </p>
                     </note>
                     <pb id="p111" n="111"/>
                     <sp>
                        <lg type="verse paragraph">
                           <l>Day dawns too slowly for my fierce impatience.</l>
                           <l>Mustapha! thou must guard my tent, and watch</l>
                           <l>Over the life of this disdainful Princess:</l>
                           <l>Maddening with grief and rage, she, when our cannon</l>
                           <l>Open'd their brazen throats, feeling at once</l>
                           <l>Her Country's certain fate, with all the energy</l>
                           <l>Of deep despair, her bosom on the earth,</l>
                           <l>Invok'd her God, "By his dread Attribute</l>
                           <l>"Of fearful Justice, to assert himself,</l>
                           <l>"And curse me in the snare my falshood form'd."</l>
                           <l>Grief shakes her frame almost to dissolution.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(The Sultan's Charge sounded.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>Soon as returning life comes to her cheek,</l>
                           <l>Be it thy care to impress her mind with hopes</l>
                           <l>Of winning mercy for her Country still,</l>
                           <l>If she but live. She must not dare to die,</l>
                           <l>Against my will. Death would impede my triumph</l>
                           <l>O'er these proud Huniads. <stage type="business">
                                 <hi rend="italic">(Canon again.)</hi>
                              </stage>
                           </l>
                           <l rend="indent8">Roar on! and sweep</l>
                           <l>My foes from earth. Hark!!——</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(The alarm word,</hi> "Duma," <hi rend="italic">from many voices.
Mahomet takes his sabre from the throne.
The alarm word again and again. Then,</hi> "Huniades," <hi rend="italic">from many voices.)</hi>
                        </stage>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e7329">
                     <pb id="p112" n="112"/>
                     <head type="main">SCENE SECOND.</head>
                     <stage type="setting">
                        <hi rend="italic">MAHOMET, MUSTAPHA, CHUSANES, AGAS AND JANIZARIES.</hi>
                     </stage>
                     <sp>
                        <speaker>CHUSANES <hi rend="italic">(entering).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Arm! mighty Sultan! arm! Our troops are slaughter'd:<stage type="business">
                                 <hi rend="italic">(Mahomet strikes his forehead.)</hi>
                              </stage>
                           </l>
                           <l>Caught in our own curs'd Toil. For when our fires</l>
                           <l>Blaz'd forth, they show'd our marshall'd foe prepar'd,</l>
                           <l>With battle-axe, and pointed spear uplift,</l>
                           <l>To hurl destruction with their wonted rage.</l>
                           <l>Our foremost dauntless fought, and bravely fell.</l>
                           <l>But all our valiant hosts at once gave way,</l>
                           <l>At the re-echoed shout of fierce Huniades:</l>
                           <l>They fly, like carded wool<ref id="note20" type="noteref" target="n20">*</ref> before the wind</l>
                           <l>At his approach, nor dare abide his presence.</l>
                           <l>Huniades is master of our trenches,</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Mahomet girds on his sabre.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>And our own cannon are against us fir'd:</l>
                           <l>The Oglani fly; all fly before Huniades;</l>
                           <l>And our own Fires light Him to victory.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET <hi rend="italic">(drawing his Sabre).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Light Him! vile Slave! they shall light Me to vengeance.</l>
                        </lg>
                     </sp>
                     <note id="n20" n="*" place="end" anchored="yes" target="note20">
                        <p>Koran, chap. 101.</p>
                     </note>
                     <pb id="p113" n="113"/>
                     <sp>
                        <stage type="delivery">
                           <hi rend="italic">(To an Aga.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>Give orders, that the troops in yonder grove</l>
                           <l>Move not, till I demand their aid; when wanted,</l>
                           <l>I'll send this signal to approach my standard.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Showing the scabbard of his sabre.)</hi>
                        </stage>
                        <stage type="exit">
                           <hi rend="italic">(The Aga goes out.)</hi>
                        </stage>
                        <stage type="delivery">
                           <hi rend="italic">(In a lower voice to Mustapha, showing an immense ruby Ring on his left hand.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>If I send this, give the Sultana poison. <stage type="delivery">
                                 <hi rend="italic">(To an Aga.)</hi>
                              </stage>
                           </l>
                           <l>Unfurl our mighty Prophet's standard.——Follow!</l>
                        </lg>
                        <stage type="delivery">
                           <hi rend="italic">(Addressing himself to all.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>And view the triumphs of my conquering Arm.</l>
                        </lg>
                        <stage type="setting">
                           <hi rend="italic">(A magnificent Green Standard unfurled; the Turkish Arms emblazoned in gold and precious stones.  The Agas, as the standard is unfurled, draw their sabres.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>ONE OF THE AGAS.</speaker>
                        <lg type="verse paragraph">
                           <l>Or Death, or Victory; lead, mighty Prince!</l>
                        </lg>
                        <stage type="exit">
                           <hi rend="italic">(Mahomet goes out, attended by Chusanes, the Agas,
and the Janizaries. The standard borne before him.)</hi>
                        </stage>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e7438">
                     <pb id="p114" n="114"/>
                     <head type="main">SCENE THIRD.</head>
                     <stage type="business">
                        <hi rend="italic">THE PRINCESS, MUSTAPHA, GUARDS.<lb/>(A loud shout heard.—A discharge of cannon. After
which, the door of the inner tent opens.—The
Princess enters with precipitation, as breaking
from those within. The Guards retire from sight,
when the Princess comes into the outer tent.)</hi>
                     </stage>
                     <sp>
                        <speaker>PRINCESS <hi rend="italic">(to Mustapha).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Where, Messenger of woe! where is thy Sultan?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MUSTAPHA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Gone forth to lead the Faithful on to battle.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Heaven!—let thy signal vengeance strike this monster;</l>
                           <l>Harrow his soul at once with all his crimes;</l>
                           <l>Let every woe his savage heart inflicts,</l>
                           <l>In all its bitterest agony, recoil upon</l>
                           <l>His head, till in despair he curse himself.——</l>
                           <l rend="indent2">——In vain I'm sacrific'd—this tyrant's Wife;</l>
                           <l>And not the saviour of my wretched Country.</l>
                           <l>Has Hell a torment that can equal this?</l>
                           <l>Had I but sav'd the People from destruction,</l>
                           <l>Though plung'd in woe, my fate would have been bliss</l>
                           <l>To what I feel. Offended Heaven rejects me.</l>
                           <pb id="p115" n="115"/>
                           <l>Justly the fate I broke my oath to shun,</l>
                           <l>O'erwhelms me now———</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MUSTAPHA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent5">Restrain this tide of grief!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS <hi rend="italic">(to Heaven).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l>Punish my guilt upon myself alone!—<stage type="business">
                                 <hi rend="italic">(Cannon heard.)</hi>
                              </stage>
                           </l>
                           <l>———O infants! virgins! matrons! of Belgrade!</l>
                           <l>'Tis my transgression draws this ruin on you!</l>
                           <l>Then, curse the hand which to the spoiler gives you!</l>
                           <l>Perjur'd and lost Agmunda! Thou hast orphann'd</l>
                           <l>Thy country's helpless babes, widow'd her wives,</l>
                           <l>Hast forc'd her heroes on to certain death,</l>
                           <l>And made thy native Land, a land of slaves.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MUSTAPHA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Your love may win the Sultan's heart to spare.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Spare!!—When his sword reeks in my Country's blood?</l>
                           <l>Corvinus lost, torn from my arms in wrath,</l>
                           <l>Why should I live, given to the fiend, I loathe?</l>
                           <l>His Wife! Distraction! Curs'd, curs'd, Mahomet's Wife!</l>
                           <l>Me Heaven itself forsakes;—<stage type="business">
                                 <hi rend="italic">(pauses from grief.)</hi>
                              </stage>
                           </l>
                           <l rend="indent6">—a wretch, an outcast——</l>
                        </lg>
                        <stage type="delivery">
                           <hi rend="italic">(With resolution bordering upon phrenzy.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>I'll face the injur'd heroes of my Land,</l>
                           <pb id="p116" n="116"/>
                           <l>And perish by their swords.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Going from the tent by the side on which she entered, when brought in by Abdalla.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>MUSTAPHA,</speaker>
                        <stage type="business">
                           <hi rend="italic">(Going between the Princess and the side scene).</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l rend="indent8">
                              <stage type="business">
                                 <hi rend="indent8">(Cannon heard.)</hi>
                              </stage> You must not pass.</l>
                           <l>This way lies danger; here the battle rages.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS,</speaker>
                        <stage type="business">
                           <hi rend="italic">(With feigned composure, yet breathless from agitation.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>I heed not danger; let me view the fight.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MUSTAPHA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Bright Sultaness! I cannot grant your prayer;</l>
                           <l>Beyond this Tent I dare not let you pass.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(She forces past him, he takes her in his arms, and brings her back.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>PRINCESS <hi rend="italic">(as Mustapha strives to prevent her going).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Detain me not!——</l>
                           <l>
                              <stage type="business">
                                 <hi rend="italic">(When forced back.)</hi>
                              </stage> Inhuman Slave! unhand me!</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Cannon heard.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>O wretched Country! O Friends! Brother! Husband!</l>
                           <l>But I will join you.——</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(She again attempts to go; Mustapha prevents her; and
signs to the Guards, who advance &amp; stop the passage.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l rend="indent4">—Slave! swift palsy blast</l>
                           <l>Thy ruffian arm; unheard-of plagues torment thee.</l>
                           <l>Oh! may'st thou share the maddening pangs I feel,</l>
                           <l>And be so curs'd, thou canst not even die!</l>
                        </lg>
                        <pb id="p117" n="117"/>
                        <stage type="business">
                           <hi rend="italic">(A Slave advances through the Guards, and presents the Sultan's Ring to Mustapha, who starts with horrour at the sight of it.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>MUSTAPHA <hi rend="italic">(apart).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l>Why came he not himself?</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(He whispers to a Slave, who retires; then signs to
the Guards, who advance on both sides; their
hands on their sabres.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>
                              <stage type="business">
                                 <hi rend="italic">(Kneeling to the Princess.)</hi>
                              </stage> O peerless Woman!</l>
                           <l>Hard is my fate, to be again the messenger</l>
                           <l>Of woe, to seal thy Doom. The will of Heaven,</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(The Slave appears with the cup of Poison; the
Guards draw their sabres, and advance nearer
to the Princess.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>And of my Master, must be done. Resistance</l>
                           <l>Would be in vain. <stage type="business">
                                 <hi rend="italic">(Shows the Sultan's Ring.)</hi>
                              </stage>
                           </l>
                           <l rend="indent6">Your instant death he orders.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Mustapha rises, and takes the Cup of Poison from the Slave.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>PRINCESS (with rapture).</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Bless'd sound!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MUSTAPHA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent6">This draught——</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS <hi rend="italic">(taking the Poison with great eagerness).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent8">Is the Viaticum,</l>
                           <l>Which Heaven has sent. My deep contrition has</l>
                           <pb id="p118" n="118"/>
                           <l>Acceptance found. Death is the sign of pardon.</l>
                           <l>Tyrant! thy crime is mercy to thy Victim.</l>
                           <l>Corvinus! husband of my heart! I join thee.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(She drinks the Poison; the Guards sheath their sabres, and retire.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>
                              <stage type="business">
                                 <hi rend="italic">(Kneeling.)</hi>
                              </stage> All gracious Power! complete this bless'd deliverance.</l>
                           <l>Redeem my Country! and protect my Brother!</l>
                           <l>Forgive the frailties of my erring mind,</l>
                           <l>And let thy Peace, in this dread hour, support me!</l>
                           <l>
                              <stage type="delivery">
                                 <hi rend="italic">(To Mustapha, rising.)</hi>
                              </stage> How long must I still live?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MUSTAPHA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent6">A little span;</l>
                           <l>This lowering dawn is thy whole sum of life;</l>
                           <l>The Sun will never rise for thee again.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l>Thou hast thyself to tread through Death's dark vale.</l>
                           <l>Anticipate that hour, when nature trembling,</l>
                           <l>E'en though resign'd, wants some sustaining friend.</l>
                           <l>Then think how bitterly that hour would linger,</l>
                           <l>To have about thy bed of death none other,</l>
                           <l>Than objects of thy hate, to see thee die,</l>
                           <l>To view thy last, sad pang, and close thy eyes.</l>
                           <l>Reflect on this, and pity Me. O, lead me!</l>
                           <l>Where, in vile chains, the good Campestran groans.</l>
                           <l>Though deep my anguish, and though fix'd my woes,</l>
                           <l>His prayers will calm my soul, and I shall die</l>
                           <l>Resign'd.</l>
                        </lg>
                     </sp>
                     <pb id="p119" n="119"/>
                     <sp>
                        <speaker>MUSTAPHA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent4">I grieve I cannot grant your wish.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS <hi rend="italic">(with agitation).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l>Such cruelty excites————</l>
                        </lg>
                        <stage type="delivery">
                           <hi rend="italic">(Stops short, repressing her anger.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>
                              <stage type="delivery">
                                 <hi rend="italic">(Recovering her solemn composure.)</hi>
                              </stage> But what have I</l>
                           <l>To do with human passions now? The sorrows</l>
                           <l>Of my torn heart are just absolv'd. My soul,</l>
                           <l>Be firm; the peaceful sleep of friendly death</l>
                           <l>Medicines thy load of woes! Would I had where</l>
                           <l>To lay my weary head, till that sleep comes!</l>
                        </lg>
                        <stage type="exit">
                           <hi rend="italic">(The Princess retires into the inner Tent.)</hi>
                        </stage>
                        <stage type="exit">
                           <hi rend="italic">(A discharge of Cannon, a confused noise, &amp; shrieks heard.)</hi>
                        </stage>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e7795">
                     <head type="main">SCENE FOURTH.</head>
                     <stage type="setting">
                        <hi rend="italic">MAHOMET, CHUSANES, ZOGANUS, AGAS, SPAHIES, JANIZARIES, MUSTAPHA, &amp;c. <lb/>(Mahomet, wounded and exhausted, brought in by the Agas; a turban bound round him.  The Agas support him; as he recovers, he struggles to shake them off; they still hold him.)</hi>
                     </stage>
                     <sp>
                        <speaker>CHUSANES.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">All, Mustapha, is lost! Our Sultan wounded,</l>
                           <l>As thou seest, almost to death. Flight alone</l>
                           <pb id="p120" n="120"/>
                           <l>Can be our refuge, in this wreck of fortune;</l>
                           <l>Only the Rear-Guard is yet unassail'd:</l>
                           <l>Let us with that retreat and save our Emperor.</l>
                           <l>'Twill be a bloody and a desperate service;</l>
                           <l>But better death than chains from Christian foes.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET <hi rend="italic">(recovering).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Ye curs'd rebellious Slaves! give me a sabre!</l>
                           <l>I'll not retreat before these scoffing Christians.</l>
                           <l>Had I ten thousand lives, I'd give them all,</l>
                           <l>Rather than yield such triumph to my foes.</l>
                           <l>Let me not live, unless I live to glory.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Struggling to get from them.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>Give me but arms;—I'll slay whole hecatombs;</l>
                           <l>And, if at last I fall, a trophy leave,</l>
                           <l>Such hosts of slain, as shall record, that Mahomet</l>
                           <l>With an unconquer'd spirit brav'd his fate.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CHUSANES.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Think of your wound.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent8">Unhand me to revenge it.</l>
                           <l>Begone, ye recreant traitors! Christian Slaves!</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(He bursts from them.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>Nor hope to chain the whirlwind of my rage:</l>
                           <l>I will have vengeance. Dastards! from the field,</l>
                           <l>Ye forc'd your prince; forc'd Mahomet to fly</l>
                           <l>Before a Christian Foe.</l>
                        </lg>
                     </sp>
                     <pb id="p121" n="121"/>
                     <sp>
                        <speaker>CHUSANES.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent6">You were disarm'd,</l>
                           <l>Wounded, and fallen. Our Prophet frowns upon us,</l>
                           <l>And lets the Christians triumph.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent8">Curse on his frowns<ref id="note21" type="noteref" target="n21">*</ref>.</l>
                           <l>Let him be satisfy'd to reign in Heaven;</l>
                           <l>And leave this world to me.——Why does he aid</l>
                           <l>These Christians? Man alone, could not achieve</l>
                           <l>Deeds like Huniades.—Think of his feats,</l>
                           <l>Since yester morn. Though I destroy'd my Fleet,</l>
                           <l>In hopes to stop his landing, in the teeth</l>
                           <l>Of half my troops he lands; swift mows his way</l>
                           <l>Athwart their serried ranks; flies through Belgrade;</l>
                           <l>Defeats my Army; storms my Camp; and turns</l>
                           <l>E'en my own Cannon 'gainst my flying Slaves.</l>
                           <l>Though Amurath fled hence, Gods! must I fly<ref id="note22" type="noteref" target="n22">†</ref>?</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Strikes his forehead.)</hi>
                        </stage>
                     </sp>
                     <note id="n21" n="*" place="end" anchored="yes" target="note21">
                        <p>Mahomet, repulsed at the siege of Scodra, blasphemed in his choler
and frantic rage most horribly against God; most impiously saying, "that
it were enough for him to have care of Heavenly things, and not to
cross him in his worldly actions."<lb/>
                           <bibl>KNOLLES, p. 423.</bibl>
                        </p>
                     </note>
                     <note id="n22" n="†" place="end" anchored="yes" target="note22">
                        <p>This was Mahomet's manner of expressing rage, grief, or disappointment. And, when under the influence of his rage, he never thought
of his own personal safety. Once seeing his Admiral going to strike to a
Genoese ship, he spurred his horse so far into the sea, that he narrowly
escaped being drowned.</p>
                        <p>After this siege of Belgrade, no one dared to mention that city in
his presence; and he never mentioned it himself without expressions of
grief.</p>
                     </note>
                     <pb id="p122" n="122"/>
                     <sp>
                        <speaker>CHUSANES.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">But yesterday, his vaunted Son, Corvinus,</l>
                           <l>Whose fame transcends his own, fled from your arms.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">By Heaven! that flight was great; great as the triumph</l>
                           <l>Of cursed Huniades. Like a chas'd Lion,</l>
                           <l>Did he not rush from his insulted lair,</l>
                           <l>Come forth, with a few hundred men, against</l>
                           <l>Embattled myriads? Were not our slain</l>
                           <l>Double the number of his band? With more</l>
                           <l>Than half his troops, went he not back, to tell</l>
                           <l>What he had dar'd? Flight call you that from 'midst</l>
                           <l>An army such as mine? 'Twas like a God,</l>
                           <l>Lancing his terrours, and then stepping back</l>
                           <l>To grasp more dreadful thunder 'gainst his foes.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MUSTAPHA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">The troops, in yonder grove, await your signal.</l>
                           <l>Submit to fate, retreat. Allow your judgment——</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Give me a sabre, or I'll go unarmed.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(He attempts to go, crossing the stage to pass the Agas.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>MUSTAPHA <hi rend="italic">(to the Agas).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l>Friends! beyond men be bold to save your Sultan.</l>
                        </lg>
                        <stage type="mix">
                           <hi rend="italic">(Whispers to Chusanes and the Aga next him; the<pb id="p123" n="123"/>
whisper circulated round. Chusanes, Mustapha
and the Agas range themselves to prevent
Mahomet's passing.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>CHUSANES <hi rend="italic">(raising his sabre).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Yes, gallant Mustapha!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MUSTAPHA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent6">Great Mahomet, hear me!</l>
                           <l>Let reason's voice now sway——</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET <hi rend="italic">(offering to go).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent8">I will not hear it.——</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MUSTAPHA.</speaker>
                        <stage type="business">
                           <hi rend="italic">(Drawing his sabre, and opposing his passage; Chusanes and the Agas at same time raise theirs, and point them against Mahomet).</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l rend="indent2">Then this—<stage type="business">
                                 <hi rend="italic">(lifting his sabre)</hi>
                              </stage> must make it beam upon thy mind:</l>
                           <l>Our Sabres reason with thy mad temerity.</l>
                           <l>Sultan! thou shalt not live to be a captive.</l>
                           <l>No Christian shall exulting give thee chains:</l>
                           <l>Thy faithful Slaves will and thee, and then die.</l>
                           <l>Mustapha's arm shall let the great example,</l>
                           <l>Pierce thy brave heart, then turn the reeking blade</l>
                           <l>Against his own.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Trumpets sound an alarm, the Turks face about, surrounding their Sultan.)</hi>
                        </stage>
                     </sp>
                     <pb id="p124" n="124"/>
                     <stage type="entrance">
                        <hi rend="italic">Enter a Janizary.</hi>
                     </stage>
                     <sp>
                        <speaker>JANIZARY.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Fly! Fly! Huniades has forc'd the Guard.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(A shout nearer, and a discharge of cannon; the Turks surround the Sultan.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>HUNIADES <hi rend="italic">(spoken behind the scene).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Rally the troops; for Mahomet is here.</l>
                           <l>Surround the tent. This fiend shall not escape me.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MUSTAPHA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Guards! force the Sultan hence!—Save him, ye Faithful!</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Gives Mahomet his own sabre, and takes one from a Janizary.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>Deign to retreat; stay not to be a captive!</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(The Janizaries force Mahomet back; Mustapha,
Chusanes, Zoganus, range themselves before the
Sultan, so as to face the Hungarians.)</hi>
                        </stage>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e8092">
                     <head type="main">SCENE FIFTH.</head>
                     <stage type="setting">
                        <hi rend="italic">(A shout.  HUNIADES enters, followed by VILACH and the Hungarians.)</hi>
                     </stage>
                     <sp>
                        <speaker>HUNIADES.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Tyrant, thy fate, Huniades, is come!</l>
                        </lg>
                        <pb id="p125" n="125"/>
                        <stage type="mix">
                           <hi rend="italic">(Mahomet bursts from the Janizaries. Huniades
and he aim at each other: Mustapha catches
upon his sabre the blow which Huniades strikes
at Mahomet; by which means his sabre is struck
from his hand, and the Hungarians make him
prisoner. The Janizaries rush before Mahomet,
those behind, force him back; Zoganus and Chusanes, retreating, oppose Huniades, still keeping between him and the Sultan, who is forced away.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>HUNIADES.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Stay, treacherous Infidel! Barbarian, fly not!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MAHOMET <hi rend="italic">(as he is forced away).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Huniades! Thy arm I still defy.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Cannon and shouts.)</hi>
                        </stage>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e8125">
                     <head type="main">SCENE SIXTH.</head>
                     <stage type="setting">
                        <hi rend="italic">HUNIADES, VILACH, MUSTAPHA, HUNGARIAN OFFICERS AND SOLDIERS.</hi>
                     </stage>
                     <sp>
                        <speaker>VILACH <hi rend="italic">(stopping Huniades).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Your valour wings you to forget your orders;</l>
                           <l>"Not to pursue the Foe beyond the Camp."</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>HUNIADES <hi rend="italic">(going).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l>Mahomet is here. My sword shall free mankind—</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Cannon on the side to which Huniades is going.)</hi>
                        </stage>
                     </sp>
                     <pb id="p126" n="126"/>
                     <sp>
                        <speaker>VILACH.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Pursue him not. The cannon are come round;</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(A discharge of cannon.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>Our soldiers fire upon the flying Sultan.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>HUNIADES <hi rend="italic">(returning).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Prudence indeed forbids us the pursuit.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Another discharge of cannon.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>What right good service has their Ordnance done us!</l>
                           <l>Mahomet may fall by his own dreadful enginery:</l>
                           <l>Some Heaven-sent shot may execute that justice,</l>
                           <l>Which Providence denies my trusty sword.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>VILACH.</speaker>
                        <stage type="business">
                           <hi rend="italic">(Seeing Huniades lean fainting upon the Officer next to him).</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l rend="indent2">General, you droop!—Your wounds I fear are mortal?</l>
                           <l>Alas! if great Huniades survive not,</l>
                           <l>Though the Turks quit the field, they conquer Us.</l>
                           <l>If you be lost, our hearts will be subdued.</l>
                           <l>Like dastards shall we fall, and not like men.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(The Soldiers who fought against the Turk, when
Mahomet is forced away, return with the royal
Turkish standard.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>HUNIADES <hi rend="italic">(looking at the standard).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Belgrade is sav'd. Grieve not for me, my friend!</l>
                           <l>I thought my death, though certain, not thus near.</l>
                           <l>Think not of me, the Princess claims your aid:</l>
                           <pb id="p127" n="127"/>
                           <l>Unless found here, brave Friends! pursue the foe,</l>
                           <l>At any risk.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MUSTAPHA <hi rend="italic">(pointing to the inner tent).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">She is within that tent.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>HUNIADES <hi rend="italic">(extremely faint).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Thanks for her safety, Heaven! That care is o'er.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>VILACH.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Oh! must this Day be mention'd but with tears!</l>
                           <l>These wondrous acts be told but to record,</l>
                           <l>How much this day we lose, in losing thee?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>HUNIADES.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Bathe not our laurels with your tears, my Friends!</l>
                           <l>Our Virgins, Matrons, Children, Sires, are sav'd;</l>
                           <l>Rejoice! Exult! We fought, we bled, we conquer'd,</l>
                           <l>The glorious work of Freedom is achiev'd,</l>
                           <l>Yon field is won. The struggle is no more.</l>
                           <l>From Infidels our Country is redeem'd,</l>
                           <l>Our infant King in safety wears his Crown.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Sinks faint.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>VILACH.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Must our bright Sun, in his meridian blaze,</l>
                           <l>Be veil'd in night? his light and warmth withdrawn,</l>
                           <l>His course of glory stemm'd in mid career?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>HUNIADES <hi rend="italic">(reviving).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Lament not thus: for long has been my course;</l>
                           <pb id="p128" n="128"/>
                           <l>And war has with no common favour spar'd me.</l>
                           <l>My Friends! I led your Grandsires to the field:</l>
                           <l>Aiding my arm, your valiant Fathers bled.</l>
                           <l>My glory is not stemm'd in mid career:</l>
                           <l>Death comes but when my age demands repose.</l>
                           <l>My wounds, though mortal, yet have miss'd my heart:</l>
                           <l>My strength returns, my spirits feel renew'd.</l>
                           <l>
                              <stage type="business">
                                 <hi rend="italic">(Kneels.)</hi>
                              </stage> Leader of armies! King of Kings! accept</l>
                           <l>The silent tribute of thy Servants' hearts,</l>
                           <l>Till with due Rites, their solemn sacrifice,</l>
                           <l>They grateful pay, for this their bless'd deliv'rance.</l>
                           <l>Resign'd to thy decrees, I wait for death;</l>
                           <l>Thankful that, when thou call'st me hence, my debt</l>
                           <l>To Nature, in my Country's cause, is paid.</l>
                           <l>Bless our young Monarch with his People's love;</l>
                           <l>His People bless, as they to him prove faithful. <stage type="business">
                                 <hi rend="italic">(Rises.)</hi>
                              </stage>
                           </l>
                           <l rend="indent2">Vilach! take you the conduct of the field,</l>
                           <l>And let my care devolve on you my friend.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>VILACH.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Hard is the task to follow thee in fame.</l>
                           <l>But must I leave thee thus, struggling with death?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>HUNIADES.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Companion of my Wars! my brother! friend!</l>
                           <l>We yet shall meet again.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>VILACH.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent6">Heaven grant we may!</l>
                        </lg>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e8352">
                     <pb id="p129" n="129"/>
                     <head type="main">SCENE SEVENTH.</head>
                     <stage type="setting">
                        <hi rend="italic">HUNIADES, MUSTAPHA, OFFICERS AND SOLDIERS.</hi>
                     </stage>
                     <sp>
                        <speaker>HUNIADES.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Retire, my friends! withdraw your noble prisoner;</l>
                           <l>Guard him; and give him honourable treatment.</l>
                        </lg>
                        <stage type="delivery">
                           <hi rend="italic">(To Mustapha.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>Brave I esteem thee, though thou art my captive.</l>
                           <l>Say, is Campestran in these Tents?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>MUSTAPHA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent8">He is.</l>
                           <l>O gen'rous Christian! when my deeds are known,</l>
                           <l>Revenge will take my life. But I have sav'd</l>
                           <l>My Prince; and, on such terms, death is most welcome.</l>
                        </lg>
                        <stage type="exit">
                           <hi rend="italic">(Exit guarded.)</hi>
                        </stage>
                        <stage type="exit">
                           <hi rend="italic">(Exeunt Hungarian Soldiers.)</hi>
                        </stage>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e8393">
                     <head type="main">SCENE EIGHTH.</head>
                     <stage type="setting">
                        <hi rend="italic">HUNIADES, THE PRINCESS.</hi>
                     </stage>
                     <sp>
                        <speaker>HUNIADES <hi rend="italic">(going towards the tent).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Oh! that my King had but Agmunda's virtues!</l>
                           <l>Child as he is, he then would grace a throne;</l>
                           <pb id="p130" n="130"/>
                           <l>And give transcendent hopes of future fame.</l>
                           <l>Agmunda!</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Huniades opens the door of the inner tent; the Princess discovered kneeling.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <stage type="business">
                           <hi rend="italic">(Starting, and looking with astonishment at Huniades.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l rend="indent2">Hah!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>HUNIADES.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent4">The Victory is ours.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Ours??—Heavens! Speak! speak again! but say 'tis Ours!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>HUNIADES.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Yes; Victory indeed is ours. I come</l>
                           <l>To guard you back, in triumph, to Belgrade.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(The Princess rises, and comes panting and much
agitated to Huniades; looking very earnestly,
and rather wildly, at him. He supports and
leads her forward to the front of the stage. She
falls at his feet, attempting to speak, but is
unable.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent4">Oh!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>HUNIADES.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">By fear bereav'd of sense! she knows me not.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Huniades throws away his helmet.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>Huniades, thy friend, thy Guardian, saves thee;</l>
                           <l>Thy Father's old, grey-headed, faithful Servant.</l>
                        </lg>
                     </sp>
                     <pb id="p131" n="131"/>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">I know thee well; thou art the guardian genius</l>
                           <l>Of this freed land,—Heaven's delegate,—Huniades!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>HUNIADES.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Why, Princess! dost thou kneel? For Heaven's sake, rise!</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Raises her.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">I swore an oath to Thee; which Heaven attested,</l>
                           <l>When thy persuasion, arm'd against my peace,</l>
                           <l>Fatally triumph'd o'er my ductile mind.</l>
                           <l>I am forsworn. For yester-morn my faith</l>
                           <l>Was, at the Altar, plighted to thy Son.</l>
                           <l>I knelt for pardon, for this breach of Oath,</l>
                           <l>Which, thou forgiving, I then shall hope</l>
                           <l>Heaven will remit hereafter punishment;</l>
                           <l>And its retributory justice end,</l>
                           <l>When my vex'd spirit quits its mortal clay.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>HUNIADES.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">O Princess! pardon me, that I exacted</l>
                           <l>An Oath, so fatal to thy peace. State policy,</l>
                           <l>Combin'd with honest zeal, to fix the Crown</l>
                           <l>Safe on thy Brother's brow, made me unjust. </l>
                           <l>I curb'd the dearer wishes of my heart,</l>
                           <l>Silenc'd ambition and parental love,</l>
                           <l>To serve my Country, and protect my King.</l>
                           <l>May Heaven, and you, forgive the erring zeal</l>
                           <l>Which wrought the ill thy conscience thus deplores.</l>
                           <pb id="p132" n="132"/>
                           <l>But I must now rejoice; and Heaven be witness,</l>
                           <l>Pride of my soul! admir'd, belov'd Agmunda!</l>
                           <l>How much I glory, that thou art my Daughter.</l>
                           <l>Exalted Princess! may these faithful arms——</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS <hi rend="italic">(falling on his neck).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">My Father! from my cradled infancy,</l>
                           <l>Thou kindly hast supply'd my Parent's loss;</l>
                           <l>And I have lov'd thee with a daughter's love.</l>
                           <l>But, ah!, that scarf? <stage type="delivery">
                                 <hi rend="italic">(to Heaven.)</hi>
                              </stage> O, spare Huniades!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>HUNIADES.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Huniades is bless'd, beyond his hopes!</l>
                           <l>Not quiring Angels could impart more peace,</l>
                           <l>Chaunting a Requiem to my parting soul,</l>
                           <l>Than the dear comfort that thy pious hand,</l>
                           <l>Most gracious Princess! will perform a Child's</l>
                           <l>Last duty—close my eyes.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent6">That Heaven forbids;</l>
                           <l>For, by the Sultan's order, I am poison'd.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>HUNIADES.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Poison'd? O my lov'd Princess! O my child!</l>
                           <l>My ill-starr'd zeal expos'd thee to this fate.</l>
                           <l>Blood-thirsty fiend! my vengeance shall o'ertake him.</l>
                           <l>Arnulph! <stage type="entrance">
                                 <hi rend="italic">(going to the side scene, an Officer appears.)</hi>
                              </stage>
                           </l>
                           <l rend="indent4">Fly to Belgrade for ev'ry help</l>
                           <l>Which poison can expel. The Princess—fly—</l>
                        </lg>
                        <stage type="exit">
                           <hi rend="italic">(Exit Arnulph.)</hi>
                        </stage>
                     </sp>
                     <pb id="p133" n="133"/>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Oh! send him not; there is no aid for Me.</l>
                           <l>The tyrant's ruffians know too well the trade</l>
                           <l>Of death, to give a drug that has an antidote.</l>
                           <l>I would not live. What has the bride of Mahomet</l>
                           <l>To do with life?</l>
                        </lg>
                        <stage type="novelistic">
                           <hi rend="italic">(Huniades starts with surprise and horrour.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>HUNIADES.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent5">The Bride of Mahomet?</l>
                           <l>The Sultan's Bride? Didst thou not wed my Son?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Yes! the last, fatal day saw me his Bride,</l>
                           <l>His Widow——and the inhuman Sultan's Wife.</l>
                           <l>When tidings came that thy brave Son was slain;</l>
                           <l>In hopes to save the People from destruction,</l>
                           <l>I gave my hand to this infernal spoiler.</l>
                           <l>But first, he kneeling, swore to save Belgrade,</l>
                           <l>And give my Country honourable peace.</l>
                           <l>Betray'd, forlorn, of ev'ry hope bereft,</l>
                           <l>Save, to protect Belgrade from Fire and Sword,</l>
                           <l>I gave myself Victim for the Many;</l>
                           <l>Sav'd, at that price, my gallant Husband's corpse,</l>
                           <l>From those vile insults which the tyrant threaten'd.</l>
                           <l>I gave my hand a ransom for his dust;</l>
                           <l>Thus bought a Grave, which fate had cursed me so,</l>
                           <l>I could not share; for I was sworn to live.</l>
                           <l>The miracle which Heaven has wrought to save us</l>
                           <l>By sending Thee, whom I had mourn'd as dead,</l>
                           <pb id="p134" n="134"/>
                           <l>Was beyond thought. Hope of deliv'rance perish'd</l>
                           <l>When dear Corvinus died.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>HUNIADES.</speaker>
                        <stage type="business">
                           <hi rend="italic">(Goes to the side scene, and speaks to an Officer).</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l rend="indent8">Surround the Tent.</l>
                           <l>Nor suffer any, above the Rank of Soldier,</l>
                           <l>To enter here.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <stage type="business">
                           <hi rend="italic">(Following Huniades, and drawing him back).</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l rend="indent4">Stay with me, till the strife</l>
                           <l>Is past. Forsake me not, in death's dread hour.</l>
                           <l>My woes hang heavy on my parting soul.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>HUNIADES <hi rend="italic">(with much emotion).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">They will embitter my last hours of life.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <stage type="business">
                           <hi rend="italic">(Her eyes fixed wildly upon Huniades, taking his hand).</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l rend="indent2">Do not grieve thus: see, I am calm, unmov'd,</l>
                           <l>Patient, amidst there horrours, and sedate.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>HUNIADES <hi rend="italic">(aside)</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l>Heavens! madly calm, and dreadfully sedate.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Alas! this poison gives a cruel death,</l>
                           <l>Fierce pangs, and sad, wild thoughts——</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Holding up her hands in a supplicating manner.)</hi>
                        </stage>
                        <pb id="p135" n="135"/>
                        <lg type="verse paragraph">
                           <l rend="indent8">Forsake me not!</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(During this speech, Huniades is much agitated.
The Princess hangs upon his arm: he turns from
her to hide his tears, covering his face with his
hand. When she says, with a voice of heart-piercing anguish,</hi>"forsake me not,"  <hi rend="italic">Huniades clasps her in his arms.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>HUNIADES.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Forsake thee!——<stage type="business">
                                 <hi rend="italic">(Pauses from grief.)</hi>
                              </stage>
                           </l>
                           <l rend="indent4">Angel sufferer!—not for worlds,</l>
                           <l>Were I a spirit beatify'd, I'd pray</l>
                           <l>To quit the realms of bliss, to be thy comforter.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Then thou wilt calm the terrours of this hour.</l>
                        </lg>
                        <stage type="delivery">
                           <hi rend="italic">(With transient joy.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>My Country is redeem'd, the People sav'd.</l>
                           <l>And thou, their Champion, com'st to soothe my soul,</l>
                           <l>Let the same earth entomb me with thy Son.</l>
                        </lg>
                        <stage type="delivery">
                           <hi rend="italic">(With wild emotion.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>Think——how I love his dear, his sacred dust,</l>
                           <l>When, at such hellish price, I bought that dust</l>
                           <l>A Grave:——Shall I not share it?—Am I poison'd?</l>
                           <l>Death's icy hand arrests me; that, that consoles me,—</l>
                           <l>My troubled brain rolls like a sea of fire,</l>
                           <l>My heart heaves cold, damp sighs, which freeze my lips. <stage type="delivery">
                                 <hi rend="italic">(Strives to recollect)</hi>
                              </stage>
                           </l>
                           <l>All is confusion—strange thoughts come—they're gone——</l>
                           <pb id="p136" n="136"/>
                           <l>Spare me a moment, Heaven! Avert these horrours;</l>
                           <l>Divide us not in death——</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Clasping the hand of Huniades.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l rend="indent8">Give us one Grave.</l>
                        </lg>
                        <stage type="delivery">
                           <hi rend="italic">(With recollection and something of composure.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>Tell to the people, how I strove to save them.</l>
                           <l>Tell them   to love my Brother, for my sake.</l>
                           <l>Reward my servants——I——forgive my Uncle,</l>
                           <l>Wicked, unprincely man!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>HUNIADES.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent6">Whate'er thy wrongs,</l>
                           <l>They have been well aveng'd; for when Belgrade</l>
                           <l>Open'd her gates to Me, he had just suffer'd</l>
                           <l>Death, by Zilugo's sword.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent6">Forgive him, Heaven!</l>
                           <l>This poison's terrible; it warps my mind,</l>
                           <l>Benumbs its firmness; like a wither'd limb</l>
                           <l>Its active energy is lost and gone.</l>
                           <l>I wish for death; yet I feel terrour at it,—</l>
                           <l>I know not why; horrour more fearful to me,</l>
                           <l>Than midnight silence, when cold, breathless fear</l>
                           <l>Suspends the labouring soul in dread expectance</l>
                           <l>Of a fell murderer's stab,——the bloody hand</l>
                           <l>Uplift to strike——</l>
                        </lg>
                        <stage type="novelistic">
                           <hi rend="italic">(She looks wildly, as if she saw what she describes, shrinking from it.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>
                              <stage type="business">
                                 <hi rend="italic">(Grasping Huniades' arm.)</hi>
                              </stage> Speak to me! hold me!</l>
                           <l>
                              <stage type="business">
                                 <hi rend="italic">(Lays her head on his shoulder.)</hi>
                              </stage> Hide me!</l>
                           <pb id="p137" n="137"/>
                           <l>The quiv'ring earth disparts—the chasm yawns for me.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Sinks into the arms of Huniades, gasping with terrour; and struggling for support.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>Support me—save me—Oh!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>HUNIADES.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent8">Though not for life,</l>
                           <l>Heaven! let her virtues plead for peaceful rest.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS <hi rend="italic">(breaking from Huniades).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Here is no rest for Me. I cannot rest.</l>
                           <l>The ground flies from me. <stage type="business">
                                 <hi rend="italic">(Leans on Huniades.)</hi>
                              </stage>
                           </l>
                           <l rend="indent8">Oh! it looks so dreadfully.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Her hand held up a moment, as if to hide the ground from her sight.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>What flames of sparkling fire! Are these my punishment?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>HUNIADES.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">No; thou sweet excellence! The poison now</l>
                           <l>Exerts its baleful powers, and clouds thy sight.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">I hope 'tis that——But yet, I have my senses;</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Looking at him.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>You are Huniades—This <stage type="business">
                                 <hi rend="italic">(looking round)</hi>
                              </stage> is the Tent;</l>
                           <l>'Tis Hell, it is all flames: and what am I?</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(She flies wildly from Huniades.)</hi>
                        </stage>
                     </sp>
                     <pb id="p138" n="138"/>
                     <sp>
                        <speaker>HUNIADES <hi rend="italic">(following her, and taking her hand).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Agmunda soon will be a radiant Angel,</l>
                           <l>Her Virtues all rewarded.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS <hi rend="italic">(withdrawing from his hold.)</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent8">Where's the dagger?</l>
                           <l>No! no! I prize it for the Giver's sake——</l>
                           <l>Mark me, Campestran! I'll not kill myself.</l>
                           <l>Corvinus is in Heaven——I would go to him.——</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>HUNIADES <hi rend="italic">(taking her hand).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Be calm!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS <hi rend="italic">(breaking from him).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent4">Bid calmness come! does it obey thee?</l>
                           <l>And can a mind distracted, ruin'd, calm</l>
                           <l>Despair. Oh! when I am most mute 'tis worst.</l>
                           <l>Bid me not think:—for then—I ponder mischief</l>
                           <l>Against myself; and I would go to Heaven;</l>
                           <l>Therefore no mischief.—Fain I'd bide the storm.—</l>
                           <l>Speak comfort, say my heart has it's death's wound.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Going close up to Huniades, &amp; speaking in a low voice.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>I swore an Oath to make myself a wretch;</l>
                           <l>Then the shaft pierc'd me: sure, though slow, it glided</l>
                           <l>To my inmost life; and this day—sends it home.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Noise)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>CORVINUS <hi rend="italic">(without).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Hither I hew'd my path; and I will enter.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Huniades shews much horrour and distress at hearing his Son's voice.)</hi>
                        </stage>
                     </sp>
                     <pb id="p139" n="139"/>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <stage type="business">
                           <hi rend="italic">(Panting with terrour, taking hold of Huniades).</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>Hark! Mahomet! Mahomet comes!! Where shall I fly?</l>
                           <l>Earth, ope thy caverns! Heaven, thy thunder lance!</l>
                           <l>O Death! unbar thy thousand gates to hide me.</l>
                           <l>Have mercy, Heaven! Campestran! kneel, and pray,</l>
                           <l>Some miracle may save me from this infidel.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Huniades supports her.)</hi>
                        </stage>
                        <stage type="business">
                           <hi rend="italic">(To Heaven, with outstretched hands.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>Release my tortur'd soul! O, take me! take me!</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(She sinks into the arms of Huniades.)</hi>
                        </stage>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e9048">
                     <head type="main">SCENE NINTH.</head>
                     <stage type="setting">
                        <hi rend="italic">CORVINUS, HUNIADES, THE PRINCESS.</hi>
                     </stage>
                     <sp>
                        <speaker>CORVINUS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Agmunda! dear Agmunda! why this terrour?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS <hi rend="italic">(raising herself, and looking round).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l>What voice is that?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>HUNIADES <hi rend="italic">(keeping between, the Princess and his Son).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent5">There is no voice, Agmunda!</l>
                           <l>It is the Poison hurts thy mind.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CORVINUS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent8">Hah! Poison?</l>
                        </lg>
                     </sp>
                     <pb id="p140" n="140"/>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l>That voice! <stage type="business">
                                 <hi rend="italic">(looking.)</hi>
                              </stage> It has his form! I think it has.</l>
                           <l>Look you!            <stage type="business">
                                 <hi rend="italic">(Hides her face on Huniades.)</hi>
                              </stage>
                           </l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>HUNIADES <hi rend="italic">(aside to his Son).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent4">For Heaven's sake go!</l>
                        </lg>
                        <stage type="delivery">
                           <hi rend="italic">(To the Princess.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>'Tis thy wild thoughts;</l>
                           <l>There's no one near the tent,—but thou and I.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>PRINCESS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">No! I hope not——The vision comes to Me.</l>
                           <l>Thou canst not see it.              <stage type="entrance">
                                 <hi rend="italic">(Corvinus approaches.)</hi>
                              </stage>
                           </l>
                           <l rend="indent8">Thou shalt have a Grave.</l>
                           <l>Oh!</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(She averts, with her hand, the approach of Corvinus, who takes her outstretched hand; she manifests, by the horrour of her looks, first
turned to Huniades, then on Corvinus, that she
knows how fatally she has been deceived by the
account of his death: and, with a piercing
groan, dies.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>CORVINUS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Alas!, she faints!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>HUNIADES.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent5">My Son! that groan was death.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CORVINUS.</speaker>
                        <stage type="business">
                           <hi rend="italic">(Attempting to draw his sword, Huniades prevents him.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l rend="indent2">Detain me not. Tell not the tale of horrour</l>
                           <pb id="p141" n="141"/>
                           <l>That swells thy heart——and let this give me peace.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Again attempts to draw his sword, Huniades prevents him.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>HUNIADES.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Hope not for peace through unpermitted means,</l>
                           <l>And dread——for thy particular self, Corvinus!</l>
                           <l>With wholesome fear, and stand in awe, that Heaven</l>
                           <l>Its Mercy veils, when the <emph rend="italic">self-murderer</emph> pleads.</l>
                           <l>On my grey hairs avenge not thy distress.</l>
                           <l>The grave awaits me; bid me not go down to it</l>
                           <l>With added grief,—with fear,—with trembling agony,</l>
                           <l>That thy rash act, for ever, may divide us.</l>
                           <l>My Son!      <stage type="business">
                                 <hi rend="italic">(Clasps his arms about Corvinus.)</hi>
                              </stage>
                           </l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CORVINUS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Oh! do not speak. I will not live.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Huniades unclasps his arms, &amp; retires a step from him.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>I have no use for life.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>HUNIADES <hi rend="italic">(rather sternly).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent6">A wounded Father,</l>
                           <l>Son! claims thy pious care. Thy life, and sword,</l>
                           <l>Thy injur'd Country, and thy King demand.</l>
                        </lg>
                        <stage type="delivery">
                           <hi rend="italic">(In a softened voice.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>Agmunda's wrongs claim vengeance from my Son.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Corvinus rouses; he kneels and takes hold of Agmunda's hand, as if he were swearing to avenge her wrongs.)</hi>
                        </stage>
                        <pb id="p142" n="142"/>
                        <lg type="verse paragraph">
                           <l>She lov'd thee well. <stage type="business">
                                 <hi rend="italic">(Corvinus rises.)</hi>
                              </stage> She lov'd thee for thy valour.</l>
                           <l>If like a coward, now thou fly'st the field</l>
                           <l>Of life, Agmunda will in Heaven know care.</l>
                           <l>Continue what she lov'd, a dauntless Hero,</l>
                           <l>Firm midst the dangers of terrific war,</l>
                           <l>Or the stern trials of domestic woe.</l>
                           <l>Joyless thyself, yet live for others bliss.</l>
                           <l>O, grant him, Heaven! the patience thou reward'st;</l>
                           <l>Preserve this comfort for my hour of death,</l>
                           <l>When I no longer fight my Country's cause,</l>
                           <l>To know, I leave her Champion in my Son.</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Leans on Corvinus.)</hi>
                        </stage>
                     </sp>
                  </div4>
                  <closer>End of the Fifth Act.</closer>
               </div3>
            </div2>
         </div1>
         <div1 type="poem" id="d0e9255">
            <pb id="p143" n="[143]"/>
            <head type="main">
               <hi rend="italic">THE CONFLICT;</hi>
               <lb/>OR,<lb/>LOVE, HONOUR, AND PRIDE:<lb/>
               <hi rend="italic">A HEROIC COMEDY.</hi>
            </head>
            <pb id="p144" n="[144]"/>
            <pb id="p145" n="[145]"/>
            <list type="simple">
               <head type="main">
                  <hi rend="italic">Dramatis Personae.</hi>
               </head>
               <item>CARLOS.</item>
               <item>DON MANRIQUE; <hi rend="italic">Count of Lara.</hi>
               </item>
               <item>DON LOPEZ; <hi rend="italic">Count of Guzman.</hi>
               </item>
               <item>DON ALVAREZ; <hi rend="italic">Count of Lunon.</hi>
                  <list type="simple">
                     <item>
                        <hi rend="italic">Grandees of Castile.</hi>
                     </item>
                  </list>
               </item>
               <item>DON RAYMOND; <hi rend="italic">Count of Moncade.</hi>
               </item>
            </list>
            <list type="simple">
               <item>DONNA ISABELLA; <hi rend="italic">Queen of Castile.</hi>
               </item>
               <item>DONNA LEONORA; <hi rend="italic">Queen Dowager of Arragon.</hi>
               </item>
               <item>DONNA ELVIRA; <hi rend="italic">Princess of Arragon.</hi>
               </item>
               <item>BLANCHE.</item>
               <item>
                  <hi rend="italic">Grandees, Officers of the Court, Guards, &amp;c.</hi>
               </item>
            </list>
            <stage type="setting">SCENE—VALLADOLID.</stage>
            <pb id="p146" n="[146]"/>
            <div2 type="ss1" id="d0e9316">
               <pb id="p147" n="[147]"/>
               <head type="main">THE CONFLICT;<lb/>OR,<lb/>
                  <hi rend="italic">LOVE, HONOUR, AND PRIDE.</hi>
               </head>
               <div3 type="ss2" id="d0e9325">
                  <head type="main">
                     <hi rend="italic">Act First.</hi>
                  </head>
                  <div4 type="ss3" id="d0e9329">
                     <head type="main">SCENE FIRST—</head>
                     <stage type="setting">
                        <hi rend="italic">The Antichamber to the Queen of Castile's Presence-Chamber, to which it opens by the Scene's dividing.</hi>
                     </stage>
                     <stage type="entrance">
                        <hi rend="italic">DONNA LEONORA, DONNA ELVIRA;<lb/>(Enter opposite sides).</hi>
                     </stage>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l>HAIL to my darling Child! This smiling morn</l>
                           <l>Rises auspicious to behold my joy;</l>
                           <l>This is the birth-day of thy regal power:</l>
                           <l>And my child mounts this Day her Father's Throne.</l>
                           <l>Revolted Arragon now courts thy sway,</l>
                           <l>And with repentant heart, wrenching thy sceptre</l>
                           <l>From Garcia's grasp, repairs its long rebellion.</l>
                           <l rend="indent2">The Deputies ere noon will here arrive,</l>
                           <l>From exile to recall thee, and restore,</l>
                           <l>With signal honours, thy long ravish'd Kingdom:</l>
                           <l>To swear allegiance, and to hail thee Queen.</l>
                        </lg>
                     </sp>
                     <pb id="p148" n="148"/>
                     <sp>
                        <speaker>D. ELVIRA</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Oh! may that Crown, which Heaven, this Day, restores me,</l>
                           <l>Add to my Mother's bliss, as to her power;</l>
                           <l>Though Queen, I still her subject shall remain.</l>
                           <l>Her prudent counsels, and her wise resolves,</l>
                           <l>Will sway and safely guide my youthful mind.</l>
                           <l rend="indent2">This is indeed a Day of high import;</l>
                           <l>Alike distinguish'd by eventful fate,</l>
                           <l>To fix for Arragon, and rich Castile,</l>
                           <l>A future Monarch on their envy'd Thrones.</l>
                           <l>This Day the beauteous Isabella names</l>
                           <l>The Husband of her choice, and crowns him King.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">O my Elvira! wouldst thou fix thy choice,</l>
                           <l>And now select a partner of thy Throne;</l>
                           <l>From anxious care my mind would be reliev'd.</l>
                           <l>Troubles, from long misrule, will rise in Arragon;</l>
                           <l>And I am all thy counsel, or defence:</l>
                           <l>And can I on that Throne protect my Child,</l>
                           <l>Which all her Father's valour fail'd to guard?</l>
                           <l>A valiant Husband's arm would prop thy state;</l>
                           <l>Disperse the mutinous, and quell rebellion.</l>
                           <l>Let prudence plead the cause of love, Elvira!</l>
                           <l>Reward the godlike passion of Alvarez,</l>
                           <l>Who fought thy hand, whilst hopeless of a Crown.</l>
                           <l>Now emulate the worth thy soul esteems;</l>
                           <l>And generous in thy turn, be grateful too:</l>
                           <l>Let thy first act, as Queen, be nobly just,</l>
                           <l>Ascend thy Throne, and name Alvarez King.</l>
                        </lg>
                     </sp>
                     <pb id="p149" n="149"/>
                     <sp>
                        <speaker>D. ELVIRA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Heaven well rewards his virtuous deeds to me.</l>
                           <l>A Throne, more splendid far than mine, now courts him,</l>
                           <l>With Isabella, in Castile to reign.</l>
                           <l>The brave Castilians name him of the <emph rend="italic">Three</emph>
                           </l>
                           <l>From whom they wish their Queen to chuse a Consort.</l>
                           <l>First, my dear Mother! let me mount my throne,</l>
                           <l>Before I fix with whom, that Throne to share.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Ah! my foreboding fears! Your choice is made.</l>
                           <l>Reflect, my Child! whilst yet the power remains,</l>
                           <l>What grief, what dangers may await your love.</l>
                           <l>Resist this fatal impulse of your heart,</l>
                           <l>Which will embitter all your future life.</l>
                           <l>Could my maternal bosom yield consent,</l>
                           <l>Yet would the Nobles of your Realm submit</l>
                           <l>To bow the knee to one, plebeian born?</l>
                           <l>Too much, alas! the valiant Carlos charms you.</l>
                           <l>But what avails his matchless worth? His blood</l>
                           <l>Springs from some base, contaminated source,</l>
                           <l>Which he, through pride, with conscious shame, conceals.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ELVIRA.</speaker>
                        <lg type="verse paragraph">
                           <l>Yet, though conceal'd, its source may be most pure.</l>
                           <l>For have not princes, men of high renown,</l>
                           <l>Disguis'd themselves, their names, and birth deny'd,</l>
                           <l>Whose swords alone have signaliz'd their fame;</l>
                           <l>Subduing kingdoms, and bestowing crowns;</l>
                           <pb id="p150" n="150"/>
                           <l>Singly the fate of empires, and of kings.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Is this the flattering hope your heart has cherish'd?</l>
                           <l>And the distinction which you pay to Carlos,</l>
                           <l>Is it then love, grafted on hope fallacious?</l>
                           <l>Ah! my dear Child! give not such room for censure,</l>
                           <l>Nor cherish sentiments, you must subdue.</l>
                           <l>Avoid the converse which destroys your peace,</l>
                           <l>And lends the venom'd tongue of slander, speech.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ELVIRA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Such rare endowments, and such gallant worth,</l>
                           <l>As Carlos owns, in noble minds, excite</l>
                           <l>Esteem, complacent friendship, and urbanity.</l>
                           <l>I but that tribute of regard bestow,</l>
                           <l>Which his transcendent virtues justly claim;</l>
                           <l>Chaste as a sister's innocent affection.</l>
                           <l>Can this reflect upon my virgin fame,</l>
                           <l>Or draw the breath of calumny against me?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Beauty and youth, with princely rank combin'd.</l>
                           <l>Winning admirers, draw observers too.</l>
                           <l>The storm, unheeded, deluges the weed,</l>
                           <l>Whilst, on the garden's pride, the peerless lily,</l>
                           <l>And the sweet, opening rose, not unobserv'd</l>
                           <l>Hang, e'en the freshning dew-drops of the morn.</l>
                           <l rend="indent2">Carlos commands respect from ev'ry heart;</l>
                           <l>And, did his merits less conspicuous shine,</l>
                           <l>Your gentle soul uncensur'd might esteem him.</l>
                           <l>But to each virtue, that adorns the man,</l>
                           <l>A warrior's valour, and a hero's fame,</l>
                           <pb id="p151" n="151"/>
                           <l>He adds each striking, each attractive grace;</l>
                           <l>Commanding, awful, yet inspiring love;          </l>
                           <l>In port a monarch, and in mind a god.</l>
                           <l>When he appears, each eye with pride surveys him;</l>
                           <l>All seem to take a fashion from his mien,</l>
                           <l>And with complacent hope, admire their model.</l>
                           <l>Though ev'ry lady courts him by her smiles,</l>
                           <l>Whom has he yet distinguish'd but yourself?</l>
                           <l>Save when he pays his duty to his Queen.</l>
                           <l>In his attention you such pleasure take,</l>
                           <l>That you betray—more than esteem for Carlos.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ELVIRA.</speaker>
                        <lg type="verse paragraph">
                           <l>That homage which queens claim, does Carlos offer;</l>
                           <l>He pays his court like others, who approach me;</l>
                           <l>Worth, such as his, knows no temerity.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">With you to Arragon does Carlos go,</l>
                           <l>Only to pay his court, as here he pays it?</l>
                           <l>The worth he owns may make his thoughts aspire;</l>
                           <l>And he, who guards your Throne, may hope your love.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ELVIRA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">War is the element of souls like his;</l>
                           <l>From victory to victory they fly;</l>
                           <l>Glory their idol, and their wish distinction.</l>
                           <l>Seville dismantled, and the Moors defeated,</l>
                           <l>Castile, triumphant, wants his arm no more.</l>
                           <l>His great ambition, thus without an object</l>
                           <l>Offers his sword against our Rebel, Garcia.</l>
                           <l>His valour will achieve, what, with success,</l>
                           <pb id="p152" n="152"/>
                           <l>Our subjects have begun; chase this Usurper,</l>
                           <l>And bid fair peace, and safety, grace my Throne.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l>But, when his conqu'ring sword has fix'd your reign,</l>
                           <l>Your subjugated Vassals at your feet,</l>
                           <l>Will Carlos quit your Realm, to seek fresh toils;</l>
                           <l>Nor hope that Crown, his valour may have sav'd?—</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ELVIRA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Madam! the Queen approaches to give audience.</l>
                        </lg>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e9647">
                     <head type="main">SCENE SECOND.</head>
                     <stage type="setting">
                        <hi rend="italic">DONNA ISABELLA, DONNA LEONORA, DONNA ELVIRA, BLANCHE.</hi>
                     </stage>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">This Day then, Madam! this distinguish'd Day,</l>
                           <l>You will reward some happy lover's flame?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">I, at my People's prayer, proclaim a King:</l>
                           <l>A Husband chuse, a partner of my Throne.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ELVIRA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Alas! methinks my royal friend appears</l>
                           <l>With more than usual sadness in her eye.</l>
                           <l>Long has her heart conceal'd a load of grief,</l>
                           <l>Refus'd to make me partner of the cause,</l>
                           <l>And shunn'd my converse, save in hours of state.</l>
                           <l>My joy, on this eventful Day, believe me,</l>
                           <pb id="p153" n="153"/>
                           <l>Will want its charms, if Isabella mourn;</l>
                           <l>With such delight she hail'd my change of fortune,</l>
                           <l>I thought, last night, that all her griefs were fled.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Still, my Elvira! does my heart rejoice</l>
                           <l>In thy recover'd Crown; e'en whilst I sigh</l>
                           <l>To lose the friend, I from my cradle lov'd.</l>
                           <l>Thy joy alone can gladden my sad soul,</l>
                           <l>Oppress'd, and harrass'd by corroding care.</l>
                           <l>I sacrifice my peace this fatal Day;</l>
                           <l>But to the State's repose, I yield my own.</l>
                           <l>All the Grandees, ambitious of the Crown,</l>
                           <l>Embroil, by their intrigues, the public peace.</l>
                           <l>To terminate their feuds, I name a King:</l>
                           <l>Castile, through all her States, conjures me to it.</l>
                           <l>And, by my order, three Grandees elects,</l>
                           <l>To <emph rend="italic">one</emph> of whom, I this <emph rend="italic">hour</emph> give my Throne.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Three most renowned Heroes they elect;</l>
                           <l>Don Manrique, Lopez, and the brave Alvarez,</l>
                           <l>Though not of royal blood, are worthy thrones.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Ah! what to me avail the shouts of fame,</l>
                           <l>Which hail them idols of the public choice,</l>
                           <l>If of my heart, the gallant Don Alvarez,</l>
                           <l>Lopez, nor Manrique, be the chosen lord?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l>Though nam'd, to them your choice is not confin'd;</l>
                           <l>Speak your heart's wish, your Vassals will obey.</l>
                        </lg>
                     </sp>
                     <pb id="p154" n="154"/>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Though born my Subjects, yet I am their Slave;</l>
                           <l>And bound by laws Kings tremble to infringe.</l>
                           <l>A royal rank imposes stern restraints;</l>
                           <l>The hearts of Kings must neither love nor hate.</l>
                           <l>I am less free than e'en my meaner subject;</l>
                           <l>Chain'd by fastidious glory to her car,</l>
                           <l>Which nice, imperious, jealous, honour guides:</l>
                           <l>My heart must feel for others, not myself,</l>
                           <l>Each wish ungratify'd, each grief disdain'd——</l>
                        </lg>
                        <stage type="mix">
                           <hi rend="italic">(Stops short.)</hi>
                        </stage>
                        <stage type="mix">
                           <hi rend="italic">(To Blanche, who speaks to an Attendant.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l rend="indent2">Are the States met? <stage type="mix">
                                 <hi rend="italic">(Aside.)</hi>
                              </stage> Oh! could this fatal Choice</l>
                           <l>Be still delay'd, or never, never, made!</l>
                           <l>Calm, gracious Heaven! this conflict of my soul,</l>
                           <l>Direct my actions, and inspire my thoughts!</l>
                        </lg>
                     </sp>
                     <stage type="mix">
                        <hi rend="italic">(The scene dividing gives entrance into a magnificent
Presence-Chamber. A royal throne under a canopy. Two chairs of state in a line with the throne. At the right-hand of the throne a small
ornamented stand, higher than a table, upon
which the Sceptre and Regalia are placed. Seats
ranged on each side of the throne to the front of
the stage: the Grandees &amp; Officers of the Spanish
Court standing before them. The Royal Guards
standing behind the seats. The Grandees take off
their hats, and remain uncovered till the Queen<pb id="p155" n="155"/>
has walked to the platform of the throne; and
when she turns round and speaks, they put them
on. Carlos only remains uncovered.)</hi>
                     </stage>
                  </div4>
                  <div4 type="ss3" id="d0e9805">
                     <head type="main">SCENE THIRD.</head>
                     <stage type="setting">
                        <hi rend="italic">DONNA ISABELLA, DONNA LEONORA, DONNA ELVIRA, BLANCHE, DON MANRIQUE, DON ALVAREZ, DON LOPEZ, CARLOS.<lb/>Grandees, Officers of the Court, Guards, &amp;c. &amp;c.</hi>
                     </stage>
                     <stage type="mix">
                        <hi rend="italic">(The Queens go towards the throne, the Queen of
Castile in the middle. At the foot of the platform,
the Queen of Castile turns &amp; addresses the Court.)</hi>
                     </stage>
                     <stage type="setting"/>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Lopez, Alvarez, Manrique! whom my States</l>
                           <l>Have nam'd as worthy to ascend my Throne!</l>
                           <l>Before I grant their prayer, and name a Sovereign,</l>
                           <l>Brave Counts! a solemn Oath, I ask from each.</l>
                           <l>Swear, uncontested, to accept my choice;</l>
                           <l>That the rejected <emph rend="italic">Two,</emph> nay, all the <emph rend="italic">Three,</emph>
                           </l>
                           <l>(If 'tis my pleasure to reject them <emph rend="italic">all)</emph>
                           </l>
                           <l>Will, <emph rend="italic">whom</emph> I name for King, own as his Master.</l>
                           <l>My Right to chuse, my Lords! you must now recognise</l>
                           <l>And swear to guard that Right inviolate,</l>
                           <l>When I shall name my Husband and your King.</l>
                           <l rend="indent2">Both of my Crown, and Self, I may dispose:</l>
                           <l>I hold my State's Election as no law;</l>
                           <pb id="p156" n="156"/>
                           <l>Nor shall it subjugate my royal Will:</l>
                           <l>Well pleas'd I view their justice to your worth,</l>
                           <l>Showing their high esteem of your exploits;</l>
                           <l>Which, though it shall not rule, may guide my choice.</l>
                           <l>May Heaven's Omniscient Will illume my mind!</l>
                           <l>Make me the agent of its high behests,</l>
                           <l>That my now choice the worthiest may reward.</l>
                        </lg>
                        <stage type="mix">
                           <hi rend="italic">(To the Grandees.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l rend="indent2">Ye Nobles of Castile! my People's Delegates!</l>
                           <l>I grant their prayer. Own ye my royal Rights,</l>
                           <l>That in myself alone resides the Power</l>
                           <l>To chuse my Husband, and divide my Rule?</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(The Whole Court, each having his right hand on
his heart, bow assenting.)</hi>
                        </stage>
                        <stage type="delivery">
                           <hi rend="italic">(To the Counts.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>There Rights, thus recognis'd, swear Counts! to guard.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LOPEZ.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Unquestion'd, unoppos'd, I swear to guard them.</l>
                           <l>Your States but supplicate, nor mean restraint;</l>
                           <l>And in obedience solely to your Will,</l>
                           <l>Have they made known their sentiments of us.</l>
                           <l>Not from their favour, but your own free choice,</l>
                           <l>Do I presuming think to gain your hand:</l>
                           <l>An honour which I scarcely dare to hope,</l>
                           <l>But as a bliss unmerited is hop'd for.</l>
                           <l>I own your Power to give, without control,</l>
                           <l>That hand, which monarchs proudly might dispute,</l>
                           <l>E'en to the meanest subject in Castile.</l>
                           <l>Yet this unprecedented grace I trust,</l>
                           <l>Will on the least unworthy be conferr'd:</l>
                           <pb id="p157" n="157"/>
                           <l>Justice and prudence must inform your judgment,</l>
                           <l>That to use all your power may not behove you.</l>
                           <l>Such, Madam! are my thoughts.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent6">Speak yours, Don Manrique!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. MANRIQUE.</speaker>
                        <lg type="verse paragraph">
                           <l>Though, madam! your discourse schools us to fear,</l>
                           <l>And inly breeds suspicion in our minds,</l>
                           <l>Yet, I attest your Right, and own your Power,</l>
                           <l>To chuse a Husband, and to bid him reign.</l>
                           <l>Long ere you grac'd a Throne, my soul ador'd you:</l>
                           <l>The King your Brother, my lamented Master,</l>
                           <l>Deign'd on my love to smile, and bade me hope.</l>
                           <l>Fondly my heart the flattering thought has cherish'd,</l>
                           <l>That four whole years of anxious, constant love,</l>
                           <l>At last, may win your pity and regard.</l>
                           <l>Yet if, in this sweet hope, my mind deceive me,</l>
                           <l>I <emph rend="italic">swear,</emph> since you demand this test of fealty,</l>
                           <l>Though to despair you doom my faithful heart,</l>
                           <l>That He, whom your free choice pronounces bless'd,</l>
                           <l>I, as my King, and Master, will obey,</l>
                           <l>Protect his person, and support his power,</l>
                           <l>With warmest zeal, and constant, firm allegiance.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Brave, Don Alvarez! what is your resolve?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ALVAREZ.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">I will not be importunate in speech:</l>
                           <l>Chuse of <emph rend="italic">us Three,</emph>
                           </l>
                           <l>or make another choice,</l>
                           <l>I swear, implicitly, t'obey your will.</l>
                        </lg>
                     </sp>
                     <pb id="p158" n="158"/>
                     <sp>
                        <speaker>D. ISABELLA <hi rend="italic">(smiling).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Beneath this deference, this profound respect,</l>
                           <l>We spy the leaven of conceal'd indifference;</l>
                           <l>And as your heart sighs for another's charms,</l>
                           <l>'Tis thus, on both sides, that you homage pay.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ALVAREZ.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Madam!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent4">A truce, my Lord!</l>
                        </lg>
                        <stage type="business">
                           <hi rend="italic">(Donna Isabella mounts the step of the platform,
and seats herself upon the throne. The Queens
of Arragon mount the platform, and seat themselves. The Dowager Queen Leonora on the right-hand side of the throne, and Elvira on the left.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent6">Let each take place.</l>
                        </lg>
                        <stage type="mix">
                           <hi rend="italic">(The Three Counts, and the Grandees, who form
the Court, seat themselves on the seats prepared
for them. Don Lopez, on the right-hand side of
the throne, Don Alvarez and Don Manrique
on the left. Carlos, who stands on the right-hand side of the throne, in a line with the
Grandees, but below them, nearest the audience,
seeing a place unoccupied, next to Don Lopez,
near to whom he stands, seats himself. Don
Manrique rising, steps from his rank, and speaking, Carlos rises. Don Lopez rises, the instant Carlos attempts to seat himself.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>D. MANRIQUE.</speaker>
                        <lg type="verse paragraph">
                           <l>Rise, Carlos, rise! Whence such audacity?</l>
                        </lg>
                     </sp>
                     <pb id="p159" n="159"/>
                     <sp>
                        <speaker>D. LOPEZ.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">What title have you to assume this rank,</l>
                           <l>And seat yourself with the Grandees of Spain?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Vacant the place, my Lords! and as in camps,</l>
                           <l>So oft in council, with my King, I sat,</l>
                           <l>I thought in courts to fill a place as well.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. MANRIQUE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">A Soldier! to usurp the rank of Count?</l>
                           <l>The favours of your Prince make you forgetful.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Think me not, Count, asham'd of <emph rend="italic">what I am;</emph>
                           </l>
                           <l>Nor yet forgetful of <emph rend="italic">what first</emph> you knew me.</l>
                           <l>Soldier's a title for a Prince to boast.</l>
                           <l>Carlos, though now he holds a General's truncheon,</l>
                           <l>Remembers, that five years are not elaps'd</l>
                           <l>Since, as a <emph rend="italic">Soldier,</emph> in the common ranks,</l>
                           <l>He fought unnotic'd, and without distinction:</l>
                           <l>One of that <emph rend="italic">mass</emph> whose valour gains the war;</l>
                           <l>Whilst he who leads, claims all the wreath of fame.</l>
                           <l rend="indent2">The late good King, your royal Master, Lords!</l>
                           <l>Who knew my deeds, from rank to rank promoted me.</l>
                           <l>He thought, that I had earn'd my General's staff.</l>
                           <l>If otherwise <emph rend="italic">you</emph> judge, the time is come,</l>
                           <l>When Sovereign Power may give you to reclaim it.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. MANRIQUE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Presumptuous Carlos! how dares your arrogance</l>
                           <l>A second time offend? Was't not enough</l>
                           <l>To rank yourself with our Nobility,</l>
                           <l>That, when rebuk'd, you dare our justice question?</l>
                           <pb id="p160" n="160"/>
                           <l>Had I, or brave Don Lopez, now the power,</l>
                           <l>We should disdain to take your honours from you.</l>
                           <l>Deeds, which will grace our history's future page,</l>
                           <l>Deeds, but acknowledg'd, not rewarded yet,</l>
                           <l>Your godlike arm, invincible, has done.</l>
                           <l>The Royal Standard of Castile was taken</l>
                           <l>In the King's sight; your youthful arm redeem'd it.</l>
                           <l>This perilous action turn'd the tide of battle,</l>
                           <l>Inspir'd our troops with courage to drive back</l>
                           <l>The conqu'ring Moors, e'en to their rocky fastness;</l>
                           <l>Till from the vanquish'd, we became the vanquishers.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">My Lord! I ask you not to word my deeds;</l>
                           <l>A <emph rend="italic">Soldier</emph> glories more to act, than vaunt them.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. MANRIQUE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Unask'd I speak them; to convince your pride,</l>
                           <l>I bear no envy to the worth I value.</l>
                           <l rend="indent2">From chains you sav'd the King in Andalusia:</l>
                           <l>When pierc'd with wounds, upon a heap of dead,</l>
                           <l>Your body was so long his shield, his troops</l>
                           <l>Gain'd time to rally; those foes, who hemm'd him in,</l>
                           <l>Were sacrific'd; and the same squadron, which went</l>
                           <l>To rescue him, a victor brought <emph rend="italic">him</emph> back,</l>
                           <l>And <emph rend="italic">you</emph> almost expiring. You mounted first</l>
                           <l>Upon the walls of Seville, flew Roderigo,</l>
                           <l>And maintain'd the breach, whilst the Castilians enter'd;</l>
                           <l>Then, at their head, storm'd the strong citadel,</l>
                           <l>And forc'd its gates. Of many great exploits</l>
                           <l>These are but some. Don Lopez and myself,</l>
                           <pb id="p161" n="161"/>
                           <l>To you indebted stand for life and liberty:</l>
                           <l>For, when surrounded by triumphant Moors,</l>
                           <l>Then, when we trembled, prisoners to their arms,</l>
                           <l>By you our Guardian Genius bade them fall,</l>
                           <l>Fate to our foes, and providence to us;</l>
                           <l>You conquer'd numbers, to redeem <emph rend="italic">us</emph> bled.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">My soul rejoic'd to aid the valiant's cause.</l>
                           <l>'T was but a Soldier's part I did, brave Count!</l>
                           <l>And, had your fate been mine, yourself or Lopez,</l>
                           <l>Would have done more, to guard my life or liberty.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. MANRIQUE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">To speak your worth is due to my own honour,</l>
                           <l>Lest I be thought invidious of your glory.</l>
                           <l>Your rank, and not your courage I dispute;</l>
                           <l>I think your valour has not had its meed;</l>
                           <l>The late King promis'd to reward it further,</l>
                           <l>But death surpriz'd him just as he resolv'd it.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">I, Carlos! who his crown inherit, take</l>
                           <l>His debt on me; and amply will repay you.</l>
                           <l>My Brother held you high in his esteem;</l>
                           <l>He thought few equal, in his court, to Carlos,</l>
                           <l>For valour in the field; or in the council,</l>
                           <l>For wisdom, prudence, and distinguish'd vigour.—</l>
                           <l>Counts! let this difference end! Be seated, Carlos!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LOPEZ.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Ere he takes Rank with the Grandees of Spain,</l>
                           <l>First, Madam! order him to name his Family.</l>
                           <l>We, in no wise, contest his bravery,</l>
                           <pb id="p162" n="162"/>
                           <l>Supernal power hath nerv'd his youthful arm,</l>
                           <l>To achieve such deeds, as would become a god:</l>
                           <l>Let him declare his race and genealogy;</l>
                           <l>His lineage state; for valour without birth,</l>
                           <l>Had never right to occupy such place.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Let him who wills boast honours others earn'd.</l>
                           <l>
                              <emph rend="italic">I will owe nought to those who gave me life.</emph>
                           </l>
                           <l>I'd rather equal Caesar in the field,</l>
                           <l>Than trace my lineage to the Julian Race.</l>
                           <l>What do we know of Macedonia's Kings,</l>
                           <l>Worthy record, till Philip rose in arms,</l>
                           <l>And Alexander triumph'd o'er the world.—</l>
                           <l>Hereditary honours I disdain;</l>
                           <l>And know, proud Counts! I would not give the name</l>
                           <l>My sword has earn'd, to be Medina's Duke,</l>
                           <l>E'en though Don Manrique's blood enrich'd his veins.</l>
                           <l>I claim no parents, but my past exploits;</l>
                           <l>My valour be my Race. My arm my Lineage.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LOPEZ.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">The proof is clear, that Carlos is not Noble.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Then I, whose Son soe'er he be, or what</l>
                           <l>His Race, <emph rend="italic">ennoble</emph> him. Contest no more!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. MANRIQUE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Permit me yet one word——</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent8">Not one, Don Manrique!</l>
                           <l>For this audacity assumes too much.</l>
                           <l>Must I have leave from you to ennoble Carlos?</l>
                        </lg>
                     </sp>
                     <pb id="p163" n="163"/>
                     <sp>
                        <speaker>D. MANRIQUE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">No!—but that place is due to highest dignities;</l>
                           <l>And, though ennobled, Carlos cannot take it,</l>
                           <l>'T is sacred to the High Grandees of Spain;</l>
                           <l>One less than Count, or Marquis, would profane it.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Henceforth then, Carlos! Marquis of Santillane,</l>
                           <l>Count of Pennafiel, and Governor of Burgos,</l>
                           <l>Your titles claim. Don Carlos! I create thee</l>
                           <l>One of the High Grandees. Assert your Privilege—</l>
                        </lg>
                        <stage type="mix">
                           <hi rend="italic">(He puts on his hat.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>And take your Rank.——<stage type="mix">
                                 <hi rend="italic">(He seats himself.)</hi>
                              </stage>
                           </l>
                           <l rend="indent6">Is this enough, Don Manrique!</l>
                           <l>To give him privilege to take that place?</l>
                           <l>Does there remain <emph rend="italic">one</emph> scruple in your mind?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. MANRIQUE.</speaker>
                        <lg type="verse paragraph">
                           <l>Madam! complete your work, and make him King.</l>
                           <l>To grace him by such dignities, is less</l>
                           <l>To equal him to us, than to exalt Carlos,</l>
                           <l>To your own Rank. Your skilful prelude, Princess!</l>
                           <l>And those exacted Oaths, we have just sworn,</l>
                           <l>Show that your heart has made its choice of Carlos:</l>
                           <l>We, bound by vows, must ratify that choice;</l>
                           <l>I shall obey, nor aught attempt against it.</l>
                           <l>To him, I here resign, You and your Kingdom:</l>
                           <l>I quit your presence, ere you make him King;</l>
                           <l>Not as one jealous at it, but through fear,</l>
                           <l>Lest for You, Queen! I blush, when you shall name him.</l>
                        </lg>
                        <stage type="mix">
                           <hi rend="italic">(Going.)</hi>
                        </stage>
                        <pb id="p164" n="164"/>
                        <stage type="mix">
                           <hi rend="italic">(The Queen rises precipitately from her throne, and
descends from the platform; the whole Court
rises. The Queens of Arragon remain standing
upon the platform. Donna Elvira is much agitated during the last speech; when risen, she leans for support upon her chair, her Mother
observes her very attentively.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA <hi rend="italic">(with anger).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Stay, Insolent!———<stage type="mix">
                                 <hi rend="italic">(D. Manrique returns.)</hi>
                              </stage>
                           </l>
                           <l>
                              <stage type="mix">
                                 <hi rend="italic">(Recovering her temper.)</hi>
                              </stage> Your Queen forgives you, Manrique!</l>
                           <l>What an unworthy fear, imprudently suspects;</l>
                           <l>To silence which, I condescend so far,</l>
                           <l>As to declare, that in my States' just choice,</l>
                           <l>I acquiesce; that you——still hold the rank</l>
                           <l>You held in my esteem; and I attribute,</l>
                           <l>This fiery transport to excess of love.</l>
                           <l>Injurious as it is, I pardon it;</l>
                           <l>Ere your reflection pleads for love's offence.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. MANRIQUE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Your conduct, Queen! gave rise to my offence.</l>
                           <l>Honours so lavish'd, warranted suspicion:</l>
                           <l>Excuse too, Madam! some antipathy——</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Forbear, to justify your insolent pride!</l>
                           <l>Though pardon'd, Manrique! it shall learn humility.</l>
                           <l>My sacred Rights, as woman, and as Queen,</l>
                           <l>You have profan'd with impious disrespect;</l>
                           <l>Slander'd my conduct, and my power insulted.</l>
                           <l>Grant that I Carlos love; or that I solely,</l>
                           <pb id="p165" n="165"/>
                           <l>Through pure esteem, pay tribute to his worth;</l>
                           <l>Raising his Rank above your lordly scorn;</l>
                           <l>Whate'er be my design, you should respect,</l>
                           <l>Either, the choice my heart has made; or what</l>
                           <l>My power creates; and, will support, proud Vassal!!</l>
                           <l>To curb your scorn, still higher will I raise him,</l>
                           <l>Grant him prerogative beyond my own;</l>
                           <l>Myself and Crown, I to his power intrust;</l>
                           <l>I made Him Marquis, He shall name a King.</l>
                           <l>You own his merit, he shall judge of yours.</l>
                        </lg>
                        <stage type="mix">
                           <hi rend="italic">(To Don Carlos.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>Twice has your arm redeem'd my throne and kingdom:</l>
                           <l>Now let your wisdom like your valour shine,</l>
                           <l>And worthily bestow the Crown you sav'd.</l>
                        </lg>
                        <stage type="mix">
                           <hi rend="italic">(Advancing a step or two towards Don Carlos, and
presenting her ring to him.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>Lord Marquis! take my Ring. And, as your testimony,</l>
                           <l>On the most worthy of these <emph rend="italic">Three</emph> bestow it,</l>
                           <l>And hail him King.—What of this Day remains</l>
                           <l>Is yours, to weigh their merits, and reward them.</l>
                           <l rend="indent2">Ambitious Rivals! pay your court to him:</l>
                           <l>He who presents me with my Ring from Carlos,</l>
                           <l>Shall instantly receive my hand and Crown.</l>
                           <l rend="indent2">Queens! let us go, and leave them to determine,</l>
                           <l>To whom, in preference, I would give my Kingdom.</l>
                        </lg>
                        <stage type="mix">
                           <hi rend="italic">(The Queens retire; the scene closes upon the Court,
leaving the three Counts and Carlos at the front
of the stage.)</hi>
                        </stage>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e10541">
                     <pb id="p166" n="166"/>
                     <head type="main">SCENE FOURTH.</head>
                     <stage type="setting">
                        <hi rend="italic">DON MANRIQUE, DON ALVAREZ, DON LOPEZ, DON CARLOS.</hi>
                     </stage>
                     <sp>
                        <speaker>D. LOPEZ <hi rend="italic">(ironically).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Will, my Lord Marquis! deign to inform his suppliants,</l>
                           <l>What may be requisite to win his favour?</l>
                           <l>He is our judge, he therefore must be soften'd.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">This ill-plac'd raillery is most unseemly.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. MANRIQUE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">To supplicate You, Carlos! is unseemly.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">A truce with raillery, or supplication, Lords!</l>
                           <l>Let us continue friends. Well will use I use</l>
                           <l>The trust, the Queen has in my hands repos'd;</l>
                           <l>Nor shall you, Counts! complain of my decision;</l>
                           <l>For I refuse to be the Judge myself.</l>
                           <l>I give you one, that it will be dishonour,</l>
                           <l>But to suspect. The impartial <emph rend="italic">Sword,</emph> brave Lords!</l>
                           <l rend="indent2">A Queen and Kingdom on this Ring depend;</l>
                           <l>Both are well worth the contest, you have courage;—</l>
                           <l>I guard this Ring. <stage type="mix">
                                 <hi rend="italic">(Carlos puts it upon his finger.)</hi>
                              </stage>
                           </l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LOPEZ.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent4">And, for whom guard it, Carlos?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">My vanquisher.—He who can take it from me,</l>
                           <pb id="p167" n="167"/>
                           <l>Pledge of his worth, shall to the Queen present it,</l>
                           <l>The order, time, and place, amongst yourselves</l>
                           <l>Agree; I will await your summons, and obey it.</l>
                        </lg>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e10621">
                     <head type="main">SCENE FIFTH.</head>
                     <stage type="setting">
                        <hi rend="italic">DON MANRIQUE, DON ALVAREZ, DON LOPEZ.</hi>
                     </stage>
                     <sp>
                        <speaker>D. MANRIQUE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Think of his arrogance!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ALVAREZ.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent8">'T is thus a soul,</l>
                           <l>By valour nobly form'd, repels an outrage.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. MANRIQUE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">If he expect to measure Swords with <emph rend="italic">us,</emph>
                           </l>
                           <l>His pride has most egregiously deceiv'd him.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ALVAREZ.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Refuse a challenge?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. MANRIQUE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent6">Yes: beneath our rank.</l>
                           <l>Grandees of Spain, all jealous of their honour,</l>
                           <l>Do not expose their lives to bold adventurers.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ALVAREZ.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">How can you thus degrade a valiant warrior?</l>
                           <l>Nay; were he what your hatred has presum'd,</l>
                           <l>We ought to treat him, as the Queen has rank'd him.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LOPEZ.</speaker>
                        <lg type="verse paragraph">
                           <l>When the Queen braves us, nor regards our blood!</l>
                           <pb id="p168" n="168"/>
                           <l>But dares the lustre of our Rank to tarnish,</l>
                           <l>Raising this Minion to an equal rank?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ALVAREZ.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Are Kings accountable for whom they title?</l>
                           <l>Our equals flourish, or neglected fade,</l>
                           <l>Just as their pleasure wills.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. MANRIQUE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent8">My Lord! you're politic,</l>
                           <l>In the respect you pay to majesty:</l>
                           <l>But own your thoughts, do you not judge she loves him,</l>
                           <l>That, had she dar'd, she would have nam'd him King?</l>
                           <l>Were not her speeches artful, and mysterious?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ALVAREZ.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">You show'd such high disdain of valiant Carlos,</l>
                           <l>And, with such contumacy, brav'd the Queen,</l>
                           <l>Arraign'd her conduct, and her power disputed,</l>
                           <l>She was constrain'd to go the lengths she did;</l>
                           <l>Or yield her dignity, forego her power,</l>
                           <l>Desert the brave, and side with his high scorners.</l>
                           <l>You piqued her pride, her sex's niceness wounded;</l>
                           <l>Your speech indelicate, and haughty carriage,</l>
                           <l>Were more than Queen, or Woman, ought to bear.</l>
                           <l>Would you, my Lord! be by your vassal brav'd,</l>
                           <l>Having the power to humble him to earth?</l>
                           <l>Would you not use that power, till his pride yielded,</l>
                           <l>Subordinate to reason and respect?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. MANRIQUE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">My Lord! you are a warm apologist:</l>
                           <l>But are you friend, or lover, in this cause?</l>
                           <l>Do you indeed pretend to Isabella?</l>
                           <l>'T is said, that Arragon's fair Queen has charms——</l>
                        </lg>
                     </sp>
                     <pb id="p169" n="169"/>
                     <sp>
                        <speaker>D. ALVAREZ.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Her charms are not the subject of discussion.</l>
                           <l>My Country honours <emph rend="italic">me</emph> with that esteem,</l>
                           <l>To think me worthy to become its King;</l>
                           <l>Grateful for this, and my own fame respecting,</l>
                           <l>I will not, Counts! refuse the grace it shews me.</l>
                           <l>I therefore with the Marquis, brave Don Carlos,</l>
                           <l>Will measure swords; nor think my Rank dishonour'd.</l>
                           <l>If, from his valour, I can win the Ring,</l>
                           <l>Then, Lords! with you, I will contest the Crown.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LOPEZ.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Gladly with you, we shall dispute this prize,</l>
                           <l>You are a rival worthy of our swords;</l>
                           <l>But for this Marquis, he must seek his equals.</l>
                        </lg>
                        <stage type="exit">
                           <hi rend="italic">(Exeunt severally. Don Alvarez the same way that
Don Carlos went; Don Manrique and Don Lopez at the opposite side.)</hi>
                        </stage>
                     </sp>
                  </div4>
                  <closer>End of the First Act.</closer>
               </div3>
               <div3 type="ss2" id="d0e10795">
                  <pb id="p170" n="170"/>
                  <head type="main">Act Second.</head>
                  <div4 type="ss3" id="d0e10799">
                     <head type="main">SCENE FIRST—A ROOM OF STATE.</head>
                     <stage type="setting">
                        <hi rend="italic">DONNA ISABELLA, BLANCHE.</hi>
                     </stage>
                     <sp>
                        <speaker>D. ISABELLA <hi rend="italic">(seated on a sofa).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l>I Pray thee, Blanche, retire!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>BLANCHE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent8">Insist not, Madam!</l>
                           <l>I cannot leave you thus.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent6">Why wilt thou stay?—</l>
                           <l>I blush that mortal should behold my tears,</l>
                           <l>Or view the pangs, that rend my anguish'd heart.</l>
                           <l>Thy feeble pity cannot change my fate,</l>
                           <l>Nor thy calm reason argue me to peace:   <stage type="mix">
                                 <hi rend="italic"> (Rising.)</hi>
                              </stage>
                           </l>
                           <l>For I am doom'd to feed a hopeless flame.</l>
                           <l>Is this to be a Queen? Ah! dear-bought greatness!</l>
                           <l>A Queen! A wretch in state! chain'd down by prejudice;</l>
                           <l>A pageant slave! a vassal to a throne,</l>
                           <l>Great but for others, powerless for myself.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>BLANCHE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Madam, control this grief! think of your Rank—</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Rank! can it root out passion from my soul,</l>
                           <pb id="p171" n="171"/>
                           <l>And change my mould of mind? annihilate</l>
                           <l>The softness from my heart, the cherish'd thoughts,</l>
                           <l>The oft-recurring hopes of fabled bliss,</l>
                           <l>I have so fondly form'd, but must not share?—</l>
                           <l>Pride, guard my mind! and apathy, my heart!</l>
                           <l>And let my feelings with my fate agree.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>BLANCHE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">O Madam! how I trembled for your glory;</l>
                           <l>For, from the Oath you made your lovers swear,</l>
                           <l>I thought you fix'd to give your Crown to Carlos.</l>
                           <l>But you have nobly conquer'd your own heart,</l>
                           <l>Whilst you sustain'd your regal dignity.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l>Say rather, Blanche! that Love usurp'd my throne,</l>
                           <l>And with a monarch's wrath aveng'd my lover.</l>
                           <l>I thought that I was master o'er my heart;</l>
                           <l>I had not plann'd to act, as thou hast seen me,</l>
                           <l>Although I mean'd to honour Carlos highly:</l>
                           <l>I only will'd to try the Counts' respect,</l>
                           <l>And to secure my power, and royal Rights.</l>
                           <l>For, as, alas! this choice was dreaded by me,</l>
                           <l>It seem'd like a relief, a sort of pleasure,</l>
                           <l>To lose a little time, to loiter lingering,</l>
                           <l>Thus to retard my doom, and put off fate.</l>
                           <l>Yet I was going to name——I had no choice—</l>
                           <l>And could Don Manrique have restrain'd his pride,</l>
                           <l>Castile perhaps, ere this, had hail'd him King.</l>
                           <l>He urg'd my temper to its utmost bearing;</l>
                           <l>And scarcely I restrain'd from naming Carlos.</l>
                           <l>To gall his pride, for daring to insult me.</l>
                        </lg>
                     </sp>
                     <pb id="p172" n="172"/>
                     <sp>
                        <speaker>BLANCHE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">I marvel not that you chastise his insolence,</l>
                           <l>Which on you cast such shame, and rude reproach.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Under the specious plea, to avenge my power,</l>
                           <l>Love found a fair pretence to scatter favours.</l>
                           <l>I have made Carlos, Marquis, Count, and Governor;</l>
                           <l>Oh!  with what joy could I have hail'd him King!</l>
                           <l>How my heart pleaded! Yet by these profusions,</l>
                           <l>I thought to satisfy and silence it;</l>
                           <l>For to pronounce against him much distress'd me;</l>
                           <l>And, when I bade him give away my Crown,</l>
                           <l>'Twas only, that he might himself exclude.</l>
                           <l>I parley'd with my power to soothe my heart;</l>
                           <l>And did an outrage, where I seem'd to honour.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>BLANCHE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Fearing to make him King, you make him more.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">My heart, indifferent to all the Three,</l>
                           <l>Thought, that it best could like, whom Carlos chose;</l>
                           <l>This sudden fancy sway'd my conduct, Blanche.</l>
                           <l>But now I wish I had repress'd the thought,</l>
                           <l>And humbled Manrique by some other means.</l>
                           <l>For I have err'd in making Carlos Judge;</l>
                           <l>He bids the sword decide. Ah! does he hope</l>
                           <l>To gain me thus himself? Does he then love me?—</l>
                           <l>I dare not trust my thoughts that dangerous length.</l>
                           <l>I must prevent the sword from being drawn,</l>
                           <l>And, by my choice, stifle these dreaded feuds.</l>
                        </lg>
                     </sp>
                     <pb id="p173" n="173"/>
                     <sp>
                        <speaker>BLANCHE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">'Twill be an arduous task to wrench the sword</l>
                           <l>From valour's hand, when custom bids it grasp it.</l>
                           <l>He who retracts is ignominious held,</l>
                           <l>And honour, to great souls, is more than life.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">I would not so disgrace my power to affront,</l>
                           <l>That valour I admire. For when obedience</l>
                           <l>Is by dishonour stain'd, kings go too far,</l>
                           <l>And undermine their own omnipotence.</l>
                           <l>Feigning to grant, I will prevent this combat:</l>
                           <l>If they remit it, then I hold it broken.</l>
                           <l>See, Carlos, to obey my order, comes.</l>
                        </lg>
                        <stage type="exit">
                           <hi rend="italic">(Exit Blanche.)</hi>
                        </stage>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e11026">
                     <head type="main">SCENE SECOND.</head>
                     <stage type="setting">
                        <hi rend="italic">DONNA ISABELLA, DON CARLOS.</hi>
                     </stage>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Marquis! Castile has by your arm been sav'd:</l>
                           <l>Its gratitude I till this Day reserv'd,</l>
                           <l>To make its favours more conspicuous shine,</l>
                           <l>Granted in full assembly of my States.</l>
                           <l>Much has it griev'd me, when I mean'd reward,</l>
                           <l>But to stand forth the champion of your worth:</l>
                           <l>And, ere my purpose to yourself was known,</l>
                           <l>To have those honours, to your merit due,</l>
                           <pb id="p174" n="174"/>
                           <l>Extorted as an act of justice from me;</l>
                           <l>As if I wanted soul, in virtue's cause,</l>
                           <l>Freely to pay, where I indebted stood,</l>
                           <l>For services almost beyond reward.—</l>
                           <l>Yet, whilst I own no recompense can reach them,</l>
                           <l>I trust that I have shown I prize your virtues.</l>
                           <l>Spite of that envy which pursues your merit,</l>
                           <l>I, unsolicited, have rais'd your fortune:</l>
                           <l>Yet, if not equal to your just ambition,</l>
                           <l>If other recompense you hop'd, or wish for,</l>
                           <l>Speak! to your own content I will oblige you.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">My Queen's exalted spirit has bestow'd</l>
                           <l>Such high, such full-blown honours, as my soul</l>
                           <l>Dar'd not in thought conceive: far less expect.</l>
                           <l>Troubled, amaz'd, confus'd, o'erwhelm'd, with bounty,</l>
                           <l>Let her not think, I have one wish ungratify'd.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Yet, when above your hopes I raise your fortune,</l>
                           <l>Grace and distinguish you with all my favour,</l>
                           <l>Lean on your judgment, with a sister's confidence,</l>
                           <l>You give me, Marquis! reason for complaint.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">How, Madam! have I sinn'd?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent8">Your sword is rais'd</l>
                           <l>Against the State's repose, and against mine.</l>
                           <l>The strongest pillars of the State, are Manrique,</l>
                           <l>Lopez and Alvarez; in them you undermine it;</l>
                           <l>In them you seek to shed its purest blood.</l>
                           <pb id="p175" n="175"/>
                           <l>Think to what height my people prize these Counts,</l>
                           <l>Since worthy, each is deem'd, to share my Throne.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Madam!——this blame——</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent4">My Lord! when thus I censure you,</l>
                           <l>And to yourself, whate'er complaint I make,</l>
                           <l>Such frankness tells in what esteem I hold you;</l>
                           <l>I would prevent you from incurring blame;</l>
                           <l>Guarding your honour thus, I mean you favour.——</l>
                           <l>Your pride, against the Counts, has arm'd your vengeance;</l>
                           <l>There was no need, my Lord! to draw your sword;</l>
                           <l>I had aveng'd the insult you sustain'd,</l>
                           <l>Nor did I leave your triumph incomplete,</l>
                           <l>When I deputed you to give my diadem.</l>
                           <l>I made you the Counts' Judge, but not their foe;</l>
                           <l>Bidding the sword decide, you much mistake me.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Then has my judgment, not my duty err'd:</l>
                           <l>Only my courage do the Counts allow me;</l>
                           <l>Therefore in that I humbly put my trust,</l>
                           <l>To prove who worthiest——</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA <hi rend="italic">(interrupting him).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent8">Did you then hope,</l>
                           <l>If o'er all Three your prowess gave you 'vantage,</l>
                           <l>It would be said, chusing Castile a King,</l>
                           <l>The State could find none to compare with you?——</l>
                           <l>If thus presumptuous, and thus vain, I thought you—</l>
                        </lg>
                        <stage type="mix">
                           <hi rend="italic">(Stops short.)</hi>
                        </stage>
                     </sp>
                     <pb id="p176" n="176"/>
                     <sp>
                        <speaker>D. CARLOS <hi rend="italic">(kneeling, after a moment's pause).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Oh! spare the injurious accusation, Madam!——</l>
                           <l>If you repent your favours, Gracious Queen!</l>
                           <l>My ruin is no difficult achievement.</l>
                           <l>Yet do not charge me with unthought-of crimes;</l>
                           <l>Nor arm your anger with unjust suspicions.</l>
                        </lg>
                        <stage type="mix">
                           <hi rend="italic">(The Queen signs to him to rise.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>I love you, Queen! but with a flame as pure,</l>
                           <l>As from the hallow'd sacrifice ascends:</l>
                           <l>As we love honour, virtue, Heaven itself.—</l>
                           <l>And if the matchless lustre of my Sovereign</l>
                           <l>Dazzles a moment my enchanted soul,</l>
                           <l>Sudden it back returns, and downcast shrinks</l>
                           <l>Into itself. Ambitious sighs, vain hopes,</l>
                           <l>And criminal desires, I never breath'd.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">'Tis well:——I find myself mistaking, Carlos!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">I, Madam; only as a Queen can love you.</l>
                           <l>For, should unhallow'd passion, rise within</l>
                           <l>My guilty breast, should you (O, pardon, Princess!</l>
                           <l>The impious thought) should you, so far forget</l>
                           <l>Your sacred self, and what you owe your rank,</l>
                           <l>As to partake the passion you inspir'd,</l>
                           <l>And suffer me to breathe my vows before you;</l>
                           <l>If, by some fatal fascination curs'd,</l>
                           <l>Your sensibility should so degrade you,</l>
                           <l>As to descend, e'en from your Throne, to me,</l>
                           <l>Know my esteem would instantly decrease;</l>
                           <l>And my love, rais'd on that, would soon expire.</l>
                        </lg>
                     </sp>
                     <pb id="p177" n="177"/>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Marquis! your thoughts are worthy a great soul.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Your glory, Madam! is my heart's first object.</l>
                           <l>In combating the Counts I have no wish,</l>
                           <l>But to make known him, who deserves you most.</l>
                           <l>Ill should I answer your high confidence,</l>
                           <l>If only on my judgment I depended,</l>
                           <l>To chuse your Spouse and partner of your Throne.—</l>
                           <l>All-seeing power! direct the sword of him,</l>
                           <l>Who best deserves her, through my ready heart!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Carlos! forbear; nor interest Heaven itself,</l>
                           <l>Against my peace!—Why must the Sword decide?—</l>
                           <l>——Blushing with shame, at weakness unsubdu'd,</l>
                           <l>I own I love one of the purpos'd combatants.</l>
                           <l>Yet should I not have nam'd whom I prefer;</l>
                           <l>For though I love, my Country's good outweighs</l>
                           <l>My tenderest thoughts, my heart foregoes its choice,</l>
                           <l>And seeks the Hero who deserves to reign;</l>
                           <l>And by my subjects' will be most approv'd.</l>
                           <l>After Don Manrique's most opprobrious insolence,</l>
                           <l>Fearing my partial heart might sway my judgment,</l>
                           <l>To yours I trusted, and consign'd my Crown:</l>
                           <l>Not thinking you would bid the sword decide,</l>
                           <l>And harrass, with new woes, my wounded peace.</l>
                           <l>Carlos! respect his life whom I esteem:</l>
                           <l>Reflect how hard his fate to lose a Throne.</l>
                           <l>Respect the sufferings of my sorrowing soul,</l>
                           <l>Torn, for my People's good, from him I love;</l>
                           <pb id="p178" n="178"/>
                           <l>Let me not have to mourn his hapless death,</l>
                           <l>With poignant anguish, never-ending tears.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l>O Queen! I would not dare to wrest your confidence,</l>
                           <l>Guessing the secret which your scruples veil;</l>
                           <l>Nor solve the mystery hidden beneath your words.</l>
                           <l>Yet hear your faithful Servant, gracious Princess!</l>
                           <l>Trust me, such equal heroes are these Counts,</l>
                           <l>On your heart's choice you safely may rely.—</l>
                           <l>Why then reject, with cruel heroism,</l>
                           <l>The good which Heaven has plac'd within your reach?</l>
                           <l>Let not the thirst of glory now deceive you;</l>
                           <l>It soon will pall; and to vacuity</l>
                           <l>Will leave your heart, or else a prey to grief.</l>
                           <l>Did virtue claim the purpos'd sacrifice,</l>
                           <l>That motive, in full force, would constant last,</l>
                           <l>And lenient sooth at once, and heal your mind.</l>
                           <l>O! dread the agony of hopeless passion!</l>
                           <l>It steeps the warrior's manly cheek in tears,</l>
                           <l>And makes him joyless, though with laurels grac'd.</l>
                           <l>Brave not this ceaseless torment of the soul:</l>
                           <l>It is the baleful poison of sweet peace,</l>
                           <l>No balm can medicate, no time assuage;</l>
                           <l>To which, night brings no sleep, nor day-spring joy.</l>
                           <l>—O Heaven! instruct me in which happy lover,</l>
                           <l>I may revere my gracious, royal Mistress,</l>
                           <l>That by an easy, and a sudden victory———</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">It must not be.——If through respect for me.</l>
                           <l>One of the Three you spare, you give the prize;</l>
                           <pb id="p179" n="179"/>
                           <l>You make me Judge.—I dare not, must not chuse.—</l>
                           <l>You urge me, Carlos! to the brink of fate;—</l>
                           <l>You add fresh conflicts to an o'ercharg'd heart:—</l>
                           <l>Your eager valour hazards all my peace,</l>
                           <l>Heedless you pierce my heart with wounds immedicable——</l>
                        </lg>
                        <stage type="mix">
                           <hi rend="italic">(Turns from D. Carlos to hide her emotion.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>I would avoid discussion on this subject——</l>
                           <l>—Though, as a Queen, I might forbid these combats.</l>
                           <l>I will not wound your honour, nor the Counts;</l>
                           <l>The Lists shall be prepar'd, the challenge held:</l>
                           <l>Who of the Three is first to try his fortune?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS <hi rend="italic">(observing the Queen).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Alvarez, Madam!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent6">He for another sighs!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Yet He alone the glorious prize contests.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l>Gallant Alvarez! first, though thou lov'st me not?</l>
                           <l>To-morrow shall his courage be display'd.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">This day, the challenge of Alvarez names.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">If I consent not, what avails his challenge?</l>
                           <l>On your allegiance be it then deferr'd.</l>
                           <l>Carlos adieu!—Respect my prohibition!</l>
                        </lg>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e11463">
                     <pb id="p180" n="180"/>
                     <head type="main">SCENE THIRD.</head>
                     <sp>
                        <speaker>D. CARLOS <hi rend="italic">(alone).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Defer the fight! Is not my valour stain'd</l>
                           <l>By this command? And will not honour blush?</l>
                           <l>Has the Queen right to give me law? Am I</l>
                           <l>Her Subject? No: I was born in Arragon.—</l>
                           <l>Heavens! I remember that, and dare stand here,</l>
                           <l>Count,—Marquis,—Governor of Burgos too,—</l>
                           <l>Yet know myself born of the meanest race;</l>
                           <l>Only the Son of a poor, peasant Shepherd;</l>
                           <l>Taught by a pious Priest through charity;</l>
                           <l>Till learning made me wild with mad ambition,</l>
                           <l>To act the heroic deeds, I joy'd to read;</l>
                           <l rend="indent2">Oh! should these Lords discover my mean birth,</l>
                           <l>With what insatiate scorn would they exult:</l>
                           <l>How would my royal Mistress blush disdainful;</l>
                           <l>And sweet Elvira then reject my sword,</l>
                           <l>Nor own my arm to prop her tottering Throne.</l>
                           <l rend="indent2">Cruel remembrance of my original self!</l>
                           <l>Cease! cease! to haunt, and terrify my mind!—</l>
                           <l>Kings were once chosen from victorious soldiers:</l>
                           <l>Who serves his Country needs no ancestry;</l>
                           <l>For, like the Sun, He gives, not borrows, light.</l>
                           <l rend="indent2">My Cottage blood has been exhausted all,</l>
                           <l>In glory's field, no drop of it remains:</l>
                           <l>But it has bought me all my soul holds dear,</l>
                           <l>The palm of victory, and the wreath of fame.</l>
                           <l>Behold she comes! my rightful unown'd Queen!</l>
                        </lg>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e11525">
                     <pb id="p181" n="181"/>
                     <head type="main">SCENE FOURTH.</head>
                     <stage type="setting">
                        <hi rend="italic">DONNA ELVIRA, DON CARLOS.</hi>
                     </stage>
                     <sp>
                        <speaker>D. ELVIRA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Ah! Carlos! scarcely can I call you Marquis,</l>
                           <l>(Although you merit your exalted rank,</l>
                           <l>But then I wish'd myself to raise you to it);</l>
                           <l>Why have the charms of glory, thus seduc'd</l>
                           <l>Your wavering honour, to desert that cause,</l>
                           <l>To which your faith was pledg'd, your sword devote?</l>
                           <l>Your valour should compel the rebel Garcia</l>
                           <l>To yield obedience to my sovereign sway:</l>
                           <l>Your sword held ready till I bade it strike,</l>
                           <l>To place my long-lost sceptre in my hand.</l>
                           <l>Yet, Count! and with that self-same sword, your faith</l>
                           <l>To me engag'd, you undertake to fight</l>
                           <l>Three single combats, which are not for me.</l>
                           <l>You have forgotten, Count! what Carlos promis'd.</l>
                           <l>Back to the Queen resign Penafiel,</l>
                           <l>Burgos, and Santillane. For, trust me, Arragon</l>
                           <l>Shall grateful give you more than you refuse.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Either as Carlos, or as Marquis, Madam!</l>
                           <l>I, nor forget, nor will desert your rights;</l>
                           <l>The traitor Garcia shall your victim fall.</l>
                           <l>Yet, though this sacrifice I owe to you,</l>
                           <l>The Queen, in gratitude, first claims my sword;</l>
                           <l>And highly it behoves the favour'd Marquis,</l>
                           <pb id="p182" n="182"/>
                           <l>To pay the mighty debt of humble Carlos,</l>
                           <l>And to resent the outrage done the Queen.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ELVIRA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Did she intrust her ring with that intent?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l>When your bright Sex, insulted, wants a champion,</l>
                           <l>Forbid it honour, glory, courage, manhood,</l>
                           <l>That they should need to stoop to ask for aid;</l>
                           <l>Or intimate the means to right their cause.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ELVIRA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">I think these combats might have been avoided,</l>
                           <l>Unless the Counts had challeng'd you in arms.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Then had I been ungrateful, and dishonour'd.</l>
                           <l>Could disrespect assume an air more taunting,</l>
                           <l>Than to assert, with scornful insolence,</l>
                           <l>That her high heart indulg'd a secret passion,</l>
                           <l>Unworthy of herself? Manrique averr'd it;</l>
                           <l>And infamy would blot my name with cowardice,</l>
                           <l>Not to stand forth in her most sacred cause,</l>
                           <l>When duty, honour, gratitude, command it.</l>
                           <l>My royal Mistress, in protecting me,</l>
                           <l>Incurr'd this insult by her noble spirit;</l>
                           <l>
                              <sic>Sdeigning</sic> submission still the Count defy'd her,</l>
                           <l>Forcing her new restrictions to invent,</l>
                           <l>Or tamely shrink, insulted on her throne.</l>
                           <l>I must protect her rights, assert her power,</l>
                           <l>Maintain her cause, her injuries avenge;</l>
                           <l>That done, my sword, with heartfelt zeal, is yours.</l>
                        </lg>
                     </sp>
                     <pb id="p183" n="183"/>
                     <sp>
                        <speaker>D. ELVIRA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Carlos! I comprehend, from this excuse,</l>
                           <l>That the Queen's service is preferr'd to mine;</l>
                           <l>Because her subject, you break faith with me.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">For her, or you, I feel an equal zeal;</l>
                           <l>Your cause, or hers, is mine. Nor have I seen</l>
                           <l>Aught yet, of sleepless toil, or perilous hazard,</l>
                           <l>But what for either I would wish to encounter.</l>
                           <l>Nay, though engag'd to fight for her to-morrow,</l>
                           <l>Sustain'd you wrong, which this day call'd for vengeance,</l>
                           <l>Instant would I expose my breast, to more</l>
                           <l>Than Three such combats in your cause, Elvira!</l>
                           <l>Without reflecting what I ow'd the Queen.</l>
                           <l>Misconstrue not the conduct which I hold,</l>
                           <l>Nor wound my soul by undeserv'd reproaches.</l>
                           <l>Know the high rank to which the Queen has rais'd me,</l>
                           <l>Has but One charm for Me. But as your champion,</l>
                           <l>Donna Elvira! are those honours priz'd,</l>
                           <l>Which, in the eye of undiscerning crowds,</l>
                           <l>Will give respect to him who fights your battles,</l>
                           <l>Beyond what unplum'd courage ever meets.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ELVIRA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">To grace my cause, I wanted but your valour;</l>
                           <l>I can invest you with still higher honours,</l>
                           <l>Them, Marquis! you disdain, and me betray.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">I wish'd but one reward from bright Elvira;</l>
                           <l>I thought it mine;——but find myself deceiv'd.</l>
                        </lg>
                     </sp>
                     <pb id="p184" n="184"/>
                     <sp>
                        <speaker>D. ELVIRA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Deceiv'd, my Lord! by whom?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent8">My own vain thoughts;—</l>
                           <l>For, from your gentle manners, I presum'd,</l>
                           <l>That in esteem you held the humble Carlos;</l>
                           <l>That in your breast such hallow'd friendship dwelt,</l>
                           <l>As pure Religion, with all-healing balm,</l>
                           <l>Tells us the blest, in the next world, enjoy;</l>
                           <l>Where all distinctions cease of earthly rank.</l>
                           <l>But I was mock'd with visionary joy;</l>
                           <l>The Queen of Arragon suspects my zeal,</l>
                           <l>Changes the sweet complacence of her temper,</l>
                           <l>For dark distrust, anger, and keen reproach.</l>
                           <l>My mind feels anguish, all unknown before;</l>
                           <l>A comfortless dismay subdues my spirit;</l>
                           <l>Joyless, forlorn, and desolate I seem;</l>
                           <l>As if my Guardian Angel left his charge,</l>
                           <l>And ev'ry cheering passion join'd his flight.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ELVIRA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">If I be chang'd, your conduct wrought the change:</l>
                           <l>Anger, suspicion, and reproaches, Carlos!</l>
                           <l>Are not the natives of Elvira's breast.</l>
                           <l>Your instability excites them all;</l>
                           <l>Glory allures you to forget your faith,</l>
                           <l>Which, uncondition'd, Marquis! Carlos promis'd.</l>
                           <l>My friendship brooks not this, nor my esteem.——</l>
                           <l rend="indent2">I hear Alvarez enters first the Lists:</l>
                           <l>You know the history of his faithful love.</l>
                        </lg>
                     </sp>
                     <pb id="p185" n="185"/>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Over Alvarez' soul I know your power;</l>
                           <l>His virtues make him worthy of your heart.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ELVIRA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">When you fight with him, think of whom I love;</l>
                           <l>And be his blood respected as your own.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Do you command me then to make him King?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ELVIRA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">I only ask, that you would think of me.</l>
                           <l>I go, in hopes of justice from the Queen;</l>
                           <l>And, if I can, these combats to prevent.</l>
                        </lg>
                        <stage type="exit">
                           <hi rend="italic">(Exeunt severally.)</hi>
                        </stage>
                     </sp>
                  </div4>
                  <closer>End of the Second Act.</closer>
               </div3>
               <div3 type="ss2" id="d0e11825">
                  <pb id="p186" n="186"/>
                  <head type="main">Act Third.</head>
                  <div4 type="ss3" id="d0e11829">
                     <head type="main">SCENE FIRST.</head>
                     <stage type="setting">
                        <hi rend="italic">DONNA ELVIRA, DON ALVAREZ.</hi>
                     </stage>
                     <sp>
                        <speaker>D. ELVIRA.</speaker>
                        <lg type="verse paragraph">
                           <l>FORBEAR, my Lord! and chuse some other theme.</l>
                           <l>How dare you to pretend you love me still,</l>
                           <l>When in the Lists you fight to gain the Queen?</l>
                           <l>What star malevolent, thus rules your fate,</l>
                           <l>Making your arm a traitor to your heart?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ALVAREZ.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Imperious honour claims excuse from love.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ELVIRA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">A lover's honour is fidelity.</l>
                           <l>My Lord! you now can have no hopes from me;</l>
                           <l>To what does your ambitious heart pretend?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ALVAREZ.</speaker>
                        <lg type="verse paragraph">
                           <l>That you should pity a poor wretch's fate,</l>
                           <l>Your cruelty involves in such distress.</l>
                           <l>Oh! could my faithful love have won your heart,</l>
                           <l>This fatal honour never had been mine:</l>
                           <l>The States would not have nam'd me as a suitor,</l>
                           <l>Nor forced me, by their choice, to woo the Queen.</l>
                           <l>Oh, would to Heaven! that I may either die,</l>
                           <l>Or win the Queen, but to acquire Elvira.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ELVIRA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Vain are your prayers to wish for miracles.</l>
                           <pb id="p187" n="187"/>
                           <l>Embrace the glittering prize which fortune offers;</l>
                           <l>So much to your advantage is the change,</l>
                           <l>That it wipes off, that censure, and disgrace,</l>
                           <l>Which levity and fickleness excite.</l>
                           <l>But yet beware, Alvarez! that brave Carlos,</l>
                           <l>Does not avenge me, to your glory's downfall;</l>
                           <l>And make your pride repent of this desertion.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ALVAREZ.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Princess! this forc'd desertion more befriends me,</l>
                           <l>Than have whole years of persevering love:</l>
                           <l>When honour forces me to break my chains,</l>
                           <l>How I rejoice to be so much esteem'd,</l>
                           <l>As to excite your anger, and resentment.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ELVIRA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Count! you mistake the source of my displeasure.</l>
                           <l>Much it offends me, that you still persist</l>
                           <l>To persecute my heart, when you forsake me:</l>
                           <l>And, that you term my coldness cruelty.</l>
                           <l>Hope, gave I none, nor fought to gain that love,</l>
                           <l>I fear'd my unwilling heart could never share.</l>
                           <l>I own, with gratitude, your generous services,</l>
                           <l>When Heaven's inflictions did most sore beset me.</l>
                           <l>My best esteem must be your sole reward:</l>
                           <l>A heart magnanimous expects no more;</l>
                           <l>Nor seeks it to enslave, whom it has serv'd.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ALVAREZ.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Ah! think me not so mean of soul, to plead</l>
                           <l>Those services, your sacred Sex commands</l>
                           <l>From valour's arm; which I triumphant paid you.</l>
                           <l>All the poor merit, that Alvarez claims,</l>
                           <pb id="p188" n="188"/>
                           <l>Is from try'd love. and constant adoration:</l>
                           <l>Too happy had I been, could these have won you.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ELVIRA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">No Consort will I chuse, till I am Queen.</l>
                           <l>The nuptial tie, no hero shall involve</l>
                           <l>In my disastrous fortunes, to his ruin.</l>
                           <l>Europe, through all her States, has no alliance</l>
                           <l>For Isabel, or me; no King, nor Prince,</l>
                           <l>Whose power might rarely combat for my Kingdom.</l>
                           <l>And, should my present shining prospects fade,</l>
                           <l>Had I the meanness to accept your hand,</l>
                           <l>My Wars would drain the treasures of your House:</l>
                           <l>For when contending Monarchs play for Empires,</l>
                           <l>The noblest fortune scarcely pays <emph rend="italic">one</emph> stake.—</l>
                           <l>An undisputed, and more splendid Throne</l>
                           <l>Presents itself to your unsteady love;</l>
                           <l>Willing, perhaps, it found your heart to share it.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ALVAREZ.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">No! 'T was your cruelty expos'd me to it.</l>
                           <l>When on a rock you drive me to destruction,</l>
                           <l>Then you revile the shipwreck you have caus'd.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ELVIRA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">I blame you not, that you accept this fortune;</l>
                           <l>More favour'd lovers might have listen'd to it.</l>
                           <l>Yet, be what will the motives of your conduct,</l>
                           <l>With much less warmth it might have been embrac'd:</l>
                           <l>But <emph rend="italic">you</emph> fight first, and, this impatient zeal,</l>
                           <l>Proclaims, with how much joy, you break the chains,</l>
                           <l>Of ill-requited love, and gain your liberty.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ALVAREZ.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">How! could you bear the people should behold</l>
                           <pb id="p189" n="189"/>
                           <l>Your lover, the most cowardly of the Three?</l>
                           <l>Not daring to attack this glorious Carlos,</l>
                           <l>Till first his rivals had his force exhausted?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ELVIRA.</speaker>
                        <lg type="verse paragraph">
                           <l>Those rivals come, with them, my Lord, I leave you!</l>
                        </lg>
                        <stage type="exit">
                           <hi rend="italic">(Exit D. Elvira.)</hi>
                        </stage>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e12051">
                     <head type="main">SCENE SECOND.</head>
                     <stage type="setting">
                        <hi rend="italic">DON MANRIQUE, DON ALVAREZ, DON LOPEZ.</hi>
                     </stage>
                     <sp>
                        <speaker>D. MANRIQUE.</speaker>
                        <lg type="verse paragraph">
                           <l>Which treats you best, Alvarez! Love or Fortune?</l>
                           <l>Can the Queen charm so near the bright Elvira?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ALVAREZ.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">When I have won the Ring, I will declare.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LOPEZ.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">'T is thought, that Carlos rivals you in both;</l>
                           <l>And gives you cause for jealousy's keen pangs.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ALVAREZ.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">He makes more jealous than myself, I fear.——</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LOPEZ.</speaker>
                        <lg type="verse paragraph">
                           <l>Through pity, he should yield you one, or t' other,</l>
                           <l>Ending the contest, who shall make him King.</l>
                           <l>The fair Castile, and Arragon both wish it;</l>
                           <l>Two Queens, in beauty's prime, both sigh for Carlos.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ALVAREZ.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Then let that thought our lofty spirits humble:</l>
                        </lg>
                        <pb id="p190" n="190"/>
                        <lg type="verse paragraph">
                           <l>Though pride, and honour, storm with giant strength;</l>
                           <l>Love gives the palm, where justice might decree it.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. MANRIQUE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Yet you defy this idol of your praise.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ALVAREZ.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">My Lord! my honour is distinct from pride:</l>
                           <l>Honour impels me to demand the Lists;</l>
                           <l>And pride alone could make me scorn brave Carlos.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. MANRIQUE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">The Queen has order'd us to meet her here:</l>
                           <l>But, on what subject to confer, we know not.</l>
                           <l>This is a day of wonders and caprice;</l>
                           <l>But you, Alvarez! patient bear each change,</l>
                           <l>With calm indifference, and stoic apathy:</l>
                           <l>Whilst various torments rack my burning soul,</l>
                           <l>And love and pride, by turns, my bosom rule.</l>
                        </lg>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e12143">
                     <head type="main">SCENE THIRD.</head>
                     <stage type="setting">
                        <hi rend="italic">DONNA ISABELLA, DON MANRIQUE, DON LOPEZ, DON ALVAREZ.</hi>
                     </stage>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l>Leave us, Alvarez! I, to these Counts, would speak,</l>
                           <l>On matters of concernment to myself.</l>
                           <l>Your interest shall obtain my best regard,</l>
                           <l>You shall find all the favour you can wish.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ALVAREZ.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">When you command, I know but to obey.</l>
                        </lg>
                        <stage type="exit">
                           <hi rend="italic">(Exit D. Alvarez.)</hi>
                        </stage>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e12170">
                     <pb id="p191" n="191"/>
                     <head type="main">SCENE FOURTH.</head>
                     <stage type="setting">
                        <hi rend="italic">DONNA ISABELLA, DON MANRIQUE, DON LOPEZ.</hi>
                     </stage>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">I will remove all cause of discontent;</l>
                           <l>And, since my choice more honour will confer,</l>
                           <l>I will reclaim my Ring; and chuse myself.</l>
                           <l>But, from my choice, Alvarez I exclude;</l>
                           <l>Yet, the sole cause of this exclusion, Lords!</l>
                           <l>Is, that I know he loves the Queen of Arragon.—</l>
                           <l>In one of you, I view the future King.——</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. MANRIQUE <hi rend="italic">(kneeling).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">O Madam! how your words transport my soul!</l>
                           <l>E'en whilst I tremble between hope and fear.</l>
                           <l>If Lopez win you, I shall be less wretched,</l>
                           <l>Resigning you to such a worthy Lover.</l>
                           <l>Speak, Madam! my impetuous soul, eager</l>
                           <l>With hope, demands to know my bliss or woe.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Rise!—Ere I speak my choice, fain would I see,</l>
                           <l>Some certain proof, that 't is myself you love;</l>
                           <l>And not the splendour of my sovereign Rank.</l>
                           <l>Counts! I shall think myself most lov'd by him,</l>
                           <l>Who can my sentiments and thoughts adopt;</l>
                           <l>Like whom I like, and, whom I hate, despise.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LOPEZ.</speaker>
                        <lg type="verse paragraph">
                           <l>Lest we mistake your will, speak plainly, Madam!</l>
                        </lg>
                     </sp>
                     <pb id="p192" n="192"/>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">If I have liberal been to valiant Carlos,</l>
                           <l>Let me behold in you a like esteem;</l>
                           <l>Honour his virtues, do his merit justice.</l>
                           <l>For ne'er presume, I will a Consort chuse,</l>
                           <l>To have the King, I make, my work destroy;</l>
                           <l>Reclaim my favours, or disgrace my friends.</l>
                           <l>Therefore, let neither hope to share my Throne,</l>
                           <l>Till something worthy, on your parts, confirms</l>
                           <l>What I have done for Carlos: that by such act,</l>
                           <l>I may remain assur'd, the structure which</l>
                           <l>My gratitude has rear'd, shall not be raz'd:</l>
                           <l>For I must know it safe, from storm, or stratagem.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. MANRIQUE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Don Carlos, Madam! is most highly honour'd;</l>
                           <l>His happiness so much employs your thoughts,</l>
                           <l>Ours is to his inthrall'd: yet since to honour him,</l>
                           <l>Is to please you, instruct us how to act.——</l>
                           <l>The Palm of Victory, nor the Trump of Fame,</l>
                           <l>Ne'er gave renown to one more brave than Carlos.</l>
                           <l>He is most worthy your munificence;</l>
                           <l>And well deserves to be, what you have made him.</l>
                           <l>Our gratitude to him indebted stands,</l>
                           <l>And we wish'd largely, to acknowledge it.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LOPEZ.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">But after you, we can do nothing for him:</l>
                           <l>Carlos is rais'd above our power to favour.</l>
                           <l>What is there in our power, left to propose,</l>
                           <l>That would not be a degradation to him?</l>
                        </lg>
                     </sp>
                     <pb id="p193" n="193"/>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Gifts, in your power there are, he might accept;</l>
                           <l>Gifts, that would clear your names from black ingratitude,</l>
                           <l>And free my anxious mind from its disquiet;</l>
                           <l>Gifts, which, without disgrace, he might possess.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LOPEZ.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Then name them, Madam! Power, and not will, we lack,</l>
                           <l>To clear us from this charge of black ingratitude.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Counts! you have each a Sister. 'T is my will,</l>
                           <l>That He, whom I shall please to chuse for King,</l>
                           <l>When he receives my hand, at the same Altar,</l>
                           <l>Shall, to the Warrior Carlos, give his Sister,</l>
                        </lg>
                        <stage type="mix">
                           <hi rend="italic">(The Counts testify by their looks much surprise.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>Embrace him, as his Brother, and his Friend;</l>
                           <l>And thus secure him from my Husband's enmity.</l>
                           <l>Not that I need to fear his hate to Carlos;</l>
                           <l>As in Castile I shall be always Queen.</l>
                           <l>For the new King, whate'er his project be,</l>
                           <l>Will, though inthron'd, be only my first subject.</l>
                           <l>But to exert my plenitude of power,</l>
                           <l>Over the heart to which I gave my own,</l>
                           <l>Would pain my inmost soul in the extreme.</l>
                           <l>I urge this union as of strife preventive,</l>
                           <l>Then answer? Will ye give your full consent?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. MANRIQUE.</speaker>
                        <lg type="verse paragraph">
                           <l>Yes, Queen! our full consent—— to doom us both</l>
                           <l>To the most cruel death, rather than see,</l>
                           <pb id="p194" n="194"/>
                           <l>The bright, pure honours of a thousand years,</l>
                           <l>By such a marriage, in one moment tarnish'd.—</l>
                           <l>Too dear an Empire at a price like this!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l>Thus then, audacious Count! thus then you testify,</l>
                           <l>That Carlos is most worthy my munificence;</l>
                           <l>And well deserves to be, what I have made him.</l>
                           <l>Thus to except against the Rank I give,</l>
                           <l>Proud Manrique! is to scorn my sovereign power.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. MANRIQUE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">I do not, Queen! dispute your power to exalt</l>
                           <l>Carlos, or whom you please, e'en to our Rank.</l>
                           <l>No Sovereign stands accountable for dignities,</l>
                           <l>Which he confers, or gifts his liberality</l>
                           <l>Bestows. If he support, or raise, the unworthy,</l>
                           <l>'Tis his own work, and the shame all his own.</l>
                           <l>But to disgrace, by misalliance, blood,</l>
                           <l>Which, from my Ancestors, unsully'd flows,</l>
                           <l>No Monarch ever shall, by my consent;</l>
                           <l>First be it on a Public Scaffold spilt,</l>
                           <l>Rather than know such vile contamination;—</l>
                           <l>Mine, from inheritance, I owe account of it</l>
                           <l>To my brave Ancestors, and all Posterity:</l>
                           <l>Pure, from my great Forefathers I receiv'd it,</l>
                           <l>Pure, shall it still remain, or cease to flow.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Then, Manrique! I, who owe account to no one,</l>
                           <l>Will of your vaunted, noble blood dispose.</l>
                           <l>Be mine the shame of its contamination.</l>
                           <l>What mad extravagance makes you presume</l>
                           <pb id="p195" n="195"/>
                           <l>To think, I should propose, what would dishonour you?</l>
                           <l>How dare you to suspect me of such turpitude?</l>
                           <l>What law of rectitude, or nicest honour,</l>
                           <l>Have I infring'd, throughout my Life, proud Lord?</l>
                           <l>Or what disgrace incurr'd? I know of none,</l>
                           <l>But what I now incur——being forc'd to wed,—</l>
                           <l>Degrading thought,—the Vassal of my Crown;</l>
                           <l>Who,—whil'st I thus descend,—scorns to intrust</l>
                           <l>His honour to my care.——Say! in what character,</l>
                           <l>Subject, or Lover, dare you to treat me thus?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LOPEZ.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Pardon the ardour, which infatuates him,</l>
                           <l>And makes him disrespectful in his speech:</l>
                           <l>In marriage, both our Sisters are betroth'd.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">To whom?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. MANRIQUE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent4">His Sister, Madam! is to me affianc'd.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA <hi rend="italic">(to Manrique).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">To whom is yours engag'd?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. MANRIQUE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent8">To Lopez, Madam!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Then I am wrong in making either King.</l>
                           <l>Go, happy Lovers! go to your chosen Mistresses:</l>
                           <l>And to enhance the value of your love,</l>
                           <l>Tell them, with what contemptuous, galling scorn,</l>
                           <l>You have a Queen insulted, and disdain'd</l>
                           <l>A throne.—Retire! We hold no further conference.</l>
                        </lg>
                     </sp>
                     <pb id="p196" n="196"/>
                     <sp>
                        <speaker>D. LOPEZ <hi rend="italic">(kneeling).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2"> Yet hear us, Madam!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent6">And what have you to urge?</l>
                           <l>To speak in praise of constancy in love;</l>
                           <l>And that no earthly grandeur should seduce it?</l>
                           <l>If 't is a crime to violate this virtue,</l>
                           <l>I too, perhaps, my Lords! may learn to practise it.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LOPEZ.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Practise it, Madam!—But permit us first</l>
                           <l>To explain ourselves; that you may fully know</l>
                           <l>Don Manrique's heart, and mine, where you reign absolute;</l>
                           <l>As Queen respected, and ador'd as Mistress.——</l>
                           <l>Your choice will make the one, on whom it falls,</l>
                           <l>Supremely bless'd, the other doom to woe.</l>
                           <l>But to prevent all jealous feuds between us,</l>
                           <l>A mutual promise binds us in one interest.</l>
                           <l>If he be chosen, then I wed his Sister;</l>
                           <l>If I obtain you, mine with him unites:</l>
                           <l>Thus, Carlos cannot to the King be brother.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">And know you not, that, being what you are,</l>
                           <l>The feudatory Vassals of my State,</l>
                           <l>Your Sisters are my Subjects, and on me</l>
                           <l>Depend?—Without my order, and expressly</l>
                           <l>Against my will, in marriage to engage them,</l>
                           <l>Is to usurp my Throne, and give <emph rend="italic">me</emph> law.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. MANRIQUE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Assert your high prerogative as Sovereign,</l>
                           <pb id="p197" n="197"/>
                           <l>Command us, as the Vassals of your State:</l>
                           <l>Do not <emph rend="italic">request,</emph> unless we may <emph rend="italic">refuse.</emph>
                           </l>
                           <l>
                              <emph rend="italic">Command,</emph> we, at our peril, must obey.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LOPEZ.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">But, Queen! remember,—never will consent.—</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. MANRIQUE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">And yet, in deference to your election,</l>
                           <l>Thus far we will recede, through love and duty;</l>
                           <l>Carlos is generous and he knows his birth;</l>
                           <l>Let him in secret judge upon that knowledge.</l>
                           <l>And, if his blood be worthy of such union,</l>
                           <l>To us let him this marriage then propose;</l>
                           <l>And we the alliance shall an honour deem.</l>
                           <l>He has free choice to wed one of our Sisters;</l>
                           <l>If, after knowing these strict terms, he dare.</l>
                           <l>'T is at his peril if his birth be mean.——</l>
                           <l>Thus far we stoop to gain our royal Mistress.</l>
                           <l>Modest let Carlos be; or else this marriage,</l>
                           <l>Must in innumerable evils plunge him.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Yourself take care, lest him too much disdaining,</l>
                           <l>I teach you what a Queen should do, how reign. </l>
                           <l rend="indent2">Retire, my Lords!—I wish to be alone.</l>
                        </lg>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e12641">
                     <head type="main">SCENE FIFTH.</head>
                     <sp>
                        <speaker>
                           <hi rend="italic">DONNA ISABELLA (alone).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Whence this mysterious mutiny in both,</l>
                           <l>When their obedience would a Throne obtain?</l>
                           <pb id="p198" n="198"/>
                           <l>Does it arise from pride, from envy springs it?</l>
                           <l>Is it malignity, contempt, defiance?</l>
                           <l>Or can it be that noble, generous spirit,</l>
                           <l>Which wrestles with the power its fortune wants,</l>
                           <l>Fearing complacency might falsely seem</l>
                           <l>Like a vile parasite, through interest courteous?</l>
                           <l>Perhaps 't is Heaven's high hand that interferes;</l>
                           <l>Yet wherefore?—My weak sense searches in vain,—</l>
                           <l>Why wars affection with my fame and glory?</l>
                           <l>If only by these cruel, ceaseless conflicts</l>
                           <l>Of reason, pride, and shame, love is control'd,</l>
                           <l>Grant me the fortune, Heaven! I dare not take:</l>
                           <l>And, since for me thou hast not made a King,</l>
                           <l>To the most worthy of my subjects give me:</l>
                           <l>Inspire my people! let them name Don Carlos.</l>
                        </lg>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e12684">
                     <head type="main">SCENE SIXTH.</head>
                     <stage type="setting">
                        <hi rend="italic">DONNA ISABELLA, BLANCHE.</hi>
                     </stage>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">I have mispent my time. The haughty Counts,</l>
                           <l>At such a price, refuse the Diadem.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>BLANCHE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">I, Madam! am return'd successless too;</l>
                           <l>For Carlos, on such terms, rejects all fortune.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">What! Is he bent to render hate for hate,</l>
                           <l>And for contempt—contempt?</l>
                        </lg>
                     </sp>
                     <pb id="p199" n="199"/>
                     <sp>
                        <speaker>BLANCHE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent8">Oh! no, far otherwise.</l>
                           <l>The Sisters of the Counts he much esteems;</l>
                           <l>Thinks them deserving of a Monarch's love.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Why does he then reject this high alliance?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>BLANCHE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Some secret obstacle obstructs your plan:</l>
                           <l>For, though obscure and all confus'd his speech,</l>
                           <l>I could perceive a something, from his words,</l>
                           <l>As if some vow of constancy were made;</l>
                           <l>And his whole soul were wedded to the object.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Ah!—does he love elsewhere?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>BLANCHE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent8">I judge so, Madam!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Whom does he love?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>BLANCHE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent6">One of exalted Rank.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker> ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Alas!—but tell me whom?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>BLANCHE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent6">He loves a Queen.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">He loves a Queen!—Elvira is his choice.</l>
                           <l>He quits Castile, and goes with her to Arragon.—</l>
                           <l>Love, and not Glory, makes him quit my Court.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>BLANCHE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">You should desire his absence, as the means</l>
                           <l>To root this fatal passion from your heart.</l>
                        </lg>
                     </sp>
                     <pb id="p200" n="200"/>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Have I, to lose him, aggrandiz'd him then?</l>
                           <l>And shall a Queen, in the same cradle nurs'd with me,</l>
                           <l>Rear'd, and protected, by my Royal Parents,</l>
                           <l>Castile her refuge, and her sole defence,</l>
                           <l>Shall she,—ungrateful as this traitor Carlos,—</l>
                           <l>Rob me of what I priz'd the most; of Carlos</l>
                           <l>Of ungrateful, artful Carlos rob me?—</l>
                           <l>——I will not take such pains to save his life:</l>
                           <l>No; let the ingrate fight, and let him die.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>BLANCHE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Why should his love, or his retreat offend you?</l>
                           <l>I know not which he loves, you or Elvira;</l>
                           <l>Nor can I comprehend your wrathful Jealousy.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>
                           <sic corr="D. ISABELLA.">D. ELVIRA.</sic>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Then thou hast never love's disquiet known.</l>
                           <l>Stormy and fearful does it make my mind,</l>
                           <l>And tempests every feeling of my heart.</l>
                           <l>Elvira has no loftiness, no pride;</l>
                           <l>More generous, more exalted, than myself,</l>
                           <l>She, with the noble spirit of a Queen,</l>
                           <l>Bestows her Crown; she is belov'd, ador'd;</l>
                           <l>Whilst I am—left, scorn'd, hated, and renounc'd.</l>
                           <l>My pride, that dares not chuse him King, yet, brooks not</l>
                           <l>His desertion.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>BLANCHE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent4">Since you respect your honour</l>
                           <l>Too much to chuse him King, why wish his heart?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">I love him.———Can I bear to be disdain'd?</l>
                           <l>No; let him doating to distraction love me:</l>
                           <pb id="p201" n="201"/>
                           <l>Yet, so respect me, never to break silence.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>BLANCHE.</speaker>
                        <lg type="verse paragraph">
                           <l>Respect Your Self.—Combat, conceal, this passion.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Carlos contemns me, he can reign without me;</l>
                           <l>He loves Elvira, hence his false respect,</l>
                           <l>That dar'd not love me, but as Heaven is lov'd.</l>
                           <l>She loves him too, and to a Throne will raise him.</l>
                           <l>The Queen, her Mother, is indulgent, Blanche!</l>
                           <l>And her consent will sanctify their union;</l>
                           <l>A Parent's Judgment justifies the Child.</l>
                           <l>Elvira loves him, and will make him King.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>BLANCHE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Madam! 't is said, she will not now be Queen.</l>
                           <l>For Fame reports that yet her Brother lives.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">It cannot be; he died in early infancy.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>BLANCHE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">I but declare the rumour, which I heard,</l>
                           <l>That this Prince is not dead, and that he comes</l>
                           <l>Now with th' expected Deputies from Arragon.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">The Queen of Arragon believes him dead.</l>
                           <l>But in a Son restor'd to prop her state,</l>
                           <l>How will her sorrowing, widow'd heart rejoice;</l>
                           <l>Let mine, though lost to ev'ry hope of bliss,</l>
                           <l>Expand benevolent to greet her joy.</l>
                        </lg>
                        <stage type="exit">
                           <hi rend="italic">(Exit followed by Blanche.)</hi>
                        </stage>
                     </sp>
                  </div4>
                  <closer>End of Third Act.</closer>
               </div3>
               <div3 type="ss2" id="d0e12945">
                  <pb id="p202" n="202"/>
                  <head type="main">Act Fourth.</head>
                  <div4 type="ss3" id="d0e12949">
                     <head type="main">SCENE FIRST.</head>
                     <stage type="setting">
                        <hi rend="italic">DONNA LEONORA, DON MANRIQUE, DON LOPEZ.</hi>
                     </stage>
                     <sp>
                        <speaker>D. MANRIQUE.</speaker>
                        <lg type="verse paragraph">
                           <l>ACCEPT our joint congratulations, Madam!</l>
                           <l>That Heaven restores a Son you mourn'd as dead.</l>
                           <l>For though a Throne and Queen, in beauty's bloom,</l>
                           <l>Were never yielded, but with strong regret;</l>
                           <l>Although, to one of us, they both are promis'd,</l>
                           <l>We, seeing a King competitor, resign them;</l>
                           <l>Before the States revoke their choice of us.</l>
                           <l rend="indent2">The Prince, your <emph rend="italic">Son,</emph> back to your arms restor'd,</l>
                           <l>Shall find us faithful Subjects. Till he claims</l>
                           <l>There his high rights, accept for him our homage.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LOPEZ.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">We mourn as Lovers, but rejoice as patriots;</l>
                           <l>Our faithful hearts are to the State devoted;</l>
                           <l>Therefore we ardent wish Castile with Arragon,</l>
                           <l>To be united firm by this Alliance:</l>
                           <l>That their leagu'd forces may the Moors subdue.</l>
                           <l>Unblushing we resign this, glorious fortune;</l>
                           <l>Which, whilst it honour'd us, our Queen degraded.</l>
                           <l>Let Isabella and Don Sancho reign.</l>
                        </lg>
                     </sp>
                     <pb id="p203" n="203"/>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">My Lords! this gen'rous resignation flatters</l>
                           <l>Too soon my new rais'd hopes—Alas! what hopes?</l>
                           <l>My princely Son in infancy expir'd:</l>
                           <l>And this report, excites my grief, and wonder,</l>
                           <l>Opens the sources of my woes afresh,</l>
                           <l>Renews my sorrow for my first-born hope,</l>
                           <l>With all the yearning anguish mothers know,</l>
                           <l>Who mourn an only Son's untimely death.</l>
                           <l>Oh! did he live! now might his arm protect</l>
                           <l>His own, his Sister's and his Mother's cause.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LOPEZ.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Doubtless for this Heaven has preserv'd your Son.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Alas! my Lord! He has not been preserv'd.——</l>
                           <l>Nineteen long years I o'er his tomb have wept.</l>
                           <l>He cannot be alive——unless some miracle,</l>
                           <l>From Heaven's high hand, compels the yawning grave</l>
                           <l>To yield its prey.——All that concerns my Son,</l>
                           <l>I will relate: then judge, if this report</l>
                           <l>Have aught, on which a Mother's hope may build.—</l>
                           <l rend="indent2">I will not trace my troubles to their source:</l>
                           <l>For Arragon's revolt, and Garcia's usurpation,</l>
                           <l>From my long biding here, must be well known.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. MANRIQUE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Oft from our Fathers have we heard your woes;</l>
                           <l>How Ferdinand was from his Kingdom driven;</l>
                           <l>And you, ere eighteen summers' suns had grac'd</l>
                           <l>Your brow, were forc'd to seek for shelter here,</l>
                           <pb id="p204" n="204"/>
                           <l>Before the fair Elvira saw the light.</l>
                           <l>Thus much we know; in what remains instruct us.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Just as Don Ferdinand beheld the Rebel Garcia</l>
                           <l>Ready to mount his Throne, my Son was born:</l>
                           <l>Don Sancho was my hapless infant nam'd.</l>
                           <l>From barbarous Garcia's fury to protect him,</l>
                           <l>My royal Husband urg'd me to consent</l>
                           <l>To his conveyance to a safe retreat.</l>
                           <l>The place where Ferdinand conceal'd my Child,</l>
                           <l>I never knew.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. MANRIQUE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent4">Had you no clew to trace him,</l>
                           <l>That so one Day you might reclaim your Son?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">My husband with our Infant tokens sent:</l>
                           <l>Mine and his Portrait, with a braid of hair,</l>
                           <l>Pledge of my love, ere yet my bridal day;</l>
                           <l>And a deed, written by Ferdinand himself,</l>
                           <l>That own'd and that identify'd our Son.</l>
                           <l>These in an iron Casket were inclos'd;</l>
                           <l>Its secret spring known but to him, and me.—</l>
                           <l>Ah! these precautions prov'd but useless care.</l>
                           <l>Twelve Moons had scarcely wan'd when my Child dy'd;</l>
                           <l>Ere I again had clasp'd him to my breast.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LOPEZ.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Perhaps some false report might then deceive you;</l>
                           <l>We came expecting you could solve our doubts,</l>
                           <l>And realize the hope and wish of all,</l>
                           <pb id="p205" n="205"/>
                           <l>To find your Son in a most valiant hero.</l>
                           <l>Fain would I hope this rumour may prove true;</l>
                           <l>And that your Son still lives to glad your eyes.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Oh! 't is impossible! His Father, he himself,</l>
                           <l>Told the dire tale. He saw my babe expire,—</l>
                           <l>Catch'd his last breath,—and clos'd his beamless eyes.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. MANRIQUE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Would we could doubt the truth of his report!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">A Year of woe, and bloody contest pass'd,</l>
                           <l>Then Ferdinand rejoin'd his son in death,</l>
                           <l>Within my arms he died. His last words were,—</l>
                           <l>
                              <emph rend="italic">''Don Raymond has in charge, when time shall be,</emph>
                           </l>
                           <l>
                              <emph rend="italic">"A most important secret for thy ear;</emph>
                           </l>
                           <l>
                              <emph rend="italic">"Fly to Castile, live for our unborn Infant.——"</emph>
                           </l>
                           <l rend="indent2">Long did I hope this secret was my Son:</l>
                           <l>But Raymond never gave me hope it was.</l>
                           <l>Raymond is lost, and I shall never know it;</l>
                           <l>Five years are pass'd since he was prisoner made,</l>
                           <l>By Garcia's spies. I fear they murder'd him;</l>
                           <l>Too faithful to my cause, brave Raymond perish'd.</l>
                        </lg>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e13190">
                     <pb id="p206" n="206"/>
                     <head type="main">SCENE SECOND.</head>
                     <stage type="setting">
                        <hi rend="italic">DONNA LEONORA, DON MANRIQUE, DON LOPEZ, DON ALVAREZ.</hi>
                     </stage>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l>Hast thou learn'd, Count! whence this report arises?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ALVAREZ.</speaker>
                        <lg type="verse paragraph">
                           <l>Don Raymond lives; by me he greets you, Madam!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l>For my true Servant's life, kind Heaven! I thank thee!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ALVAREZ.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">More joy awaits you, Queen!———</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LEONORA <hi rend="italic">(with wild ecstasy).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent8">Have I, a Son?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ALVAREZ.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Don Sancho lives.——</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent5">Oh, lead me!—let me see him!—</l>
                           <l>Weep on his neck, and clasp him in my arms!—</l>
                           <l>My Son!!—my Son!!——Yet can it be, Great God!</l>
                           <l>Oh! bring me to him! make me know he lives!</l>
                        </lg>
                     </sp>
                     <stage type="exit">
                        <hi rend="italic">(Going.)</hi>
                     </stage>
                     <sp>
                        <speaker>D. ALVAREZ <hi rend="italic">(staying the Queen).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Don Raymond seeks him.——</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent6">Seeks him? Oh! all is false—</l>
                        </lg>
                        <stage type="mix">
                           <hi rend="italic">(Leans half-fainting upon D. Manrique.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>I hop'd him come with Raymond, this the secret,</l>
                           <l>Which, dying Ferdinand declar'd, he knew.</l>
                        </lg>
                     </sp>
                     <pb id="p207" n="207"/>
                     <sp>
                        <speaker>D. ALVAREZ.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Madam, it is. And Raymond seeks Don Sancho</l>
                           <l>Here, in this Court.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent5">Ah! vain research, Alvarez!</l>
                           <l>Will you conduct Don Raymond hither to me.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ALVAREZ.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">He to the assembled troops is gone, in hopes</l>
                           <l>To find Don Sancho midst their Captains.</l>
                           <l>Don Raymond join'd the Deputies from Arragon,</l>
                           <l>After their messengers were sent to announce</l>
                           <l>To you their near approach. Then he declar'd</l>
                           <l>That their Prince liv'd; that here, he hop'd to find him,</l>
                           <l>As in the armies of Castile he long has serv'd.—</l>
                           <l>I will seek Raymond, Madam! but so eagerly,</l>
                           <l>Do your brave Arragonians press around him,</l>
                           <l>Their Prince demanding, that I doubt, to bring</l>
                           <l>Him hither, I must bring the whole wild multitude.</l>
                        </lg>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e13315">
                     <head type="main">SCENE THIRD.</head>
                     <stage rend="SETTING" type="mix">
                        <hi rend="italic">DONNA LEONORA, DON MANRIQUE, DON LOPEZ.</hi>
                     </stage>
                     <sp>
                        <speaker>D. MANRIQUE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">As here Don Raymond seeks him, I believe,</l>
                           <l>Either that Heaven has torn Don Sancho from you,</l>
                           <l>Or that he lives in the Illustrious Carlos.</l>
                        </lg>
                     </sp>
                     <pb id="p208" n="208"/>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l>Carlos, my Lord?—And thinks Don Manrique thus?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LOPEZ.</speaker>
                        <lg type="verse paragraph">
                           <l>This is the thought, and wish of a whole People:—</l>
                           <l>When it was known that here your son was sought,</l>
                           <l>All with one voice exclaim'd, "He must be Carlos!"</l>
                           <l>We judg'd that you could have explain'd the mystery.</l>
                           <l>And therefore sought your presence to explore it.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. MANRIQUE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Madam! though envious of Carlos deem'd,</l>
                           <l>I own that his whole life, since we have known him,</l>
                           <l>Throughout its wondrous course, appears one miracle:</l>
                           <l>Himself and fortune almost supernatural.</l>
                           <l>His high strung virtue that enchants all minds;</l>
                           <l>His lofty valour, which transcends my praise,</l>
                           <l>His port majestic and his winning mien,</l>
                           <l>Give him access, beyond a Subject's reach,</l>
                           <l>To thrones: Two Queens, all emulous, strive,</l>
                           <l>Who shall esteem and honour him the most;</l>
                           <l>Nay, e'en from love, can scarce defend their hearts.</l>
                           <l>The prompt respect of an adoring People,</l>
                           <l>Who, like some god, gaze at him as he passes,</l>
                           <l>All, with resistless evidence, evinces</l>
                           <l>That valiant Carlos is your long-lost Son.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">In such a Son, how might a Mother triumph?</l>
                           <l>But yet beware, my Lords! how you inspire</l>
                           <l>The thought, that Carlos is my long-mourn'd Child;</l>
                           <l>Lest I mistake a woman's conscious pride,</l>
                           <l>That would exult to own a Son like him,</l>
                           <pb id="p209" n="209"/>
                           <l>For Nature's sacred voice within my breast.</l>
                           <l>He has a Prince's spirit, not his birth;</l>
                           <l>Himself, by his own conduct, this attests,</l>
                           <l>Leaving the Queen to chuse, amongst her Subjects,</l>
                           <l>The Partner of her royal bed and Throne.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. MANRIQUE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">See you not, Madam! that his princely spirit</l>
                           <l>Prepares to gain this conquest o'er all three.</l>
                           <l>Have you forgotten what he said before you?</l>
                           <l>
                              <emph rend="italic">"I will owe nought to those who gave me life"—</emph>
                           </l>
                           <l>Nobly his heart resigns that high advantage,</l>
                           <l>To owe his greatness only to his courage.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LOPEZ.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Behold him! we shall know from him the truth.</l>
                        </lg>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e13434">
                     <head type="main">SCENE FOURTH.</head>
                     <stage type="setting">
                        <hi rend="italic">DON LEONORA, DON CARLOS, DON MANRIQUE, DON LOPEZ.</hi>
                     </stage>
                     <stage type="mix">
                        <hi rend="italic">(Carlos enters with precipitation. Donna Leonora flies to him with open arms; Carlos retreats.)</hi>
                     </stage>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Am I so bless'd to have a Son like Thee?</l>
                           <l>A mother's happiness,—a widow's joy,</l>
                           <l>Hangs on thy answer;—Carlos! art thou my Son?—</l>
                           <l>Speak, ere a Mother's exstasy of hope</l>
                           <l>O'ercomes my soul, and my arms clasp thy neck.</l>
                           <pb id="p210" n="210"/>
                           <l>If thou be alien to my blood, O speak!</l>
                           <l>But let my long-lost Son come to my arms.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">O Queen! I grieve to find this errour spread;</l>
                           <l>Reserve these transports for your happy Son;</l>
                           <l>I am not he.—I sought you to complain;</l>
                           <l>And beg release from an offensive honour.—</l>
                           <l>The People obstinately bent to take</l>
                           <l>Away my name, declare I am Don Sancho,</l>
                           <l>And Prince of Arragon. His presence soon</l>
                           <l>Will prove how much mistaking they have been,</l>
                           <l>In thinking me that Prince. I am rais'd up</l>
                           <l>The phantom of an hour. Such cruel mockery</l>
                           <l>Abases you, O Queen! as well as Carlos.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Oft is the People's voice the voice of Heaven:</l>
                           <l>Impulsively at once it bursts inspir'd.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LOPEZ.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">My Lord! we know, from well-confirm'd report,</l>
                           <l>That; in the armies of Castile, Don Sancho serves,</l>
                           <l>Unknown 't is true, save to himself alone.</l>
                           <l>Therefore all eyes are fix'd on you, as one,</l>
                           <l>Whose dazzling merit, speaks exalted Rank.</l>
                           <l>No longer, Prince! deny what Heaven proclaims.</l>
                           <l>You have obliged us to transgress against you,</l>
                           <l>When you should not have forc'd our disrespect.</l>
                           <l>Our high esteem for Carlos was well known;</l>
                           <l>Our pride warr'd not with him, but with his birth.</l>
                           <l>Though Carlos we disdain'd, yet we respect</l>
                           <l>Don Sancho, will accept him for our Monarch,</l>
                           <pb id="p211" n="211"/>
                           <l>When to our Queen he deigns to own himself.</l>
                           <l>Quit your disguise, my Lord! and as Don Sancho,</l>
                           <l>And our chosen King, receive our loyal homage.</l>
                        </lg>
                        <stage type="mix">
                           <hi rend="italic">(They take off their hats, and with their right
hands upon their hearts, they bow.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l>This false respect, with which you have surpris'd me,</l>
                           <l>Is more injurious, Counts! than your contempt.</l>
                           <l>I thought this strange report the work of chance;</l>
                           <l>Not doubting any bold enough to dare,</l>
                           <l>To make a pageant King of me for sport.</l>
                           <l>Is this the jest of your exuberant spirits?</l>
                           <l>Then learn, gay Lords! that the brave honour valour;</l>
                           <l>And that your equals, in the field, respect,</l>
                           <l>Nor make of mine a mockery, a may-game.</l>
                           <l>If this be your intent, first vanquish, then</l>
                           <l>Deride me; victorious, you may railly me</l>
                           <l>With grace: Now you anticipate your privilege.</l>
                           <l>The Queen's Ring still I guard; and this derided</l>
                           <l>Carlos, his family, and race unknown,</l>
                           <l>The sceptre of Castile from you withholds.</l>
                           <l>This arm which from captivity redeem'd you,</l>
                           <l>May still control, and humble your ambition.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. MANRIQUE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Your speech is that of Monarch, not of Carlos.</l>
                           <l>Your mien assumes the prince, though you deny it:</l>
                           <l>We still defend the honour of our rank;</l>
                           <l>Though prompt to pay what we hop'd due to yours.</l>
                           <l rend="indent2">Madam! we leave to you to explain this mystery.</l>
                           <l>A secret charm for Carlos pleads most strongly;</l>
                           <pb id="p212" n="212"/>
                           <l>But you can best develop Nature's voice.</l>
                           <l rend="indent2">We go; lest, by his pride, Carlos should force us</l>
                           <l>To lay aside that high respect we owe you.</l>
                        </lg>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e13595">
                     <head type="main">SCENE FIFTH.</head>
                     <stage type="setting">
                        <hi rend="italic">DONNA LEONORA, CARLOS.</hi>
                     </stage>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l>Madam! you see with what contempt they treat me.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l>Leave this dispute; and speak we of Don Sancho.</l>
                           <l>These Lords, though proud, yet generously declare,</l>
                           <l>That in this Court, no Stranger, but yourself,</l>
                           <l>Has, of a Prince disguis'd, the port and virtues;</l>
                           <l>That, if Don Sancho live, he lives in you.</l>
                           <l>Say, are you well acquainted with your birth?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Alas! I am.——Were I some Infant, winds</l>
                           <l>And waves had spar'd, some little wretch forlorn,</l>
                           <l>By parents in a desert left,—to milder beasts</l>
                           <l>Expos'd,—through hatred, fear, or cruel shame;</l>
                           <l>By hazard found, and from kind pity nurtur'd;</l>
                           <l>My pride, at this report, would rise to hope,</l>
                           <l>Beholding you, thus doubtful, thus distress'd.</l>
                           <l>For I am high of heart and most ambitious.</l>
                           <l>Sceptres and diadems transport my soul;</l>
                           <l>And my presumptuous mind impetuous soars</l>
                           <pb id="p213" n="213"/>
                           <l>Beyond all bounds, in useless, idle flights.</l>
                           <l>Whilst a few warlike deeds sustain vain thoughts;—</l>
                           <l>Sudden my eyes cast inward, they are dash'd</l>
                           <l>From godlike heights to deep humiliation.—</l>
                           <l>——I know my Parents.—I am not Don Sancho.—</l>
                           <l>He with your Deputies perhaps is come;</l>
                           <l>And a few hours will bring him to your arms.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">The Counts have lighted in my mind a hope,</l>
                           <l>I fain would cherish.—Always I esteem'd you;</l>
                           <l>A secret movement, in despite of me,</l>
                           <l>Inclin'd me ever to admire, nay love you.</l>
                           <l>And something now, intuitively strong,</l>
                           <l>Within my breast, disowns your words; and says,</l>
                           <l>You are deceiving me, or else deceiv'd.</l>
                           <l>What animates me thus I cannot tell;</l>
                           <l>Whether the ardour of a Mother's love,</l>
                           <l>Or admiration for transcendent merit;</l>
                           <l>Whether the sacred voice of Nature speaks,</l>
                           <l>Or my esteems pays tribute to your worth;</l>
                           <l>Whether my heart, drawn by mysterious instinct,</l>
                           <l>Thus owns its blood, or my soul makes a choice.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Such thoughts as these deceive their followers,</l>
                           <l>As the night-meteor travellers misleads;</l>
                           <l>They are delusions all. Then, Queen! resist them.</l>
                           <l>If the least gleam of dawning hope could rise</l>
                           <l>Within my breast, that I your Son could be,</l>
                           <l>Think with what towering joy, what exultation,</l>
                           <l>I, at your feet, should fall, and claim your love.</l>
                           <pb id="p214" n="214"/>
                           <l>The lofty pride of my aspiring mind,</l>
                           <l>Would glory to be Master of a Throne;</l>
                           <l>But, with a dearer triumph would rejoice</l>
                           <l>In such a Mother; whose exalted rank,</l>
                           <l>Is less conspicuous than her long-try'd virtues.</l>
                           <l>Again,—with solemn truth,—I re-assure you—</l>
                           <l>I know my Parents:—I am not Don Sancho.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">With pain my heart relinquishes the thought.—</l>
                           <l>O God of Heaven! hadst thou for me preserv'd</l>
                           <l>A Son like this, how would my widow'd heart</l>
                           <l>Exult with joy, and praise thy wondrous mercy!</l>
                           <l>How should I glory if thou wert my Son!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Would that I were! but I am not so bless'd.——</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Since you deny it, you are not my Son:</l>
                           <l>No longer hide your Birth; reveal this mystery.</l>
                           <l>However high your thoughts may have aspir'd,</l>
                           <l>Carlos! my condemnation fear not.</l>
                           <l>So great is my esteem, that in your favour,</l>
                           <l>My prosperous fortune, and my regal power,</l>
                           <l>I will exert to honour and distinguish you,</l>
                           <l>E'en to the height of most ambitious thoughts.</l>
                           <l>I think your virtues worthy of a Throne:</l>
                           <l>If noble blood flow in your veins, Don Carlos!</l>
                           <l>A fate awaits you will reward your merits.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">The secret of myself—must rest with <emph rend="italic">me:</emph>
                           </l>
                           <l>Never, to mortal ear, to be reveal'd.</l>
                        </lg>
                     </sp>
                     <pb id="p215" n="215"/>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">If, with this secret, you will intrust me,</l>
                           <l>At least, refuse me not another boon;</l>
                           <l>Which, as a Mother, earnestly I crave.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Name it. For you, Elvira, and the Queen,</l>
                           <l>I live, and, in the cause of each, had I</l>
                           <l>Ten thousand lives, I would expend them all.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">The boon I ask, is, to withdraw your services.</l>
                           <l>We now can reign without your succour, Carlos!</l>
                           <l>The death of Garcia has repair'd his crimes;</l>
                           <l>And renders Arragon back to its Sovereign.</l>
                           <l>A child of mine, in peace, now mounts its Throne:</l>
                           <l>Don Sancho if he live; or else my Daughter.</l>
                           <l>No longer then prepare to follow us;</l>
                           <l>Constrain us not that honour to accept.</l>
                           <l>With candour, Carlos! does a Mother own,</l>
                           <l>That, with such dazzling virtues, much she fears you.</l>
                           <l>To judgment such as yours this may suffice.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Why must I thus be treated in extremes?</l>
                           <l>Lov'd as a Son, or hated as a foe?</l>
                           <l>In what do I offend? Whence your disdain?</l>
                           <l>Why, of the only joy I had, bereave me?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Brave youth! I see with grief the pain you feel.</l>
                           <l>Your birth conceal'd, commands this conduct from me:</l>
                           <l>In me 't is prudent, and to you most friendly.</l>
                           <pb id="p216" n="216"/>
                           <l>I but prevent the wretchedness of all;</l>
                           <l>Forbidding hopes, which never must be answer'd.</l>
                           <l>I am constrain'd your service to relinquish.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l>I thought my griefs had reach'd their worst extreme:</l>
                           <l>But this rejection of my humble aid,</l>
                           <l>Wounds with a pang, I never thought to feel.</l>
                           <l>The last, bright ray, that cheer'd my lonely mind,</l>
                           <l>It is your pleasure to obscure for ever;—</l>
                           <l>The Sun will never rise for me again.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Farewell! grateful I thank the zeal you shew'd</l>
                           <l>To serve our cause. I hold you, generous Carlos!</l>
                           <l>In high esteem:—respect you——beyond words.</l>
                           <l>Accept a friend's best wishes, who regrets you:</l>
                           <l>May ev'ry blessing Heaven reserves for virtue,</l>
                           <l>Your portion be; may peace, content, and honour,</l>
                           <l>Make your life happy, and long flourish round you.</l>
                           <l>When next your happy Mother's arms shall clasp you,</l>
                           <l>Tell her, she has more joy, than Thrones can give,</l>
                           <l>A joy, I would were mine, a Son like you.—</l>
                           <l>——Speak not!—This moment rends my heart—may Heaven!——</l>
                        </lg>
                        <stage type="mix">
                           <hi rend="italic">(The Queen retires with precipitation much agitated.)</hi>
                        </stage>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e13904">
                     <pb id="p217" n="217"/>
                     <head type="main">SCENE SIXTH.</head>
                     <stage type="setting">
                        <hi rend="italic">DON CARLOS, BLANCHE.</hi>
                     </stage>
                     <sp>
                        <speaker>BLANCHE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">What can thus agitate the Queen, my Lord!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Her just rejection and disdain of me.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>BLANCHE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Disdain a hero! who is own'd for King.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Fair Lady! aid not envy thus to mock me;</l>
                           <l>I have no claim to such a glorious title.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>BLANCHE.</speaker>
                        <lg type="verse paragraph">
                           <l>The Queen herself believes you Prince of Arragon.</l>
                           <l>To her your silence has been most ungrateful;</l>
                           <l>Her generosity to valiant Carlos,</l>
                           <l>Deserv'd the instant thanks e'en of Don Sancho.</l>
                           <l>I came to summon your attendance on her.</l>
                           <l>And see, she comes to give you audience here.</l>
                        </lg>
                        <stage type="exit">
                           <hi rend="italic">(Exit Blanche.)</hi>
                        </stage>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e13956">
                     <head type="main">SCENE SEVENTH.</head>
                     <stage type="setting">
                        <hi rend="italic">DONNA ISABELLA, DON CARLOS.</hi>
                     </stage>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Why has Don Sancho thus conceal'd himself?</l>
                           <l>I dare not offer gratulations to him,</l>
                           <pb id="p218" n="218"/>
                           <l>Those he despises, since he would not claim them,</l>
                           <l>Rejecting his advantages as King.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">I have no claim to gratulations, Madam!</l>
                           <l>You are deceiv'd in thinking me Don Sancho.——</l>
                           <l>Permit me instantly to quit Castile,</l>
                           <l>And shun the gathering storm, that threats my head.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l>What can you fear? What thus appals you, Marquis?</l>
                           <l>Because a Monarch deem'd are you offended,</l>
                           <l>When your own virtues force us to presume it?</l>
                           <l rend="indent2">If not Don Sancho, tell me who you are?</l>
                           <l>Though you disdain'd, when brav'd, to name your race,</l>
                           <l>Yet, I entreat you, now confide in me.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <l rend="indent2">Already is my secret half betray'd;</l>
                        <lg type="verse paragraph">
                           <l>In vain I hid my country and my race,</l>
                           <l>In vain assum'd another name, disdainful,</l>
                           <l>Hating the one fate gave me at my birth.</l>
                           <l>My Name and Country are discovered both;</l>
                           <l>I am of Arragon,—there Sancho nam'd.—</l>
                           <l>Thus much this fatal errour has unravell'd,</l>
                           <l>I fear Fate's malice will disclose the rest;</l>
                           <l>And soon reveal with shame, and dire disgrace,</l>
                           <l>What Count, what Marquis, you have deign'd to make.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Have I nor power, nor courage to protect</l>
                           <l>The structure I have rear'd? Who shall destroy it?</l>
                           <l>Then trust me, Carlos! trust me with this secret,</l>
                           <pb id="p219" n="219"/>
                           <l>As to a chosen and most zealous friend;</l>
                           <l>And I who wrought your fortune will maintain it.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Let me depart, ere I a victim fall</l>
                           <l>To the dire fate, that menaces me here;</l>
                           <l>And screen myself from what its wrath prepares.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Count, you deceive me! this weak, idle fear,</l>
                           <l>Is love's pretence to quit my Court and Kingdom.</l>
                           <l>Hence your disdain of the fair Bride I offer'd you.</l>
                           <l>Go into Arragon. Your Princess follow;—</l>
                           <l>Go openly! nor thus descend to counterfeit.</l>
                           <l>Since your proud heart is by her charms enslav'd,</l>
                           <l>Do not abase yourself to ask my leave;</l>
                           <l>Depart triumphant, in despite of <emph rend="italic">me.</emph>
                           </l>
                           <l>To go, without my knowledge, is less insult,</l>
                           <l>Than to depart against my prohibition.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">In mercy, Madam! add not to my woes,</l>
                           <l>Your cruel scorn, and undeserv'd reproach.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Why then delude me with evasive art,</l>
                           <l>Act from one motive, and another own?</l>
                           <l>For such deceit is most ungrateful, Carlos!</l>
                           <l>You love Elvira,——therefore quit my Court.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">No, Madam, no! I love not bright Elvira:</l>
                           <l>Though I would fight her cause, and die to serve her.</l>
                           <l>Death is my only wish, 't is the sole good,</l>
                           <l>Heaven has in store for me——</l>
                        </lg>
                     </sp>
                     <pb id="p220" n="220"/>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent8">Whence this despair?</l>
                           <l>Art thou not grac'd by fortune's richest gifts?</l>
                           <l>And has not Nature, with a lavish hand,</l>
                           <l>Endow'd thee amply, with her choicest blessings?</l>
                           <l>Who is more envy'd, Carlos! than thyself?</l>
                           <l>Then why repine, and whence this strange despondency?</l>
                           <l>Is it within the compass of my power</l>
                           <l>To cure thy griefs?—Speak! for I wish thee happy.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Canst thou reverse the stern decrees of Heaven;</l>
                           <l>And by a miracle change nature's course?—</l>
                           <l>Annul the past, from memory's fix'd record;</l>
                           <l>And change the future destiny of things?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">I understand a sorrow in your words,</l>
                           <l>But not their purport, Carlos! What afflicts you?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">A cureless grief which I must never speak.</l>
                           <l>Which, till it almost bursts, my heart has borne.</l>
                           <l>For pity's sake, O Queen! no more reproach me;</l>
                           <l>But grant me leave, to spend in solitude,</l>
                           <l>My rest of days.——I must not——cannot stay.—</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Though to a friend's entreaties you are silent;</l>
                           <l>Yet surely to a Queen some reason's due,</l>
                           <l>For quitting thus, her service and her Court.</l>
                           <l>How can you justify this sudden conduct,</l>
                           <l>So strange, and so unlike the intrepid Carlos?</l>
                        </lg>
                     </sp>
                     <pb id="p221" n="221"/>
                     <sp>
                        <speaker>D. CARLOS <hi rend="italic">(wildly).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Adoring you, I cease to be myself.</l>
                           <l>No more I wish for fame, nor value life.—</l>
                           <l>Oh! must I see you in another's arms?</l>
                           <l>My mind is fir'd to phrenzy at the thought:</l>
                           <l>Love, envy, and despair, uproot my soul.—</l>
                           <l>I thought to hide this secret in the grave;</l>
                           <l>I fought to die, without offending you.</l>
                        </lg>
                        <l>But love, this day, dethrones my feeble reason.—</l>
                        <stage type="mix">
                           <hi rend="italic">(Kneels.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>Can you forgive a wretch, who, on the rack,</l>
                           <l>Has fail'd in firmness, and breath'd forth one sigh,</l>
                           <l>Which, though repented, cannot be recall'd.</l>
                           <l>For you my heart felt the first pulse of love.</l>
                           <l>A heaven inspir'd emotion, undebas'd</l>
                           <l>By self regard, or thought of due return:</l>
                           <l>Hopeless I sigh'd, nor one fond wish dar'd form.—</l>
                           <l>I go for ever———must I go unpardon'd?——</l>
                        </lg>
                        <stage type="mix">
                           <hi rend="italic">(The Queen turns weeping to him.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>Madam! you weep! Oh! whence proceed those tears?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Carlos!———<stage type="mix">
                                 <hi rend="italic">(stops, unable to speak )</hi>
                              </stage>
                           </l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">O Isabella!———O my royal mistress!</l>
                           <l>What have I done? Have I fresh cause for anguish?</l>
                           <l>Those tears!—burst they from aught but indignation?</l>
                           <l>Scorn were less poignant to my tortur'd mind,</l>
                           <l>Than to have griev'd your heart, or caus'd one tear.</l>
                           <l>And can I ask?——Yes:——pity me and frown!</l>
                           <pb id="p222" n="222"/>
                           <l>Your anger, that will lacerate my heart,</l>
                           <l>Will glad my soul, when reason reigns again.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">'Gainst one, who so unwillingly offends,</l>
                           <l>I feel no anger.——Carlos! you are pardon'd.</l>
                        </lg>
                        <stage type="mix">
                           <hi rend="italic">(Signs to him to rise.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">That pardon is more dear, than all your gifts.</l>
                           <l>Madam! receive your Ring; revoke your trust.</l>
                           <l>I must depart, and hide my guilty head.——</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA <hi rend="italic">(irresolute, after a pause).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Stay till the Prince of Arragon appears:</l>
                           <l>Give him my Ring. A Queen, for all the favours</l>
                           <l>She has bestow'd, entreats that one from <emph rend="italic">you.</emph>
                           </l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">O Madam! let me shun impending fate.</l>
                           <l>If I obey you, I incur its wrath.——</l>
                           <l>The haughty Counts seek to dishonour me;</l>
                           <l>I would preserve my honour to my grave;</l>
                           <l>Let my heart burst with grief, but not with shame.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Stay till Don Sancho comes, ere you depart.</l>
                           <l>Let me in this command;——oblige me, Carlos!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Oh! fatal mandate! but your will is law.</l>
                           <l>You doom me, Queen! to what is worse than death;</l>
                           <l>To contumelious scorn from those who hate me.</l>
                           <l>Yet,—if you wish it,—why should I repine.—</l>
                           <l>I'll stay, and brave the malice of my fate:</l>
                           <l>When you command, I have no self-regard.</l>
                        </lg>
                     </sp>
                     <pb id="p223" n="223"/>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Why art thou not Don Sancho! hapless Carlos!</l>
                           <l>O Heaven!——believe me not—what have I said?</l>
                        </lg>
                        <stage type="mix">
                           <hi rend="italic">(Going.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">What, with strange magic, tortures and delights,</l>
                           <l>Consoles me, whilst it wounds my aching sense,</l>
                           <l>What, has charm'd all the horrours of my fate;</l>
                           <l>What, I most joy to hear, yet grieve to know.</l>
                        </lg>
                        <stage type="exit">
                           <hi rend="italic">(Exeunt severally.)</hi>
                        </stage>
                     </sp>
                  </div4>
                  <closer>End of the Fourth Act.</closer>
               </div3>
               <div3 type="ss2" id="d0e14360">
                  <pb id="p224" n="224"/>
                  <head type="main">Act Fifth.</head>
                  <div4 type="ss3" id="d0e14364">
                     <head type="main">SCENE FIRST.</head>
                     <stage type="setting">
                        <hi rend="italic">DONNA LEONORA, DONNA ELVIRA.</hi>
                     </stage>
                     <sp>
                        <speaker>D. ELVIRA.</speaker>
                        <lg type="verse paragraph">
                           <l>HAS aught appear'd to justify the rumour,</l>
                           <l>That Heaven, in Carlos, sends you back a Son?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">The haughty Counts, and the whole Court agree,</l>
                           <l>That Carlos is Don Sancho, and my Son.——</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ELVIRA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">He is my brother then?——</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent6">No, my Elvira!</l>
                           <l rend="indent2">Carlos that name disowns. I have just seen him,</l>
                           <l>And 't was an interview that pain'd my soul.</l>
                        </lg>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e14402">
                     <head type="main">SCENE SECOND.</head>
                     <stage type="setting">
                        <hi rend="italic">DONNA ISABELLA, DONNA LEONORA, DONNA ELVIRA.</hi>
                     </stage>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Let me not interrupt, but share your converse</l>
                           <l>If it regard your Son; what have you learn'd?</l>
                        </lg>
                     </sp>
                     <pb id="p225" n="225"/>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">No more enlighten'd are we than yourself;</l>
                           <l>But wait, with doubtful wonder and impatience,</l>
                           <l>To have this fateful mystery unravell'd.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l>But from whom comes the news of Garcia's death,</l>
                           <l>And this report, so widely spread, so eagerly</l>
                           <l>Receiv'd, that your Son lives? The different couriers,</l>
                           <l>Who for this month arrive, come but with Treaties,</l>
                           <l>From Arragon revolted in your favour;</l>
                           <l>Its Deputies by your appointment come,</l>
                           <l>This Day, to swear Allegiance to their Queen:</l>
                           <l>But of Don Sancho's life, or Garcia's death,</l>
                           <l>Why has the information been delay'd?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l>Nor my Son's life, nor Garcia's death, were known,</l>
                           <l>Till Raymond join'd, last night, the Deputies.</l>
                           <l>When first from Saragossa they departed;</l>
                           <l>Our party were besieging, in their last fortress,</l>
                           <l>The traitor Garcia, and his rebel Son;</l>
                           <l>They being slain, the garrison surrender'd:</l>
                           <l>And Raymond, who was prisoner there, set free.</l>
                           <l>He instantly proclaim'd that their Prince liv'd;</l>
                           <l>And he set out, with speed, to seek Don Sancho;</l>
                           <l>Thinking, with him, to o'ertake the Deputies,</l>
                           <l>Who, of his Life, or Garcia's death, were ignorant.</l>
                           <l>Last night he join'd them, after their Messengers</l>
                           <l>To me had been dispatch'd: and he inform'd them,</l>
                           <l>That their young Prince resides, here, in your Court.</l>
                           <l>All anxious as I am, no more I know.</l>
                           <pb id="p226" n="226"/>
                           <l>I have not yet seen Raymond, so intent</l>
                           <l>Is he in searching for my Son throughout</l>
                           <l>Your hosts. But here, each moment, I expect him.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA <hi rend="italic">(going).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">I hope he comes to bring you certain tidings.—</l>
                           <l>Fearing to interrupt, I leave you, Madam!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Remain! For this report concerns us equally.</l>
                           <l>If my Son live, a Monarch claims your hand;</l>
                           <l>And heaven rewards <emph rend="italic">you</emph> for your Fathers virtues.</l>
                           <l>That Crown he strove to gain for my Elvira,</l>
                           <l>Shall by his Child be worn. Thus, whilst he toil'd</l>
                           <l>For others good, he aggrandiz'd his Race.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ELVIRA.</speaker>
                        <lg type="verse paragraph">
                           <l>My Friend! henceforth my Sister, and my Queen,</l>
                           <l>Heaven has decreed my Diadem to you:</l>
                           <l>Reign with my Brother! and be happy long.</l>
                        </lg>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e14529">
                     <head type="main">SCENE THIRD.</head>
                     <stage type="setting">
                        <hi rend="italic">DONNA ISABELLA, DONNA LEONORA, DONNA ELVIRA, BLANCHE.</hi>
                     </stage>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l>What, news brings Blanche, with that, astonish'd look?</l>
                           <l>Is my Son found?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>BLANCHE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">No, Madam! no!——</l>
                        </lg>
                     </sp>
                     <pb id="p227" n="227"/>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent6">What agitates thee thus?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>BLANCHE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">O cruel fate!——Oh! Why did Carlos stay?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Speak! What of Him?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>BLANCHE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent6">Dishonour'd! and undone!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ELVIRA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Dishonour'd, Blanche!—Carlos dishonour'd—</l>
                           <l>It cannot be!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>BLANCHE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent4">His Father is arriv'd.——</l>
                           <l>A peasant Shepherd is the Sire of Carlos.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Who told thee this?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>BLANCHE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent6">I saw their meeting, Madam!</l>
                           <l>And all the court is witness to the fact.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">I scarcely know to credit thy report.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ELVIRA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Ah! fortune, how unjust!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent8">Unjust indeed!</l>
                           <l>Is this great soul and virtue so sublime,</l>
                           <l>Sprung from a beggar's race?—What then is blood?</l>
                           <l>If Carlos, He, whose high, heroic worth</l>
                           <l>Deserves the Throne, his prowess oft has guarded,</l>
                           <l>Was in a cottage born, from shepherd parents?</l>
                           <pb id="p228" n="228"/>
                           <l>Has Manrique's blood, or my own royal stream,</l>
                           <l>E'er form'd a hero that transcends this Carlos?</l>
                           <l>And, though he sprung in an ungenial soil,</l>
                           <l>His vigorous soul throve midst its scanty nurture,</l>
                           <l>And pair'd with princes nurs'd by fortune's hand.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ELVIRA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">And must this true-born Eagle be disdain'd,</l>
                           <l>Because his aërie was not plac'd on high?</l>
                           <l>Men should take rank, not from their birth, but virtue.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">But how did Carlos bear this sad reverse?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>BLANCHE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Oh! with deep anguish, and exalted courage.</l>
                           <l>Along the audience-hall he graceful walk'd,</l>
                           <l>And, ever and anon, with courteous speech,</l>
                           <l>Check'd the false rumour, as he pass'd the crowd:</l>
                           <l>But all your court was bent to change his name;</l>
                           <l>And murmur'd round, "Don Sancho, Prince of Arragon."</l>
                           <l>When a poor, mean, old, man, in shepherd's garb,</l>
                           <l>Burst through your guards, and clasp'd him in his arms.</l>
                           <l>"Why didst thou leave me in my age?" he cried.</l>
                           <l>Carlos turn'd pale; then blush'd from pride and shame.</l>
                           <l>But duty triumph'd, and the hero wept;</l>
                           <l>He clasp'd his aged Parent to his breast;</l>
                           <l>And "O my Father!" "O my long-lost Son!"</l>
                           <l>Echo'd responsive, midst their sighs and tears.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Disdainful of his birth, he loves his Sire;</l>
                           <l>Nature and Virtue, rule his noble soul.</l>
                        </lg>
                     </sp>
                     <pb id="p229" n="229"/>
                     <sp>
                        <speaker>BLANCHE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Though strange to tell, these cries of grief and joy</l>
                           <l>Were disbeliev'd. The court around them gather'd, </l>
                           <l>And this poor, peasant Shepherd, spite of Carlos,</l>
                           <l>Is deem'd dishonest torn from his arms,</l>
                           <l>And roughly treated. 'T is a cheat they cry,</l>
                           <l>A dark impostor, by the Counts suborn'd,</l>
                           <l>To throw disgrace on Carlos, and excuse</l>
                           <l>Their proud refusal of the proffer'd combat.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ELVIRA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">'T is surely so!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent5">We must examine this;</l>
                           <l>And, if the Counts be guilty, they shall find,</l>
                           <l>Such malice sins beyond a Prince's mercy.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>BLANCHE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">The Counts themselves deserve your admiration;</l>
                           <l>With pains this incredulity they strengthen,</l>
                           <l>And generously attest the whole a cheat.</l>
                           <l>Not, Madam! that they take this mean, low malice</l>
                           <l>Upon themselves; but they declare, that one</l>
                           <l>Of their domestics is the guilty author;</l>
                           <l>Who, hoping thus to please them, has instructed</l>
                           <l>This poor, mean wretch, how to affront brave Carlos.</l>
                           <l>Each, with avidity, believes this tale;</l>
                           <l>The Counts, to gain more credence to their story,</l>
                           <l>Have caus'd this aged man to be imprison'd.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">What must we think of this?</l>
                        </lg>
                     </sp>
                     <pb id="p230" n="230"/>
                     <sp>
                        <speaker>BLANCHE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent8">In vain does Carlos</l>
                           <l>Witness against himself; no one believes him,</l>
                           <l>He storms, he menaces, he raves, and, wild</l>
                           <l>With anger, loudly claims his Father's liberty.</l>
                           <l>All tremble at his wrath, yet disbelieve it;</l>
                           <l>And think he cannot be a Shepherd's Son.</l>
                           <l rend="indent2">But, see! he comes to make complaint to you.</l>
                        </lg>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e14787">
                     <head type="main">SCENE FOURTH.</head>
                     <stage type="setting">
                        <hi rend="italic">DONNA ISABELLA, DONNA LEONORA, DONNA ELVIRA, BLANCHE, DON CARLOS, DON MANRIQUE, DON LOPEZ.</hi>
                     </stage>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Behold the fruit of my obedience, Madam!</l>
                           <l>The fatal secret of my birth is known;</l>
                           <l>Your will expos'd me to this dire mischance.</l>
                           <l>My aged Father from my arms is torn,</l>
                           <l>Falsely accus'd, unjustly led to prison.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. MANRIQUE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Carlos! this Shepherd's claim disgraces you.</l>
                           <l>We think him one suborn'd to stain your honour;</l>
                           <l>He is to prison led for this injustice.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">I am this Shepherd's Son. He is no cheat,</l>
                           <l>No infamous imposter; though mean of blood,</l>
                           <pb id="p231" n="231"/>
                           <l>He is not vile of soul. And I renounce</l>
                           <l>More willingly, the names of Count and Marquis,</l>
                           <l>Than a Son's sentiments of love and duty.</l>
                           <l>Nought can efface the sacred character</l>
                           <l>Of Nature's ties, within an honest breast.</l>
                           <l>I left my parents, I disclaim'd my name:</l>
                           <l>My soul for honour sigh'd, for glory panted,</l>
                           <l>E'en in that cottage where my fate had cast me.</l>
                           <l>Your courtly maxims warr'd against my hopes;</l>
                           <l>The road of Honour, and the course of Glory,</l>
                           <l>Were open but to Lords. I had no means</l>
                           <l>To rise, but to conceal my birth. I learn'd</l>
                           <l>To blush at what, in other courts, would be</l>
                           <l>My praise,—That in five years a peasant youth</l>
                           <l>Rose from the Ranks, distinguished by his Sword,</l>
                           <l>To be, though so contemn'd what now I am.</l>
                        </lg>
                        <stage type="mix">
                           <hi rend="italic">(To the Queen.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>Madam! command that they should free my Father.</l>
                           <l>I claim your justice, though I stand degraded.</l>
                           <l>That I am known, I think disgrace enough,</l>
                           <l>To satisfy the hate of my proud scorners;</l>
                           <l>Let them not vilify my honest Parent.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. MANRIQUE <hi rend="italic">(to the Queen).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Force this great, heart still to preserve his glory;</l>
                           <l>Prevent him from attesting his own tale.</l>
                           <l>We cannot bear that this exalted Carlos,</l>
                           <l>Beneath whose arm the Moors so oft have trembled,</l>
                           <l>To whom this Kingdom so indebted stands,</l>
                           <l>Should, from his birth, receive a stain indelible.</l>
                           <l>A higher rank his godlike valour merits,</l>
                           <pb id="p232" n="232"/>
                           <l>Than custom gives to such ignoble blood.</l>
                           <l>I now must own such custom is unwise,</l>
                           <l>Alike impolitic, unjust, and cruel.  </l>
                           <l>The man, whose deeds merit a princely rank,</l>
                           <l>Though in a cottage born, that rank should grace.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LOPEZ.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Most true.—But as that custom is inveterate,</l>
                           <l>We must our conduct shape to the now exigence.</l>
                           <l>In our deceit deign, gracious Queen! to aid us.</l>
                           <l>The people love their errour, they all think</l>
                           <l>This peasant Shepherd a suborn'd impostor.</l>
                           <l>This errour authorize, in spite of Carlos.</l>
                           <l>In justice to his great exploits, defend</l>
                           <l>His Honour, and preserve his Rank and Glory.</l>
                           <l>Alvarez strives this Father to persuade</l>
                           <l>To shew his love, by now disowning Carlos;</l>
                           <l>Sustain this artifice our pity rais'd.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">How am I fallen! if I excite your pity!——</l>
                           <l>Retain your scorn, resume your enmity!</l>
                           <l>Now my ill fate your envy gratifies,</l>
                           <l>It soothes your pride to pity my disgrace.</l>
                           <l>But ostentatious shew is this your virtue,</l>
                           <l>Which may some ambush haply plan for mine.</l>
                           <l>The glory Heaven has will'd that I should reap,</l>
                           <l>Has made my name deserving of remembrance.</l>
                           <l>My Honours, Count! would be too dearly purchas'd,</l>
                           <l>If, by an act of baseness, I retain'd them.</l>
                           <l>Though I conceal'd my birth, because 'twas mean,</l>
                           <l>Yet know, proud Lords! I'll not disown my Father;</l>
                           <pb id="p233" n="233"/>
                           <l>Nor criminate him, e'en to guard my rank,</l>
                           <l>And shield my pride, from your contemptuous scorn.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. MANRIQUE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Noblest of minds!—Yield to those rigid maxims,</l>
                           <l>Which custom has establish'd firm as laws:</l>
                           <l>Preserve your honour, and disown your birth.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Since known to you, I care not, Lords! who knows it.</l>
                           <l>Who tells the meanness of my birth, must tell,</l>
                           <l>That Sancho, a poor, honest peasant's Son,</l>
                           <l>From bondage sav'd two Counts: and lately held</l>
                           <l>In tribulation two illustrious rivals</l>
                           <l>On their Queen's choice. Sancho, a peasant's Son,</l>
                           <l>Holds in his hand the power to seat a Sovereign</l>
                           <l>Upon that Throne, his arm has propp'd, his sword</l>
                           <l>Has twice redeem'd.—Spite of himself, this Sancho,</l>
                           <l>Though but a shepherd's Son, was thought a Prince.</l>
                           <l>Hence learn what mind and courage can achieve,</l>
                           <l>And contemplate the building they have rear'd.——</l>
                           <l>That want of birth must raze this goodly fabric,</l>
                           <l>Is an unwholesome maxim in the state,</l>
                           <l>Which saps its vigour, and enslaves its people.</l>
                           <l>Virtue or in the Peasant or the Prince,</l>
                           <l>Should meet the same impartial, just reward.</l>
                           <l>Yet, notwithstanding this unjust disgrace,</l>
                           <l>All noble minds will value me the more,</l>
                           <l>When they reflect, how much from <emph rend="italic">nothing,</emph> (after</l>
                           <l>High Heaven's example) my bold heart has made.</l>
                        </lg>
                     </sp>
                     <pb id="p234" n="234"/>
                     <sp>
                        <speaker>D. LOPEZ.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">This generous pride proclaims a nobler birth;</l>
                           <l>It testifies against your own report;</l>
                           <l>And wraps again, in mystery's dark veil,</l>
                           <l>What we thought fully clear'd. No, valiant Carlos!</l>
                           <l>A shepherd's son such sentiments ne'er spoke.</l>
                           <l>Your haughty soul is so sublimely form'd,</l>
                           <l>That I believe the errour we have spread,</l>
                           <l>Rather than your account. And, I maintain,</l>
                           <l>That you are not the Son of shepherd Nuna.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">All-powerful instinct witnesses I am:</l>
                           <l>Else would my filial love curb pride, and shame,</l>
                           <l>Which like a whirlwind rage within my soul.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. MANRIQUE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Thou dost mistake thy nobleness of spirit,</l>
                           <l>Which scorns the vice of a mean, low-soul'd pride,</l>
                           <l>For force of blood. This fancy'd instinct, Carlos!</l>
                           <l>By thy own self, is all fallacious prov'd.</l>
                           <l>Thou stand'st internal evidence against it.</l>
                        </lg>
                        <stage type="mix">
                           <hi rend="italic">(To the Queen.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l rend="indent2">Repent not, Madam! of those dignities</l>
                           <l>With which you have rewarded his rare merits;</l>
                           <l>No Monarch could more justly favours place;</l>
                           <l>Virtues like his adorn and heighten honours,</l>
                           <l>And will support them with becoming soul;</l>
                           <l>Superiour e'en to fate, which bows before them.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">I know not which, my Lords! I most admire,</l>
                           <l>His noble nature or your generous minds,</l>
                           <pb id="p235" n="235"/>
                           <l>Thus rendering honour to illustrious worth.</l>
                        </lg>
                        <stage type="mix">
                           <hi rend="italic">(To Carlos.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>And you, miraculous Hero! whose great soul</l>
                           <l>Disdains to take advantage of the errour</l>
                           <l>Of a whole people, who themselves deceive;</l>
                           <l>Say! if amidst the griefs; which you experience,</l>
                           <l>I can in aught console your mind, or mitigate</l>
                           <l>That destiny, your spirit nobly braves?</l>
                           <l>I, in detaining, have disgrace brought on you;—</l>
                           <l>Through my whole life, I shall regret your fate;</l>
                           <l>And wish your birth had equall'd your high merit,</l>
                           <l>That I no bounds might set to its reward.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">I bow resign'd to what just Heaven ordains;</l>
                           <l>But consolation I can never know;——</l>
                           <l>Yet, it relieves my fate, that you lament it.——</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">So lowly born, I think you most unfortunate;</l>
                           <l>Yet, in the most supreme degree, I hold you</l>
                           <l>Estimable, that being from such Parents sprung,</l>
                           <l>Unblushing, and undaunted, thus you own them.</l>
                           <l>Astonish'd, I your heart and mind revere;</l>
                           <l>Which, in the balance plac'd against your birth,</l>
                           <l>Have far uprais'd your lowly cottage blood;</l>
                           <l>Which mounts ennobled by high Heaven's award.</l>
                           <l>Kings, who give titles, cannot merit give;</l>
                           <l>Virtue's a gem their power cannot create;</l>
                           <l>They can but set, and bid its splendour blaze,</l>
                           <l>When plac'd on high, with more conspicuous lustre:</l>
                           <l>Ungrac'd it still retains its native worth,</l>
                           <pb id="p236" n="236"/>
                           <l>On earth neglected, it has Rank in Heaven,</l>
                           <l>Angels proclaiming there its just reward.——</l>
                           <l rend="indent2">Aid us, O Carlos! to preserve your Honours;</l>
                           <l>Concede to custom's strict, establish'd laws:</l>
                           <l>Do not proclaim your birth. Preserve my favours.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l>I thank you, Madam!—but—I must forego them.—</l>
                        </lg>
                        <stage type="mix">
                           <hi rend="italic">(D. Carlos takes his sword from his belt, and, kneeling, presents it to the Queen.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>This from your Royal Brother I receiv'd,—</l>
                           <l>I now resign it for some worthier hand.——</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Oh! pain me not to this extreme degree—</l>
                           <l>Carlos!!—retain your sword!—for my sake use it—</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS <hi rend="italic">(rising, and half-drawing the sword).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l>With transport, Madam!—for your sake I'll use it.</l>
                        </lg>
                        <stage type="mix">
                           <hi rend="italic">(Going.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l>Stay, Carlos! stay——I understand your purpose;—</l>
                           <l>'Tis self-destruction——</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ELVIRA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent6">O Carlos! let me plead!—</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Why art thou not my Son! For pity's sake!—</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS <hi rend="italic">(with assumed composure).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">What cause for this alarm?—these trembling fears?</l>
                           <l>Madam! I must retire,——I, to your goodness,</l>
                           <l>My Father's safety earnestly commend.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. MANRIQUE.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">On one condition only, grant it, Queen!</l>
                        </lg>
                        <pb id="p237" n="237"/>
                        <stage type="mix">
                           <hi rend="italic">(To Carlos.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>Swear no attempt to make against your life.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l>I value much thy life.——Oh! be entreated!</l>
                           <l>Summon thy Virtue, and control despair;</l>
                           <l>Above all praise remain a bright example,</l>
                           <l>Subdue thyself, and be the first of Heroes.</l>
                           <l>Carlos! I pray thee,—give me thy word to live!—</l>
                        </lg>
                        <stage type="mix">
                           <hi rend="italic">(After a pause.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>Plant not eternal thorns within that heart,</l>
                           <l>Which loves thy virtues, and esteems thy valour;</l>
                           <l>Add to the Hero's fame the Saint's submission;</l>
                           <l>And patient bear the present torturing hour.</l>
                           <l>Thy death would darkly cloud my future days;</l>
                           <l>And ev'ry hour embitter with regret.</l>
                           <l>O, hapless Carlos! promise me to live!—</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l>Till my heart breaks—Here let the cordage crack!—</l>
                        </lg>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e15286">
                     <head type="main">SCENE FIFTH.</head>
                     <stage type="setting">
                        <hi rend="italic">DONNA ISABELLA, DONNA LEONORA, DONNA ELVIRA, BLANCHE, DON CARLOS, DON MANRIQUE, DON LOPEZ, DON ALVAREZ.</hi>
                     </stage>
                     <sp>
                        <speaker>D. ISABELLA <hi rend="italic">(to Alvarez).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Say, what success?—Hast thou obtain'd thy suit?</l>
                           <l>And will this Peasant quit his claim to Carlos?</l>
                        </lg>
                     </sp>
                     <pb id="p238" n="238"/>
                     <sp>
                        <speaker>D. ALVAREZ.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Nor prayers, nor bribe can win this wretched Shepherd,</l>
                           <l>To aid in our design. I strove in vain,</l>
                           <l>By every argument, to make him feel</l>
                           <l>How irksome his-ungracious presence was.</l>
                           <l>That he disgrac'd a generous, valiant Son,</l>
                           <l>Ruin'd his fortune, stigmatiz'd his honour:</l>
                           <l>That if he lov'd him, he must now declare,</l>
                           <l>'T was a mean trick he had been brib'd to play him.</l>
                           <l>To all the reasons I could urge, I added menaces—</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">My Father's virtue has withstood them all?——</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ALVAREZ.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Unshaken, unseduc'd—He claims his Son—</l>
                           <l>And for his loss of fortune, or of honour,</l>
                           <l>He says that he can make him a great Lord.</l>
                           <l>Simple and credulous he this believes;</l>
                           <l>Because his wife a hundred times has told him,</l>
                           <l>That at the sight of a poor paltry token,</l>
                           <l>The Queen of Arragon will Carlos aggrandize.</l>
                           <l>I, won by the old man's tears, and earnest prayers,</l>
                           <l>Present this homely pledge, this Iron Casket.</l>
                        </lg>
                        <stage type="mix">
                           <hi rend="italic">(Don Alvarez presents an Iron Casket to Donna
Leonora; who starts at the sight of it, and leans for support upon her Daughter.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l>What trouble, at this sight, shakes your whole frame?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Well may my soul be shaken to behold it.</l>
                           <pb id="p239" n="239"/>
                           <l>That Casket, Queen! is mine: and it contains</l>
                           <l>The marks by which I am to know my Son,</l>
                           <l>E'en by the King his Father testified.</l>
                           <l>Whether he lives, or not, this may declare.</l>
                        </lg>
                     </sp>
                     <stage type="entrance">
                        <hi rend="italic">Enter Guard.</hi>
                     </stage>
                     <sp>
                        <speaker>GUARD <hi rend="italic">(to Donna Leonora).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l>Madam! Don Raymond begs an audience of you.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Swift let him come. <stage type="exit">
                                 <hi rend="italic">(Exit Guard.)</hi>
                              </stage>
                           </l>
                        </lg>
                        <stage type="mix">
                           <hi rend="italic">(To Isabella.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>Forgive my impatient ardour.</l>
                           <l>Raymond alone can clear this mystery.</l>
                        </lg>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e15405">
                     <head type="main">SCENE SIXTH.</head>
                     <stage type="mix">
                        <hi rend="italic">DONNA ISABELLA, DONNA LEONORA, DONNA ELVIRA, BLANCHE, DON CARLOS, DON MANRIQUE, DON LOPEZ, DON ALVAREZ, DON RAYMOND.</hi>
                     </stage>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l>Oh! welcome, Raymond! Hast thou found my Son?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. RAYMOND.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">I hope he lives; yet, where he is I know not.</l>
                           <l>For from five years of bondage just releas'd,</l>
                           <l>I've vainly sought him, where, by the late King's order,</l>
                           <l>I with such happy secrecy had plac'd him.</l>
                           <l>His foster Father thought him his own Son;</l>
                           <pb id="p240" n="240"/>
                           <l>For, being absent when a dead child was born,</l>
                           <l>Your living Son was by his wife receiv'd;</l>
                           <l>And with kind care was nurtur'd as her own.</l>
                           <l>A Priest, by me intruded, form'd his mind,</l>
                           <l>As 't were through friendly charity and love:</l>
                           <l>And from this pious Pastor have I learn'd</l>
                           <l>That your Son fled, at Sixteen years of age,</l>
                           <l>As he imagin'd, bent to follow arms,</l>
                           <l>From which no prayers could win his princely soul.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">But whither went he, Raymond! Can they tell?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. RAYMOND.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Large sums of gold were oft mysteriously</l>
                           <l>From him receiv'd; but no trace given to find him.</l>
                           <l>Anxious, uncertain of his fate, five years</l>
                           <l>Did his false parents mourn. When by a neighbour,</l>
                           <l>Just from Castile return'd, they were inform'd,</l>
                           <l>That he had seen their son, but in such glory,</l>
                           <l>And credit, at this Court, that his heart fail'd him,</l>
                           <l>He neither dar'd accost him, nor declare,</l>
                           <l>That he had known him once a cottage resident.</l>
                           <l>The Sire, with joy transported, at such news,</l>
                           <l>Set out to seek this boasted Son, two days</l>
                           <l>Before I reach'd his dwelling, where I thought</l>
                           <l>To find Don Sancho safe. Hither I bent</l>
                           <l>My course, o'ertook the Deputies from Arragon,</l>
                           <l>And told all this to them. In vain I seek</l>
                           <l>To trace this Peasant, or to find your Son.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l>Look round this presence, if amongst these Lords——</l>
                        </lg>
                     </sp>
                     <pb id="p241" n="241"/>
                     <sp>
                        <speaker>D. RAYMOND <hi rend="italic">(at the feet of Carlos).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">My royal Master! hail!</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent6">My Son! My Son!</l>
                        </lg>
                        <stage type="mix">
                           <hi rend="italic">(She makes an effort to go to Carlos, but sinks greatly agitated upon Blanche.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>D. LOPEZ.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Hail, King of Arragon!—Prince! we exult</l>
                           <l>With heart-felt zeal, and homage pay your virtues.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Still do I fear some strange reverse of fortune.</l>
                           <l>But let us see, if the King's testimony</l>
                           <l>Agree with what Don Raymond has declar'd;</l>
                           <l>I dare not think such happiness awaits me.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LEONORA <hi rend="italic">(recovering and turning to Carlos).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Are you alone incredulous? Ope we</l>
                           <l>This Casket. Manrique and Lopez both well know</l>
                           <l>What it contains.</l>
                        </lg>
                        <stage type="mix">
                           <hi rend="italic">(Lopez presents and holds the Casket: its contents
seen, the Queen, Leonora, takes out a writing.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent4">Raymond! whose writing's this?</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. RAYMOND.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Don Sancho's Father's; Royal Ferdinand's.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LEONORA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Don Manrique! read, and force him to believe.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. MANRIQUE <hi rend="italic">(reads).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l>
                              <emph rend="italic">To Leonora, Queen of Arragon and Wife of Ferdinand.</emph>
                           </l>
                           <l rend="indent2">"Fearing to trust maternal tenderness,</l>
                           <l>"Which takes not wisdom's counsel for its guide,</l>
                           <pb id="p242" n="242"/>
                           <l>"You are deceiv'd by a fictitious tale,</l>
                           <l>"The more securely to deceive the tyrant.</l>
                           <l>"That Son, whose death you now in anguish mourn,</l>
                           <l>"I hope will to your bosom be restor'd,</l>
                           <l>"And your now grief be chang'd to rapturous joy.</l>
                           <l rend="indent2">"The wife of Shepherd Nuna tends your child;</l>
                           <l>"She has adopted him, his birth unknown,</l>
                           <l>"And, with a Mother's tender care, will foster him.</l>
                           <l>"She has been told a dark, mysterious tale;</l>
                           <l>"And, on her secrecy, promis'd reward:</l>
                           <l>"If, when the Child has number'd twenty years,</l>
                           <l>"She, with this Iron Casket, send him forth</l>
                           <l>"To seek for Leonora Queen of Arragon,</l>
                           <l>"Who knows the sacred treasure it contains,</l>
                           <l>"And can alone unlock the secret spring;</l>
                           <l>"And who will make this, her adopted Child,</l>
                           <l>"A powerful Lord, who kindly will maintain her</l>
                           <l>"In peace and plenty in her hoary age:</l>
                           <l>"If, faithfully from him, and all the world,</l>
                           <l>"She keep the secret till the appointed time.</l>
                           <l rend="indent2">"Deign, Leonora! when this meets your eye,</l>
                           <l>"Howe'er high Heaven has of my fate dispos'd,</l>
                           <l>"To own in Nuna's Son, who this presents,</l>
                           <l>"Your Son and mine, my rightful lineal Heir.</l>
                           <l>"Hail him as lawful King of Arragon,</l>
                           <l>"And may he worthy prove to wear my crown,</l>
                           <l>"Or never mount his wretched Father's Throne.</l>
                           <l rend="indent6">"Ferdinand, King of Arragon."</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. LEONORA <hi rend="italic">(to Carlos, who kneels to her).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Thy mind, thy courage, all attest my Son.</l>
                           <pb id="p243" n="243"/>
                           <l>O! teach me to deserve this blessing, Heaven!</l>
                           <l>This more than all a Mother's hopes could ask,</l>
                           <l>This ecstasy of joy, too great for words——</l>
                           <l>O! bless my Son, and guard his virtues still.</l>
                        </lg>
                        <stage type="mix">
                           <hi rend="italic">(She raises Carlos.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">No longer can I doubt my birth——My Sister</l>
                        </lg>
                        <stage type="mix">
                           <hi rend="italic">(Embraces D. Elvira.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>
                              <stage type="mix">
                                 <hi rend="italic">(To D. Isabella.)</hi>
                              </stage> Thus grac'd, and thus distinguish'd, still I sigh,</l>
                           <l>As incomplete my bliss, if you forbid</l>
                           <l>My hopes.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent4">He is to hope superiour, Prince!</l>
                           <l>Who can command his wish. The power to name</l>
                           <l>A Monarch for Castile, I with my Ring</l>
                           <l>Bestow'd. I begg'd you to remain, to give</l>
                           <l>That pledge into Don Sancho's hand; too much</l>
                           <l>I him esteem, e'er to revoke that prayer.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">I thank you, Madam! with a grateful heart.</l>
                           <l>I feel the bliss of this ecstatic moment;</l>
                           <l>My heart pent up, and bursting through despair,</l>
                           <l>Heaven has reliev'd by an unheard-of grace.</l>
                           <l>No more I wonder at my high ambition,</l>
                           <l>My Queen, and Sister shar'd my hopeless heart;</l>
                           <l>The voice of love, and nature undistinguish'd.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ELVIRA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">My Heart, respecting still my rank, repaid</l>
                           <l>That love, which kindred blood inspires and owes.</l>
                        </lg>
                     </sp>
                     <pb id="p244" n="244"/>
                     <sp>
                        <speaker>D. CARLOS.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">If as a Brother then you love and honour me,</l>
                           <l>You will accept a husband from my hand.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ELVIRA.</speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">If on Alvarez, Prince! your choice is fix'd,</l>
                           <l>To all men I preferr'd him, save yourself.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. CARLOS <hi rend="italic">(to D. Leonora).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l>This fair alliance has your sanction, Madam?</l>
                        </lg>
                        <stage type="mix">
                           <hi rend="italic">(D. Leonora bows assent.)</hi>
                        </stage>
                        <stage type="mix">
                           <hi rend="italic">(To Alvarez, presenting D. Elvira.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>Accept the brightest gem I can bestow,</l>
                           <l>My darling Sister for your bride, Alvarez!</l>
                        </lg>
                        <stage type="mix">
                           <hi rend="italic">(To Manrique and Lopez.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>And you, my Lords! though you disdain'd my birth,</l>
                           <l>Yet when these doubts arose, judged in my favour,</l>
                           <l>With such generous warmth; by that have shown,</l>
                           <l>That your disdain from honour sprang, not pride;</l>
                           <l>Your maxims wrong, but virtuous your intent.</l>
                           <l>Accept my friendship, and receive my thanks.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. RAYMOND <hi rend="italic">(to Isabella).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Permit the Arragonians to behold him.</l>
                           <l>Our Deputies impatient wait for Audience;</l>
                           <l>And burn with eagerness to see their King.</l>
                        </lg>
                     </sp>
                     <sp>
                        <speaker>D. ISABELLA <hi rend="italic">(to Leonora).</hi>
                        </speaker>
                        <lg type="verse paragraph">
                           <l rend="indent2">Let us in public give them audience, Madam!</l>
                           <l>That All may hear this miracle explain'd.</l>
                           <l>But let the honest Shepherd share the joy,</l>
                           <l>His coming with that Casket makes complete.</l>
                        </lg>
                        <stage type="mix">
                           <hi rend="italic">(To D. Carlos and D. Leonora.)</hi>
                        </stage>
                        <lg type="verse paragraph">
                           <l>The trials of your hearts now end in transport,</l>
                           <pb id="p245" n="245"/>
                           <l>That virtue, which our Duties all enjoin,</l>
                           <l>Though strongly tried, still meets its sure reward;</l>
                           <l>A peaceful Conscience, and approving Heaven.</l>
                           <l>Firm midst the Storm, the good Man steers his way;</l>
                           <l>Whilst frustrate lightnings innocently play;</l>
                           <l>He views their baffled rage with generous scorn;</l>
                           <l>Or gild his triumph, or his fall adorn.</l>
                        </lg>
                     </sp>
                  </div4>
                  <closer>End of the Fifth Act.</closer>
               </div3>
            </div2>
            <pb id="p246" n="[246]"/>
         </div1>
         <div1 type="part" id="d0e15822">
            <pb id="p247" n="[247]"/>
            <head type="main">
               <hi rend="italic">ADELINDA;</hi>
               <lb/>A COMEDY.</head>
            <pb id="p248" n="[248]"/>
            <pb id="p249" n="[249]"/>
            <list type="simple">
               <head type="main">Dramatis Personae.</head>
               <item>THE MARQUIS D'OLSTAIN.</item>
               <item>THE COUNT D'OLSTAIN.</item>
               <item>STRASBOURG.</item>
               <item>
                  <hi rend="italic">Servants.</hi>
               </item>
            </list>
            <list type="simple">
               <item>THE MARCHIONESS D'OLSTAIN.</item>
               <item>ADELINDA D'OLSTAIN.</item>
               <item>ZELLA.</item>
               <item>DORCAS.——FLORA.</item>
            </list>
            <stage type="setting">
               <hi rend="italic">SCENE—PARIS.</hi>
            </stage>
            <pb id="p250" n="[250]"/>
            <div2 type="ss1" id="d0e15856">
               <pb id="p251" n="[251]"/>
               <head type="main">ADELINDA.</head>
               <div3 type="ss2" id="d0e15860">
                  <head type="main">Act First.</head>
                  <div4 type="ss3" id="d0e15863">
                     <head type="main">SCENE FIRST—A GARDEN.</head>
                     <stage type="entrance">
                        <hi rend="italic">ADELINDA<lb/>(Coming from behind an Alcove, and looking about, as she comes forward).</hi>
                     </stage>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>OH, plague take it! Flora is coming this
way. Well, I have had the good luck of a clear
coast once to day; and so now I must compound for
a little vexation and disappointment.—<stage type="mix">
                              <hi rend="italic">(To Flora as
as she enters.)</hi>
                           </stage> What is in the wind now? What do you
want?</p>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e15881">
                     <head type="main">SCENE SECOND.</head>
                     <stage type="setting">
                        <hi rend="italic">ADELINDA, FLORA.</hi>
                     </stage>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>Mademoiselle Adelinda! I have been
looking for you all over the house and gardens,
this long while.</p>
                     </sp>
                     <pb id="p252" n="252"/>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Well then, long-looked-for is found
at last.——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>Lord, Mademoiselle! what can you be always in this garden for?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>For?——Fresh air; and the dear comfort of being alone, and in peace and quiet.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>You were not formerly so fond of the garden; nor so desirous of being alone. What amusement can you find here, by yourself?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Amusement?—I dance Rigadoons, and
study the Stars.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>Study the Stars! at high noon day?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Oh yes! I can read enough in them
now to tell you your fortune.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>I did not know, that amongst your other
very rare qualifications, that fortune-telling was to be
reckoned.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Oh! I will give you an instant proof of
that——Shew me your hand——<stage type="mix">
                              <hi rend="italic">(She snatches Flora's
hand)</hi>
                           </stage> you are in love with a man, who is much
younger than yourself:——he has slighted all your
advances;—but you have still hopes.—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora (aside).</hi>
                        </speaker>
                        <p>How came this into the little serpent's head?—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Keep your eyes fixed upon mine,
Flora!—Let me see—what your face says.——Why
you are a great mischief maker;—a plotter;—very
curious;——malicious;——and,——as I am alive,
given to thieving.——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora <hi rend="italic">(in a passion).</hi>
                           </hi>
                        </speaker>
                        <p>And you, Mademoiselle! are<pb id="p253" n="253"/>
given to be vulgar and rude to every body. You are
born to disgrace your birth and high rank, and your
noble parents. And I tell you, without the help of
the stars, that it will be your fortune, to be sent back
once more to your Convent:—and for life too this
time.—For I heard my Lord swear by St. Dennis that
you should be a Nun. So, Mademoiselle! unless
you mend your manners and alter <sic corr="your">you</sic> conduct, your
fate will be, to wear the Veil,—eat Soup meager, sleep
in a Dormitory, and do Pennance for the remainder
of your days.——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Bravo, Flora!——A word in your ear.
<stage type="mix">
                              <hi rend="italic">(Speaking close to her, but in a very loud voice.)</hi>
                           </stage> The
next time my Mother lectures me, you shall be turn'd
out neck and heels.——You are by nature sufficiently
impertinent without the aid of any of the Marchioness's eloquence. Besides you select only the dregs of it; and you deliver her sermons with as ill a grace
as you wear her cast-off gowns.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>'T is not what the Marchioness alone says,
that I repeat—every body speaks thus of you, and
unless——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>—You can grow young again, this pretty
Youth, on whom you have set your heart, will leave
you to hang yourself upon yon willow.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora</hi>
                           <hi rend="italic">(sullenly).</hi>
                        </speaker>
                        <p>My Lady has waited in her
dressing-room this hour for you:—she sent me to look
for you.——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Very well! Go you and tell my Mother
that I am coming.——</p>
                     </sp>
                     <pb id="p254" n="254"/>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>I wait to attend you to her—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>But I do not chuse your attendance;
so march without me.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>No, Mademoiselle! I shall wait your
leisure here.</p>
                     </sp>
                     <stage type="mix">
                        <hi rend="italic">(Adelinda goes searching among the shrubs, and
comes back to Flora).</hi>
                     </stage>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>And so you will not go without me?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>No, Mademoiselle! I promise you, that I
shall not move from this spot, but to follow you.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Well then, Flora! I find, that I must
make you my confident.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>Ah, Mademoiselle! I suspected that you
had other amusements in this garden, betides star-gazing and dancing Rigadoons. 'T is well you are
willing to tell me; for I was bent upon finding out
why you are grown so astonishingly fond of solitude.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>I have had a hundred times a mind to
trust you, Flora! for I have been in constant fear of
your great penetration.—Why you must know then
that, through great charity, I keep a whole family
here—Father—Mother—Children; and I come every
morning, noon, and night, to feed them.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>Lord, Mademoiselle! How do these beggars get into the Garden to be fed by you?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>They live here constantly, and this is
their eldest Child. See <stage type="mix">
                              <hi rend="italic">(opening her hand)</hi>
                           </stage> what a fine
large black Spider it is.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora</hi>
                        </speaker>
                        <stage type="mix">
                           <hi rend="italic">(screaming).</hi>
                        </stage>
                        <p>O pray, Mademoiselle!—
dear! Oh, dear——</p>
                     </sp>
                     <pb id="p255" n="255"/>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Now decamp without me; or I'll fetch
the whole family.—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>If you do I shall faint—or go into fits—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Faint, ha! ha! ha!—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>Indeed, Mademoiselle! I shall faint unless
you throw it away.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Then I shall be obliged to let it crawl
upon your face, till you have done fainting: for I
have no sal volatile, nor eau de luce to recover you.
So faint, or go, whichsoever you please instantly.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora</hi>
                           <hi rend="italic">(going).</hi>
                        </speaker>
                        <p>A perverse little devil!—What
mischief is in her wild head now I wonder.</p>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e16129">
                     <head type="main">SCENE THIRD.</head>
                     <stage type="setting">ADELINDA <hi rend="italic">(alone),</hi>
                     </stage>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>So I am rid of this Argus.—<stage type="mix">
                              <hi rend="italic">(looking
about)</hi>
                           </stage> But here comes my Mother—Well! out of
the frying pan into the fire.—Heigh ho!—I must endure it: I cannot frighten her away.</p>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e16146">
                     <head type="main">SCENE FOURTH.</head>
                     <stage type="setting">
                        <hi rend="italic">THE MARCHIONESS, ADELINDA.</hi>
                     </stage>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>Why, Adelinda! when I sent last
night to entreat you to spend this morning in my<pb id="p256" n="256"/>
dressing-room, would you not oblige me?—You may
one day perhaps experience the pang which a mother
feels, when she begs in vain, for a proof of kindness,
and common civility, from her Child.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Lord, Madam! I thought my father
would be there; and I was so wearied out, last night,
with hearing of my ungrateful, rebellious conduct, of
my incorrigible vulgarity, of my want of taste and
judgment; and of what a disgrace I am to his name
and blood; that I was truly glad to escape from his
passionate exclamations, which gall and irritate me
so, that I am forced to say things which he does not
like.——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>Adelinda! you must take care how
you provoke your Father: you made him so very
angry last night that I trembled for you.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Yes, there was reason to tremble. I
expect that he will give me a good beating in one of
his passions: for, sure, never was mortal in such a
rage, as he was in with me, last night. It is very unfortunate for me, that I have either eyes, understanding, or the use of speech: since I can neither
look, think, nor speak; without putting my father
into a most horrible pucker.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>It was impossible to forbear from
being angry with you last night. I assure you, that I
should have joined in resenting your behaviour, but
your father's severe determination, after he had commanded you from his presence, terrified me to death;
and I forgot my own displeasure against you, in my<pb id="p257" n="257"/>
sorrow at the punishment which your father swore to
inflict upon you: and, but for my interposition, he
would this day have sent you back to your Convent.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>What! to make a Nun of me?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>I fear so.—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Merciful stars! I did not think that he
had been in such a wicked passion as that came to
neither.—And all for my telling him an unwelcome truth. I fear and esteem my father; but he has
never taught me to love him. He is justice herself,
he holds the scales with a steady hand, and wields
the sword with unrelenting rigour;—except when he
is himself the culprit. But thanks to you, Madam!
for interposing, so that he has broken the Oath;
't was rashly made; and not fit to be kept: but in
his next passion, he will again swear, and as easily
break the vow.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>I hope, for your own sake, that you
will not make the experiment; for, however willing
I may be to sue for your peace, I may lose my influence: for your Mother, Adelinda! could not, last
night, obtain your pardon till she knelt for it at your
father's feet.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>O, my dear Mother! what do I not
owe to your patience and your goodness?—But 't is
all, all, in vain; for I was born to disgrace and
grieve you. Yet do not hate,—do not curse me!—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>Horrid thought!—no more of this;
we will not awaken humiliating sensations.——Let
the future redeem the past.—I have promis'd for<pb id="p258" n="258"/>
you, that you will change your conduct. That you
will behave with more duty and attention to your
Father; and that you will treat your Cousin more
properly.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Oh! that Cousin of mine is as plagueful as a Ghost in a haunted house; I am never at
quiet for him: I am always engaged, either in a
quarrel with himself; or with my father about him.
I wish that the Chaplain would exorcise him for an
evil spirit; and confine him to the bottom of the Red
Sea for nine hundred and ninety-nine years. I am
sure that I would never light the end of candle that
should release him.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>I am astonished that neither his
birth, his rank, nor his accomplishments, procure
him respect, or even common civility, from you,
and yet you are much indebted to his generous disinterestedness.——Your Father has offered, if you will
not change your conduct, to settle his whole fortune
upon him: but he most nobly rejected it, declaring
that he would never enjoy what he considered as your
birthright, unless you shared it with him. He laments,
yet always lessens, your imperfections.—And he
avers, that notwithstanding your foibles, that both in
heart and mind you are capable of great things.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>He sticks to his text I find; for he
always begins his sermons by telling me what fine
things I could do, if I would but give my soul elbow
room. Yet I suspect he treats me with the oil of fool,
alias flattery, only for the ostentation of displaying<pb id="p259" n="259"/>
his own sagacity, whilst I question his seeing further
into a millstone than other people.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>Adelinda! be serious, and give me
your attention.——If your father's intentions be not
altered, by his last night's anger, you will you know
be very shortly your Cousin's Wife; even within a
few days. Therefore, my dear Child! this is the crisis
of your fate; and I am trembling for your future
happiness, with all the anxiety of a Mother, who sees
the rock, upon which your heedless youth will drive,
to its assured destruction.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Alas! Madam, I cannot new make
myself, either to shew my gratitude to you, or my
obedience to my Lordly Father. He might as well
quarrel with his pack of hounds, because they have
not flowing manes like his coach-horses, as with me
for not being a fine lady.—And when all is said and
done, for my share, I do not perceive what there is so
outrageously amiss in me, to make all this constant
havock about.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>That you have good qualities every
body allows—But your bluntness, your rudeness of
speech, your intractable temper, your churlish manners, your inflexible obstinate humour, disgrace the
nobleness of your birth, and disgust every one who
lives, or converses, with you. And, indeed, unless you
correct your untoward disposition, you cannot expect
to live on comfortable and pleasant terms with the
Count, when the lover will be lost in the husband.
And would you not wish to be considered as your<pb id="p260" n="260"/>
husband's first friend, and favourite companion.
Could you like to live neglected, despised, forgotten?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>No, faith!! do not say that neither.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>Then, for your own sake, determine
to polish your manners, and soften the ruggedness of
your temper.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>There is so much wanting to be done,
Madam! to make me what you wish, that I shall
never have the heart even to begin. I might toil up
a high hill, but, alas! I am quite hopeless of walking
up the outside of a church steeple;—indeed, Madam!
my reformation is a moral impossibility; and you always paint me so much of a Black-a-moor, that I am
sure 't is labour in vain to attempt to wash me white.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>No, my dear Child! it is not; if
you would but once resolve to constrain your temper:—make the effort at least.—Reflect seriously
upon the consequence of your first steps in life;
they will stamp your character with the world: and
have you no wish to be admired?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Oh, no! there is more cost than worship in it;—to gain your sort of admiration, I must be constantly in the pillory—and for what?—why
only the <hi rend="italic">hopes</hi> of a mouthful of moon-shine.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>But, surely, you would at least wish
to be esteemed?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Esteemed? yes! I cannot live in any
comfort without that: esteem is requisite to be sure;
't is like the air one breathes, a want, but not a pleasure.</p>
                     </sp>
                     <pb id="p261" n="261"/>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>But, Adelinda! even esteem is very
reluctantly paid, if not refused, to those whose strange
humour, and rude, offensive familiarity, disgust and
affront every body. And, if you will persist in retaining your churlishness, and inattention, how will you appear in polished society?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>O Lord! Madam! like a carp out of
water. The society, which delights you, is not my
element: and I shall never be any thing in it, but a
queer fish gaping and floundering about. For the fine
folks, and fine manners, of your polished societies,
are my hatred and utter aversion; their maxims
would suffocate every natural feeling of my heart,
and annihilate every useful property of my understanding; for I must love and hate by a factitious
rule and measure; and judge and give my voice, by
weights which I know to be false; the fastidious
drams and scruples, illegally stamped as standard, by
the usurped authority of folly, falshood, affectation,
and nonsense.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>What a sarcastic, ungovernable spirit? We have lost our two Sons, and you, the only Child whom Providence has spared to us, are <sic corr="determined">determind</sic> to be the constant source of disquiet and affliction to our minds.—O Adelinda! you have blasted
all my comfort;——long, very long, have I looked
forward to your present age of reason, and anticipated the treasure, that I hoped to find, in your tender affection as a Child, and your sympathy as a
friend. But all these flattering dreams vanish. You <pb id="p262" n="262"/>have filled my heart with grief and bitter disappointment for the present; and I look forward to the future, with that fearful agony, which makes even the very thoughts of life painful to me. <stage type="mix">
                              <hi rend="italic">(Turns weeping from Adelinda.)</hi>
                           </stage>
                        </p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda (falling at the Marchioness's feet).</hi>
                        </speaker>
                        <p>O, my Mother!——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness (leaning over her).</hi>
                        </speaker>
                        <p>Can you then feel
for me? O! rouse all your affection, all your reason,
all your duty. Can you not resolve, my dear Child?
will you not promise?—<stage type="mix">
                              <hi rend="italic">(raising her.)</hi>
                           </stage>
                        </p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda (with great agitation).</hi>
                        </speaker>
                        <p>I can at this moment resolve, if you speak the word—to die—But,
O my dear Mother!—I cannot—indeed—I cannot
promise what you wish.—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>Alas! Adelinda! can you thus partake the anguish of my soul, and have the power, yet want the will, to give me peace?—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>I cannot speak the agonizing grief that
tears my heart—to think what sorrow I give to yours.
I disdain a falsehood—I cannot promise—because I
know, too certainly know, the fatal impossibility of
keeping my word. Cease to love me, Mother! I am
unworthy your affection. Alas! I know I am.—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>Yonder your father comes, the Count
is with him, Dear Adelinda! <stage type="mix">
                              <hi rend="italic">(takes her hand.)</hi>
                           </stage> at least
in your father's presence, for my sake, constrain your
temper. Do not speak, if you cannot speak respectfully. I have passed my word, that you will alter your conduct, else your father will break off this<sic corr="263">
                              <pb id="p263" n="163"/>
                           </sic>
treaty of marriage, and send you back to a Cloister
for life. Think of what I suffered, last night, for
your sake; and let not such deep humiliation have
been in vain. You are silent, my Child! I will yet
hope what you dare not promise.</p>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e16382">
                     <head type="main">SCENE FIFTH.</head>
                     <stage type="setting">
                        <hi rend="italic">THE MARQUIS, THE MARCHIONESS, THE COUNT, ADELINDA.</hi>
                     </stage>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Did the distance deceive me, or did I
see Adelinda on her knees?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>You did, my Lord!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Why, what thunderbolt was strong
enough, to bow your stubborn pride?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>My Lord! when gentle Angels warn
us of impending dangers; there needs no thunderbolt to bow the stubborn will. Their kindness melts the heart, trembling we own their mercy; and kneel,
with gratitude and humbleness, to thank that goodness, which we cannot merit.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>My charming Cousin! <stage type="mix">
                              <hi rend="italic">(takes her hand, which she withdraws.)</hi>
                           </stage>
                        </p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>How came you, Adelinda! to say so
gracious, and so proper a thing? Why are you not
always thus?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Because, my Lord! I am not like an<pb id="p264" n="264"/>
Italian Greyhound; fawning without friendship, and
licking the hand of every stranger as cordially as that
of his Master. I prefer the disposition of the honest
English Mastiff, who is submissive only to the kind
master whom he loves, and who will fight till he dies,
for those to whom he is attached.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>I presume, Madam! that you have told
Adelinda, what you have promised for her—and, that
it was only at your intreaty, that I have forgiven her
behaviour to me last night?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>I have, my Lord! and Adelinda
will, I hope, fulfil the promise which I have ventured
to make for her; and by becoming as amiable and as
complacent in her manners as you can wish, she will
not only rejoice my anxious heart, but reward all my
care.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda</hi>
                        </speaker>
                        <stage type="mix">
                           <hi rend="italic">(aside).</hi>
                        </stage>
                        <p>Impossible!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>This day then, my dear Count! we will
sign the Settlements, and to-morrow shall be the day
of the celebration of your Nuptials—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>To-morrow, my Lord? No! no! no!
not,—not, to-morrow, for Heaven's sake!——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>Shall it be Thursday, Adelinda?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Oh! no! no!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>Let it be Saturday then.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>No! I beg not.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Adelinda! there is no obliging you—I
will name the day. To-morrow you give your hand
to the Count—<stage type="mix">
                              <hi rend="italic">(aside to Adelinda)</hi>
                           </stage> or you return to
your Convent for life, whichsoever you please.—</p>
                     </sp>
                     <pb id="p265" n="265"/>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>My dear Lord!——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p> Madam! I will not recede—therefore do
not request, what I must have the pain of refusing,
even to you. <stage type="mix">
                              <hi rend="italic">(taking Adelinda's and the Count's hand.)</hi>
                           </stage>
Daughter! I give your hand to this young Lord: but
for him my ancient name would be extinct. I am
proud that he is my relation and my friend: And he
is most deservedly the Son of my choice. As you
value my blessing, Adelinda! I exhort you to merit
his affection and preserve his esteem. </p>
                        <stage type="mix">
                           <hi rend="italic">(Joins their hands, the Count kisses that of Adelinda.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>Most gratefully I thank you, my Lord!
for the honour which you confer upon me, and the
sacred trust which you repose in me. I will aspire
to maintain, in all its lustre, that name which has
been for so many ages renowned: and the happiness
of your lovely Daughter shall be the constant object
of my tenderest attention.</p>
                     </sp>
                     <stage type="mix">
                        <hi rend="italic">(The Count attempts to raise Adelinda's hand to his lips—she disappoints him by snatching it back.)</hi>
                     </stage>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>I resign her with full confidence to
your care. Count! avoid my errours. Adelinda! let
your altered conduct oblige me to forget the past.
Imitate your Mother's exalted merit; or become an
alien to your father's love.</p>
                        <stage type="exit">
                           <hi rend="italic">(Exit Marquis.)</hi>
                        </stage>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e16540">
                     <pb id="p266" n="266"/>
                     <head type="main">SCENE SIXTH.</head>
                     <stage type="setting">
                        <hi rend="italic">THE MARCHIONESS, THE COUNT, ADELINDA.</hi>
                     </stage>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>My dear Count! though to call you
Son, is the first with of my heart; yet this is a trying
moment, which only a Mother, like me, can feel.—
Remember, my dear Adelinda! that your own happiness, and the felicity of your parents, depend upon
your conduct—<stage type="mix">
                              <hi rend="italic">(taking Adelinda' s hand.)</hi>
                           </stage> Heaven bless
you, my dear Girl! and may no child of yours ever
make you know the anxious care, which at this moment rends my heart—<stage type="mix">
                              <hi rend="italic">(Adelinda kisses her hand.)</hi>
                           </stage>
                        </p>
                        <stage type="exit">
                           <hi rend="italic">(Exit Marchioness.)</hi>
                        </stage>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e16563">
                     <head type="main">SCENE SEVENTH.</head>
                     <stage rend="indent3" type="mix">
                        <hi rend="italic">THE COUNT, ADELINDA<lb/>(Who stands looking after the Marchioness, and drying her eyes).</hi>
                     </stage>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count <hi rend="italic">(taking her hand).</hi>
                           </hi>
                        </speaker>
                        <p>My fair Adelinda! are
my wishes indeed accomplished? Your heart sympathizes with your Mother's feelings; Is it then subdued? are you changed?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda</hi>
                        </speaker>
                        <stage type="mix">
                           <hi rend="italic">(recovering her spirits and withdrawing her hand).</hi>
                        </stage>
                        <p>O Lord, yes! changed, yes.——</p>
                     </sp>
                     <pb id="p267" n="267"/>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>But seriously?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>In down-right earnest to be sure.</p>
                        <stage type="mix">
                           <hi rend="italic">(smiling.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>I know that you are sincere—Therefore
tell me—are you now serious?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Oh! I am much too sincere at times,
and so as to displease you most mightily.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>'T is true. For often your sincerity arises
from the peculiarly uncouth ruggedness of your
temper, rather than from a scrupulous love of truth.
Your sincerity is the squib of peevish petulance, and
and not the conscientious award of just judgment.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>What a pointed, precise, witty, waspish, wiredrawn, distinction you have made: and your domineering decision amblingly alliterates as
agreeably as the clinking cadence of the Church
Clock's chimes.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>It is but too just a decision:—however
let it pass, my fair Cousin!—at this most awful period
of our lives, let us rather resolve against all future
disputes, than now enter upon new ones. You are my
destined Bride;—</p>
                        <stage type="mix">
                           <hi rend="italic">(he offers to take her hand, she puts it behind her.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Yes.—so it <hi rend="italic">seems.</hi>
                        </p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>
                           <emph rend="italic">Seems?</emph> why are you not? what do you think of it?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>What do I think of it?——— Nothing at all.——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>A clear explication truly!—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Rightly observed, Cousin! 'T is a most<pb id="p268" n="268"/>
accurate, admirable, excellent explication indeed!—
For when despotic authority says, "Daughter, you
<hi rend="italic">shall</hi> marry that man,"—and that very man says,
"Mademoiselle! you are destined to make my fortune, and, <hi rend="italic">therefore,</hi> I reject you not."—The girl has <hi rend="italic">nothing</hi> to think about: for she is precluded from the
privilege of thinking to any purpose,—and I assure
you, that I think <hi rend="italic">nothing</hi> about marrying you, my
Lord!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>Still haughty! still intractable!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda (laughing).</hi>
                        </speaker>
                        <p>Hola, Cousin! have a care,
that your sincerity be not the squib of peevish petulance:—It was but this moment that you resolved against all disputes; and you begin already. So to
war we go, jangling like hammer and tongs, as usual.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count (laughing).</hi>
                        </speaker>
                        <p>That phrase is superlatively elegant!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda (pettishly).</hi>
                        </speaker>
                        <p>Then, if you don't like it, mend it.—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>How ill does that rustic speech and manner agree with eyes that seem to sparkle with intelligence as well as beauty. Your countenance and disposition are by no means assorted; they correspond so little together, that they would disappoint and disgust good company.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda <hi rend="italic">(sarcastically).</hi>
                           </hi>
                        </speaker>
                        <p>Good Company! What is Good Company?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>Ridiculous question! Do you not know what Good Company is?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>No. Nor you neither, Cousin! by your<pb id="p269" n="269"/>
not answering my question. But I suppose that your
Good Company, like the Monster that I saw the
other Day, is a non-descript; and so are your People
of fashion; and polite Circles; and the great World:
with all the immense farrago of fashionable phrases,
that pretend to class folks into tribes, which I hold to
be as non-descript, as my Monster from the Moon
Mountains in Africa.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>You mistake, fair Lady! Good Company
is as easily defined as wit, sense, taste, or judgment.
Good Company, Adelinda! is the select part of People
of Rank and Education, of People of great talents and
amiable manners; who, having, from superior understandings, a stronger claim to distinction and respect, than the generality of the World possess, seek out
each other; and being assimilated by the attractive
chain of real merit, enter into friendship, assort
together, and form that elect part of society, which I
distinguish by the name of Good Company.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>And do you make one in Good Company.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>I have that flattering distinction.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Well! if you be Good Company then
is Good Company the most wearisome thing upon the
face of God Almighty's Earth—<stage type="mix">
                              <hi rend="italic">(yawns, and rubs
her eyes)</hi>
                           </stage> Have you any Snuff, my Lord! for <hi rend="italic">your</hi>
good Company has vapoured me to death.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count <hi rend="italic">(bowing).</hi>
                           </hi>
                        </speaker>
                        <p>I expected not so very enchanting a compliment.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>I have told you a hundred times that<pb id="p270" n="270"/>
it is the way of me to speak what I think; if it
offend you, you can revenge yourself: the catalogue
of my manifold imperfections is so very extensive
that you can find more ample faults of mine to descant upon, than I have picked out of yours, of your being tiresome, teasing and thwarting:—I do not beg
for quarter.——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>Indeed you do not deserve it; but your
sacred sex protects you; I am bound to respect it,
even though you set at defiance, good breeding, politeness, and even the common regards of decent civility.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>And where is the real merit of your
good breeding, your politeness, and your regards?
flummery and nonsense! you flatter, because you
want to be flattered in return. Flattery, I suppose,
is the current coin which buys a place in Good Company.—Let people speak as they think, and <hi rend="italic">seem</hi> only what they are; just as God made them and Nature
formed them. As for me, I cannot stem the impulse
of my disposition; it carries me away; the current is
too strong for my resistance.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>But you should endeavour to exterminate
 so ungracious a disposition.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Yes, and make myself just as artificial
and ridiculous a figure as the Yew trees in the Kitchen Garden, tortured into every possible form that can make them appear outlandish and disagreeable—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count <hi rend="italic">(to himself).</hi>
                           </hi>
                        </speaker>
                        <p>What an unbending mind!
what a stubborn spirit! What hope is there of softening it?</p>
                     </sp>
                     <pb id="p271" n="271"/>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>He is dreaming with his eyes open,
and talking Gibberish in his sleep——I'll escape——<stage type="mix">
                              <hi rend="italic">(going.)</hi>
                           </stage>
                        </p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>Adelinda, stay!—I was lost in thought—
Can I by any entreaty win you to render your
humour complacent——? Beautiful Adelinda! you
might, if you pleased, inspire me with the most ardent passion for you. Your heart, I am sure, is good, though so rugged and discourteous to all around you.
And (though I lament its constant misapplication)
yet I cannot help admiring the strong powers of your
understanding. Why then will you call forth dislike,
where you might excite love? Why brave censure,
when you might create esteem? Make but a just use
of the invaluable gifts, with which nature has endowed you, and you will enslave my very soul.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda <hi rend="italic">(softened). </hi>
                           </hi>
                        </speaker>
                        <p>Cousin! you plead so well,
that methinks I am half sorry, that 't is impossible for
you to gain your suit——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>Say not so, Adelinda! Reflect, that in a
few hours you will be my Wife: consider that the
happiness of my future life is in your hands; and, if
you cannot gain a proper ascendancy over your disposition, that I am doomed to be miserable; and every moment of my existence, I shall have to blush
with shame and grief, at my Wife's misconduct.—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda (haughtily).</hi>
                        </speaker>
                        <p>No, my Lord! I will save
you from so sad a fate, from this all-dreaded shame;
never, I promise you, shall my Husband have to
blush at my misconduct.—</p>
                     </sp>
                     <pb id="p272" n="272"/>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>How you delight me by this promise:
then, my amiable Adelinda! you will correct your
failings, and kindly condescend to be guided by the
tender advice of the man, who wishes to adore you?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>I most devoutly make you a second
promise:—and I call Heaven to witness the sincerity
of my intentions.—That in no one circumstance of
my future life shall the advice of you, my Cousin!
the Count D'Olstain,—ever govern me.——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>No?—You speak riddles! You promise
that I shall never have to blush, at your misconduct;
and yet you threateningly promise defiance against
me, either as your friend or counsellor.—For Heaven's sake! condescend to explain this mystery.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>No: I shall give no explanation; I intend to surprise every body.—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>How can you take a pride in torturing
me? You suffer your strange temper to drown every
benevolent feeling of your heart. Have you no kindness for others? no sympathy for their distress? Why should you rejoice in creating misery when
you might——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Stop! stop! for the love of charity,
do not stun my ears with any more of your tedious
preachments.—Know, my Lord! that such as my
manners and disposition are, such I would have them
to be; and such they shall remain, if I were to live
to the age of Methuselah.—Therefore, if you can
work no surer miracle than my reformation, you will
never be canonized for a Saint—But to shew you,<pb id="p273" n="273"/>
that I can, occasionally, do a civil and polite thing,
I rid you of my vulgarity; and leave you to the full
enjoyment of your own Good Company.</p>
                        <stage type="exit">
                           <hi rend="italic">(Exit Adelinda.</hi>
                        </stage>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e16897">
                     <head type="main">SCENE EIGHTH.</head>
                     <stage type="setting">THE COUNT <hi rend="italic">(alone).</hi>
                     </stage>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>What a strange, what a perverse Girl! If
I marry her, I sacrifice all my future happiness.—If
I reject her, the Marquis will oblige her to take the
Veil; and make me the unjust possessor of her birthright.</p>
                        <stage type="exit">
                           <hi rend="italic">(Exit Count.)</hi>
                        </stage>
                     </sp>
                  </div4>
                  <closer>End of the First Act.</closer>
               </div3>
               <div3 type="ss2" id="d0e16915">
                  <pb id="p274" n="274"/>
                  <head type="main">Act Second.</head>
                  <div4 type="ss3" id="d0e16919">
                     <head type="main">SCENE FIRST—A SALOON.</head>
                     <stage type="setting">
                        <hi rend="italic">STRASBOURG, FLORA (entering to him).</hi>
                     </stage>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>YOUR Servant, Monsieur Strasbourg!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>Down to the ground, yours, Madam Flora!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora (aside).</hi>
                        </speaker>
                        <p>Charming fellow! how handsome
he is! What a fine figure! What an elegant air!—
I'll plague him a little, however.—Why, Strasbourg!
for a Steward how magnificently you dress—But you
are rich; your father had the management of the old
Marquis's fortune, and of his Son's, for forty years.
You are his heir and still Steward:—And a most
pompous fine gentleman to be sure you are; but they
say you can afford it: yet, if I were my Lord——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>You would not keep a Steward who
looked so much like yourself. Ha! my smart Abigail!
but I must decline the felicity of your company just
now; for my Lord is coming hither upon business—so permit me to hand you out of the saloon.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>Well, Monsieur! I am here upon my Lady's
business; I came here to look for Madamoiselle
Adelinda.——</p>
                     </sp>
                     <pb id="p275" n="275"/>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>Then, as she is not here, by all means
pursue your business.——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>Suppose, Strasbourg! that to keep your dress
in proper countenance, you were to embroider your
manners with a slight border of politeness.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>Child! if I did, you would mistake my
meaning. I think you most enchantingly agreeable,
and you treat me in a manner that flatters me most
delightfully: and if it were not for the extraordinary
esteem and respect, that I have for your Lady, I
should encourage your predilection.——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>What do you mean? what do you insinuate?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>Only, divine perfection of a woman!
that your Lady would take it very ill at my hands,
if I seduced her favourite Abigail from that path of
discretion which her years exact that she should tread
in, and the practice of that virtue which she is said,
hitherto, to have most religiously observed.—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>Impudent Coxcomb! audacious Slanderer!
good-for-nothing Story-teller!—</p>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e16992">
                     <head type="main">SCENE SECOND.</head>
                     <stage type="setting">
                        <hi rend="italic">THE MARQUIS, STRASBOURG, FLORA.</hi>
                     </stage>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Thank your stars, Strasbourg! for my
timely appearance—Why I believe that Flora
going to beat you.</p>
                     </sp>
                     <pb id="p276" n="276"/>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora. (crying)</hi>
                        </speaker>
                        <p>No! no! I was not, but, but, I
wish to Heaven that somebody would give him a
good caning for me.——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Why, Strasbourg! what unpardonable
offence have you committed to deserve such treatment
from Flora?—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>I only said, my Lord! that the Marchioness would be displeased with me, if I seduced Flora's virtue: and behold, for this, she calls me a
slanderer! and a story-teller!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>No! it was not for that, but for supposing,
supposing,—indeed, my Lord! I do not deserve, deserve—but I wish that you would not keep such a
sop of a Steward—There is no being happy in the
house for him—he is so grand and so proud—and he
says—and he says—that, that, he looks like your
Lordship——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis (gaily.)</hi>
                        </speaker>
                        <p>Why truly, Strasbourg! so I think
you do—you are more sumptuous to day than usual,
I think. I really must follow Flora's advice and dismiss you—for you always appear so splendid, that indeed there is some hazard of your being mistaken for me.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>In Christian charity, my Lord! you
are bound not to dismiss me; for no other Nobleman
in all Europe can afford to retain me in his service.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>How so, Strasbourg?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>Because your Lordship is the only
one possessed of such princely manners, as to afford,
without any danger of mistakes, or derogation<pb id="p277" n="277"/> from
your own dignity and consequence, to keep a
Steward who has the vanity to aspire, in his dress and
and deportment, to look like a gentleman</p>
                        <stage type="mix">
                           <hi rend="italic">(bowing respectfully).</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis (laughing).</hi>
                        </speaker>
                        <p>Now, Flora! if Strasbourg
will pay you as curious a compliment, I am sure that
you must forgive him.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>Pray, my Lord! do not intercede for
me; for a quarrel with Flora is the delight of my
soul; her arguments are so terse, her wit so elegantly
polished, and her elocution so flowing, and so correct,
that to be the object of her anger is the most heavenly amusement that I have any idea of. So no pardon, no quarter, sweet Flora!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>Hang the fellow, he always has the art to
have every one of his side always; he knows how to
flatter himself into people's liking, and out of their
hatred.</p>
                        <stage type="exit">
                           <hi rend="italic">(Exit Flora.)</hi>
                        </stage>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e17079">
                     <head type="main">SCENE THIRD.</head>
                     <stage type="setting">
                        <hi rend="italic">THE MARQUIS, STRASBOURG.</hi>
                     </stage>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Poor Flora!— Well, Strasbourg! what
is the business?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>My Lord! the Widow of your late
tenant, Orland, sends me word that she is coming this
morning with her rent; and to beg that your Lordship<pb id="p278" n="278"/>
will be pleased to renew the lease of the Olstain Farm
to her. I suppose that you have no objection to renewing the lease; but at what rent, my Lord? all your other tenants have had their rents raised; but
Dorcas tells me, that she hopes as she nursed my
Young Lady that you will favour her.—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Yes: on that consideration; and as she
is a Widow, I will renew the lease, for the term of
her life, at the same rent.—I suppose the report of
Adelinda's marriage brought her hither just at this
time, that she might be present at the wedding. Has
she brought her pretty Daughter with her?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>I do not know, my Lord!—'tis not
certain—perhaps so—I believe she has—I, I, rather
think she may—but I cannot be positive—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>I begin to think, Strasbourg! that you
are in love with that girl: you are always so embarrassed, so shy, and look so very silly, whenever I question you about your visits to that part of the
Country. Your confused, mysterious answers, have
made me suspect that some love affair was your
business at Olstain, and not the barn-building, or
seeing after the workmen.—I want to see this girl,
this Zella, I have heard so much of her beauty.—But
are you seriously in love with her, Strasbourg?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>My Lord! Zella, to be sure, is a
sweet pretty creature, a sweet pretty creature, indeed,
my Lord! to be sure. So genteel, so delicate, so
blooming, one must be a statue not to be struck with
her. Every body is in love with her. But she rejects<pb id="p279" n="279"/>
every body, and wants her mother to let her be a
Nun; but it is pity that she should, as Dorcas can
give her a good deal of money whenever she marries.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Are your high notions then so far humbled as to marry a farmer's daughter? What is become of your taste and your pride? But do you
really intend to make her your Wife?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>Ye—ye—ye—yes, and please your
Lo—Lordship!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Ha! ha! ha! you may well hesitate,
<sic corr="Strasbourg">Stasbourg</sic>—you who used to pique yourself upon
your consequence and your pretensions—A Brother
in the Church,—a good fortune of your own—much
respected in your Lord's family—much honoured by
his kindness—all this I have heard from you——and are you, indeed, going to make love to a Dairymaid?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>Truly, my Lord! I blush at demeaning myself so much—But, my Lord! let love plead my excuse; irresistible love, which, I have been
unable to conquer, in spite of every the most powerful reasons for overcoming it.—I love so fervently, that I would rather die, than not win the Woman
whom I adore.—<stage type="mix">
                              <hi rend="italic">(With much emotion.)</hi>
                           </stage> Believe me,
my honoured Lord! that the idea of offending you
afflicts me much, though even that fear has not been
able to subdue my passion!——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>You speak as one deeply smitten indeed, Strasbourg! But one thing it behoves me to tell you: Zella, being the daughter of my tenant,<pb id="p280" n="280"/>
and very young, as she has lost her Father, whom I
very much respected, I think her intitled to my protection; therefore, know certainly your own mind about this girl, before you lay siege to her heart.
Your pride may step in now, but I tell you, that it
shall not afterwards. You have had several attachments, so I suspect your constancy in this; and I will allow of no foolery in this affair: you have my
consent to court her for your wife; but not to dangle
after her for your amusement, and then leave her to
wear the willow.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>No! to be sure, my Lord! your
Lordship is very right, very good——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>I own that I did not suppose, that the
Daughter of Dorcas would have been your choice.
I imagined from your spirit and taste that you would
have chosen a fine dashing wife, whom all my tenants would have looked upon as fine lady enough to be the wife of a Lord.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>You think my heart lowly. But,
alas! my Lord! I fear that it is only too high and too
ambitious.</p>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e17182">
                     <head type="main">SCENE FOURTH.</head>
                     <stage type="setting">
                        <hi rend="italic">THE MARQUIS, STRASBOURG, SERVANT.</hi>
                     </stage>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Whom do you seek?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Servant.</hi>
                        </speaker>
                        <p>My Lord! I came to tell Monsieur Stras-<pb id="p281" n="281"/>bourg, that Dorcas, the widow farmer from Olstain, asks for him.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Is she come alone?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Servant.</hi>
                        </speaker>
                        <p>No, my Lord! there is the handsomest
young Woman with her, that I ever set my eyes
upon.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Shew them into this room. <stage type="exit">
                              <hi rend="italic">(Exit Servant.)</hi>
                           </stage> Now, Strasbourg! I shall see your taste for beauty.</p>
                     </sp>
                     <stage type="entrance">
                        <hi rend="italic">Servant enters again.</hi>
                     </stage>
                     <sp>
                        <speaker>
                           <hi rend="italic">Servant.</hi>
                        </speaker>
                        <p>Walk this way, if you please.</p>
                        <stage type="exit">
                           <hi rend="italic">(Exit Servant.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg (aside).</hi>
                        </speaker>
                        <p>What does he want with them?
Has he a mind for the girl himself? 'Tis like
enough—</p>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e17242">
                     <head type="main">SCENE FIFTH.</head>
                     <stage type="setting">
                        <hi rend="italic">THE MARQUIS, STRASBOURG, DORCAS, ZELLA.</hi>
                     </stage>
                     <stage type="business">
                        <hi rend="italic">(Dorcas, dressed,</hi> à la Paysanne, <hi rend="italic">in yellow sattin, trimmed with red ribband; at sight of the Marquis, she begins making very awkward curtsies and advancing: Zella remains at the door).</hi>
                     </stage>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Oh! 't is yow, my goode Lord Markis!
yar Sarvant, your honours lordship! <stage type="mix">
                              <hi rend="italic">(runs back to
fetch Zella from the door)</hi>
                           </stage> Come, Zalla! come along—<pb id="p282" n="282"/>
come in, come in—there's my Lord's worship hisself,
yow navvar ramamber to have sat eyes on him, thof he
used to take grate notage on yow when yow war tree
yare old or fo—<stage type="mix">
                              <hi rend="italic">(drawing Zella in.)</hi>
                           </stage>
                        </p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>What a charming creature she is!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas</hi>
                        </speaker>
                        <p>Come, look up! <stage type="mix">
                              <hi rend="italic">(chucks her under the
chin.)</hi>
                           </stage> look up—don't be so sheepish, I say—come,
maake a low curtsy to my Lord, and ax his worship's
Lordship, if yow have the honour to see him well—
come, make a fine curtsy <stage type="mix">
                              <hi rend="italic">(Zella curtsies.)</hi>
                           </stage>
                        </p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Why, she curtsies gracefully indeed.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Yas! but why ha' n' t she the good manners to look in yar face as I does when I salute <stage type="mix">
                              <hi rend="italic">(Dorcas curtsies.)</hi>
                           </stage> your honour's Lordship—Why
look up, I say, ca'n't ye?—what are yow feered of?
nobody wull ate yow, child—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>'T is her enchanting modestly prevents
her from taking her eyes from the ground: <stage type="mix">
                              <hi rend="italic">(Dorcas
chucks her under the chin.)</hi>
                           </stage> You make her blush,
Dorcas! consider, she is before strangers.—What a
sweet countenance she has; why, Dorcas! what a
beautiful girl she is!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Oh, marry! yas, to be sure she is; why ant
she my Darter? and thof I ma'n't be so handsome now
quite, time was when I was a booty too.—but I am
growing old; I was thirty-four last birth-day;—and
Zalla will be eighteen to-morrow tree weeks.—I
has spared no pains to make har 'greeable: I has had
har in a Convent for tan whole yares, wanter and
Sommur; and now I think an intands to maake a<pb id="p283" n="283"/>
Laady on her, unless she's undutiful and wo'n't be
advised for her good.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>With such a person she may well pretend to be a Lady; she will be admired wherever she goes.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Ah, yah! that's what jantelmen all bedizened with shilver and gewld, an like your Lordship, who saw har at the grate, at the Nun's Convent, used
to say. But that war northing to wonder and marval at,
for she war a deal finer clod there; for I ollost caparisoned har like a yong Laady; and I gon har the bast of larnein that I could have for money, and har
father navvar cared how much was spant upon har;
and she ollost took to it kindly, an as te war naturably
as thof she war born to be a Schollard: she larnt
to dance, and to sing, and all sorts of good gear of
larnein (with hard names I ca'n't spake) that I could
have for my money. Oh! she's as larned as any laady
o'the Land; and so our Parson says.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Well, Dorcas! and I hope she is a good
girl, and that you have no reason to repent the expense.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Oh! no, not I, not an thof it had been a
tan times as much: she had avvery body's goode
worde, jantle and semple—She wanted to stay in har
nunnery all har life, but a noa says I, and har father,
she sha'n't a had all that money bestow'd upon har pracious larnein to barry it narther—So the short and the
long ont was, as I wanted har to keep me company, I
fached har home last Childermas day twelvemonth—<pb id="p284" n="284"/>
Alack and a well a day! I was gone for she, whan yar
Coach and Six stopped at my house, with my poor
Yong Laady Adelinda in it; that yow war so cruel
as to sand back to har Convent for a whole long yare
against har will—she cried and took on sorely at my
house—and I was mainly sorry at yar barbarousness
in sanding har back.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Why, Dorcas! I sent her back for improvement—and by what I perceive, sent back an obstinate, ungracious, awkward, unpolite, girl, the
same day that you fetched home an amiable, elegant
Young Woman.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>O! yas, Zalla! is as alagant as any laady,
thof she is so plane drassed—but a when she camed
home she would not go fine—she sade that te did not
become har lowly stachion to be so drassed; and my
silly husband that's dade and gon, he was of har side.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Ah, Dorcas! you are a widow now.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Yas, thank God, and plase yar Lordship, to my grate joy.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Thank God! Why Orland made you a very good husband.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Yas, only we was ollost a quarrelling—
he was so surly, so brutal, so obstinate, and so sulky,
and plase your Lordship, that he is bast to my liking
where he is.——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>I have formerly often heard him complain
of you, Dorcas! He used to say, that you were crossgrained, crabbed, stubborn, passionate, for ever contradicting him, and woefully disobedient.</p>
                     </sp>
                     <pb id="p285" n="285"/>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Oh! yas, an like your Lordship, I
scorned all thority, I navvar gon way, and if I could
not get my own mind, I ollost got the last ward; that's
what I ollost would have—than when he had no
more to say, I got banged a bit; but I ollest made my
part good blow for blow, and war'n't I in the right
ont, plase yar Lordship! <stage type="mix">
                              <hi rend="italic">(curtsying.)</hi>
                           </stage>
                        </p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Oh! as a woman of spirit, very right to be sure <stage type="mix">
                              <hi rend="italic">(laughing.)</hi>
                           </stage>
                        </p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>I'd have aten the flash off my own bones
sooner than not have bin as masterly as he; but for
all his blows, I could make him afeered of me.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis</hi>
                        </speaker>
                        <p>Why, zounds, Dorcas! you could not thrash him, could you?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>No, an plase you, no; I could sooner
thrash your worship's Lordship—no! no! at fair blows
he was twice my match; 't was not so: why yow must
know, that we had a great davvil of a rumpus just arter
I fached this here cratur home; and he was woundily
purvoking, and contradicted me a little too much for
my liking—so I farly swore, that if I had not my own
way, I'de drown'd myself, and have him hanged for
muddering me—He was fule enough to dar me to it;
so egad, my lord! I was in such a raging passion, that
I raanned right oute of the house, and he arter me,
cross the Orchard, cross the Home-stall, into the parkpiece, and jumps me, out of brathe as I was, before his face, right plump into the pond, where the grate
carp are—He got me out, but I did not spake for a
whole day, I was so drownded.—and so, my Lord!<pb id="p286" n="286"/>
whanaver I talked of the pond, arter that, I was ollost
sure of having my own way—and so 't was, that I
made him afeered of me—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>And does Zella promise to have as
good a spirit? she does not look as if she had.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>She a good spurrit—I am glad yow have
thought of that! Why, Lord! she is the poorest,
lamb-likest thing that avvar God made: Spurrit, indeed! she'll navvar stand up for har own rights as long as she brathes—she is so tame and so frightful
that she is for all the world like a naturable fule; whan
she first camed home, I taked har for a down-right
fule-born hideot: she had not the sanse to sa boh! to
a goose, with all har dancing and larnein—And she
would blush, O good lords! I could navvar open my
mouth to spake, but she would blush, and then fall a
whimpering, whether I spaked snappish to har or no.
And yat, for all that, she do n't want sanse in har
way, when she is in the yowmour to talk a bit; but
that's not often.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>My Steward tells me that he wishes to marry her—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Yas, an like yore Lordship, so he told
me, whan I axt him, pretty roundly, what brought
him so often to our side of the country; for I was
shrewd enough to pick out, that the barn-building
was not all the business—and it' yow give him yar
good word, and are agreeable to it, why he shall
have her.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella (weeping).</hi>
                        </speaker>
                        <p>Dear Mother! I beseech you consider——</p>
                     </sp>
                     <pb id="p287" n="287"/>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>But how is this, Dorcas? Zella is in
tears; how does her heart stand inclined to the
match? Does not she prefer somebody else?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Pray now axt har yarself, for I wish I
may die, if I can find out what she likes: thof 't is
no matters, for I intands that she shall have Mounsheer Strawsbourg, because I like him, and think him the finest jantleman I avvar saw, save and axcept
your Lordship's father. But whenever I talks of
Mounseer Strawsbourg, she ollost holds down har
hade and cries just as she does now; that's har way;
so do yow see what yow can make her say.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Zella! my fair damsel, Strasbourg is a
good sort of young man, and I hope that he will
make you a kind husband. I think it a very advantageous, nay even a great match for you—have you any regard for Strasbourg? Do you think you can
love him? <stage type="mix">
                              <hi rend="italic">(A pause, Zella weeping.)</hi>
                           </stage>
                        </p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>There, I told ye, that's har way—cry,
cry, cry—and hold down her hade, that's har way to
the life.—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Speak, Zella!—Speak without fear, and
tell your real sentiments—Can you like Strasbourg?
Speak your mind sincerely.——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>Alas! my Lord! No.—Indeed, I can never like him—never! never!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis (laughing).</hi>
                        </speaker>
                        <p>This is a plain answer, Dorcas—here is nothing to find out:—she speaks decidedly enough.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>But I wull have yow like him—'t is<pb id="p288" n="288"/>
come in my hade, and yow must and sholl love him:
't will be wicked and undutiful in yow not to love
him whan I bid yow love him; and ha'n't I ollost
told ye, that the sin of undutifulness is worse than
the sin of witchcraft, and the sin of witchcraft is worse
than the davvil hisself.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>Mother! I own that it is my duty to please
and obey you: and I wish, as you command it, that
I could like him; but, indeed, it is not in my power.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>But since my Lord says, 't is such a
good match, thof yow wo' n't love him, yow can
marry him, ca'n't yow?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>My Lord! you were so good as to embolden me, by your permission, to speak my sentiments—encouraged by your condescension, I have
spoken them with sincerity, from my inmost soul.
Be graciously pleased, then, to plead with my Mother
for me, that she may have the kindness to indulge
them, and to permit me to spend my life in——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Hold yar tongue this minute about being
a Nun, I say—she sha' n't be a Nun, that I swear and
declare, for northing shall ever maake me say yas to
har going into a Nunnery—for har Father told me,
on his dathe-bed, that if avvar I made a Nun of har,
that he shode not rest in his grave—and I ha' no
mind to see his Ghost, I promise ye—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>Why, my fair one! 't is impossible
that you can have any objections to a marriage which
my Lord confiders as every way so advantageous to
you.—</p>
                     </sp>
                     <pb id="p289" n="289"/>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>Pardon me, Monsieur Strasbourg! but I have objections.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>You are quite in the wrong, my little mistress!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Whather she's right or wrong is nather,
hare nor thare, I order it, and that's enough—said is
done with me—so as he says, yow are all in the
wrong to jangle about it.——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella (weeping).</hi>
                        </speaker>
                        <p>Wrong indeed! But my Lord
led me into the errour, when he bade me speak my
real sentiments and without fear.—For I was wrong
in daring to hope for his pity, his protection.——
Alas, Mother! grant me time, that I may try to reconcile my mind to your very hard commands, in forcing me to marry a man whom I cannot like; much
less regard with preference.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>The girl is stark staring mad, I think, not to like me——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Do not weep, Zella! I advise you, as a
friend, to accept of Strasbourg: why can you not
love him?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>My Lord! I can only obey my Mother;
to love him is not in my power.—If she insist,—now
I have lost my poor Father, I have no one friend to
save me from wretchedness;——unless—unless, my
Lord! I might presume to hope for your mediation,
to save me from never-ending misery—Will you not,
my Lord?—Alas! I have been too presumptuous to
ask it—<stage type="mix">
                              <hi rend="italic">(turns to her Mother)</hi>
                           </stage> I am your Child; and
it is my duty to obey you, But——</p>
                     </sp>
                     <pb id="p290" n="290"/>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Well, than! I pray why do yow dispute yar duty?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>Mother! I mean not to dispute.—I have
several times respectfully declared my sentiments to
you, lest, when you find how very dear my obedience
will cost me, that you should reproach me, that I was
not explicit in my declaration.—But this is the last
time that I will remonstrate,—the last time that I will
resist; but I owe it to you, and to myself, to declare,
before it be too late, <hi rend="italic">even for your repentance,</hi> that if
you lead me to the Altar with this man, that I go a
constrained victim to my duty; and though a patient
and unresisting, yet not a willing sacrifice.—And, O
Mother! from forcing me to that Altar, may you
instantly follow me to my grave!——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis (turning away).</hi>
                        </speaker>
                        <p>What is to be done? her grief, her tears, pierce my very soul——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Hold yar tongue, for I tall yow, yow sholl have him, I am intarminated upon it——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Not so hasty, Dorcas! this marriage does not depend upon your will and pleasure.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas (sitting her hands by her sides).</hi>
                        </speaker>
                        <p>Well!
and I pray come tell me, upon whose will and pleasure but Dorcas's does it depand? my silly husband, thanks be to the praise, is not hare to molest it: and
who but he can gainsay it?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>That, will I——If my Steward chuse
to keep his place; or if you chuse to have the lease
of your farm renewed. And, what is more, till this
poor lamb be of age, I will protect her from your un-<pb id="p291" n="291"/>
feeling authority. Zella! I declare myself your
Guardian. Dorcas! I claim Zella as my ward.—
You have lost your Father, I will supply his place.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella (at the feet of the Marquis).</hi>
                        </speaker>
                        <p>Thanks, my
liege Lord!—but will you, indeed, save me from this marriage?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>On my sacred word, I promise you that I will.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella (rising).</hi>
                        </speaker>
                        <p>O my Lord! your goodness has given me back to life.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis (taking her hand).</hi>
                        </speaker>
                        <p>Poor Child!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg (aside).</hi>
                        </speaker>
                        <p>An old fool! he is in love with her himself.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>My fair Zella! allow me to salute you.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>With my whole heart, my Lord!</p>
                        <stage type="mix">
                           <hi rend="italic">(Reclines for a moment, sobbing on the shoulder of the Marquis.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Compose your spirits, Zella! weep no
more;—depend upon my protection; no one shall
force your inclinations. Strasbourg! settle Dorcas's
accounts with her. And then, Zella! order the Servants to show you and your Mother into my Study.</p>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e17689">
                     <head type="main">SCENE SIXTH.</head>
                     <stage type="setting">
                        <hi rend="italic">ZELLA, STRASBOURG, DORCAS.</hi>
                     </stage>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>Will you forgive me, dear Mother! for appealing to my Lord?</p>
                     </sp>
                     <pb id="p292" n="292"/>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Forgive you?—force has no choice; I
must forgive you. My Lord is against us—so what's
to be done now, Mounsheer Strawsbourg?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>What do you advise, Dorcas?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas (bridling, and giving herself airs).</hi>
                        </speaker>
                        <p>Od zookers! be even with him,—Marry me, out of
spite.—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg (laughing).</hi>
                        </speaker>
                        <p>Marry You?—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Yas; and lave this baby-faced thing to
har salf.—I have a deal of friendship and esteem for
yow;—and I have planty of money, and all in my
own power—I navvar intanded to marry again—but
as she ont have yow, why, I suppose, yow may persuade me to have pity on ye.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>O Madam Dorcas! you do me too much honour.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Not a bit;—there's my hand;—I ar'n't so proud as she yow find.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>What the devil! why you cannot be
in earnest? come, come, I am too much grieved, to
be in a humour for foolery. You promised Zella to
me, and she shall marry me.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas (in a passion, stamping).</hi>
                        </speaker>
                        <p>I 'd first hang,
and then drown'd myself, before yow shall have har
now.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>Peace! peace! Dorcas! a truce, a
truce; here comes the Count D' Olstain, the finest
Gentleman, and the most accomplished Scholar of
the age, and the lover of the beautiful Adelinda.</p>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e17762">
                     <pb id="p293" n="293"/>
                     <head type="main">SCENE SEVENTH.</head>
                     <stage type="setting">
                        <hi rend="italic">THE COUNT, ZELLA, STRASBOURG, DORCAS</hi>
                     </stage>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count (at the bottom of the Stage, to Strasbourg;
Zella's back being turned to them; she appearing lost
in thought).</hi>
                        </speaker>
                        <p>Is that the girl who is thought so pretty?
I met the Marquis, and he praised her so highly, that
my curiosity brings me to see if she be such a peerless damsel.—That must be she, with her back turned to us. What a fine figure she is! does her face correspond to it?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>Yes, my Lord! that is Zella.  And she
is completely beautiful.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count (advancing towards her).</hi>
                        </speaker>
                        <p>I find that they
have told me truth, Zella! and that to see you is to
be forced to admire you.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella (turning to him, but her eyes on the ground).</hi>
                        </speaker>
                        <p>My Lord is pleased to compliment.——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>Heavens! surely—that voice—that face—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>My Lord! you distress me.—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>Have I not formerly had the pleasure of
seeing you at the Convent of Montargo, at the grate
of the Abbess's parlour, with my Sister, Augusta
D' Olstain, whose friend you were?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>You have, my Lord!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>But, in what a different dress do I now
behold you! a peasant's habit!—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>My dress, my Lord! is now that which
becomes my situation in life.</p>
                     </sp>
                     <pb id="p294" n="294"/>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>How then must you murmur against the
injustice of fortune!—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>No, my Lord! I murmur not. This, my
Lord! is my Mother, whose indulgence placed me,
in a Convent, for Education, in a manner far above
my sphere, and rank in life.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Yas, har father said she should have the
bast of larnein—so I had har put thare, in another
guise name; and ollost caparisoned har like a laady,
and she did not know no batter, till I fached har
home to keep me company——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>Charming Zella! what a fate is yours!
How do I pity, and admire you.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>You may admire her, if you please, but not too much, my Lord!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>Why so, Strasbourg?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>Because she is my bride elect.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>She? this Angel?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>Even she, my Lord! are you too surprised at my condescension, in marrying the Daughter of Dorcas?—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>No; but I shall be surprised, if she condescend to bestow a thought upon you.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>Now your Lordship appears, if you
declare yourself my rival, I stand less chance for
Zella's favour.—Your rank, fortune, and accomplishments, are, to be sure, almost irresistible attractions. And, though perhaps I ought to despair, yet my
vanity will not suffer me to desist. For it would be a
glory, that would flatter the ambition of an Alex-<pb id="p295" n="295"/>ander's heart, if a poor Steward, like me, should win
the affections of a beautiful angel, at whose feet the
Count D' Olstain had knelt in vain. Now, Zella!
tell us, who has the best chance for your favour?—
My Lord here,—or poor Strasbourg? Are you not in
love with him? come, tell us the choice of your
heart.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>Strasbourg! this liberty——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella (to Strasbourg).</hi>
                        </speaker>
                        <p>My heart has made no
choice. And, give me leave to tell you, that in the
present conversation, you have treated me with less
consideration, and respect, than even the lowly
daughter of a peasant has a right to claim from
every man, who is not mean enough to take pleasure
in giving distress, where he has a secret fear, that he
has deserved, by his ungenerous conduct, to excite
contempt.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>Ah! Heavens! to find again, at such a
moment, this divine assemblage of beauty, sense,
judgment—O! too charming Zella!—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>Hold, my Lord! you seem at present
to forget, that you are in love with my Young Lady,
Adelinda!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>Peace, Sir! whether I forget, or remember it, is not your concern, but mine.—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>Agreed, my Lord! but seeing you so
deeply smitten with Zella's charms, I, as her friend,
just take the liberty to hint your engagements: your
rank forbids you to court her honourably,—and I<pb id="p296" n="296"/>
cannot permit you to court her otherwise, as she is
promised to me.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Marry come up! promised? I scorn yar words.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>Why, yes, you yourself promised her
to me.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Well, than, I mysalf—my very own salf,
Dorcas, who stand here pointing at yow, I now unpromise har; mind yow, that yow sha'n't have her.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>We shall see that, Dorcas! my Lord
here, who is so successful a lover with Lady Adelinda, will stand my friend, I hope, and court Zella's
favour for me; and his rhetoric, I dare say, will be
irresistible: especially as Zella has declared, that her
heart has made no choice; therefore, I hope to gain
her favour, if my Lord, the Count, will intercede
for me.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>Will you be pleased to hold your tongue,
Sir! or quit the room? Had you been my equal,
your insolent impertinence should have met with its
proper <sic corr="chastisement">chatisement</sic>.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>Here comes your future Wife, my
Lord!—and if this conversation should go on with
such spirit and gallantry, you will make her as jealous as you have made me: and then Zella will be triumphant indeed.</p>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e17975">
                     <pb id="p297" n="297"/>
                     <head type="main">SCENE EIGHTH.</head>
                     <stage type="setting">
                        <hi rend="italic">THE COUNT, ADELINDA, ZELLA, STRASBOURG, DORCAS.</hi>
                     </stage>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Ah, Nurse! how do you do? I am
right glad to see you.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>My dear, dear yong Laady! how do
yow do?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Well in health, thank you, Nurse!
How long have you been come?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>I camed this morning, just now: and
here's my Darter, Zalla, come with me: yow do' n't
remember har, yow ha'n't seen har since she was put
to har larnin; ont ye spake to har?—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>So, what are you come for, my little
Goody? <stage type="mix">
                              <hi rend="italic">(Zella curtsies.)</hi>
                           </stage>
                        </p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>My Lord Markis's worship, yar Farther,
thinks har a grate bewty; do n't yow?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Yes! the thing is well enough. Does it
know how to speak?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>Yes, Mademoiselle! and how to speak
properly too.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>What is she going away for? Stay, girl!
and let's hear you speak properly,—come.—Oh!
you give yourself airs, do you?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>Pardon me, Mademoiselle! I do not know
any to give myself.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Do not you give yourself airs now?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>Then have the goodness to forgive my ig-<pb id="p298" n="298"/>
norance; and tell me, that I may amend it, what it is
that offends you.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>You, and your words, little minx!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Little minx!—Butter yar words with a
little manners. 'T is my belief, if I war to set Zalla
to hunt the pigs, she would use batter words to them,
and more civiller behalf, than yow give to har. Little
minx, indeed! marry come up, little minx!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Why, Nurse! you are putting yourself
into one of your passions.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Because yow dominare over Zalla for northing: and if I war not too well brad, to use such
words to my Lord Markis's Darter, I should call
yow, a saucy slut for yar pains. I brought Zalla on
purpose to draw me yar pictur—but, Godlys! I might
have spared har the trouble of coming, for a dancing
bear from our fair, might have sat for yar likeness,
yow are so bad mannered——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>Silence, woman! you forget yourself.—Adelinda! let Zella go away. How can you delight
in thus overpowering one who is too modest to cope
with you; and too meek willingly to give you
offence?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Cousin! I, by mistake, turned courtier: and having been most horridly mortified by
my father, who sent me hither, I vented any ill-nature where I dared; without reflecting that it was
not deserved.—Zella! I have behaved very unhandsomely to you. Be friends with me <stage type="mix">
                              <hi rend="italic">(takes her hand.)</hi>
                           </stage>
Cousin! you are a casuist in these matters, have I<pb id="p299" n="299"/>
said enough for the offence which I gave this gentle-looking spirit? for, in good truth, I feel sorry and
ashamed at my own littleness.—Zella! forgive me!
but I have offended myself, more than I have offended you.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>O Mademoiselle!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>Adelinda! a moment of forgetfulness,
when so gracefully acknowledged, is fully atoned.
And never did you look so charming in my eyes as
at this moment—I am going into your Father's Study,
shall I have the honour to conduct you thither?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>No, not now, go without me.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>Zella! the Marquis expects you and your
Mother; I am going to his apartment.</p>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e18125">
                     <head type="main">SCENE NINTH.</head>
                     <stage type="setting">
                        <hi rend="italic">ADELINDA, ZELLA, DORCAS, STRASBOURG.</hi>
                     </stage>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Well! I 'spose I have affronted yow:
but yow should not behave so.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Oh, no! Dorcas! I am as good friends
with you as ever. I know you love me; and the
saucy slut of a dancing bear owes you no grudge, I
promise you. But you and Zella must follow the
Count.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Why I ha'n't paid my rent to Mr.
Strawsbourg.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>My Father expects you; and, as he<pb id="p300" n="300"/>
sent me here, he will think, that I make you disobey
his orders; and then he will be in a raging
with me.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>O Lord! then, I'll go: for I ollost
thought him mortal crabbed to yow; and so I have
told him; but yar sarvant, my dear yong laady; I
on't make yow mischief, I'm sure; so yar sarvant.—</p>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e18163">
                     <head type="main">SCENE TENTH.</head>
                     <stage type="setting">
                        <hi rend="italic">ADELINDA, STRASBOURG.</hi>
                     </stage>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Strasbourg! this Zella is very handsome.—I am half afraid that you repent.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>Repent, my charming Adelinda! had
Zella the beauty of ten thousand angels, though my
eyes might see it, yet my heart could be inspired with
love and adoration, only by your charms, which are
so far surpassing hers.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Well! I believe you.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>Indeed you may.—And have you not
known, from first to last, why I let the family suppose, that Zella had made an impression on my heart.
I could not otherwise have seen you without suspicion from my absences; for, though my pilgrim's
weeds, and your great charity, cheated my Lady Abbess, so that she suspected nothing, good soul! yet the
barn building was too slight an excuse for your Father. So I was glad you know to avail myself of his<pb id="p301" n="301"/>
suspicions about Zella: but, by great good luck, he
has forbidden me to think of her.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Indeed?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>Yes; and from his breaking off the
match, I have a scheme, which, I trust, will put the
house in a confusion for a week to come; therefore
impute all that you hear of my passion for Zella to
contrivance, and never entertain a thought of my
being attached to her. But what can my charming
Adelinda have to fear? Is she not my wedded Wife?
my this day's Bride?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Peace! peace! lest we be overheard.—We shall need all your schemes and contrivance;
for we are in more danger than I feared, or you
either.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>Are we suspected?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>No! no!——But my marriage with the
Count, which, you know, was to be this week,—is
fixed for to-morrow——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>But you can beg for time.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>That I tried for in vain. My Father
was peremptory:—he gave me my choice, either to
marry the Count to-morrow, or return for life to my
Convent. And an escape from thence, you know,
would be impossible.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>Heaven help us! What must we do?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Fly this very evening.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>That's well said; but whither, my
charmer! can we fly, so as to avoid pursuit? by the
latter end of the week, all would have been safely<pb id="p302" n="302"/>
ready—My plans were laid, my Brother is preparing
for our flight, and to fly with us—but this night—we
cannot fly this night—no precautions taken——my
Brother absent—for, as soon as he had joined our
hands, he sat off for the coast, in order to secure a
ship.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Follow him—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>But whither?—For when he left me,
he had not determined what Port he would go to.
Adelinda! we can never escape this night, if we
attempt it, we shall be discovered and ruined past
redemption.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>But I tell you, that we must escape,
and this very night too.—For, if we stay, all must be
confessed to morrow.—And think of the dreadful
consequences.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>Distraction!—What can we do?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>I must, I think, tell Nurse Dorcas the
secret; and persuade her to let us be concealed at her
house, till we can get clear off.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>If she should betray us?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>She loves me too well to do that; especially as she knows that your life would be forfeited
to the law, or fall a sacrifice to my father's first fury;
and that I should be a prisoner, in some gloomy dungeon of a Convent, for the rest of my miserable days.
With her assistance, and your contrivance, I think
that we shall get off undiscovered.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>On what a tottering precipice do we stand!</p>
                     </sp>
                     <pb id="p303" n="303"/>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Do not make me begin to think!——
If we cannot escape, horrour ensues,—If we do, alas!
my gentle Mother's heart will break.—I am afraid to
think—I dare not reflect—Ah! and does your courage fail you, Strasbourg?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>Adelinda! if you saw my heart,
though it beats with fear, yet it is not for myself,
but for you. A moment of distraction, in spite of all
my duty to my Master, and all my respect for you,
made me discover my hopeless passion; you pardoned this act of presumption and despair—you, like
an angel, heard and pitied my sufferings,—fatally
heard, and pitied them, till you shared them. O Adelinda! do you not hate me, do you not despise the selfishness, that had not the courage to be wretched
by itself? I see with deep repentance, for your sake,
the dreadful abyss into which you are going to be
plunged. Into what peril have I betrayed you!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>The peril is equal for both.—Our regard for each other has been highly blameable:—but it is too late now for repentance. The hazard of our
enterprise is not so great as you imagine.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>O Adelinda! my eternal gratitude and
love will make it the study of my future days——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Peace! peace! I believe you: for
when a man is disinterested enough to resign all
hopes of fortune, and runs the hazard of his life for
marrying his master's daughter,—he certainly loves
her to desperation. We must part now, for fear we
be surprised. Meet me in an hour in the Alcove.<pb id="p304" n="304"/>
When I see which way the land lies, I can give you
more directions. Prepare me a disguise, and make
what arrangements you can for our departure. Adieu.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>As love conducts may it protect us both.</p>
                     </sp>
                     <stage type="mix">
                        <hi rend="italic">(Exeunt severally.)</hi>
                     </stage>
                  </div4>
                  <closer>End of the Second Act.</closer>
               </div3>
               <div3 type="ss2" id="d0e18349">
                  <pb id="p305" n="305"/>
                  <head type="main">Act Third.</head>
                  <div4 type="ss3" id="d0e18353">
                     <head type="main">SCENE FIRST—A DRESSING-ROOM.</head>
                     <stage type="setting">
                        <hi rend="italic">THE MARCHIONESS, FLORA.</hi>
                     </stage>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>I AM astonished that Strasbourg,
who thinks himself so adorable and a match for a
Princess, should condescend to think of the Daughter
of Dorcas for a Wife. My Lord's interfering and
breaking off the match is to be sure a very extraordinary step; yet I cannot think it a sufficient reason for your suspicions.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>My suspicions, as you well know, Madam!
have been but too often right. And my Lord Marquis
has had too many intrigues, for me, not to suspect
him very much, of entering into a new one, when he
prevents a pretty girl's marriage, and takes away her
Mother's authority, by declaring himself her Guardian.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>Has he done that too, as well as prevent the marriage?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>Yes, Madam! and Strasbourg is quite jealous about it.—I heard but little, for it was Lucy
whom he charged with the embassy to you, but she
begged me to tell it to you. I believe that she thinks
as I do, for she seemed half frighted out of her wits;
she says that Strasbourg has puzzled and confounded<pb id="p306" n="306"/>
her, by telling her of his jealousy. I questioned her;
but she said she dared not speak what she thought:
and ran away from me. I knew not what to think
of her flutterings; perhaps she is in love with him
herself.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>Well! do not tell me of such shadows of suspicions; I have enough for serious uneasiness, without anticipating vexations.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>But, Madam! Strasbourg says, that he will
lay his life, that the Marquis has designs upon the
Girl; and that he will find her a very easy conquest,
unless you interpose. Yet he charged Lucy not to tell
you, that my Lord was in love with her, for fear of
making you uneasy; but he is sure that he is; and
that the girl perceives it, and that as she is quite a
village coquette, an artful little monkey, she will
know how to secure her conquest.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>I hope that my Lord is more honourable than to seduce her.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>You may hope it, Madam! but you will
be disappointed. If I were you, I would order the
little baggage into my presence, box her ears, and
command her to be turned out of doors. She should
not stay a minute under my roof.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>Such conduct would ill become any
woman. And though my Lord appears to be relapsing into his former errours, yet who knows, but what
he may have some praiseworthy motive for his conduct.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>Thus you always excuse him, Madam!<pb id="p307" n="307"/>
and I could bite my fingers for madness, to see how
you appear to study to deceive yourself. When I am
sure, Madam! that, in your heart, you must be as
unhappy, as jealousy, that worst of demons, can make
you. If I were you, I would make a fine bustle, and
havoc, about it: all the world should know how
vilely I was treated.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>That would be the sure way to
make my Husband regard me as an enemy; and he
would soon hate me, however unjustly, for having
the temerity to proclaim his failings.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>O Heavens! I lose all patience. Faith! I
shall swear presently as the men do, to vent their
rage.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>Here comes the Marquis.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>Now for it then, Now we shall hear what excuse he will make for breaking off the match.</p>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e18447">
                     <head type="main">SCENE SECOND.</head>
                     <stage type="setting">
                        <hi rend="italic">THE MARQUIS, THE MARCHIONESS, FLORA.</hi>
                     </stage>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Do you know, Madam! what is going
forward?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora (aside).</hi>
                        </speaker>
                        <p>Oh yes! but too well.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>I am charmed, and so will you.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>And with what, my Lord?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>With a young Person who, at first sight,<pb id="p308" n="308"/>
captivates the heart, and, on conversing with her,
astonishes the mind. The more you look at her, and
listen to her, the more she strikes you; and you are
attached to her by an irresistible impulse. Her gracefulness, her understanding, her beauty, are enchanting; and the delicate modesty of her deportment adds
a thousand winning graces to the bloom of youth, in
the most lovely, animated countenance, that I ever
beheld.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora (aside).</hi>
                        </speaker>
                        <p>If this be a true likeness, the Girl is either angel, or demon—or a witch at least.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>And pray, my Lord! who is this
young Person.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Zella, the Daughter of Dorcas and of
poor Orland.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>You describe her to be charming
indeed, my Lord!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>I describe her, as she is, with beauty
that inspires love, and a mind that creates esteem.
She strikes, at once, as an accomplished, and attracts
as an amiable, elegant, young woman.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>Truly this Girl must be bewitching,
else you exaggerate her attractions very much.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Believe me, Madam! I do not exaggerate; what I tell you is the simple truth: I have
been conversing with her this hour in my study.
Dorcas, through foolish vanity, has given her an excellent education, and, for her years, I am astonished
at her knowledge. I most sincerely pity the suffering
which the elegant mind of this gentle Girl must<pb id="p309" n="309"/>
endure, in being subjugated to the authority of so
rough, and turbulent a woman, as Dorcas is; and I
feel the tenderest friendship for this poor child.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora (aside to the Marchioness).</hi>
                        </speaker>
                        <p>A tender friendship! what a tender phrase!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness (to Flora).</hi>
                        </speaker>
                        <p>Hush!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora (aside).</hi>
                        </speaker>
                        <p>Making a confident of his own
Wife! well, there is something new, under the Sun,
witness this confabulation.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>The poor Girl applied to me, to set
aside her Mother's project, of marrying her to Strasbourg.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>It seems to me, my Lord! that
Strasbourg's proposal does her much honour; even
with all the beauty which you describe her to have,
she could scarcely expect so advantageous an offer.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>But she testified so strong an aversion
for him, that, through pity for her, I absolutely forbad
the marriage.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora (aside to the Marchioness).</hi>
                        </speaker>
                        <p>In order to reserve
Zella for himself. Keep a sharp look out, Madam!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>Strasbourg has sent to me, through
Lucy and Flora, to beg that I will speak to you in
his behalf; therefore permit me to become his advocate. I shall esteem it as the higher favour done to me, if you will put him again upon good terms with
Dorcas and her Daughter; and persuade the Girl to
accept of so good an offer of marriage.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>That is impossible.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>How impossible, my Lord? Dorcas,<pb id="p310" n="310"/>
it seems, had consented, very wisely, to the marriage.
And why, my Lord! should you protect a rebellious,
vain Girl in her opposition to her Mother's authority
and judgment? You should rather enforce her obedience, than encourage her in her undutiful obstinacy.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Zella, Madam! did not want to have
her obedience to her Mother enforced upon her. The
sweet Girl was ready to obey her unfeeling mandate,
with all the respectful submission of a Daughter, and
all the resignation of a martyr, I declare to you,
Madam! that, but for her tears, I should have thought
an angel stood before me, when, after pleading for
pity in vain, she spoke the strong sense which she
had of her duty to her Mother, and of her resolution
to obey her, though at the price of all her future
happiness. Then, and not till then, I interposed my
authority in her favour. The thoughts of her being
devoted to misery pierced my heart with grief; whilst
the fortitude of her resignation almost awed me. I
cannot consent that she shall be driven to despair; it
would be a deep suffering to myself.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>I am astonished, my Lord! at the
impression which this Girl has made upon you.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Indeed she has charmed my very soul.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora (aside).</hi>
                        </speaker>
                        <p>I must go where I may storm and
swear at my ease, for my very blood boils in my
veins.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>You are silent, Madam!—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora (aside).</hi>
                        </speaker>
                        <p>Silent! why what should she say to this <hi rend="italic">Confidence?</hi>
                        </p>
                     </sp>
                     <pb id="p311" n="311"/>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>What does Flora say?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>Who I, my Lord? I say nothing: I only
meditate to myself.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Oh! meditate aloud; else we cannot
profit from your wisdom.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>No! my meditations would not please
your Lordship.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis (angrily).</hi>
                        </speaker>
                        <p>Then keep them wholly to
yourself; I will not suffer muttering meditations.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>Laugh, as I do, my Lord! at her
officiousness. And let us confine the conversation to
your Steward. What is to be laid to him, as the result of my intercession to your Lordship? Pronounce
his fate, my Lord!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Well then! I pronounce his fate. And,
though I set going the perpetual motion of Flora's
tongue, yet I forbid Strasbourg ever to think of Zella.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>Enough, my Lord! I will urge my suit no further.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>I am come to beg a favour of you, Madam!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>Command me, my Lord! What can I do to oblige you?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Honour Zella with your protection;
and take her into your service, as one of your waiting-women <stage type="mix">
                              <hi rend="italic">(The Marchioness testifies uneasiness, and
Flora surprise.)</hi>
                           </stage> I have promised to become her Guardian; for Dorcas is so tyrannical, absurd, and wrong-headed, that I am sure so sensible, and so gentle, a
girl cannot be happy with her. And when you see
Zella, you will think of her as I do.</p>
                     </sp>
                     <pb id="p312" n="312"/>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness (agitated).</hi>
                        </speaker>
                        <p>As I do not know her, I
may be permitted, without offence, to doubt whether
she will make the same impression upon me, as she
has done upon your Lordship. But, my Lord! as
you desire it, if I approve of her, she shall be received amongst the number of my attendants.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>O Madam! do not think of refusing
this favour to one so every way amiable. I will send
this charming girl to you; but, for decency's sake,
order her to be dressed properly; her peasant's habit
is too ordinary, and too particular to be worn here.
Condescend, Madam! to honour her with a gracious
reception. Receive her with that benignant kindness
which you have ever uniformly extended to modest
merit.</p>
                        <stage type="exit">
                           <hi rend="italic">(Exit Marquis.)</hi>
                        </stage>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e18716">
                     <head type="main">SCENE THIRD.</head>
                     <stage type="mix">
                        <hi rend="italic">THE MARCHIONESS, FLORA.</hi>
                     </stage>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>You see, Madam! what credit is due to
my suspicions. You are, I hope, convinced, by this
time, that my Lord is in love with this Girl; but his
asking you to take her into your service is beyond all
bearing.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>Heaven, grant me patience!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>Well! when I have done being in a
passion, I'll pray for patience too; and I am sure that<pb id="p313" n="313"/>
we shall stand in need of a double dose: for you
will find, that my suspicions are realities, and not
visions.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>Alas, Flora! so I begin to fear.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>I am glad that you are convinced of it,
Madam! for it is very mortifying to have one's penetration called in question, when one is so certain of
being in the right.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>And yet there is something very
extraordinary and very cruel in my Lord's conduct,
if he have any bad intentions towards this Girl. Have
you seen her? Is she so very charming?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>No, I have not set eyes upon her. But
Lucy, and the Servants who saw her, speak of
her as the Marquis does. And Strasbourg said, that
every body, at Olstain, was in love with her, for her
pretty face.</p>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e18766">
                     <head type="main">SCENE FOURTH.</head>
                     <stage type="setting">
                        <hi rend="italic">THE MARCHIONESS, FLORA, A SERVANT conducting</hi> ZELLA.</stage>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>Is it here?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Servant.</hi>
                        </speaker>
                        <p>Yes: and that is my Lady. <stage type="mix">
                              <hi rend="italic">(Exit Servant)</hi>
                           </stage>
                        </p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>I believe——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>Oh! How my heart trembles.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>I believe, Madam! that this must be our
beauty come to pay her respects.</p>
                     </sp>
                     <pb id="p314" n="314"/>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>Let her come forward.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>Come, come in, come in sight!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>Fear and respect——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>You are bid to come forward;—why do
you not move?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>You frighten me; what have I done amiss
that you are so angry with me.—My Lord sent me
hither.—I should not have dared to come, without
being ordered.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>We know it: walk towards my Lady.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness. (looking at Zella).</hi>
                        </speaker>
                        <p>Heavens! what an amiable countenance—!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>I fear, that I have unknowingly done
wrong in coming. I <hi rend="italic">feel</hi> that you are displeased,
Madam! I am very sorry—yet, indeed—I was told,
by my Lord himself, to come.—Pardon me that I did
so, I most respectfully retire.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>No, Zella! stay.——So, I find that
you have insinuated yourself into my Lord's favour.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>Alas, Madam! does the pity which my
Lord has shewn to a poor, fatherless girl like me,
offend you?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>Zella! pity is not always restrained
within proper bounds—I am neither unkind, nor unjust, nor willingly suspicious: but Strasbourg is jealous, and you know very well his reasons for being
so.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>No, Madam! I know of no reasons for
Strasbourg's jealousy. I only know, that he asserted
pretensions to my hand: but I cannot love him. This,<pb id="p315" n="315"/>
in the honest sincerity of my heart, I declared before
the Marquis. Orphaned as I am, he had the goodness
to promise, that he would supply my Father's place,
and, like an indulgent Father, he set aside the engagement which my Mother had entered into, so very
contrary to my inclinations. Indeed, Madam! had I
been forced to fulfil it, my future life, short, as I
hope, it would have been, would have run in one
continued stream of grief, disgust, and wretchedness.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>Zella! a girl like you should fear
to excite the partiality of a man of high station. Your
beauty might awaken love, in a colder heart than that
of my Lord; and I am told that he loves you; and
that you know that he loves you; and therefore you
refuse Strasbourg.—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>O Madam!—Think not thus, I beseech
you——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>What else can I think? when you
refuse so very advantageous an offer, as that which
Strasbourg makes you. Your beauty has seduced——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>Gracious Lady! say it not again—Trust
me, (and I speak as truly to you as I should were you
a messenger from heaven,) trust me, that if the little
beauty, which I am mistress of, had seduced the affections of your Lord, Honour, would instantly have
made me, a voluntary exile from this house: nor
should I have even dared to come into your presence.
A thought of such love, as you mean, never entered
into my mind, till you yourself, cruelly——pardon
me the expression,—suggested, from your own sus-<pb id="p316" n="316"/>
picions, this detestable idea: the very existence of
which, I had not even feared.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora (aside).</hi>
                        </speaker>
                        <p>Well! if she don't speak truth—I
must own that she can tell lies, with the most innocent grace I ever saw.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>Had you had a Son, Madam! who had distinguished me by his pity, I should have shrunk back
from it, fearing to find, beneath so specious a garb, a
licentious Lover. But in your Lord, I saw only the
Father, whose protection I wanted, and whose goodness emboldened me to forget his rank, to fly to him
with open arms, and hang weeping on his neck.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora (aside).</hi>
                        </speaker>
                        <p>Has she wings at her back? or has
she a cloven foot in her shoe? is she angel, or
demon?——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>And shall my Lord's generous compassion
for me, be interpreted into a crime? or my gratitude
for his goodness, into unhallowed affection? Can it
be?—and can you, Madam! thus wrongfully interpret his pity? or thus wrest my actions from their true motives,—You, whom my gracious Lord, bade
me come, and see, and revere, and love, as I did the
Saints in Heaven, for that you were good, and kind
like them.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>This girl, Flora! melts my heart.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>O the little Sorceress! she has the art of
taking one by surprise.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>Alas! I know not art. Perhaps I should
be silent, wanting the judgment to speak as I ought;
but I have spoken from my heart, and without guile,<pb id="p317" n="317"/>
Your suspicions, Madam! have wounded my very
soul; and have so astonished, and overwhelmed my
mind, that what to speak, or what to think, I am altogether ignorant.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>Do you wish, Zella! to give me a
proof that my suspicions are groundless?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>I have no dearer wish.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>Marry Strasbourg.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>O Madam! what have you asked?—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora (aside.)</hi>
                        </speaker>
                        <p>If she consent to that, I shall think
her a Jew, Turk, or Infidel: if she do, I give her up
directly.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>Can you have the cruelty, Madam! to
bring me to such a test as that, only to eradicate
your unjust suspicions? Can you think, that I had so
slight a sense of filial duty, as to plead against my
own Mother's authority, if I could have made such a
sacrifice at any one's request?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>O Madam! let me plead for her; indeed
she may be a very good girl, without marrying
Strasbourg.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>Madam! you hold the power to put an end
to all your fears.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>How Zella? tell me but How?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>Overcome my Mother's objections to my
being a Nun. Condescend to be present, Madam! when
I take my Vows, and bid the world everlastingly
farewell. Then judge, by the serenity with which I
dedicate myself to heaven, how free my soul is from
guilt or impurity.—And, dear Lady! notwithstanding<pb id="p318" n="318"/>
your injustice, yet from henceforth will I never offer
up a prayer to the throne of Mercy for myself, without mingling a petition with it, for your felicity.—May all the Saints and Angels have you in their
charge.</p>
                        <stage type="mix">
                           <hi rend="italic">(Going.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>Yet, stay, Zella!—Did you wish to
remain here? did you wish to live with me?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>Though my reception freezes, nay terrifies
me, though your suspicions hurt and grieve me; yet
never before stood I in a presence, that inspired my
heart with such tender affection, with such respectful
awe. But after what you have said, Madam! I ought
not to wish to remain here;—Yet it would make me
happy;—but I relinquish even the wish:—for I had
rather die a thousand deaths, than give you, even a
shadow, for the slightest uneasiness.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>Dear Madam! let her stay, I will be
surety for her.—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>She is her own security. Too charming, too amiable Girl! you have, in spite of my reason, conquered my fears, and subdued every objection. You shall remain here, you shall live with me,
as it is your own wish, as well as my Lord's particular request.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>And do you indeed consent, that I should
stay?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>With perfect satisfaction; and, as a
pledge of your duty and attachment to me, let what
has now passed be kept within your own bosom.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>Most sacredly, gracious Lady! living in<pb id="p319" n="319"/>
the constant presence of you, and of my Lord Marquis, will make me happy, beyond what I had ever
thought of being in this world.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>Let us remember the Marquis's orders to
have Zella properly dressed. Lady Adelinda's Wardrobe will, on her marriage with the Count, be given
away amongst us servants to-morrow, and therefore
may I not dress Zella from it now?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>Yes: and without consulting me.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>Then she shall for once, be dressed indeed.
I want to see how this diamond will look, when it is
richly set. Then, Madam! I will shew Zella to my
Lord! and this compliance with his orders, will
make my peace with him for my saucy meditations.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>Be it so. But leave me now; my
heart is overpowered: and solitude will best relieve
it.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora (to Zella).</hi>
                        </speaker>
                        <p>Mind that you continue to hate
our sop of a Steward. When I have dressed you, I
shall find him out, and fight a good battle with him
about you; for he has finely belied you, that I have
the honour to tell you.</p>
                        <stage type="exit">
                           <hi rend="italic">(Exit with Zella.)</hi>
                        </stage>
                     </sp>
                  </div4>
                  <closer>End of the Third Act.</closer>
               </div3>
               <div3 type="ss2" id="d0e19098">
                  <pb id="p320" n="320"/>
                  <head type="main">Act Fourth.</head>
                  <div4 type="ss3" id="d0e19102">
                     <head type="main">SCENE FIRST.</head>
                     <stage type="setting">
                        <hi rend="italic">STRASBOURG (alone.)</hi>
                     </stage>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>WELL, thank Heaven! if Dorcas will
be our Hostess—I have managed for our escaping
this night. I might safely have loved her pretty
Daughter, who disdains me. But every one to his fate.
It is mine to run away with my Lord's Daughter,
and—perhaps, to run my neck into a halter:—two
nooses instead of one. I hope that the Marchioness is
very uneasy, and that her jealousy will flame out;
and then whilst every one is occupied, with thoughts
of their own, in the midst of their troubles, we shall be
less observed, and escape unsuspectedly; and to-morrow morning,—let them miss us as soon as they please.</p>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e19114">
                     <head type="main">SCENE SECOND.</head>
                     <stage type="setting">
                        <hi rend="italic">ADELINDA, STRASBOURG.</hi>
                     </stage>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda (entering with precipitation).</hi>
                        </speaker>
                        <p>Hist! Hist! a word.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>I did not expect to see you, my charmer! I am waiting here, by appointment, to see your<pb id="p321" n="321"/> Maid Lucy, to know her success in an embassy of
mine, to your Mother, which I sent her upon, before
we met in the Alcove.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>I have been upon the watch; and, as I
saw nobody about; so I safely pursue my own business. Love, by my hands, presents you with these
jewels. They never gave me a moment's pleasure till
now; for I detest the fatiguing pomp which obliged
me to wear them. But, at this moment, I rejoice in
having them, to give to you, as some compensation,
for the lucrative post which you quit for my sake.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>My dear Adelinda! you may rely
upon my love, and my industry, for our support.
And besides all my own property, which, in case of
accidents, is all secured to you; here is your own
fortune, in good Bills of exchange. <stage type="mix">
                              <hi rend="italic">(shews a pocket book.)</hi>
                           </stage>
                        </p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>I conjure you, Strasbourg! take only
what is your proper own. Alas! I have no fortune!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>All your Father's money ought one
day to be yours; if you had your natural right.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>True, Strasbourg! and so it would, if I
did not quit my inheritance, through regard for you.
But whilst my father lives, no part of his wealth, by
any right, can be mine, unless by his own free gift:
and of that all hopes must be resigned:—for you
cannot, even think, that he will ever be won to forgive me.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>Forgive you, my sweet Adelinda! Oh,
No! He is too much of a Lord for that; unless you<pb id="p322" n="322"/>
can support and prop the grandeur of his illustrious
house; you have no Father in my Master, I promise
you. Therefore I have taken these bills, because we
shall never have but this only opportunity of helping
ourselves. This is the ready money, which my Lord
intended for the Count, your Cousin, on his marriage
with you; besides two very fine estates.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>For Heaven's sake, Strasbourg! do not
take the bills. I have pride, and your honour is dear
to me. Let my Father have nothing to reproach you
with, but the temerity of your love, in carrying off his
Daughter.—Let him have no one thing, I beseech
you, against your honour and integrity, as his confidential Servant. The Jewels which I brought you are
my proper own, they were my Godmother's Gift to
me; and I give them to you, as my own unquestionable property. Therefore, be strictly honest, and restore the bills.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>Honest! You are too scrupulous,
Lady Adelinda! No! No! we will take the bills;
't is surely as honest to take them, without my Lord's
leave, as to take you. He will think the loss of his
money, nothing in comparison with the loss of his
Daughter.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>But, Strasbourg!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>My sweet Adelinda! you have consented to the greater dishonestly; and now you pretend to have scruples. Truly, you are too nice for the
courage, which you have shewn till now.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda (with indignant grief).</hi>
                        </speaker>
                        <p>And you, for<pb id="p323" n="323"/>
whom I have shewn it, are to become the punisher of
my transgression, against my Parents, by involving me
in fresh, unheard-of Guilt—To what have I reduced
myself? I ought to have conquered my regard for
you, the moment that my heart spoke in your favour
—Oh! that I had but trusted some wise friend, whilst
it was yet time, to save me from the folly of my own
heart; and from this,—Alas! its bitter,—though
deserved consequence.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>For Heaven's sake, calm!——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda (with anger).</hi>
                        </speaker>
                        <p>Peace, Sir!——Your Master's Daughter, Adelinda D' Olstain, commands your silence!—<stage type="mix">
                              <hi rend="italic">(after a pause, in a gentle voice.)</hi>
                           </stage> I am your
Wife, Strasbourg! reflect what a deep suffering that
will be to my whole family. I tremble to think, that
yon Sun, when next it rises, must view my noble
Father maddening with rage at my misconduct, and
my gentle, my indulgent Mother, dying with grief at
my disgrace.——Has not my affection for you
enough degraded me?—Must I, henceforth, be classed
with the vilest of mankind! with Robbers?—Shall
I, a Daughter of the nobler House in France, degenerate beyond all example, all belief——? Shall I
become the confident, nay, the unprincipled accomplice, of my Father's plunderer?——No; were I
peasant born, not the sharp pang of houseless poverty
should tempt me to such base, such low-souled dishonestly—— Go, Strasbourg! seek your own safety,
fly! I renounce you.—— As for me, sooner will
I brave death, from my father's sword, confessing at<pb id="p324" n="324"/>
his feet, my fatal folly, than as a robber quit this sacred house.——<stage type="mix">
                              <hi rend="italic">(going.)</hi>
                           </stage>
                        </p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg (kneeling).</hi>
                        </speaker>
                        <p>Adelinda, forgive me!——
I thank, I applaud your delicacy—blushing, I own,
that but for that, I should have acted less scrupulously.
But in order to render myself less unworthy of you, I
will adopt your principles.—<stage type="mix">
                              <hi rend="italic">(she raises him.)</hi>
                           </stage> I will
instantly replace this very large sum, and evermore
thank my Adelinda, that I remain an honest man.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>I am satisfied, Strasbourg! be it forgotten. I must leave you now.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>Will Dorcas consent to receive us for a few days?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>I have not yet seen her. She is gone out.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>How unfortunate!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Oh! I have no doubt of her standing our friend.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>Somebody is coming—I have a thousand fears, for when we left the Alcove, I thought I saw Lucy, and at no great distance. Yet it could not
be she, as I had employed her elsewhere. I hope nobody saw us.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Oh, no! and if any body had seen us,
of what consequence could that be. Adieu! I shall go
this way through the back Hall.</p>
                        <stage type="exit">
                           <hi rend="italic">(Exit Adelinda.)</hi>
                        </stage>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e19283">
                     <pb id="p325" n="325"/>
                     <head type="main">SCENE THIRD.</head>
                     <stage type="setting">
                        <hi rend="italic">STRASBOURG, FLORA.</hi>
                     </stage>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>Heigh ho!——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>I am come instead of Lucy.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>Why so?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>Because Lucy has been after other business
elsewhere.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg (aside.)</hi>
                        </speaker>
                        <p>Then it was she, in the Garden; and perhaps she overheard us.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>You may well be confused. You are found
out. I know all.——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>Heaven and Earth! What? 
Which way?—That devil Lucy! Dear, dear Flora!—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>Why! I see that you have some conscience remaining by the changeable livery of your
face, Red and White by turns—The Lilly and the
Rose contending for empire. And I judge, that you
have a hot fit, and a cold fit, to answer to your
looks—but chiefly cold I conjecture; for by your
shaking, and the chattering of your teeth, I think
that you cannot be over warm. Sir! you are in my
power.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>Dear Flora! I do not understand you, you are mysterious.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>Oh! but you shall understand me. You
are in my power, I tell you. I can spring a mine, that
will blow you up. Ruin hangs over your head—and
that ruin will be as full, and as complete, as your
worst foe could wish it—</p>
                     </sp>
                     <pb id="p326" n="326"/>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>Dear Flora! What do you tell me?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>I could tell you how to get out of the
scrape: but you are too proud to be advised. So, as
my Duty binds me, I shall tell my Lord all that I
know, and all that I think.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>Indeed, Flora! you are mistaken. I—
I—I have the highest love, that is the greater veneration for you. I admire your advice—so, my dear Girl!
let me conjure you to be my friend. You shall find
me all duty and obedience, to whatever you advise,
indeed you shall, and my gratitude shall be eternal. So
now, my charmer! be my friend and counsellor, and
tell me what I shall do. <stage type="mix">
                              <hi rend="italic">(takes her hand.)</hi>
                           </stage>
                        </p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>Ah, Strasbourg! You can be civil enough,
now I have you in my power. But remember this
morning how insolent you were; and before my
Lord too. I have not forgotten it, I promise you.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>My sweet Flora! How can you set
so little value upon yourself, as to suppose, that I was
in earnest. Why did not you stay, and turn the tables
upon me, with all that elegant wit, and charming
dexterity, with which you always conquer, in any
argument, whenever you please to maintain your
ground? how could you be so childish, my dear Girl!
as to treat my innocent gaiety, as serious disrespect.
Indeed I have the highest regard for you.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>Well, Sir! convince me that you did not
mean any harm, by changing your mode of behaviour
towards me, for one a little more respectful and polite,
and then you may expect my friendship.</p>
                     </sp>
                     <pb id="p327" n="327"/>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>I am very sorry, that you did not
seriously tell me when first you perceived me wanting
in respect and politeness towards you. My dear Flora!
I am much obliged to you for the friendly concern
that you shew, and I shall be very glad of your advice
at all times, as I am sure, that you are blessed with a
very superiour understanding.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>Well then! in the First place, notwithstanding my Lady's interposition, my Lord peremptorily refuses to consent to your marrying Zella. And
I tell you, if you attempt to plague the poor Girl with
your courtship, after you are thus forbidden, my Lord
shall know how you have slandered her, and what fine
stories you have told to Lucy about his being in love
with the poor girl, and of his plotting to seduce her.
So you see how much you are in my power; and
how near being ruined yourself.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg (with great joy, aside).</hi>
                        </speaker>
                        <p>Yes, as near as
the King of Prussia is to being made Pope. And is
this all?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>All! If my Lord knew this <hi rend="italic">all,</hi> you would
have a fine downfall: but I am your friend. And I can
manage my Lady; and make Lucy hold her tongue.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>I am very much obliged to you, indeed, Flora! I am sure that I meant no harm. I only told Lucy what I saw, and what I heard, and what I
thought, and what I suspected. And you know as well
as I, that my Lord's heart is very easy of access to
every handsome face. But if my Lord orders, and you
advise me not to think of Zella—Why I have for-<pb id="p328" n="328"/>gotten her——She would have a pretty fortune, it is
true. But, my dear Flora! I shall not regret Zella;
for I now feel, that my heart is powerfully fascinated
by a most amiable woman, who, though she has very
little, if any fortune, will I find make herself mistress
of my everlasting love; one who has just convinced
me, that she has the virtue, sense, and purity of an
Angel.—My sweet Flora! I must leave you now:
but remark what a change the next twenty-four hours
will make in me; and how gratefully I shall prove my
obligations to you, for giving me your advice, and
thus kindly becoming my friend. <stage type="exit">
                              <hi rend="italic">(Exit Strasbourg.)</hi>
                           </stage>
                        </p>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e19429">
                     <head type="main">SCENE FOURTH.</head>
                     <stage type="setting">
                        <hi rend="italic">FLORA (alone).</hi>
                     </stage>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>So! So! my fine gentleman! your heart
will be mine at last. Now comes my turn to plague
you. Well! he is a charming fellow, that is the truth
of it. Then he is rich. And how liberal he is not to
mind my having so little money—"His heart fascinates him to a most amiable woman, who has just
convinced him, that she has the virtue, sense, and
purity of an Angel."— What an elegant way he has
of turning a compliment. He is quite a fine Gentleman to be sure. "The virtue, sense, and purity of an Angel." Oh! how I shall be envied, for many a
heart aches, and will ache, for Monsieur Strasbourg.</p>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e19441">
                     <pb id="p329" n="329"/>
                     <head type="main">SCENE FIFTH.</head>
                     <stage type="setting">
                        <hi rend="italic">THE MARQUIS, FLORA.</hi>
                     </stage>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Has not Strasbourg just left you? Is he
very much hurt, that his match with Zella is broken
off?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>No, not much, my Lord! I fancy, that he
will easily console himself, notwithstanding Zella is
such a charming Girl.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Indeed she is, Flora! I scarcely ever
saw her peer in any rank in life, she is a divine assemblage of beauty, sweetness, and good sense.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>What will you say of her beauty, my
Lord! when you see how much better she looks,
now she is dressed?—for your Lordship's orders
have been complied with; and my Lady is now
quite struck with her, as well as you are. She sent
me to see where you were, that Zella might be shewn
to you. Shall she come hither, my Lord?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>No; I am engaged now. I am going
into the Garden. In half an hour, send her into the Elm walk; the Count will be there, and I shall like to see if he will know her again, since, you say, that
her dress has so changed her appearance.</p>
                        <stage type="exit">
                           <hi rend="italic">(Exit Marquis.)</hi>
                        </stage>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e19481">
                     <pb id="p330" n="330"/>
                     <head type="main">SCENE SIXTH.</head>
                     <stage type="setting">
                        <hi rend="italic">DORCAS, FLORA.</hi>
                     </stage>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Well, Madam Florrah! I could hardly
balieve what the eyes of my own hade told me—Why
how yow have transmogrified my Dartar—Why yow
ha dizened har out till she looks of as grate magnification as the Queen of Shaba comed to visit King
Solomon, in the fine Tapestry, in the grate Hall at
Olstain.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>Ah, Dorcas! have not I dressed her with
great taste.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Ods! lickens! Yas. She is beautified
from hade to foot, from top to toe—Gold, and musling, and Sattin, and pracious Stones, and Dimuns,
of all sorts and colours—Why har gownd is all over
sprinkled with glow wurrums. When I cumed home
here the Sarvants told me she was in yar chamber: so
bounce I want, bolt in—but when I sawed such a fine
crature, I thought 't was some visitor cumed to the
wadding, so I makes one of my bast curtsies, and
says I,—I bag yar Laadyship's pardon, says I, but
they told me my Darter was hare. And, whan I
found 't was Zalla all that there foine, I could not halp
jumping for joy—I ha bin looking at har avvar so long,
and Gammini! fathers and mothers! why what a foine
prasence she is, and how handsome drass makes har.
Lord, Florrah! do drass me so, and sat me before a
looking-glass; and I shall look at myself for a whole
day long——</p>
                     </sp>
                     <pb id="p331" n="331"/>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>I thought you liked dress, Dorcas! you
always dress so well, and mix colours with such
taste.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas</hi>
                        </speaker>
                        <p>So I dow—but this hare plane sattin
jacket is northing to Zalla's fine long train—Well, I
am sure I should think it quite a havvenly blissin for
to be so magnanimously drassed—and what a foine,
dasperate, beautiful highness I should look, with such
grate flippity, flappaty feathers in my hade—I dar sa
our fokes would take me for the Quean, and go down
of thar knees to me—Do now, pray Madam Florrah,
come and drass me up so; and whan I go home, I'll
sand yow for a prasant, the gratest, biggest, bast
chease, that I ha made all this whole sommer—'T is
a thumper, I promise yow, 't is bigger than the biggest church hassock, yow avvar seed in yar life—
Come, wull yow now?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>Another time, Dorcas! perhaps to-morrow, to dance at the Wedding.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Indeed!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>Yes: but hush! here comes Adelinda;
do n't tell her—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Noa! noa! mum for that—I shall like to
show hur, what a foine Laady I should have been.</p>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e19543">
                     <pb id="p332" n="332"/>
                     <head type="main">SCENE SEVENTH.</head>
                     <stage type="setting">
                        <hi rend="italic">ADELINDA, FLORA, DORCAS.</hi>
                     </stage>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Nurse! I have wanted and wished to see you, and you must go out truly!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Marry, yas! I did not know as how, that
I should ha the blissin to see yow agin to-day, after
yow bod me go to yar father; and so I axt his lave,
and want out, arter business, whilst he talked to my
Darter.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Flora! you may go.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>Mademoiselle! I should be glad, if you
would tell me a little more of my fortune first.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Flora! this sweetmeat box is full of
spiders, Nurse is very fond of them; she eats them
up like poached eggs. So you had better go, lest I
persuade you to taste of them.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>Only tell me first, when I am to hang
myself upon the willow in the garden, for love of the
sweet youth, who, you say, slights me. I should be
much obliged to you to tell me the day and hour.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>I am not sure of your having courage
enough to do so very clever, and complimentary a
thing;—but I can tell you a very extraordinary circumstance that will happen, just before you will have
the greatest desire in the world, to oblige all your
friends, by hanging yourself; whether you will be so
kind to them, or not, is dubious, for the stars are
silent, as to your being quite desperate.</p>
                     </sp>
                     <pb id="p333" n="333"/>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>Well! and what is this Phenommedra, that
is to foretell my fate?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Why, twelve hours, before you will
have a mind to hang yourself; a Lion's Whelp will
walk tamely through the streets, waiting upon a Fox's
Cub.—And, when you hear of this wonder,—then
think upon my words. But till then, think of my
box full of spiders.—Go, go, go! I will tell you no
more now.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>You are all in the wrong; for I shall not
even wear the willow; much less hang upon it. So
that your Lion's Whelp, and your Fox's Cub are all
rhodomontade——<stage type="mix">
                              <hi rend="italic">(Adelinda threatens.)</hi>
                           </stage>———Oh, no
Spiders! I am gone.</p>
                        <stage type="exit">
                           <hi rend="italic">(Exit Flora.)</hi>
                        </stage>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e19618">
                     <head type="main">SCENE EIGHTH.</head>
                     <stage type="setting">
                        <hi rend="italic">ADELINDA, DORCAS.</hi>
                     </stage>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>I must see if she be not listening. <stage type="mix">
                              <hi rend="italic">(goes
to the door.)</hi>
                           </stage> Yes, <stage type="mix">
                              <hi rend="italic">(shuts the door.)</hi>
                           </stage> but now she sees,
that she is suspected, she wilt not return to the charge,
I presume. <stage type="mix">
                              <hi rend="italic">(opens the door again.)</hi>
                           </stage> No: she is gone
for good now. Nurse! I have been so perplexed at
your being out; I wished to see you. I want to talk
with you; and to get you to do me a very great
kindness.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Well, my dare young Laady! I'll do it
to be sartain; what may it be?—</p>
                     </sp>
                     <pb id="p334" n="334"/>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Your help will secure the peace and
happiness of my whole life.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Hoh! than 't is something of very grate
magnification!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Yes! 't is an affair of very great consequence: but swear to me to do it.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Well! to be sure I sholl.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Aye, but swear, Nurse!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Well! I swear, tan times over, to dow
it, to plase yow.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>And you must be very cautious, in the
mean time, for one single word said will ruin me
for ever.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>The dowce it wull though!—Hoity toity!
then 't is a woundy grate secret indeed?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Alas, Nurse! yes: and without your
assistance, I must be miserable.—But do you love
me as well as you used to do?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Yas! Yas! That I dow. I love yow as
well as I dow the eyes in my hade: so my dare
young Laady, tell me, in two words, what I can dow
to maake yow haappy, that I may dow it at once, with
as much spurrit as good will—Come, tell, or how
the dowce can I do it?—unless yow tache me to
conjur and tell fortens.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Why, you must know, my dear Dorcas! that they are going to marry me. And that to-morrow is to be the day. So that I am half wild with
vexation and grief.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Well! I know that yow are to be mar-<pb id="p335" n="335"/>ried to-morrow; that is no secret, avvary body in the
house, all Paris, all Olstain, know it, my dare young
Laady. And where is the grate misfortune, and grief
of that?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>It is the greatest misfortune and grief
in the world to me, Nurse! for the Count, my Cousin, is designed for my Husband; and I hate and detest him.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>That's right—for I do n't much like the
match. And so yow do n't like him narther?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>No, Nurse! because I like another,
whom I love to distraction.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>I am glad of it.—I am glad of it: thanks be to the praise, I am glad of it.—Well! and come
tell me, is this other yow love so, some verraie grate
man?—A Duke now?—Is it a Lord Duke?—I hope
't is; and I sholl jump out of my wits for joy; yas,
that I sholl—I hope 't is a Lord Duke. They are
avvary one of them, they say, Cousins<ref id="note23" type="noteref" target="n23">*</ref> to the King
hisself. Therefore I should darely like that yow should
marry a Duke, and be cater cousins to majesty. Oh
lud!——Oh! the blissin of blissins! to be called
cousin to the King. Faith! I navvar liked the match
with yar Cousin. I ollost wanted yow to have martied grander, and to batter yarself.—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Fie, Nurse! How came this into your
head?</p>
                     </sp>
                     <note id="n23" n="*" place="end" anchored="yes" target="note23">
                        <p>Archbishops and Dukes, when addressed in writing by the Kings of
France have, from time immemorial, been styled,  "Mon Cousin:" Whence
this idea of Dorcas.</p>
                     </note>
                     <pb id="p336" n="336"/>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Oh! 't was for avvar my will and fancy
that yow should be grate—my heart has ollost been
sat upon it that yow should marry some grate, gormandising, grandissimo, and be a greater, biggerer, finerer, Laady than yar Marchioness Mother.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>But the man whom I like is not of
high rank, and I am so determined upon marrying
him, that——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Are yow so intarminated, and positive, as
that comes to? faith!——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>I will tell you no more, Nurse!——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>But yow sholl. I wull know the whole;
yow have told me too much, for me to let yow stop
short: tell me all, and this minute too; and I'll
pravant yar positive intarmination of marrying, I warrant yow.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Dorcas! whatever you may say, is too
late,——too late to be regarded now; for——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Ods life!—I hold a wager yow are
 married awready.——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Yes, Nurse! I am married. And since——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Oh, all the davvils! hare's doings!——
Here's a foine piece of work! Zounds! hare will be
swearing and storming—Whew! the house will be
too hot to hold <emph rend="italic">me</emph> for one.—But I'll cure it all.
I'll have yow unmarried. Godly's! that's what I
will, as true as my name is Dorcas.—Oh! the davvil
fly away with me, if I ha'n't yow unmarried in the
twirling of a mop-staff.—My Lord shall tell me how <stage type="mix">
                              <hi rend="italic">(going).</hi>
                           </stage>
                        </p>
                     </sp>
                     <pb id="p337" n="337"/>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Is this your great love for me, Dorcas?
Have you then vowed my destruction? If you betray
me, my death will be the certain consequence.—
Think how very passionate my Father is: he will
murder me in his rage, and your treachery will be the
cause of my death.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>I, the death on ye?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Certainly you will, if you betray me.
Indeed, Nurse! I shall be murdered; and you will
have it to answer for.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>O Lord! O dear! O Lord! What sholl
I do? my brain turns topsy turvy—I am all in a
mist, I can't see—I am sick at heart—O dear!
O dear! What will become of you? Tell my Lord?
Tell my Lady? What shall I do?—She's ruinated
all ways.—<stage type="mix">
                              <hi rend="italic">(Going up to Adelinda.)</hi>
                           </stage> Did the Davvil
set his cloven foot into yar heart, and make yow dow
this to spite me? Te must be the Davvil's doing; he
has long owed me a loaf, and now he pays me with a
whole batch!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Dear Nurse! I conjure you to pity me;
and to suffer me and my husband to be concealed in
your house, for a few days. We have gold and jewels
in abundance; and we will give you as much of
them as you like.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>But who is this Husband? Tell me that
—Who is it? Who is it, I say? Tell me this minute.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda <hi rend="italic">(with hesitation and confusion).</hi>
                           </hi>
                        </speaker>
                        <p>Stras—
Stras—Strasbourg——</p>
                     </sp>
                     <pb id="p338" n="338"/>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Who? Who? What? Say it again— do n't stammer—Speak!—speak!—it can't be.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Strasbourg, Dorcas!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Strasbourg? a Sarvant! a Coxcomb! a
Villain—<stage type="mix">
                              <hi rend="italic">(strikes her.)</hi>
                           </stage> Take that—and that—and that
—and that—<stage type="mix">
                              <hi rend="italic">(beating her).</hi>
                           </stage>
                        </p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Are you mad, Dorcas?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Mad! Yas, mad with rage—cursedly
mad—Sarpant—Davvil——<stage type="mix">
                              <hi rend="italic">(going towards Adelinda,
who retreats from her.)</hi>
                           </stage>
                        </p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Keep your distance!——You forget
yourself, Dorcas!——You mistake me for Zella. Behave with more respect.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>I forget myself!——Yow sat me the bad
example. Yow first lowered the Laady to a Sarvant
—— I trated yow, according as yow valued yarself
——Whan a Laady do n't respact harself—I pray,
come talle me, who respacts har?—Not Dorcas, for
one, I promise ye.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>But for pity's sake, Nurse! moderate
your rage.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Do n't talk to me of pity——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Think what will become of me.——
Think, if you betray us, what will be poor Strasbourg's fate.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Oh, a good hanging, thank God!——
And sooner than he should go unhanged, I would
commit Sacrifuge mysalf; and rob a Church of a
Bell-rope, rather than he should want a halter——<pb id="p339" n="339"/>
Oh, you shall be unmarried now by a rope's end:
that's one comfort, howaver.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Heaven and earth! to what abjectness has my fatal folly brought me. <stage type="mix">
                              <hi rend="italic">(A noise heard.)</hi>
                           </stage> Some one is coming. For Heaven's sake, Dorcas!
hold your tongue. My life is in your hands.</p>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e19958">
                     <head type="main">SCENE NINTH.</head>
                     <stage type="setting">
                        <hi rend="italic">ADELINDA, DORCAS, FLORA.</hi>
                     </stage>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Whence this instrusion?——How dare
you come when I ordered you away?——<stage type="mix">
                              <hi rend="italic">(Recollecting herself.)</hi>
                           </stage> 'T is very hard, Flora! that I cannot
speak to Nurse without your haunting me.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>Lord, Mademoiselle! what are you in such
a passion for? I do not want to haunt you. One of
the Footmen was running into all the rooms to find
you. So I, supposing that you were here still, took
his message——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Well, dispatch! what is it?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>A Man, who says that he is Zella's Uncle,
begs very earnestly to see you. I wanted him to tell
me his business; but he would not——I suppose he
wants you to ask some favour from the Marquis; he
says that he is his tenant.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Well, where is he?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Flora.</hi>
                        </speaker>
                        <p>In the dining parlour.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Dear Nurse! go and wait for me in
my dressing-room.</p>
                     </sp>
                     <pb id="p340" n="340"/>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>No, my dear young Lady, let me go
along with yow, I beg——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Well, you may, it you chuse it.</p>
                        <stage type="exit">
                           <hi rend="italic">(Exeunt.)</hi>
                        </stage>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e20026">
                     <head type="main">SCENE TENTH—A GARDEN.</head>
                     <stage type="setting">
                        <hi rend="italic">THE MARQUIS, THE COUNT (at a little distance).</hi>
                     </stage>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Here comes the Count: but he seems
in a very gloomy humour.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count (to himself, not seeing the Marquis).</hi>
                        </speaker>
                        <p>There
is no room for doubt——Yet I would fain disbelieve
it: but I cannot.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Count! I attend your summons; and
here in the Garden, as you requested. But what has
happened to you, my dear Cousin! you seem so agitated? Recover yourself. <stage type="mix">
                              <hi rend="italic">(walks from him.)</hi>
                           </stage>
                        </p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>I neither dare speak, nor yet be silent. I
dread the furious transports of his rage.——My dear
Marquis! I have an affair to divulge to you, which
it imports, you to be informed of. But before I will
consent to speak, you must promise,—nay take a
solemn Oath,—that you will stifle, and triumph over,
the first impulses of painful feelings, which I am
unfortunately obliged to excite.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Why this preamble?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>Alas! it is but too requisite.—For I have
a most cruel, heart-wounding affair to break to you.</p>
                     </sp>
                     <pb id="p341" n="341"/>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Heavens! what can have happened,
that requires such preparation?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>What half distracts me——And you have
not the least suspicion of it. Would to Heaven! that
I could conceal from you, for ever, a secret which
terrifies me;——and which,——my Lord
dishonours our whole family.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Give me to know it!—that my guardian
sword may swift revenge the act which stains my
honour.——What is it? who has dared invade it?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>Sheath your Sword, my Lord! could that
have made reparation, I would not have spoken, till
mine had redeemed our honour. It would be a prodigy
to hear with temper, or even patience, what I have to
relate. Therefore, my dear, Marquis! on your honour swear, that you will not listen to the first, violent emotions of your soul. Indeed, my Lord! you must
make a noble effort to conquer yourself; in order to
assist in searching to the bottom of a mysterious
affair, the completion of which,—if it be not now too
late to prevent it,—can only be prevented; without
public dishonour, by the calmer prudence—; and,
alas! one of the unhappy accomplices demands your
tenderest humanity.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p> Who? Who is it?——Torture me not
with suspense!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>The terms, my Lord! or I am silent.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Well then, I swear, give you my solemn word of honour, that I will restrain myself
within the bound of prudence. Now what am I to
learn?——</p>
                     </sp>
                     <pb id="p342" n="342"/>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>A fact which staggers belief——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Tell me, at once, the worst.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>Adelinda has the indiscretion to carry on
a clandestine correspondence, with a Man whose
specious manners have gained her affections.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Who has dared to attempt this?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>Think, my Lord! of her extreme youth
and inexperience, and let that consideration summon
all the Father in your heart, when you shall hear the rest.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>This caution makes me dread, I know
not what,——Spare me a moment, lest I grow
mad at hearing it.——Now speak the worst.——
<stage type="mix">
                              <hi rend="italic">(pause.)</hi>
                           </stage>——Speak, I stand prepared.——I hope
I do, for worse than I shall hear.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>My honoured Kinsman, much I grieve to
speak it——Strasbourg——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Strasbourg and Adelinda D' Olstain——
Horrour! it cannot be.——My Daughter——carry
on a clandestine correspondence with my Servant?
——'tis impossible it exceeds belief!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>My Lord! had there been but one doubt
in my mind, on which hope might have anchored;
trust me, I would not thus have wrung a Father's
heart. I have not spoken on bare suspicion, but upon
unequivocal conviction, dreadful certainty.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>My Daughter! my only child! to be
the curse of my age! the dishonour of my house!——
And dares my hireling Servant thus prophane my honour?—accursed Villain!—by my hand he dies! <stage type="mix">
                              <hi rend="italic">(going in a rage.)</hi>
                           </stage>
                        </p>
                     </sp>
                     <pb id="p343" n="343"/>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>My Lord! your oath to me——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>I must have vengeance. Stay me not!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>My dear Lord! that vengeance would only
add poison to the wound. The detection of this affair,
will enough punish the wretched aggressors.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>How was this infernal correspondence
discovered? Speak all you know!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>Lucy, Adelinda's maid, suspected this
strange connection, but dared not speak her suspicions.
She determined to watch both my cousin and Strasbourg. She saw them this day, before dinner, in deep conference near the Alcove; they entered it, she drew
near behind it.—She overheard enough of their conversation to find, that they intend to escape this night.——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>The Villain!—You have prevented my
taking justice on him myself—! but, thank Heaven!
the Laws of France shall give me ample vengeance.
A Public ignominious death is the awarded punishment for a crime like his. Ungrateful wretch! He whom I trusted as my confidential Servant, who
was in duty bound to guard me from injury, yet He,
whilst I sleep, turns Robber; steals my Child, and
murders the peace, and honour of my whole family,
by this vilely disgraceful seduction.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>My Lord! you must forego even that justice, which the laws would give you. Strasbourg must not be put to death.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Who shall prevent it?——Though I
have sworn, my Lord! not to be his executioner, I<pb id="p344" n="344"/>
have taken no oath to screen him from the Laws.
Justice shall take place.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p> My dear Lord! think only of what it will
be best to do in this dark affair; and do not aggravate
the disgrace, by proclaiming it through the world.
Arm yourself with the requisite patience. If they be
not yet married—(though I fear that they are) my
Cousin may yet be saved.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Count! I feel your friendship and attachment in your conduct at this crisis; but for your prudence, my rage would even now flame out too
impetuously for my judgment; and I should at this
moment heed only my indignation and my vengeance.
Prescribe my conduct; your reason can best guide in
this deplorable affair? what can you advise? what
must I do?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>See Lucy, my Lord! and judge from her
account, which, though certain as to their correspondence, and their intended flight, is not such as I could make out from—whether they be actually married.
When you be certified as to that, command your
anger sufficiently to see Strasbourg.——Insist upon
his quitting the Kingdom for ever, as the sole means
of exemption he can hope, from forfeiting his life, in
an ignominious manner, to the offended laws of his
country. Conceal this terrible affair from the Marchioness, till every remedy is applied, that can soften
it to a Mother's too tender heart.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>I will endeavour to do this; and to suppress my rage. <stage type="mix">
                              <hi rend="italic">(the Marquis turns away from the<pb id="p345" n="345"/> Count, and, after a struggle with himself, goes to him,
and takes his hand with much emotion.)</hi>
                           </stage> My Cousin!
my Friend! The Son of my choice!——I——<stage type="mix">
                              <hi rend="italic">(stops
short)</hi>
                           </stage>——I release you fully, from every engagement with me upon this unhappy Girl's account. After this degeneracy, a marriage with her would dishonour you; without removing the stain from our
house. Let your heart select a worthier partner. My
Titles must be yours. And you can now no longer object to my settling my whole fortune upon you. Adelinda shall end her days in a Convent;—dishonoured by herself, she is but too justly disinherited by me.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>Marquis! if you have any friendship for
me, let it be shewn by your pity for my unfortunate
Cousin.—Mitigate, I conjure you, her sentence. Let
Strasbourg's exile be the sole forfeiture to save his
life. Do not make poor Adelinda purchase it, by
forcing her to take the Veil. Think of her youth! Do
not cancel the strong, the sacred bond of parental
love—let nature—pity—common humanity plead for
her:—and do not irrevocably fix her fate in the first
effusion of your grief and indignation. However wayward, Adelinda has a high strung mind, a noble soul, and a good heart. Let her not be lost: drive her not
to utter desperation.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>If I restrain the transports of my rage,
't is all that I can do—the very name of Father I disclaim. I am henceforth her judge. My soul is so stung by her infamous conduct, that if she were now before<pb id="p346" n="346"/>
me, I fear it would be impossible for me, to restrain
from even a Roman Justice on her guilty head; my
reason would forsake me, and some rash act would be
the fatal consequence. I leave you, Count! I will
strive to compose myself: and then I will see this
Villain.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>I feel your distress, would I could alleviate it.</p>
                        <stage type="exit">
                           <hi rend="italic">(Exit Marquis.)</hi>
                        </stage>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e20290">
                     <head type="main">SCENE ELEVENTH.</head>
                     <stage type="setting">
                        <hi rend="italic">THE COUNT, ZELLA (just coming in sight).</hi>
                     </stage>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>I dread the transports of his rage. Heaven
grant, that he may be able to surmount them! Poor
Adelinda! to what has her folly reduced her!——
But what do I behold?——Is it you, Zella? What
additional charms! Ah, my Angel! why are your eyes
swimming in tears?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>I have been weeping this hour, my Lord!
at being thus disguised. 'T is a sad mockery; and I am
enough mortified at it. But is he not here?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>Whom, Zella! do you seek?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>The Marquis. I came by my Lady's order,
all ashamed as I am, to present myself, this figure
before him.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count <hi rend="italic">(aside).</hi>
                           </hi>
                        </speaker>
                        <p>Oh! why is she a cottager? cruel
custom! imperious honour!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>How grieved he seems!</p>
                     </sp>
                     <pb id="p347" n="347"/>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count (aside).</hi>
                        </speaker>
                        <p>The world will not censure me, if
I win her heart, and then seduce her;—but if I marry
her, the taunting finger of the hand of scorn will be
for ever pointed at me, as one degraded and dishonoured by marrying a peasant.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>Perhaps he is angry that I stay——<stage type="mix">
                              <hi rend="italic">(as she is going, he turns round.)</hi>
                           </stage>
                        </p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>Zella, stay!——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>My Lord! I am going to seek for Flora,
whom I expected to find here, with the Marquis.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>Then she will be here presently.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>I will go and meet her. <stage type="mix">
                              <hi rend="italic">(going.)</hi>
                           </stage>
                        </p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>Stay, Zella! I wish to speak with you.
Know that I love and adore you, charming Zella!
and that I must be miserable, unless I can win your
heart.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>My Lord! this language hurts, as much as it
astonishes me.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>Why, Zella?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>Because my Lord does not maintain the
honour of his own rank, thus infringing upon the
decorum which my humble fortune has a right to
expect even from him. <stage type="mix">
                              <hi rend="italic">(going.)</hi>
                           </stage>
                        </p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>Stay, Zella! Ah! wherefore so much pride?
why shun me?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>Pardon me, my Lord! it is not pride; I am
only grieved, that you have made it requisite for me
to leave you now, and shun you hereafter.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>Ah, cruel! shun me because I love you?
For I must confess, that my heart burns with the most<pb id="p348" n="348"/>
ardent passion for you. <stage type="mix">
                              <hi rend="italic">(Zella attempts to go, the Count,
taking her hand, detains her.)</hi>
                           </stage>
                        </p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>I beg, my Lord! that you will permit me to
go away. I can bear no part in such a conversation
as this is,—I cannot listen to it.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>O Zella! you must hear me; must listen
to all the ardent wishes of my soul. Love fires my mind
almost to madness. Zella! my passion shall know no
bounds in its gratitude, if I can but win your heart.
Whatever my fortune can purchase, or my interest
command, shall wait upon your will: and every wish
of your heart shall be indulged. My charming Girl!
will you not, in pity, love me?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>No, my Lord! nor even hear you, if I
were at liberty to retire. Assure yourself that I shall
never love or even pity you.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>Cruel Girl! not pity that misery, which
you yourself cause? Ah! give me at least a ray of
hope, that I may win your heart, by my faithful attachment, my constant adoration. Look kindly on me! save me from despair!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>My dear Lord!—Count! you terrify me.
Awake from this dream! recover your senses!—I
would fain esteem you. It would give me great pleasure, to have reason to respect you: but if you speak thus to me, it will not be in my power.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>Zella! 't is impossible to obey you! I have
long loved you, and to adoration, admired your beauty
and accomplishments; but I fled from your charms,
I begged of my Sister to bring you no more to the<pb id="p349" n="349"/>
grate with her.—I hoped that I had overcome my
passion for you: but it was only stifled, not subdued.
The seeing you thus unexpectedly has thrown my
soul into tumults which I can scarcely support. But
your coldness, your cruelty,—Are you then insensible
to love and admiration?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>I have heard too much of both. Release
my hand, I beg of you, my Lord!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>Zella! I dare not. If I release your hand,
you will fly from me. What would I not give to
subdue your cruelty, and to win your heart.——Ah!
help me to restore my peace! Surely, my love may
hope for your pity; if you will not reward it by a
richer gift,—your heart. Say then, in kind commiseration for my suffering love, that you will pity me.
Whence this sullen silence, this soul-piercing Scorn?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>From the most poignant sensations; from
Grief; from Shame; from Indignation; from hatred
at your selfishness; from contempt at your meanness.
Holy insidious are you, my Lord! thus pretending to
admire my beauty, whilst you are seeking to destroy
it; for by invading the innocent serenity of my
bosom, you would cover my face with the pale hue of
discontent, and drown my eyes with tears. How selfish and artful it is to plead your passion for me, which seeks only my destruction. How mean and
contemptible to ask my love or implore my pity.
Why should I love you? What pity, or what tenderness can my mind feel for you? You yourself, my Lord! now teach me what regard I ought to have for<pb id="p350" n="350"/>
the repose of your heart, when you seek to plant
endless torments in mine.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>O Zella! think not thus hardly of me.
Does not my love deserve some regard?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>Oh, no! it makes you an object of detestation, not of affection. Pardon, my Lord! the disrespectful language which you force from me. Let me
beg of you to retain that respect, which I wish to pay
to you, by neither prolonging now, nor ever renewing
this conversation.—Permit me to depart.—Lowly as
I am, I have a right to be much offended at this insolent detension. The Count D' Olstain should be too
noble to exert his privileges unjustly against the weak
and defenceless. Unhand me, my Lord!</p>
                        <stage type="mix">
                           <hi rend="italic">(The Count, very respectfully, releases her hand. She instantly goes.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>Zella! I beseech you hear me. <stage type="mix">
                              <hi rend="italic">(kneels)</hi>
                           </stage>
Kneeling I beg it. I ask no love. Hear me, I conjure
you. <stage type="mix">
                              <hi rend="italic">(she returns.)</hi>
                           </stage>
                        </p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>Why will you thus artfully distress me?
Rise, my Lord! If kneeling would have prevented this
conversation, most willingly would I have knelt; to
save my mind from the pain, which the remembrance of it will for ever give me.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>Zella! I knew not that I should see you
here;—therefore I could have formed no fixed plan
of villainy; and when I declared my love, I had no
settled intentions: I doted on you to distraction; I
would have given the empire of the world to gain
your heart. And if you would have listened to my<pb id="p351" n="351"/>
love; or had you condescended to parley with me;
I own that I should have hoped to gain your affections: and, such is the difference of our Rank, I should have expected to win a Mistress, where the
prejudices of the world did not permit me to chuse a Wife.——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>My Lord! I feared that I was to understand all this. The repetition only wounds me further. There needs no explanation. I am enough hurt,
enough distressed.—<stage type="mix">
                              <hi rend="italic">(going).</hi>
                           </stage>
                        </p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>Oh, stay! I will no further distress you! I
have no libertine hopes: These initiatory advances,
thus properly, thus indignantly repulsed, I can have
none; that virtue, which will not parley, is not to be
overcome. Accept of me, charming Zella! as an
honourable Lover; and, if I can make myself an interest in your heart, I will take you to my arms, raise you to my rank, make you my Wife.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>My Lord!—I cannot love you as you wish.
Our hearts are not formed for each other.——Your
own honour forbids you all connection with me.
Lady Adelinda is your destined Bride.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>Know, my sweet Zella! that I am at
liberty to offer you my vows. The Marquis on this
very spot, has just released me from all my engagements with my Cousin.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella <hi rend="italic">(with emotion).</hi>
                           </hi>
                        </speaker>
                        <p>Ah! my Lord! what do you tell me?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>Some family reasons have put an end to
the projected marriage. Therefore, my love, as it is
pure and honourable, cannot offend you now.</p>
                     </sp>
                     <pb id="p352" n="352"/>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>Your being at liberty, my Lord! cannot raise the lowliness of my birth, the abjectness of my situation.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>And if it did, could you then love me?
Answer me, Zella! let me flatter myself that you
could; speak my Angel!</p>
                        <stage type="mix">
                           <hi rend="italic">(Zella pauses much distressed.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>My Lord! as the thing itself is impossible,
no answer can be made.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>Are you then insensible even to a laudable
ambition? Do you not wish to shine in a more elevated rank, where a soul like yours would find equal
fellowship with cultivated spirits? Could you not
take a generous pleasure in making the man who
adores you happy?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>Alas! I find, that birth and fortune would
now indeed have charms for me.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>I understand you; and I am delighted to
believe——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>O my Lord! believe nothing; do not deceive yourself; my heart must retain its indifference.
It may be ambitious in its wishes, but it is rational in
its expectations. I must converse with you no more.
The World calls you the most amiable of men;——
O my Lord! respect my peace of mind, and do not
strive to make me think you so——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>Yes, Zella! to make you think so, shall be
the business of my life.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>My Lord! the prejudices of the world will
not permit you to think of me,—who am only a peasant's daughter,—without degradation to yourself——</p>
                     </sp>
                     <pb id="p353" n="353"/>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>My Love, charming Zella! shall defy the
unjust prejudices of the World.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>Never for me, my Lord!—for, were I even
so unhappy as to esteem you as you wish, my mind is
too high strung to bear the idea of dishonouring your
rank, and consequence in society, by a disgraceful
alliance every way unworthy of you.——Forget me,
my Lord! I never will be your Wife.——I must, as
bound in honour and duty, communicate this conversation to my Lord Marquis; and he will fix my future residence, where you, the Heir of all his titles,
and the Representative of his illustrious House, shall
never see me more.—Let your heart make a worthier
choice. I will consecrate mine to my Maker, and dedicate my future days to his service. I will for ever renounce the world, but, though buried in the obscurity
of a Cloister, the knowledge of your prosperity and
happiness will sometimes pleasingly bring back my
mind to the social scene of worldly affairs. Adieu!—
farewell! my Lord!</p>
                        <stage type="exit">
                           <hi rend="italic">(Exit.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>Zella! cruel Zella! <stage type="exit">
                              <hi rend="italic">(Exit after her.)</hi>
                           </stage>
                        </p>
                     </sp>
                  </div4>
                  <closer>End of the Fourth Act.</closer>
               </div3>
               <div3 type="ss2" id="d0e20653">
                  <pb id="p354" n="354"/>
                  <head type="main">Act Fifth.</head>
                  <div4 type="ss3" id="d0e20657">
                     <head type="main">SCENE FIRST—A GARDEN.</head>
                     <stage type="setting">
                        <hi rend="italic">(The back ground trees with walks between them, the
middle represents a large Canal; a Bridge over it,
at one end. Dorcas is seen running through the
trees, Adelinda following her:—they disappear,
then enter a walk separated from the Canal by a
Chinese railing, and pass over the bridge to the front
of the stage. Dorcas still running, Adelinda pursuing her.)</hi>
                     </stage>
                     <stage type="setting">
                        <hi rend="italic">ADELINDA, DORCAS.</hi>
                     </stage>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>STOP, Dorcas! stop! for if you run to
the world's end, I will follow you.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas <hi rend="italic">(pointing to the water).</hi>
                           </hi>
                        </speaker>
                        <p>Well! here's the
World's end for me; if yow continue obstinate.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Dear Dorcas! pray!——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Don't speak it, I won't hear it—I won't
do it——and if yow don't go down of yar knees, and
wish that yow may die if yow spake of it—why I'll
drown'd mysalf. Here's the water—and I'll jump
right in——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>I intreat you, for Heaven's sake!——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Well! and I intrate yow; and I may as
well have my way, as yow yars.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>No, Dorcas, no! my way is that of<pb id="p355" n="355"/>
honour, honesty, and justice—In the name of Heaven,
I command you, if you hope for mercy here, or hereafter, go with me to my Angel Mother, and at her feet own the whole truth; own——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>What! Own and be hanged?——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Trust me, that your only means to
avoid it, is no longer to deserve it—Come then to the
Marchioness; she is goodness itself—let her be happy;
tell her——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Don't dar to spake it; I shall go right
raving mad, dasparate if yow dow; and jump into the
pond for all yar palavar—ta n't the first time, that I
have drownded myself about this varry matter; and
I'll dow it again, if yow purvoke me; as sure as can
be, and if I do jump in, thank God! yow can't lug
me out, as my husband did.——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Would to Heaven that he were here
now.——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Hold yar tongue; and don't wish such
profanatious things—Come now, hear rason—Yar
Mother's fortune, my silly husband told me times and
often, was sattled upon har dartar's—thare's none
but yow; so 'tis all yar's—so lat har die and brake
har heart——than yow'll have a whole twanty thousands of pounds, and be a laady beyond sea—and so
now yow and Strasbourg shall run away, this varry
blissed night, and hide yow at my house.—Now I'm
sure you won't blab—Sha n't I have my own way
now?——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>No!—long, very long have I been a<pb id="p356" n="356"/>
thorn in the bosom of this best of Mother's——but
now that, thank Heaven! I can avoid it, I will not
be the Serpent that shall sting her to death.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Why! what wull yow talle now, and be
a sarvant's poor wife all yar life long?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>I have chosen my own lot. Patiently
can I eat the bread of poverty; but, though wandering through a wilderness of distress, never shall
dishonesty bring me to shame, and make me chew the
bitter weed of repentance—I never will consent.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Then I'll dash yar brains out.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Though I wish to live, I am not so
much afraid of dying, as to be frightened by your
threatening, into changing my purpose.—This crime
shall not be concealed. I will divulge it. And believe
me, that I would not thus beg of you to do it, but for
the certainty, that them is nothing which will induce
the Marquis to pardon you, but your own voluntary
confession.—Think what you have to dread from his
rage, if you will not strive to mitigate it. I will persuade you no longer.—I quit you to go and unravel this deep-laid iniquity.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Then I'll drown'd myself before yar
face.—I'll jump into the pond diractly—<stage type="mix">
                              <hi rend="italic">(going to the Canal.)—</hi>
                           </stage>
                        </p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>That I'll prevent—<stage type="mix">
                              <hi rend="italic">(She draws Dorcas
by force from the Canal, Dorcas struggles, and gets
loose from her, and runs to the Canal.)</hi>
                           </stage>
                           <stage type="mix">
                              <hi rend="italic">(Kneeling)</hi>
                           </stage> Dorcas! Dorcas!——<stage type="mix">
                              <hi rend="italic">(She turns about
at the edge of the Canal.)</hi>
                           </stage>
                        </p>
                     </sp>
                     <pb id="p357" n="357"/>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Well than! wull yow hold yar tongue?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda <hi rend="italic">(drawing towards her, as she speaks
persuasively).</hi>
                           </hi>
                        </speaker>
                        <p>Consider, dear Dorcas! and do not let
your passion plunge you into endless misery. <stage type="mix">
                              <hi rend="italic">(takes
her hand, and leads her gently from the Canal, as she
speaks.)</hi>
                           </stage> If you dare not appear before the Marchioness, think, I beseech you, how much more terrible it will be for you, with the crimes of impenitence and
self-murder on your head, to rush uncalled into the
presence of an angry God, from whom you cannot fly.—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Hold yar tongue!—I cannot bear to
hear of arther God or Davvil.—I have been such a
reprobate, that I never dar to think of arther. Ah!
yow may keep hold on me an yow wull, but I am
strongest; I can drown'd myself, in spite of yar
holding me.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda</hi>
                        </speaker>
                        <p>True, Dorcas! I fear you can.——But
take heed, that I have as much resolution in a good
cause, as you have obstinacy in a bad one.—Never
will I quit my hold.—I pledge my life to the hope of
saving your's. If you persist, and I cannot hinder
you, from drowning yourself, then I shall be
drowned with you—I will either prevent your wicked
Desperation, or become the victim of your headstrong Guilt.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas (struggling to shake Adelinda off, but is unable).</hi>
                        </speaker>
                        <p>What! maake me yar mudderer? yow that I
love so darely!—let me go! let me go!</p>
                        <stage type="mix">
                           <hi rend="italic">(Dorcas bursts into tears, still struggling.)</hi>
                        </stage>
                     </sp>
                     <pb id="p358" n="358"/>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Dorcas! you struggle in vain.—I will
not quit my hold, though a two-edged Sword were
uplifted to sever my hands from my body.—Pity me,
if you have no love for yourself.—All my sins hang
heavy on my soul.—My ingratitude; my disobedience; my deceitful conduct.—O Dorcas! do not
drag me, thus unprepared, to my last account,—Now
show your great love for me; spare my life.—I wish
to live.—Let me have the time, that Heaven allows
me, for due repentance and amendment.——O! save
me from hereafter punishment!——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Yas, and get hanged myself—For Orland
once told me, that he was sure, that I should die with
my shoes on.——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Your own free confession shall gain
you mercy; but if it should not, I here vow to Heaven, and you, that be your punishment what it may,
I will share it with you. If it be Imprisonment, never
will I quit the walls of your dungeon.——If you be
made a Galley-Slave, thus through life will I cling
to your chain. If you must suffer Death, I will weep
out the remainder of my life, over your unhallowed
Grave: so that my tears, my prayers, and my voluntary sufferings, shall gain you mercy and pardon from
Heaven.——All this will I suffer for you; but I will
not keep his guilty secret.——I feel that resolution
which can endure misery, but, Heaven, I thank thee!
I have not the hardihood to dare to be vilely dishonest. Come, I beseech you, let us leave this place.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Aye; but I won't go to yar Mother, and<pb id="p359" n="359"/>
you must not talle—Why yow prache more in arnest
than the parson. My heart ha gon way, but I won't
go—I ha changed my mind about what I hav done;
and I suppose that's what yow fine folks call rapantance.</p>
                        <stage type="exit">
                           <hi rend="italic">(Exeunt.)</hi>
                        </stage>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e20869">
                     <head type="main">SCENE SECOND—THE MARQUIS'S LIBRARY.</head>
                     <stage type="business">
                        <hi rend="italic">THE MARQUIS ALONE.<lb/>(Walking about much disordered. He rings: a Servant enters.)</hi>
                     </stage>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>If Strasbourg be returned, send him
hither instantly. <stage type="mix">
                              <hi rend="italic">(Servant bows, and exit.)</hi>
                           </stage> The Villain!
I must see him:—but how shall I restrain my rage?
O worthless Daughter! opprobrious Girl! My Sons
are torn from me; and she, she only, this serpent is
left to sting me to death, to poison my age, to cover
me with infamy. Shameless, ungrateful Child! Ah!
bitter fruit of all our thankless, anxious cares throughout her wayward infancy and stubborn youth. <stage type="mix">
                              <hi rend="italic">(rings the bell again.)</hi>
                           </stage>
                        </p>
                     </sp>
                     <stage type="mix">
                        <hi rend="italic">A Servant enters.</hi>
                     </stage>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Strasbourg?—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Servant.</hi>
                        </speaker>
                        <p>My Lord! he is not yet returned.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Send in search of him:—but watch you
for his return, and send him hither. I want him on
most urgent business.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Servant.</hi>
                        </speaker>
                        <p>Yes, my Lord!</p>
                     </sp>
                     <stage type="exit">
                        <hi rend="italic">(Exit Servant.)</hi>
                     </stage>
                     <pb id="p360" n="360"/>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>A man of errors have I been;—and is
this dishonour a visitation for my sins?—Heaven's
judgment now inflicts those pangs on me which I,
pitiless libertine! have given to many a father's heart.
My Rank alone screened me, from vengeance.—
But, ah! that Rank cannot protect me now.—Sorrow strikes as fiercely at my breast, as at the meanest
slave's: Ingratitude as sharply wrankles in my soul.
My Daughter, the last of my noble race, lost,—dishonoured,—undone,—disgraced for ever!—My peace
is destroyed, the honour of my house shaken from
its foundation,—my face bowed down with shame.
Oh! I never felt till now the pangs which a father
feels, when his child, turning to folly, thus inflicts an
everlasting curse upon him.—Seduced by my own
Servant too!—how vile! how base! how fallen!—
this pours a scorpion's venom on the wound, almost
to phrenzy fires my mind.—Oh! I could murder
both, and then myself.—Gracious Heaven! defend
me from this rage!—yet save me from my own desperate thoughts!—Hark! I hear footsteps——! the Villain comes.<stage type="mix">
                              <hi rend="italic">(He turns from the side at which Strasbourg appears, the Marquis strives to compose himself.)</hi>
                           </stage>
                        </p>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e20930">
                     <pb id="p361" n="361"/>
                     <head type="main">SCENE THIRD.</head>
                     <stage type="setting">
                        <hi rend="italic">THE MARQUIS, STRASBOURG.</hi>
                     </stage>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis (turning to Strasbourg).</hi>
                        </speaker>
                        <p>Come in!——<stage type="mix">
                              <hi rend="italic">(turns away again.)</hi>
                           </stage>
                        </p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg (aside).</hi>
                        </speaker>
                        <p>How he speaks to me! Are we suspected?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>So 't is you, at last, my fine fellow!
Draw near!—I have a few words for your private
ear.—We have some matters to discuss together.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg (taking papers from his pocket, which
he presents to the Marquis).</hi>
                        </speaker>
                        <p>My account is ready:
will you be pleased to settle it now, my Lord!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis (throwing away the papers).</hi>
                        </speaker>
                        <p>Settling an
account is not the business of the present moment.
I have another more interesting subject, a business of
Life and Death to talk over with you.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg (bowing).</hi>
                        </speaker>
                        <p>My Lord will talk on whatever subject he pleases.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>So! you are setting off!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>Who, I, my Lord! I setting off? I do
not comprehend your Lordship.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Insolent Villain! Unprincipled Wretch!
Not comprehend me.——This Night, you, you, Strasbourg, my Servant, my confidential Servant, born in
my Father's house, nursed and cherished in mine,
educated by my care, you, ungrateful Viper! turn
mid-night Ruffian, and plunder my house of what was
its dearest treasure, of my now cursed, abandoned<pb id="p362" n="362"/>
Daughter. For on this very night the theft is planned
to be completed. Diabolical Robber! Have I said
enough? do you understand me now?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg (much dismayed).</hi>
                        </speaker>
                        <p>My Lord! some one
has belied me—some story has imposed upon you—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis (with much agony).</hi>
                        </speaker>
                        <p>Oh! would to Heaven that it were so indeed! But, no! All is discovered, no doubt—no hope is left.—You were suspected, watch'd,—and your plotting in the Alcove, before dinner, with the partner of your guilt, was overheard.
I am Master of your whole scheme of iniquity:——
and, tremble Wretch! Master of your Life.——An
ignominious, shameful Death is, by the just Law,
your lot.—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg (after a pause, with solemn collectedness
and resolution).</hi>
                        </speaker>
                        <p>My Lord! I know it is.———
And, you my Judge, I have no hope of Mercy.——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Yes, Traitor! injured as I am, I will
shew Mercy.——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg (kneeling).</hi>
                        </speaker>
                        <p>My Lord! My dear Lord!
Is it possible? I had no hope of pardon.——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>I will, on one condition, grant you
your Life.—Quit Europe for ever; and go where
I appoint you.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>But what, my Lord! is to be your
Daughter's fate?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Darest thou to question me?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg (rising).</hi>
                        </speaker>
                        <p>Yes, my Lord! for, though
in this instance, I have been a Villain to you, my
Master; I cannot be unprincipled to your Daughter.<pb id="p363" n="363"/>
I adore her;—and I will not accept of life at her expense:——she shall not weep out the remainder of her days imprisoned in a gloomy dungeon—— Promise me, my Lord! that you will neither force
Adelinda! to take the Veil, nor confine her in a
Convent prison, but treat her as your daughter still;—and I will quit Europe for ever.——Else, (though
the law take my life the next hour) I will claim my
Wife, and forbid her vows.——I have settled all
that I possess upon her; there is too little for grandeur,
but enough to spare her heart the affliction of asking
her severe Father for bread.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Audacious Slave! hast thou no instant
dread of my awakened wrath? <stage type="mix">
                              <hi rend="italic">(lays his hand on his Sword.)</hi>
                           </stage>
                        </p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>None, my Lord!—I have no wish to
live, nor use for life.—I have no hope, consequently
no fear. Despair alone has possession of my Soul.—I
tell you again, that I care not for my own life.—
Against my Master's life, I would not lift my hand;
no! not to save my own.——See there! <stage type="mix">
                              <hi rend="italic">(he takes his
Sword, in the Scabbard, out of the belt, and throws it
on the ground.)</hi>
                           </stage> I will not even stand on my defence,
against your intoxicated rage.—I set all your anger,
all your power over me at defiance.—<stage type="mix">
                              <hi rend="italic">(kneels.)</hi>
                           </stage> But I
implore you for Adelinda!—Do not, in wanton cruelty, add dishonour to her misery: since she must suffer, promise me to make her fate as easy as it can be
now made;—and, as for me, I will submit to be sent<pb id="p364" n="364"/>
into the most loathsome mine, to toil for my daily
bread.——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Presume to article with me! Comply,
or——<stage type="mix">
                              <hi rend="italic">(draws his Sword.)</hi>
                           </stage>
                        </p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg (rises).</hi>
                        </speaker>
                        <p>Never—!! <stage type="mix">
                              <hi rend="italic">(As the Marquis is
going to stab Strasbourg, Adelinda rushes in; and,
entering at a door to which the Marquis's back is
turned, seizes and confines his Sword-arm.)</hi>
                           </stage>
                        </p>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e21095">
                     <head type="main">SCENE FOURTH.</head>
                     <stage type="setting">
                        <hi rend="italic">THE MARQUIS, ADELINDA, STRASBOURG.</hi>
                     </stage>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Forbear, my Lord! Spare! O Spare
his life!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis (turning to her as she confines his right
arm).</hi>
                        </speaker>
                        <p>Darest thou approach me? lost, worthless
Wretch!—Fly me! or thy blood too shall wash the
stain out which thou hast brought upon my noble
House.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda (struggling with the Marquis, who strives
to shake her off).</hi>
                        </speaker>
                        <p>Begone, Strasbourg! you only are
in danger.—Quit not the house;—but leave this
room.—If you love me, begone! Begone, I say—I
am safe:——for my sake, go!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Strasbourg.</hi>
                        </speaker>
                        <p>I dare not.——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>I command it.—<stage type="mix">
                              <hi rend="italic">(Strasbourg goes, the
Marquis bursts from Adelinda to pursue him, she gets
before him, shuts the door, and with outstretched arms
prevents his opening it.)</hi>
                           </stage>
                        </p>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e21134">
                     <pb id="p365" n="365"/>
                     <head type="main">SCENE FIFTH.</head>
                     <stage type="setting">
                        <hi rend="italic">THE MARQUIS, ADELINDA.</hi>
                     </stage>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis (raising his Sword; his hand trembling).</hi>
                        </speaker>
                        <p>Then die thyself! vile Girl!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda (falling on her knees).</hi>
                        </speaker>
                        <p>Hear me, my
Lord! for I have much to say.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>I will not hear!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>By all your glorious Ancestors, I conjure you, hear me! Let not a Woman's blood pollute your Sword.—Preserve the honour of your house untainted, nor slay prostrate Foe, whose only arms are
tears—If you will not be merciful, yet be just! for
your own conscience sake only, suspend your rage,
and hear me!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Speak, wretch!—<stage type="mix">
                              <hi rend="italic">(she rises.)</hi>
                           </stage>
                        </p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>My gracious, honoured Lord! strive to
compose your soul, that it may bear as much of joy,
as now it feels of grief and rage.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Joy! Parricide! when thou hast murdered my peace and honour, and driven my soul to madness, how darest thou mock me with a sound like
Joy?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>No, my dear Lord! I mock you not.
I only dread to speak, fearing the conflict of such
fierce extremes, as Grief and Joy. Collect your soul,
my Lord! Think! O think! that I come to bring
you peace. But seeing you thus agonized with Grief
and Rage, I fear to tell the Joy I came to give you.</p>
                     </sp>
                     <pb id="p366" n="366"/>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Speak! nor presume to trifle with my
vengeance: hope not by new deceit to escape from
my too tardy Justice. Speak! and speak truth! if
thou hast ought to utter!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p> I come to take the dagger from your
heart with which unwillingly I pierced it. Truth,
Honour, Justice, bade me come;—for, rough and
rugged as my humour is, yet still my bosom owns an
honest heart. Father no more! for I am not your
Child! <stage type="mix">
                              <hi rend="italic">(the Marquis trembling drops his Sword.)</hi>
                           </stage> I kneel to my Liege Lord for pardon, for my fond ambitious Mother, who placed her Wren within your Eagle's nest;—For I, my Lord! am Zella, Orland's
Daughter; and the gentle Maiden whose enchanting
beauty and graceful manners have so won all hearts,
is the true Adelinda, and your noble Daughter.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>O Heavens! can this be true?</p>
                        <stage type="mix">
                           <hi rend="italic">(Raises Adelinda.)</hi>
                        </stage>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Read this writing, and convince yourself <stage type="mix">
                              <hi rend="italic">(giving a letter).</hi>
                           </stage>
                        </p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis (opening the letter).</hi>
                        </speaker>
                        <p>Hah! this is Orland's writing, my deceased farmer, Dorcas's husband. Why was this mystery concealed till now?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Because, my Lord! I have but now
learned this guilty secret. My real Father's Brother
brought me, within this hour, that letter.—My poor
Father found out the deceit; but my unhappy Mother's threats prevented him from revealing it till he was upon his death-bed: when he told it to his Brother; and with such circumstances as avouch the<pb id="p367" n="367"/>
truth, and which await your hearing from my Uncle;
who was terrified, by my Mother's threats of destroying herself, from disclosing it at first; but, finding
that she was coming hither, he followed her; determined to tell it to me, as my Father had directed him.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>What obstinate iniquity in Dorcas!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>My Lord! she no longer persists. She
is now with the Marchioness confessing her guilt and
folly. I disdained to continue Impostor, whatever
advantages of fortune might, if I had fled, have resulted to me from it. I hastened to make this welcome relation to you, hoping to spare your soul the Grief
and Indignation by which I found it agonized. I did
not know that my marriage with Strasbourg was discovered, till I saw your sword pointed at his breast.
But, my lord! let my real father's letter vouch for
the truth of what I speak.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis (reading).</hi>
                        </speaker>
                        <p>
                           <q direct="unspecified">
                              <text id="d0e21259">
                                 <body>
                                    <div1 type="ss1" id="d0e21261">
                                       <head type="main">To the Lady Adelinda D'Olstain.</head>
                                       <p>"My Brother will certify to you, that you are my Daughter, and I charge you, as you hope for the blessing of Heaven; not to assist in carrying on the fraud which has been, for so many years, practised against the Marquis and Marchioness D'Olstain. For she who is called Zella, is the real Adelinda D'Olstain, their Daughter:—and you are Zella, Dorcas's Child and mine.—And you were exchanged by my Wife, when the Marchioness followed my Lord into Spain, when he went there as Ambassador.—I am upon my death-bed; and I cannot die easy, nor with the hope of forgiveness<pb id="p368" n="368"/>for my other sins, without confessing this great sin, and doing all that remains in my poor power, to repair the wrong which I have wickedly concealed from my Lord, and suffered to be done to him, in the person of his noble Daughter. Do you yourself reveal this wickedness to my Lord; and implore him, that the pardon of your poor Mother may be the reward of your Justice and Integrity. The blessing of your dying Father is yours, only, as you obey this warning from his timeless Grave.</p>
                                       <closer>
                                          <signed>"ORLAND."</signed>
                                       </closer>
                                    </div1>
                                 </body>
                              </text>
                           </q>
                        </p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>If, my Lord! the act of Duty and
Common Justice which I have just performed, may
so embolden me to ask again with hope a favour—
<stage type="mix">
                              <hi rend="italic">(kneeling)</hi>
                           </stage> pardon my Mother!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>For the sake of your Father's honest
repentance, I forgive Dorcas. Yet, gracious Heaven!
may I believe this wondrous providence?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>My dying Father attested it; my Mother owns it; and, if you want stronger proof, you have internal evidence, my Lord! for, in spite of
care and education, am I not in temper more like
Dorcas than like the gentle spirit of the Marchioness? nay, has not your own heart spoken?—for, did
you not, this very morning, bid me go and see Zella;
and blush at beholding a Peasant Girl far more worthy
to be your Daughter, than I was.—But here comes
my Mother to confirm this welcome truth.</p>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e21293">
                     <pb id="p369" n="369"/>
                     <head type="main">SCENE SIXTH.</head>
                     <stage type="setting">
                        <hi rend="italic">THE MARQUIS, ADELINDA, DORCAS.</hi>
                     </stage>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas (sobbing).</hi>
                        </speaker>
                        <p>Yas! Yas! This is my Dartar
and Zella is yars. My Laady Marchioness has forgon
me, and she promised me before I would come, that
I should be forgon by yow too——so I hope yow'll
keep har words.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Was ever joy like mine?—<stage type="mix">
                              <hi rend="italic">(To Adelinda)</hi>
                           </stage>
Worthy, young Woman! to determine with so much
courage and resolution, thus generously, at once to
degrade yourself;—When if you had fled, so large a
fortune must have been yours, if you had continued
the deceit.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>I am happy, my Lord! in your joy and recovered peace.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>She has narthar taste nor spurrit, she is
glad at what maakes me cry and sob.—A silly fule!
she had rather be my Child than a laady.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis (taking Adelinda's hand).</hi>
                        </speaker>
                        <p>For your sake,
Adelinda! I forgive your Mother's crime.——Your
integrity shall not only screen her guilt from punishment, but bring you great reward.</p>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e21334">
                     <pb id="p370" n="370"/>
                     <head type="main">SCENE SEVENTH.</head>
                     <stage type="setting">
                        <hi rend="italic">THE MARQUIS, ADELINDA, ZELLA, DORCAS.</hi>
                     </stage>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>O! my Lord! I rejoice to find you.——
<stage type="mix">
                              <hi rend="italic">(The Marquis takes her hand; but, from emotion, is unable to interrupt her.)</hi>
                           </stage> You must not think amiss of
me for what my Duty makes me tell you.—The
noble Count, your Cousin, poor and humble as I am,
talks of marrying me. And, because I would not consent to keep this from you, for a time, he is raving
wildly like one distracted, and he says that he will
carry me away without my consent, and that I shall be
his Wife.—I beseech you, my Lord! not to suppose,
that I have been consenting to any clandestine correspondence with your noble Relation.—Indeed I have
not;—for I know, too well, that I am not born to
such high fortune as to be his Wife.—Speak to me,
my Lord!—I am much grieved to see you thus
affected. I know that you will not let me live with
the Marchioness now.—But say that you are not
angry with me, and send me to whatever Convent
you please, and I will instantly take the Veil. <stage type="mix">
                              <hi rend="italic">(The
Marquis clasps her in his arms).</hi>
                           </stage> My Lord!!—<stage type="mix">
                              <hi rend="italic">(withdrawing from him.)</hi>
                           </stage>
                        </p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>O my Child! my Child!—Your pure
heart must help me to thank Heaven for joy too big
for words.</p>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e21364">
                     <pb id="p371" n="371"/>
                     <head type="main">SCENE EIGHTH.</head>
                     <stage type="setting">
                        <hi rend="italic">THE MARQUIS, THE COUNT, ADELINDA, ZELLA, DORCAS.</hi>
                     </stage>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Is it true, my dear Count! that you love
Zella?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>To distraction; and if she will accept my
hand, I think that her virtues and her mental accomplishments will gain my pardon, from the world, for overlooking her want of birth.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Count! this homage to Zella's virtues
does you honour; and, if her heart consents, she has
my leave to reward you for your disinterested love.—Receive her from my hand, my Lord!——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella (preventing the Marquis from giving her hand
to the Count).</hi>
                        </speaker>
                        <p>Never, my Lord! shall he receive my
hand.—I will not injure his fortune, nor stain his
honour, by so disgraceful an alliance.—You yourself
can never mean it.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Yes, Zella! for in marrying you, he
will espouse my Daughter. You! You! are my
Child!—<stage type="mix">
                              <hi rend="italic">(Clasping Zella, half fainting, in his arms.)</hi>
                           </stage>
                        </p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>Is such happiness for me? And do you
own me for your Child.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Yes, my dear Zella!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>Just Heaven!—my Lord! say, what do
your words mean?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Zella is my Daughter.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella (quitting the Marquis's arms, and clasping</hi>
                           <pb id="p372" n="372"/>
                           <hi rend="italic">her hands together with great earnestness).</hi>
                        </speaker>
                        <p>Am I indeed your Child—?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>No longer doubt; for you are Adelinda,
and my Child, changed by Dorcas, in your infancy,
and now restored to me.——</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella (to Dorcas).</hi>
                        </speaker>
                        <p>Mother?——<stage type="mix">
                              <hi rend="italic">(unable to proceed,
the Marquis supports her.)</hi>
                           </stage>
                        </p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>Mother me no more, I am only yar
Nurse,—My Lady Marchioness is yar Mother; for
sure enough I did change you.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>Then let me fly to my real Mother.</p>
                     </sp>
                  </div4>
                  <div4 type="ss3" id="d0e21464">
                     <head type="main">SCENE LAST.</head>
                     <stage type="setting">
                        <hi rend="italic">THE MARQUIS, THE MARCHIONESS, ADELINDA, THE COUNT, ZELLA, DORCAS.</hi>
                     </stage>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness (leaning upon a Servant, whom she
quits to fly to Zella).</hi>
                        </speaker>
                        <p>She comes to seek her Child!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella (at the feet of the Marchioness)</hi>
                        </speaker>
                        <p>O Madam!—
Mother may I say?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness (raising her).</hi>
                        </speaker>
                        <p>Come to a Parent's
Arms, who never knew a Mother's joy till now,—
O happy day!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>The happiest of my life.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>Alas! my Adelinda! if I had had
the conscientious courage to contemn Fashion, and
break through an unnatural custom, in giving my
Child to a Stranger to suckle, how many years of<pb id="p373" n="373"/>
pleasure should I have enjoyed in your Infancy,
which have been spent in dread and sorrow in contemplating the wayward spirit that had possession of Zella's mind.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis (to his Lady).</hi>
                        </speaker>
                        <p>The Count loves our new
Adelinda,—you will receive him for your Son?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness.</hi>
                        </speaker>
                        <p>It ever was my wish to call him so.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>My gentle Zella! can you not regard
with favour the man whom I most esteem?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella (to the Marquis and Marchioness).</hi>
                        </speaker>
                        <p>Next to
the joy to find myself your Child, is that I feel, my
Lord! <stage type="mix">
                              <hi rend="italic">(to the Count)</hi>
                           </stage> in being born your equal, and
distinguished by your generous love!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count (taking her hand).</hi>
                        </speaker>
                        <p>Pride of my Soul! exalted loveliness!</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Retain the hand, my Lord! you knew
to merit.—<stage type="mix">
                              <hi rend="italic">(To Adelinda.)</hi>
                           </stage> Your Probity and courage,
render you worthy of that rank which you have, with 
so much integrity, given up—I will ever consider you
as my Child. <stage type="mix">
                              <hi rend="italic">(leads her to the Marchioness.)</hi>
                           </stage>
                        </p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marchioness (to Adelinda).</hi>
                        </speaker>
                        <p> I have learned from
Dorcas that you nobly insisted upon her making this
discovery—I esteem and thank you as I ought: I embrace you as a Second Daughter.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella (going to Adelinda and taking her hand).</hi>
                        </speaker>
                        <p>Sister! to whose virtue I owe so much felicity, how
shall I thank you?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>Too gracious Lady! I have deserved
no thanks from you. Long, and unjustly, through ignorance, have I been your ignoble representative—<pb id="p374" n="374"/>
Yet, if in my place, you would have acted otherwise
than I have done, you are unworthy of that fortune,
which seems to give you so much joy.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella (to Dorcas).</hi>
                        </speaker>
                        <p>My second Mother! much I
owe to your liberality for an excellent Education:—
are there any favours, that I can gain for you, which
may speak my present gratitude for that, and for all
your care. Indeed, my Lord! indeed, Madam! I
have much to thank her for.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>What have I avvar don any thing that
can maake yow thank me—Yow whom I stole, and
would have robbed of yar birth-right.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Zella.</hi>
                        </speaker>
                        <p>Yes, Mother! I am proud to be justly able
to declare, that you have always been good to me;
as good, and as kind, as one of your turn of mind
could be to any one.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>I'm glad I was; 't is come home to me
now; for "a good deed," I find, "stands one in
stead in the hour of need."—My Lady Marchioness! 
thof I was wicked enough to coop this fine bird in a
cottage-cage, yet I navvar clipt har wings: so now
she is freed, she can fly as well as har fellows.—She
was ollost true to har kind; ollost like Lady Adelinda, and no more like me than a Lamb is like a Wolf.—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>Dorcas! your crime is pardoned, for
the sake of your Husband's repentance, and your
Daughter's Virtue—Adelinda! Strasbourg has gained
your heart,—Are you indeed his Wife?</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>I am, my Lord! and, however wrongly<pb id="p375" n="375"/>
I may have acted, blinded by an unpardonable regard,
yet my soul retained a large portion of that Virtue
which you, Madam! <stage type="mix">
                              <hi rend="italic">(to the Marchioness)</hi>
                           </stage> instilled into
it. Your patient care now meets a just reward. That
deep sense of Honour and Integrity which you strove
to implant in my breast, at last bursts forth, and restores to you your real Child, whose exalted Mind and gentle Virtues make her all that you could wish
to find in a Daughter.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Count.</hi>
                        </speaker>
                        <p>'T is to you, Adelinda! I find, that we all
owe our present happiness. I ever esteemed both your
heart and mind as capable of transcendant flights of
virtue. And, I held your worth in such estimation,
that, though I am highly delighted, and made happy
by your noble conduct, yet it is not superior to my
expectations. <stage type="mix">
                              <hi rend="italic">(Embracing her.)</hi>
                           </stage> Cousin no more! but
be ever the Sister of my tenderest care, and the friend
highest in my grateful regard.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Adelinda.</hi>
                        </speaker>
                        <p>I thank you, noble Count! my wayward heart, which could never regard you as a Lover, shall yet warmly esteem you as a Friend. I rejoice in
your felicity, and I feel the utmost pleasure in having
been instrumental to it.—Will you condescend to become an Advocate for Strasbourg?—</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Marquis.</hi>
                        </speaker>
                        <p>You need no advocate, Adelinda!—I
find that he loves you, with deep regard.—And, I
must own, that in his conversation with me, he behaved most nobly towards you.—I forgive him; and
for you, sake I will advance his fortune. He shall no
longer be my Servant.—We will send and seek him;<pb id="p376" n="376"/>
and both of you shall with us enjoy the remainder of
this day, which you have rendered ever happy. For
your Honour, each revolving year, it shall be kept
throughout my house with joy and festive mirth.</p>
                     </sp>
                     <sp>
                        <speaker>
                           <hi rend="italic">Dorcas.</hi>
                        </speaker>
                        <p>We'll live and larn—Jack they say will
navvar maake a Jantleman, and my Dartar war not
born to be a Laady.——and "honesty," I find (as
my poor Husband has told me tens of thousands of
times) "is the very best policy."</p>
                     </sp>
                  </div4>
                  <closer>End of the Fifth Act.</closer>
               </div3>
            </div2>
         </div1>
         <div1 type="part" id="d0e21643">
            <pb id="p377" n="[377]"/>
            <head type="main">POEMS. </head>
            <pb id="p378" n="[378]"/>
            <pb id="p379" n="[379]"/>
            <head type="main">
               <hi rend="italic">POEMS.</hi>
            </head>
            <div2 type="ss1" id="d0e21652">
               <head type="main">VALENTINE<lb/>TO<lb/>MISS BRAND,<lb/>WITH<lb/>A Miniature Picture,<lb/>
                  <hi rend="italic">Laid upon her Toilet on Saint Valentine's Eve,</hi>
                  <lb/>1786.</head>
               <lg type="stanza">
                  <l>SISTER belov'd! Friend of my inmost Heart!</l>
                  <l>Accept this effort of the Painter's Art.</l>
                  <l>Such is thy Hannah's form, but who shall find</l>
                  <l>The skill to paint her heart, where thou art shrin'd?</l>
                  <l>To show Thee all her love, her anxious care,</l>
                  <l>Her fond solicitude for Thee declare?</l>
                  <l>Those ties, which are ordain'd by Nature's laws,</l>
                  <l>The willing hand of Friendship closer draws;</l>
                  <l>For hadst thou not, by Nature's sacred voice,</l>
                  <l>My Sister been, thou still hadst been my choice;</l>
                  <l>My Friend selected, partner of my breast,</l>
                  <l>Thy Worth esteem'd, thy Merit all confess'd:</l>
                  <l>Thy Heart in which the Virtues all are join'd,</l>
                  <l>Thy polish'd Manners, and thy candid mind,</l>
                  <pb id="p380" n="380"/>
                  <l>Had won my Soul to court the Worth it loves,</l>
                  <l>To seek the modest Merit it approves.</l>
                  <l>Bless'd may'st thou be through a long, blameless life,</l>
                  <l>Nor stung by Envy, nor annoy'd by Strife;</l>
                  <l>May Health still blooming on thy brow be seen,</l>
                  <l>Nor Care, nor Sorrow make it less serene.</l>
                  <l rend="indent2">Thou, Fortune! who so oft hast been the Slave,</l>
                  <l>Of many a Miser, Dastard, Fool, and Knave,</l>
                  <l>For once be just,—endow one gen'rous Mind,</l>
                  <l>Who'd use thy Gifts to bless, as Heaven design'd;</l>
                  <l>From thy huge Wreath one little Chaplet twine,</l>
                  <l>To grace my Sister, Friend, and Valentine!</l>
               </lg>
            </div2>
            <div2 type="ss1" id="d0e21722">
               <pb id="p381" n="381"/>
               <head type="main">THE MONK OF LA TRAPPE;<lb/>A TALE.</head>
               <div3 type="ss2" id="d0e21728">
                  <head type="main">INTRODUCTION.</head>
                  <p>HENRY De S——, Baron of D——, was betrothed
to Eulalia De L———e, a Daughter of the Marquis
De L———e. An offer more suitable to the ambitious views of the Marquis, being made to him, for
his Daughter; he compelled her to write a refusal to
her first Lover, which was accompanied by a peremptory one from himself. The young Lord, unable
to bear the thoughts of seeing the amiable woman he
doated on given in marriage to another, secretly quitted his house; leaving a letter behind him, written in
a style which indicated a mind bordering on despair
and madness, declaring that all search after him would
be in vain; desiring, in a formal manner, that his Kinsman might, as his Heir, take possession of his Titles
and Estate, giving to Eulalia De L———e, all the fortune of which he had a right to dispose. Let her be
told, adds the unhappy De S——, "that this must be
looked on as a Brother's, not a Lover's gift: that Duty
and Virtue forbid the Wife of the Duke of —— to
shed one tear of Love, to the Memory of the Baron
De S——; let one wretched Victim to affection suf-<pb id="p382" n="382"/>
fice——let him be forgotten.—May Heaven bless her.
——Give her, great God! the happiness which might
have fallen to my share!——add my date of days to hers!!——!"</p>
                  <p>When this young Nobleman disappeared, it was
imagined from the whole tenor of his incoherent
Letter, addressed to several friends, in different parts,
but directed to no one; from his taking nothing of
value with him, and leaving even his purse in his
inkstand, that he left his house with an intention of
putting an end to his Life. And, though after the
most careful search, his body was not found, yet it
was still believed that he had completed his shocking
purpose.</p>
                  <p>Disguised in the Habit of a Pilgrim, Henry De
S—— went to the Abbey of La Trappe, in the Province of Perche, in the diocese of Séez. He gained
admission. And the Father Abbot immediately received him into the fraternity. The Rules of this
order are more austere than those of any other of
Romish Church. Perpetual silence is enjoined to the
Monks. They are allowed neither to receive nor
write letters. None of their friends may see them, so
that they are totally ignorant of what passes in the
World. Their only food is Bread and Pulse; their
drink Water. Meat, Fish, Eggs, Milk, Butter, Wine
and Oil, are forbidden to them.—They are not allowed to study. The Bible, and a very few books of
severe morality and self-denial, compose the whole
Library of a Monk of La Trappe. They live a very<pb id="p383" n="383"/>
laborious Life, cultivating the earth, or following
some manual employment, such as they are found
most fitted for. The Father Abbot only is allowed to
speak. When they are in the last agonies of Life,
they are placed on a Bier covered with Straw and
Ashes; and carried into the Church. They lie on this
Bier till they expire: and if they retain the power of
speech, in this last strife of Nature, their Vow of Silence is dispensed with; in order that they may exhort their Brethren: this permission has sometimes
given rise to very affecting scenes and discoveries.</p>
                  <p>The uncommon severities which the young Baron
De S——was obliged, by the Rules, to practise in the
Monastery of La Trappe, injured his health. He had
found retirement, but not peace. The continual agitations of his mind, which converse with the friendly
part of the World might have relieved, disturbed his
reason, after he had been in this gloomy solitude two
years. The Monks of La Trappe dig a part of their
Grave at certain stated hours: Whilst employed in
this occupation, Henry's now weakened mind pictured the form of his once-loved mistress sinking
into it: This impression once made upon his imagination, constantly returned, at the same place, and time.
His reason was not enough extinguished to make him
suppose Eulalia really present; but the picture once
formed by his disordered imagination was so strong,
that he thought it a Vision: Impressed from this Idea,
the coinage of his weakened reason, he determined,
difficult and dangerous as the execution of such a<pb id="p384" n="384"/>
design was, to escape from La Trappe: as he thought
that Eulalia's appearance to him indicated a want of
some assistance, which it might be in his power to
give to her. Forbidden by the Rules of his order to
speak but in prayer; and all the Brethren avoiding
one another, except at Church, as much as possible;
the state of Henry's mind, balancing between reason
and madness, of which he himself at times was sensible, escaped observation. He got away amongst a
number of Pilgrims who came to La Trappe to perform some acts of devotion; disguised in the very
dress which he had on two years before, when he
entered the Monastery.—How or where he parted
from the other Pilgrims is not known.</p>
                  <p>After the second day's travelling, in the depth
of a severe Winter, he was benighted, on a heath:
he wandered there for some hours, till his strength
and vital heat, spite of the hardships to which he
was accustomed, were nearly exhausted, when his
undirected steps brought him to the Convent of Meudon. Father Hubert found him kneeling in the
Portico of the Church, as he came out, from celebrating Midnight Mass. The Benevolent Priest seeing
a way-worn Pilgrim, at that time of the night, in such
an unprotected situation, invited him to his Cell. After
he had been refreshed there; confidence in the fame-known character of Father Hubert, despair, and the
workings of a disordered imagination, joined to make
him discover his wildly conceived design. Father
Hubert attempted to win him from his purpose of<pb id="p385" n="385"/>
pursuing his journey; he could not find which way
he was bending his course, and he feared to ask him
too many questions. Finding common persuasion, and
what force he could oppose to him ineffectual, to
deter him from continuing his journey; he feigned to
suspect the real motive of it: but as the test of the
purity of his intentions, Father Hubert offered himself to be his conductor, if he would stay till the Noon
of the coming day; as in the Morning he was obliged
by his office, being <sic corr="Almoner">Almorer</sic>, and Priest to the Convent, to attend and officiate in an extraordinary solemnity, which was to be performed. Henry accepted of
his offer, and, somewhat calmed, spent the remaining
part of the night in prayer.</p>
               </div3>
               <div3 type="ss2" id="d0e21752">
                  <pb id="p386" n="386"/>
                  <head type="main">
                     <hi rend="italic">THE MONK OF LA TRAPPE:</hi>
                     <lb/>A TALE.</head>
                  <lg type="stanza">
                     <l>HOW much is Man to pride a slave!</l>
                     <l rend="indent1">To compass an ambitious end,</l>
                     <l>Though he have godlike power to bless,</l>
                     <l rend="indent1">He acts the persecuting Fiend;</l>
                  </lg>
                  <lg type="stanza">
                     <l>For sounding titles, pompous names,</l>
                     <l rend="indent1">That never gave one real joy,</l>
                     <l>His life is past in constant cares,</l>
                     <l rend="indent1">Which all his happiness annoy:</l>
                  </lg>
                  <lg type="stanza">
                     <l>Not only to himself severe,</l>
                     <l rend="indent1">When fierce ambition cruel reigns,</l>
                     <l>He heeds no touch from Nature's ties,</l>
                     <l rend="indent1">Nor dove-like pity's melting strains.</l>
                  </lg>
                  <lg type="stanza">
                     <l>He harms the Friend whom he esteems;</l>
                     <l rend="indent1">He seeks the Wretch his soul disproves;</l>
                     <l>He does the deed his heart arraigns,</l>
                     <l rend="indent1">E'en immolates the Child he loves.</l>
                  </lg>
                  <lg type="stanza">
                     <l>And shall no warning Voice prevail?</l>
                     <l rend="indent1">Will Man but by experience learn?</l>
                     <l>Experience, dear-bought by himself,</l>
                     <l rend="indent1">His real interest to discern?</l>
                  </lg>
                  <pb id="p387" n="387"/>
                  <lg type="stanza">
                     <l>No!—from himself alone he learns—</l>
                     <l rend="indent1">The Ills which from ambition flow,</l>
                     <l>That all, but Virtue's heavenly charms,</l>
                     <l rend="indent1">Is Folly, Vanity, and Woe.</l>
                  </lg>
                  <lg type="stanza">
                     <l>Till he has tried the tortuous path,</l>
                     <l rend="indent1">Which blindfold he is doom'd to tread,</l>
                     <l>He thinks unhurt th' Ordeal to pass,</l>
                     <l rend="indent1">And tempts the danger he should dread.</l>
                  </lg>
                  <lg type="stanza">
                     <l>When Passion blows the treacherous gale,</l>
                     <l rend="indent1">Reason and Prudence quit their post;</l>
                     <l>The Mind obeys the boisterous storm,</l>
                     <l rend="indent1">Unshipp'd its helm, its compass lost.</l>
                  </lg>
                  <lg type="stanza">
                     <l>In vain the Muse,—e'en Heaven in vain,—</l>
                     <l rend="indent1">Point out the course it ought to steer;</l>
                     <l>Their warnings are unheeded all,</l>
                     <l rend="indent1">Till Fate allows no time to veer.</l>
                  </lg>
                  <lg type="stanza">
                     <l>Yet once again the Muse essays,</l>
                     <l rend="indent1">(Oh! may her warning voice prevail!)</l>
                     <l>To show Ambition's fatal Ills,</l>
                     <l rend="indent1">Her moral pointing, from a tale.</l>
                  </lg>
                  <lg type="stanza">
                     <l>The Sun appear'd to set in blood;</l>
                     <l rend="indent1">Dark gathering clouds deform'd the East;</l>
                     <l>O'er the lone wild a Pilgrim rov'd,</l>
                     <l rend="indent1">Nor saw, nor hop'd a place of rest.</l>
                  </lg>
                  <pb id="p388" n="388"/>
                  <lg type="stanza">
                     <l>'Twas bleak December's dreary night,</l>
                     <l rend="indent1">
                        <sic>Frore</sic> snow and beating hail descend;</l>
                     <l>Wand'ring he roam'd, nor knew which course</l>
                     <l rend="indent1">His weary way-worn steps to bend.</l>
                  </lg>
                  <lg type="stanza">
                     <l>Long had he trod the stiffen'd plain,</l>
                     <l rend="indent1">Fatigued, benumb'd with piercing cold;</l>
                     <l>Just as his hopeless spirits droop'd,</l>
                     <l rend="indent1">A not far distant bell was toll'd.</l>
                  </lg>
                  <lg type="stanza">
                     <l>Calm'd for a moment e'en his woes;</l>
                     <l rend="indent1">Hush'd were his sorrows and his fears;</l>
                     <l>And to the side whence the sound came,</l>
                     <l rend="indent1">His quicken'd, onward course he steers.</l>
                  </lg>
                  <lg type="stanza">
                     <l>The Bell now ceas'd—A striking Clock,</l>
                     <l rend="indent1">Proclaim'd the solemn hour of night:</l>
                     <l>And now he hears sweet Music's sound;</l>
                     <l rend="indent1">And sees a spreading, glaring light.</l>
                  </lg>
                  <lg type="stanza">
                     <l>Scarcely his weak'ned eye-balls bear</l>
                     <l rend="indent1">To meet its dazzling, welcome rays;</l>
                     <l>It shows a building's large extent,</l>
                     <l rend="indent1">A cloister'd convent's dome, displays.</l>
                  </lg>
                  <lg type="stanza">
                     <l>Its lofty portico he gain'd,</l>
                     <l rend="indent1">To shroud his tempest-beaten head:</l>
                     <l>And pious, kneel'd beneath its roof,</l>
                     <l rend="indent1">Whilst midnight Mass within was said.</l>
                  </lg>
                  <pb id="p389" n="389"/>
                  <lg type="stanza">
                     <l>The deep, full Organ's swelling sound,</l>
                     <l rend="indent1">Cheers his just fainting, woe-struck heart;</l>
                     <l>Soft mournful voices raise the tears,</l>
                     <l rend="indent1">Which from his half-clos'd eyelids start:</l>
                  </lg>
                  <lg type="stanza">
                     <l>The Service ceas'd.—Hubert appear'd: </l>
                     <l rend="indent1">On the smooth brow of this lov'd sage</l>
                     <l>Autumnal grace, which linger'd long,</l>
                     <l rend="indent1">Yields to the majesty of Age.</l>
                  </lg>
                  <lg type="stanza">
                     <l>Say, cries the kind benignant Sire,</l>
                     <l rend="indent1">Why at this hour thou kneelest here?</l>
                     <l>Can I assistance lend to check,</l>
                     <l rend="indent1">That heart-heav'd sigh, that falling tear?</l>
                  </lg>
                  <lg type="stanza">
                     <l>Thy Pilgrim's weeds, thy sandal'd feet,</l>
                     <l rend="indent1">Thy rugged poverty declare:</l>
                     <l>Perhaps thou'rt houseless and forlorn;</l>
                     <l rend="indent1">Then haste my happy Cell to share.</l>
                  </lg>
                  <lg type="stanza">
                     <l>He said, and lighted to his cell,</l>
                     <l rend="indent1">The hapless way-spent Pilgrim sigh'd;</l>
                     <l>What Thanks, my Father! can I give?</l>
                     <l rend="indent1">No Thank